VIOLIN WITH WOOD CARRYING CASE L OF CASE: 30 1/2 IN. (77.47 CM.), L OF VIOLIN: 23 3/8 IN. (59.37 CM.)Violin with Wood Carrying Case, Dimensions: L of case: 30 1/2 in. (77.47 cm.), L of violin: 23 3/8 in. (59.37 cm.)
E. MARTIN GERMAN VIOLIN COPY OF AMATIE. Martin, Sachsen, Germany violin. Copy of Amati violin. Paper label inside "E. Martin Sachesen", "Copy of Amati", EM stamp on body and TB above. With unmarked silver mounted bow. Violin 23 1/2"L. Sound post loose inside; chips, scratches and losses throughout body of violin, split to body from bottom, strings loose and missing, tailpiece loose, no bridge; hair loose and mostly missing from bow; significant losses to exterior of case, latches and hardware rusted.
SIGNED VIOLIN MIXED MEDIA PAINTING ON CANVASDESCRIPTION: A Violin mixed media painting on canvas. This is a signed abstract textured wall art sculpture, depicting an abstract background with a real violin and musically related pieces such as a music score partiture, and a violin bow attached to the canvas as a central motif. It is artist signed "Zrazimoff". CIRCA: 20th Century. ORIGIN: Russia. DIMENSIONS: W: 38 1/4" H: 50 1/4". Have a similar item to sell? Contact: Info@Akibaantiques.com. CONDITION: Vintage condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS(305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission."
ANTIQUE VIOLIN LABELED FRANCOIS BARZONI AND A TOURTE BOW LATE 19TH CENTURY VIOLIN TOTAL LENGTH 23.5”. TWO-PART BACK 14.25” X 8.25”.ANTIQUE VIOLIN LABELED FRANCOIS BARZONI AND A TOURTE BOW, Late 19th Century, Labeled on interior "Francois Barzoni. a Chateau Thierry". Bow stamped "Tourte". Includes a vintage case. Dimensions: Violin total length 23.5". Two-part back 14.25" x 8.25". Provenance: Note:Francois Barzoni was a trade name for violins manufactured for Beare & Sons in London. They were made in workshops in France and Germany.
Trump Indicator Clown Playing Bass Violin. Circa 1930. Porcelain figure of clown playing bass violin. Made in either Japan or Germany. Excellent. Trump Indicator Clown Playing Bass Violin. Circa 1930. Porcelain figure of clown playing bass violin. Made in either Japan or Germany. Excellent.
Antique 18th C. Violin Labeled Jacobus Stainer: Antique Violin 18th C. Labeled Jacobus Stainer. Jacobus Stainer label (Dated 176?) on interior of violin. . . Violin Size: 24 x 8. 25 in. . Case Dimensions: 32 x 10 x 5 in. Condition . - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. . - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. . - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. . - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. . - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail. com . - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. . - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. . - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
ANTIQUE VIOLIN"SPECIAL MODEL ANTONIO STRADINARIUS" An antique violin "Special Model Antonio Stradinarius" With intact fingerboard, strings, bridge, neck and fingerboard, pegs. With a violin bow.
Body: H. 13 1/4" (33.6 cm) Overall: 22 1/4" (56.5 cm)
Condition: good condition overall for age and use, with a crack at the base of the front of violin going up to the f holes, and wear to the varnish. Wooden case shows signs of moisture damage and surface wear, bow has wear.
WONDERFUL FOLK ART INLAID PATRIOTIC VIOLIN AND CASE. A mid-19th C. violin measuring 24-1/2" overall with the body measuring 8" across at its widest point, fashioned of fancy tiger striped maple and ebony. Of standard form having two opposing "S"-shaped piercings or sounders in the face. The body has a very narrow satin wood sgl line inlay around the entire border. The neck, facing, harp, and keys are fashioned of ebony. The sides and back of the violin are faced in maple with bright and strong tiger-striped grain. At the top in an oval cartouche is an inlaid conch shell of satin wood, mahogany, and tinted maple. At the bottom of the back within a large four-lobed cartouche measuring 5-1/2" x 3-1/2" is a marvelous flying eagle inlaid in satin wood on mahogany with light incised carving. In the eagle’s beak is a long ribbon bearing the motto "E. Pluribus Unum". In one talon, the eagle holds the staff of a flying American flag surmounted by a liberty cap. Inside the body of the violin is written in pencil "Made by C.S. Wormwood/Brookfield PA 1861". The case, which appears to be custom wood and to be orig. and consistent with the period of the violin, is of soft wood in coffin form with a raised central ridge on the top. It measures 30" x 9" at its widest point. The exterior is painted in black with an applied brass bale handle and two brass hooks. The interior is lined in wallpaper having a stick and leaf design in red and brown. There is a cloth retainer for the mahogany bow, which is included. The lower body of the case is lined in red velvet. CONDITION: Very good. Violin body shows much wear, but is still quite well preserved, in particular aside from a few nicks and scratches, the inlays on the reverse are superb. Front of the violin is missing its orig bridge. Most of the orig paint is retained on its case. Interior wallpaper and velvet is well worn. 4-57395 CW109 (800-1,200)
GEMUNDER ART VIOLIN NEW YORK, CIRCA 1927 VIOLIN LENGTH 23". BOW LENGTH 29”.GEMUNDER ART VIOLIN, New York, Circa 1927, Interior label "Gemunder Art Violin August Gemunder & Sons New York 1927". Label also hand-signed "Oscar A. Gemünder". Included bow signed "Conrad Gotz". Dimensions: Violin length 23". Bow length 29".
Six Books on Violin-related Subjects, including Geigenbau und Klangfrage by Konrad Leonhardt, Antonio Stradivari, by Horace Petherick, Violin Bow Making, by John Bolander, The Stradivari Mercurial published by the Library of Congress, Old Violins, by James M. Fleming, and The Story of the Violin, by Paul Stoeving. Estimate $100-200 The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email (lot inquiry button) or by telephone to the appropriate gallery location (Boston/617.350.5400 or Marlborough/508.970.3000). Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Skinner Inc. shall have no responsibility for any error or omission.
ALBERT H. KARR VIOLIN BOW AND A NIPPON VIOLIN BOWAlbert H. Karr Violin Bow and a Nippon Violin Bow
A Group of Three Children's Violins
all with cases, comprising a German 1/8-size violin with two bows, a German 1/4-size violin with one bow, and a French 1/8-size violin with one bow.
Late 19th Century American Violin, John Albert Workshop
branded internally J ALBERT MANUFACTURER OF AMERICAN * VIOLINS, PHILA. with a one-piece figured maple back. A 1998 replacement value appraisal for insurance purposes by R. Nowell Creadick of the Hillmusic Violin Shop (now Chapel Hill Violins) reads "Violin, stamped on the interior, back , J. Albert, Philadelphia, (circa 1890) being, in our experience, an original Albert stamp. The model shows Amati influence, and is constructed of very fine native woods: maple and spruce. The finish is a brown color over a golden base and exhibits a spirit-based quality, The condition is nearly perfect, showing slight scuffing from use. The principle measurements are corpus 358.5 mm. the rib heights being 27.5 upper, 28.5 lower."
The instrument enjoys good intonation and has a nice low action as currently set up.
YVES LOHE BACH VIOLIN SCULPTURE: An original signed sculpture by artist Yves Lohe. Sculpture features a cast-bronze violin with bow and a similar glass violin with streaks of blue and orange. Lohe's signature is featured on the base and the violin. Yves Lohe is a French artist born in 1947 who studied with Abel Bataillard and has been featured in many exclusive exhibitions such as the Independent French Artists Exhibition. Measures approx 30'' x 17.5'' w.CONDITION: Appears to be in very good/excellent condition.
WONDERFUL FOLK ART INLAID PATRIOTIC VIOLIN AND CASE. A mid-19th C. violin measuring 24-1/2” overall with the body measuring 8” across at its widest point, fashioned of fancy tiger striped maple and ebony. Of standard form having two opposing “S”-shaped piercings or sounders in the face. The body has a very narrow satin wood sgl line inlay around the entire border. The neck, facing, harp, and keys are fashioned of ebony. The sides and back of the violin are faced in maple with bright and strong tiger-striped grain. At the top in an oval cartouche is an inlaid conch shell of satin wood, mahogany, and tinted maple. At the bottom of the back within a large four-lobed cartouche measuring 5-1/2” x 3-1/2” is a marvelous flying eagle inlaid in satin wood on mahogany with light incised carving. In the eagle’s beak is a long ribbon bearing the motto “E. Pluribus Unum”. In one talon, the eagle holds the staff of a flying American flag surmounted by a liberty cap. Inside the body of the violin is written in pencil “Made by C.S. Wormwood/Brookfield PA 1861”. The case, which appears to be custom wood and to be orig. and consistent with the period of the violin, is of soft wood in coffin form with a raised central ridge on the top. It measures 30” x 9” at its widest point. The exterior is painted in black with an applied brass bale handle and two brass hooks. The interior is lined in wallpaper having a stick and leaf design in red and brown. There is a cloth retainer for the mahogany bow, which is included. The lower body of the case is lined in red velvet. CONDITION: Very good. Violin body shows much wear, but is still quite well preserved, in particular aside from a few nicks and scratches, the inlays on the reverse are superb. Front of the violin is missing its orig bridge. Most of the orig paint is retained on its case. Interior wallpaper and velvet is well worn. 4-60376 (800-1,200)
Good French double purfled violin of the J.B. Vuillaume Paris School, labelled Jean Baptiste Vuillaume a Paris, 3 rue Demours Ternes, also inscribed and dated 1998 to the inner back, the two piece back of medium curl with similar wood to the sides and head, the table of a broad width grain and the varnish of a golden-brown colour, 14 1/8", 35.90cm, case*This violin is sold with a silver mounted violin bow after J.B. Vuillaume and another silver mounted violin bow by and stamped K. Gerhard Penzel*This violin is also sold with a receipted sales invoice from Turner Violins dated 3/8/02 and a colour photograph with inscription on the back of a Vuillaume brand
Mute violin (Violin variant). c. 1900. : Mute violin (Violin variant). c. 1900. Possibly German. Unknown maker. Bowed string instrument. This instrument has 4 strings; an I-shaped body; black varnished. Length: 59. 1 cm. . . Provenance: The collection of Carol Warden, Dale Music Company, Bethesda, MD.
Violins and violin makers -- Jalovec, K.
Italian violin makers. 1964. Dust-jacket; Retford, W.C. Bows and bow makers. 1964, dust-jacket; Millant, R. J.B. Vuillaume, sa vie et son oeuvre. 1972; Poidras, Henri Critical & documentary of violin makers. Rouen, 1930. Volume 2 only, plates; Fleming, J.M. Old violins and their makers. 1890. Lacking front endpaper; Giltay, J.W. Bow instruments. W. Reeves, [n.d.]; Morris, W.M. British violin makers. 1904. Plates, lacking plate at p. 146; another edition. 1920. Plates, original cloth; Hart, G. The violin. 1887. Front endpaper loose, spine repaired; Haweis, H.R. Old violin and violin lore. W. Reeves, [n.d.]. Plates; Racster, O. Chats on violins. T.W. Laurie, [c.1920]; Honeyman, W.M.C. Scottish violin makers. [n.d.]. Third edition, original wrappersWoodcock, C. Dictionary of contemporary violin and bow makers. 1965, dust-jacket; all original cloth; and 14 pamphlets or paperbacks, similar; sold as a collection not subject to return (26)
Early 20th Century German Violin, Marked Likely Ernst Reinhold Schmidt (German, 1880-1926), first quarter of 20th century. German violin in French style, likely produced by Ernst Reinhold Schmidt under the French name Francois Guillmont as the practice was typical during the time. Stringed musical instrument of standard form with varnished wood body with one piece back. Interior of violin with paper label reading "Francois Guillmont Aix-la-Chapelle". Violin contained in a later case and accompanied with Jules Deschamps (West. Germany) artist rosin in labeled box and bow. Length of violin approximately 23".
English violin labelled Henry J. Walker, Violin Maker, Westcliff... (violin no. 7), 14", 35.60cm; also a 19th century violin labelled Copie de Della Costa..., 14 1/8", 35.90cm (2)
Albert Gotz Violin, dated 1915, German made full size violin with Roderich bow. : Albert Gotz Violin, dated 1915, German made full size violin with Roderich bow. Condition All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
A COPY OF A JOSEPH GUARNERIUS VIOLIN & 2 BOWS The violin bearing a Guarnerius label and dated 1740. Together with 2 bows, both unsigned. From a Carmel, NY estate. Dimensions: Violin overall 24.5", violin body 14.5", 8.5" across widest. Bows: one 28.5", the other 29", Condition: Both bows unstrung. Wear consistent with age and use.
MUSICAL INSTRUMENTS: Two violins and violin accessories contained in three cases: late 19th C. violin, reddish finish, labeled "W.C. Reynolds, December 1886" interior sound hole, two Paul Alden, Yonkers, NY repair labels from 1969 and 1971 interior, unwound wire strings and missing bridge, horsehair bow needs pruning, 24 1/2" l., with two extra bridges, extra pegs, and rosin included in hard-shell faux snake skin case; late 19th C. violin, partial paper label interior, three extra bridges, pegs, strings, and rosin fragments contained in heavily damaged case, E string currently threaded but snapped, 24" l.; along with hard-shell plastic case containing violin bow, expected wear throughout.
GEMUNDER ART VIOLIN NEW YORK, CIRCA 1927 VIOLIN LENGTH 23". BOW LENGTH 29”.GEMUNDER ART VIOLIN, New York, Circa 1927, Interior label "Gemunder Art Violin August Gemunder & Sons New York 1927". Label also hand-signed "Oscar A. Gemünder". Included bow signed "Conrad Gotz". Dimensions: Violin length 23". Bow length 29".
Three Books on Violin Makers, Jalovec, Karel, The Violin Makers of Bohemia and Italian Violin Makers, and Azzolina, Umberto, Italian Violin Making. Estimate $100-200 The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email (lot inquiry button) or by telephone to the appropriate gallery location (Boston/617.350.5400 or Marlborough/508.970.3000). Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Skinner Inc. shall have no responsibility for any error or omission.
GERMAN VIOLIN, KLOTZ SCHOOL & BOW1st item: German violin, coffin form, unsigned but atrributed to the Klotz Family of violin makers. Late 18th century. Note: Old repair receipts included with this lot indicate that this violin is most likely Klotz School. 24" L. 2nd item: Anton Breton signed bow. 29 3/4" L, 20th century. Both items housed in a contemporary hard case with miscellaneous violin related accessories. Case measures 31 1/2" L. Demonstration video on YouTube
Condition:
1st item: Old restoration evident to the saddle area and end button area. Repair receipts retained with violin. General wear to finish from use.
3 VIOLINS3 Violins- 1.) German violin, Miggini, ca. 1900; 2.) Violin, ca. 1940, base bar cracked; and 3.) German 1/2 size violin, ca. 1960, case by Roth.
KENNEDY VIOLINS LOUIS CARPINI G2 VIOLIN OUTFITKennedy Violins Louis Carpini G2 Violin Outfit, with case Dimensions: The violin: 22 1/2 x 8 in. (57.2 x 20.3 cm.), The case: 31 x 9 1/2 x 5 in. (78.7 x 24.1 x 12.7 cm.) Condition:
Violin Bow Stamped "Gustave Bernadel Paris"
A 1998 replacement value appraisal for insurance purposes by R. Nowell Creadick of the Hillmusic Violin Shop (now Chapel Hill Violins) reads, "Violin bow, stamped and in our opinion from the workshop of Gustave Bernadel, Paris, circa 1890. This bow is made of very fine pernambuco, mounted in ebony and Sterling silver. The condition is near mint, showing slight deterioration in the silver plating on the silk-braided winding."
The middle of the bow curves to the right. Recently re-haired.
P.E. HEBERLEIN 1922 VIOLIN WITH 2 BOWSP.E. (Paul Erich) Heberlein violin with 2 bows. Bows unmarked, 1 silver mounted. Violin with P.E. Heberlein Markneukirchen 1922 Made in Germany paper label. In a leather case. Violin missing strings, no bridge. Minor scratches to body. 1 bow strings frayed and loose. Case with losses, scratches and tears to leather. Violin 23 3/8"L.
Four various old violins and a contemporary half size violin, bow; also a small quantity of stringed instrument fittings, old wooden double violin case and a single violin case
Viola and Three Violins, the viola labeled ...JOHN JUZEK, MADE IN GERMANY...; one German violin labeled ...STRADIVARIUS..., one labeled ...J.C. CHRISTMAN 398 PEARL ST NEW..., one Chinese and unlabeled, length of back 38 cm (14 7/8 in.), 360, 362, and 352 mm, all in cases, three with bows. Estimate $200-300 The unlabeled violin needs a sound post adjustment; glue openings. Otherwise, playable. The viola needs repair in the top right corner; needs a bridge, tailpiece, strings; glue openings. The strad violin has glue openings; needs strings and set up sound post. The Christman - glue openings, adjust sound post. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email (lot inquiry button) or by telephone to the appropriate gallery location (Boston/617.350.5400 or Marlborough/508.970.3000). Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Skinner Inc. shall have no responsibility for any error or omission.
Nine Violin Related Titles, including six catalogs. List of Violins, William Lewis & Son, Dec. 13th, 1939.
Price List, Rare Old Italian Violins, F.A. Oliver, Boston, 1898
Catalog of Old Violins, Elias Howe Company, Boston 1926
Rare Old Violins, George Withers, & Sons, October, 1919
Violins, Cellos Bows, H.R. Knopf, c. 1912
Old Violins, Collection 1896-1897, Lyon & Healy
Masterpieces of the Great Violin Makers, Rudolf Wurlitzer, 1917
The Violinist's Guide
Antonius Stradivarius
Three various size contemporary student violins; also a quantity of various violin fittings, four quarter size violins cases and two full size violin cases
YVES LOHE CHRYSALIDE VIOLIN SCULPTURE: An original signed sculpture by artist Yves Lohe. Sculpture features a segmented cast-bronze violin and a glass violin with streaks of blue and orange. Lohe's signature is featured on the base and the violin. Yves Lohe is a French artist born in 1947 who studied with Abel Bataillard and has been featured in many exclusive exhibitions such as the Independent French Artists Exhibition. Measures approx 35'' x X 14'' w.
RARE ORIGINAL ENGRAVED MUSIC BY THE "BLACK MOZART" (MUSIC.) DE BOULOGNE, JOSEPH, LE CHEVALIER DE SAINT GEORGE. Deux Concerto a Violon Principal. Premier et Second Alto et Basse, Hautbois, Flutes et deux Cors ad libitim. Oeuvre III. The original parts, each with a separate engraved title-page, for first and second violin, first and second flute, first and second oboe, two violas and bass; lacks the principal violin part and the two horn parts as well as the second leaf of the second violin part for the second concerto, and the viola part has been mis-bound. 3 large bi-folium leaves, engraved on four sides; 3 large bi-folium leaves engraved on four sides, each with an added leaf making 5th and 6th pages; all pages are entirely untrimmed; some wrinkling and damp-staining to a few leaves with the page-edges a bit darkened. Paris: Bailleux; Lyon: Casteau; and Brussels: Godfroy, [1774]
only five other copies are known. Two copies in France, one in Holland, one in Belgium and one in the United States; the latter incomplete, as is the present copy.
Joseph de Boulogne, le Chevalier de St. George (1745-1799), musician and fencing champion, was born to a wealthy French merchant and a West Indian slave of African descent on the island of Guadaloupe. He was accepted by his father''s wife and had the run of the plantation. When he was eight, his father killed a man in a duel and was forced to flee the island. Young Joseph''s mistress took him to Paris, and then to Bordeaux where they were re-joined by his father and his real mother. He was entered in one of the best schools there and by 15, Joseph was a master fencer and made an officer in the King''s guard. He was extraordinarily gifted, and excelled at virtually everything he applied himself to, including music, mastering both the harpsichord and the violin, and began composing almost at once. Saint-George became Conductor of Le Concert de amateurs in 1773, combining his duties with composing. He produced 7 violin concertos and 2 symphony concertantes in the next two years. In 1775, only two years after Saint-George became Conductor, L''Almanach Musical [The Musical Almanac] wrote that the ensemble was "the best orchestra for symphonies in Paris and perhaps in Europe." His work has been compared to that of Mozart, whom he knew and with whom he communicated. In 1791, St. George was made colonel of a cavalry unit composed entirely of "gens de coleurs" (men of color) with Alexandre Dumas as his lieutenant. He continued composing and playing almost to his last days. He died alone in a small flat in Paris in 1799.
VIOLIN & WOODEN CASECondition: heavy wear to case and to violin; violin and bow stripped of most parts; some parts retained; the violin: 23 inches wide; the case: 31 inches wide Condition:
Four Books on Italian Violins: Four Books on Italian Violins, including Rattray, David, Masterpieces of Italian Violin Making; Jalovec, Karel, Beautiful Italian Violins; Villa, Marcello, Capicchioni; and Cacciatori, Fausto, ed. , Domenico Montagnana. . Estimate $200-300 . . . Items may have wear and tear, imperfections, or the effects of aging. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Skinner shall have no responsibility for any error or omission.
Classic German Style Violin: Classic German high-arched style violin, appears to have been well-made. Repair label from Willis Orland, "Odd Cox, " from Orangeville (most likely meaning Orangevale), California 1970s. This violin comes with a case. For shipping quote, please contact Box Brothers Sacramento at boxbrosacto@gmail. com. Condition The violin is in good to fine condition. Witherell's strives to provide as much information and photographs as possible but encourages in-person inspection by bidders. Condition statements are only for general guidance and should not be relied upon as complete statements of fact and do not constitute a representation, warranty or assumption of liability by Witherell's. All lots are sold "AS IS" under the Terms & Conditions.
VINTAGE VIOLIN WITH CASE, THE VIOLIN WITH SCROLL CVINTAGE VIOLIN WITH CASE, the violin with scroll carved head with four dark wood tuning pegs, laminated dark wood fingerboard and Bakelite neck rest. Bow with German silver and mother of pearl, all in black canvas covered hard case.
MATHIAS HORNSTEINER II GERMAN VIOLIN, LABELED AND DATED 1801 LENGTH OF VIOLIN: 23 IN. (58.4 CM.)MATHIAS HORNSTEINER II GERMAN VIOLIN, LABELED AND DATED 1801, labeled Mathias Hornsteiner, Geigenmacher. / Hofschmied in Mittenwald an der Iser. / Anno 1801; and another numbered 1056, with bow, unsigned; inside fitted violin case by William Moennig & Son, Philadelphia (3) Dimensions: Length of violin: 23 in. (58.4 cm.)
Contemporary violin labelled Gio Balto Morassi...anno 1967, 14 1/16", 35.70cm*This violin is sold with a silver mounted violin bow stamped Roger Breton and a nickel mounted violin bow stamped Conrad Gotz
CLAUS MUELLER ETUDE VIOLIN, ENCASED, AND A HELMKE VIOLIN, ENCASEDClaus Mueller Etude Violin, Encased, and a Helmke Violin, Encased
Three Violins, a child's German violin labeled ...KLOTZ..., a Chinese violin, and an unlabeled full-size violin, length of back 338, 340, and 355 mm. Estimate $200-300 The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email (lot inquiry button) or by telephone to the appropriate gallery location (Boston/617.350.5400 or Marlborough/508.970.3000). Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Skinner Inc. shall have no responsibility for any error or omission.
JOHN JUZEK VIOLIN WITH BOW: Early 20th-Century, Prague, Violin with bow. Made by John Juzek, Carved with ebonized accents. Tiger Maple back. Paper tag at the interior. Violin Approx. 24'' l x 8.5'' w. Bow Approx. 29.25'' l.CONDITION: Scattered indents & wear, loss at one corner at violin, bow with traditional wear.
19th C. European Violin: 19th C. European Violin. Labeled Nicolaus Amatus Fecit In Cremona Violin. Graduated in 1913. Comes with case and bow. . . Violin Size: 23. 5 x 8. 5 in. . Case Size: 31 x 10 x 4 in. Dimension Condition - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. . - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via wire transfer or cashier’s check, no other forms of payment will be accepted. . - All sales are final; no refunds will be given under any circumstances. . - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. . - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail. com . - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. . - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live.
Reproduction Antonius Stradiuarius violin and bow in case. violin: lg. 22", bow: lg. 26" Reproduction Antonius Stradiuarius violin and bow in case. violin: lg. 22", bow: lg. 26"
A LATE 19TH CENTURY MINIATURE VIOLIN, signed with a paper label 'T Jacklin Model Violin Maker, Hull, 1880', 20cm in length (AF) together with two further miniature violins, each 14cm in length (3)Thomas Jacklin of 16a Ocean Place, Hull is listed as a Violin maker and Teacher in Bulmer's Gazetteer of 1892.These items are from the collection of the noted violinist Suzanne Rozsa-Lovett (1923-1995). Winner of the Kreisler Prize and the Gold Medal of the Guildhall School of Music and Drama. Mrs Rozsa-Lovett was a soloist, chamber and orchestral player, notably with the London Polish Quartet, The Dumka Trio and the English Chamber Orchestra. She was also a Professor at the Guildhall and wife of the cellist of the Amadeus Quartet, Martin Lovett.
A LATE 19TH CENTURY INK WELL in the form of a miniature leather bound violin case, three old brass vesta cases in the form of violin cases, the largest 7cm in length, four further silver plated vesta cases in the form of miniature violins, two tape measures in the form of a miniature lute and a violin and a miniature violin fountain pen (11)These items are from the collection of the noted violinist Suzanne Rozsa-Lovett (1923-1995). Winner of the Kreisler Prize and the Gold Medal of the Guildhall School of Music and Drama. Mrs Rozsa-Lovett was a soloist, chamber and orchestral player, notably with the London Polish Quartet, The Dumka Trio and the English Chamber Orchestra. She was also a Professor at the Guildhall and wife of the cellist of the Amadeus Quartet, Martin Lovett.
ANTIQUE VIOLIN AND BOW, THE VIOLIN LABELED FRANCOIANTIQUE VIOLIN AND BOW, the violin labeled FRANCOIS BARZONI a CHATEAU THIERRY, c. 1900, stamped GERMANY and FB at the button, 24"L.