Thomas Blackshear's Ebony VisionsThomas Blackshear's Ebony Visions "Bundle of Joy", newborn cuddles in the arms of his proud parents, whose faces glow with the spiritual joy in their hearts, 2000 Willitts Designs Item No 37073, First Issue #2296, 12-3/4" h, chips to wood base, no box, paint loss to the man's coat at bottom
Southern law, four works: imprintsSouthern law, four works: imprints from Milledgeville, Athens, Charleston, 1814-1837; detailed listing available.
SILHOUETTE. American 1st quarter-19thSILHOUETTE. American 1st quarter-19th century. Embossed mark ''T.P. Jones/Fecit''. Hollow cut profile of an older gentleman with the small cut eyelash indicative of Jones' work. Initials THM in pen and ink. Imperfections. In frame 5''h. 4''w. Jones worked in New York and New England between 1805-1826. Toning of paper several pin prick size holes. Indistinguishable writing in pencil at bottom right. Some paper discoloration at top. Frame is missing onw ebony corner square.
Early Georgia portraits, 1715-1870:Early Georgia portraits, 1715-1870: National Society of the Colonial Dames of America in the State of Georgia, University of Georgia Press, 1975, 338 pp. Good condition, dust jacket with minor creases and slight fading, boards bowed.
TWO APPALACHIAN WOOD CARVINGSbyTWO APPALACHIAN WOOD CARVINGSby Thomas James Wolfe, Spruce Pine, NC, lifetime member Southern Highlands Craft Guild, hand carved unpainted pine figures of woman on stump milking goat, second woman pushing firewood wheelbarrow, each on rustic bark bases, one with initials "TJW", other signed "Tom Wolfe", tallest 7-1/2 in., widest base 14-3/4 in.
Provenance: North Carolina Collection
Condition:
typical surface abrasions, figure pushing wheelbarrow detached from base, ax handle absent
OOB- Impressionist woodlands withOOB- Impressionist woodlands with mountains in impasto monogrammed ll 'NR' and dated '58 barn wood molded frame linen liner SS: 23 1/2'' x 29 1/2'' OS: 28'' x 34'' good condition.
Thomas Sully (follower of) (Pennsylvania/EnglandThomas Sully (follower of) (Pennsylvania/England 1783-1872) PORTRAIT OF A GENTLEMAN oil on canvas framed unsigned H30'' W24 1/4'' Provenance: Milledgeville Georgia private collection.
Ten prints, Southern views: sixTen prints, Southern views: six Georgia and four Virginia related, mostly architectural views; detailed listing available.
T.J. Averett stoneware jug, roundedT.J. Averett stoneware jug, rounded shoulder, strap handle stamped "TJA" (Thomas J. Averett, born 1875, Crawford County, Georgia, son of William Averett), runny green and brown alkaline glaze, 14-3/4 in. Spout restored, some glaze voids at base.
THOMAS STROBEL EXPRESSIONIST PORTRAITTHOMAS STROBEL EXPRESSIONIST PORTRAIT PAINTING Illinois, Tennessee,1931-2001Dark earthy color palette forming the face of a young woman glancing to the side covered in flowers.
Georgia law, three works 1819,Georgia law, three works 1819, 1835: all Milledgeville imprints by Clayton, Greene and Lumpkin; detailed listing available.
Thomas Birch, Illustrious Persons:Thomas Birch, Illustrious Persons: two partial books; detailed listing available.
Thomas Sully (PA 1783-1872) PortraitThomas Sully (PA 1783-1872) Portrait Studyoil and graphite on paper laid on board three quarter length portrait of a woman in an empire gown with red wrap likely painted circa 1820 housed in gilt composition frame under glass the frame retains remnants of a label from Geo. F. Or Picture Framer on Madison Ave. in New York.Painting 6.75 x 5 3/16 in.; DOA 8.5 x 6.75 in.Noted on verso ''Nash Mastic Varnish'' - yellowing to varnish. Small abrasion to edge at top left.The collection of Barbara Rhoades NC grandniece of Katherine N. Rhoades and granddaughter of Lyman Rhoades Sharon CT and New York NY
T.J. Averett stoneware jug, strapT.J. Averett stoneware jug, strap handle marked "TJA" (Thomas J. Averett, born 1875, Crawford County, Georgia, son of William Averett), mottled brown/olive alkaline glaze, 9-3/4 in. Large rim chip, otherwise good condition. James, Georgia flea market, 1977
Brice Thomas (printer)/Carts andBrice Thomas (printer)/Carts and Carriages/a set of six engravings 12.75cm x 17.75cm (5" x 7")/from Le Guide du Carrossier
R.J. VOJIR "MIDTOWN ATLANTA" IMPRESSIONISTR.J. VOJIR "MIDTOWN ATLANTA" IMPRESSIONIST O/C Ryan J. Vojir (American b. 1975), "Midtown Atlanta", 2006, oil on canvas night time cityscape, signed and dated at lower right and en verso, framed. Approx. canvas h. 15", w. 30". Frame h. 17.125", w. 32.125", d. 1.25".
Three Flora Danica serving platters:Three Flora Danica serving platters: sawtooth borders with gilt highlights, hand painted floral designs, 14 in., 15-1/2 in. and 17-5/8 in., Smaller two with hash marks through blue wavy lines possibly indicating seconds, otherwise excellent condition; largest with extensive repairs and repainting. The Estate of the Late Parker B. Poe to Benefit the Thomasville Cultural Center, Thomasville, Georgia
Georgia overshot coverlet, woolGeorgia overshot coverlet, wool and linen, blue on white, three panels, probably Georgia, 19th century, 97 x 91 in., Griffin notes: "Whig Rose or Methodist Wheel pattern". Fading and wear, scattered stains, pest damage, other holes, scattered small repairs. Consignment shop, Augusta, Georgia, 1978
32 pieces clobbered ware: blue32 pieces clobbered ware: blue transfer with polychrome decoration, varying small blue marks under glaze, one with circle and arrow, one with hand-drawn star, English, 19th century; detailed list available. The Estate of the Late Parker B. Poe to Benefit the Thomasville Cultural Center, Thomasville, Georgia
Books: Southern history and relatedBooks: Southern history and related Adams Nehemiah. A TOUR AMONG THE PLANTERS and THREE MONTHS AT THE SOUTH: A SOUTH-SIDE VIEW OF SLAVERY (in 2 volumes and slipcase) Beehive Press 1974. Brown John. SLAVE LIFE IN GEORGIA. Beehive Press 1972. Burke Emily. PLEASURE AND PAIN. Beehive Press 1978. Clifton James M. LIFE AND LABOR ON ARGYLE ISLAND. Beehive Press 1978. Cumming Kate. THE JOURNAL OF A CONFEDERATE NURSE. Beehive Press 1975. deBuys William. RIVER OF TRAPS. UN of New Mexico 1990. Grant C. L. LETTERS JOURNALS AND WRITINGS OF BENJAMIN HAWKINS (Vol. I & II). Beehive Press 1980. Huidt Kristian. VON RECK'S VOYAGES: GEORGIA IN 1736. Beehive Press 1980. Jones Charles C. THE DEAD TOWNS OF GEORGIA. Cherokee Publishing 1974. Kennedy Benjamin. MUSKETS CANNON BALLS & BOMBS. Beehive Press 1974. Killion Ronald. SLAVERY TIME WHEN I WAS CHILLUN DOWN ON MARSTER'S PLANTATION. Beehive Press 1973. Lane Mills. DEAR MOTHER: DON'T GRIEVE ABOUT ME. Beehive Press 1977. Reese Trevor R. THE MOST DELIGHTFUL COUNTRY OF THE UNIVERSE. Beehive Press 1972. -- -- OUR FIRST VISIT IN AMERICA. Beehive Press 1974. Sears Joan Niles. THE FIRST ONE HUNDRED YEARS OF TOWN PLANNING IN GEORGIA. Cherokee Publishing 1979. Thompson C. Mildred. RECONSTRUCTION IN GEORGIA. Beehive Press 1972. (17pcs) Provenance: Estate of Jane Isabella Maguire Abram Atlanta Georgia. Back   Inquiry    Previous Item  Next Item © Charlton Hall Auctions. Images descriptions and condition reports used on this site are original copyright material and are not to be reproduced without permission. For further information telephone 803.779.5678   © 2012 CHARLTON HALL GALLERIES INC.
Georgia portrait, Edwin B. SmithGeorgia portrait, Edwin B. Smith (Ohio/New Orleans, active 1815-1832), Robert Ransome Billups (died 1836) against a landscape with rolling hills, hunters and dogs chasing a wounded stag, circa 1827, oil on canvas, 30 x 31-1/8 in.; 19th century "lemon gilt" wood shallow cove molding frame. Restretched on old stretcher, lined with wax and linen, retouch throughout affecting 20-25 percent of surface, accretion lower right; frame with abrasions, surface loss, chips. Robert and Elizabeth Billups, Clarke County, Georgia; Edward and Martha Billups (unknown); William and Florence Griffin.
THOMAS CHIPPENDALE GENTLEMAN ANDTHOMAS CHIPPENDALE GENTLEMAN AND CABINET-MAKER'S DIRECTOR the 1762 best edition of ''the most important collection of furniture designs issued up to that time in England '' beautifully illustrated with 200 copper-engraved plates Provenance: From Patricia Kluge's Albemarle House Charlottesville VA
THOMAS ARVID (GEORGIA, 1964-),THOMAS ARVID (GEORGIA, 1964-), “FRIENDS IN TOWN”., HAND-EMBELLISHED GICLEE ON CANVAS, 42” X 28”. FRAMED 48.5” X 34.5”.THOMAS ARVID, Georgia, 1964-, "Friends in Town". Signed "Arvid" lower right. Numbered 6/135 and inscribed "A.P." lower right. Inscribed "When with good friends always drink great wine! Cheers! Thomas Arvid" verso with a felt-tipped pen drawing of a wine glass dated "2007". Dimensions: Hand-embellished giclee on canvas, 42" x 28". Framed 48.5" x 34.5".
THOMAS B. NORRIS IMPRESSIONISTTHOMAS B. NORRIS IMPRESSIONIST LANDSCAPE PAINTING Massachusetts, Rhode Island,1866-1927Impressionist work depicting a wooded hillside on a Summer's day, housed in a period gilt wood frame.
Stoneware studio vase, broad flaredStoneware studio vase, broad flared rim, partially glazed, applied latex decoration resembling chocolate chips, hand signed on base, 22-1/2 in. The Estate of the Late Parker B. Poe to Benefit the Thomasville Cultural Center, Thomasville, Georgia
MISS PEARCE AFTER THOMAS SULLYMISS PEARCE AFTER THOMAS SULLY (AMERICAN, 1783-1872) PORTRAIT OF MISS PEARCE AFTER THOMAS SULLY (AMERICAN, 1783-1872) GICLEE ON BOARD, MATTED IN ANTIQUE CARVED GILTWOOD FRAME; 39"H 34"W
ENGRAVING- Classical figure attributedENGRAVING- Classical figure attributed to Giovanni Battista Tiepolo (Italian 1696-1770) after Parmigianino. Lehigh University Collection label verso. From the office of Dean Yates. Frame: driftwood molded French lined mat glazed. Surface mounted. SS:
THOMAS MCKNIGHT, CLARKE AVENUE,THOMAS MCKNIGHT, CLARKE AVENUE, SCREENPRINT IN COLOR, 138/200, FRAMED, 32 X 34 INCHESThomas McKnight, Clarke Avenue, Screenprint in Color, 138/200, Framed, 32 x 34 inches
Two beach-side ferrotype images,Two beach-side ferrotype images, one-sixth plates: couple seated on beach beneath parasol; two ladies on beach, both images in leather half cases with top suspension loops; with one-quarter plate of couple, leather case, separated at hinge , and one-ninth plate ambrotype of lady, half leather case with loop, small losses to image , (four pieces). Wear and soiling throughout. The Estate of the Late C. David Williams, Atlanta, Georgia
Four Tom Brown carvings (PleasantFour Tom Brown carvings (Pleasant Hill, Tennessee, 1884-1947): figures of black man and woman in rocking chairs, boy carrying watermelon, girl in polka dot dress holding piece of fruit behind her back, carved and painted wood, bases with indistinct pencil marks (possibly dates or prices), 3-1/4 in. to 4-1/2 in. Minor abrasions and paint loss. Private Collection, Etowah, North Carolina.
Four prints, Georgia views: SpiritFour prints, Georgia views: Spirit Creek; Near Augusta, Georgia, after J. Shaw, published by M. Carey & Son, Philadelphia, image 9-3/4 x 13-3/4 in., razor cuts in margins, light toning and foxing, stains; Tallulah Falls-Georgia, reproduction Currier & Ives, hand-colored lithograph, image 12-1/2 x 8-1/2 in., tear left margin; The City and Harbor of Savannah, Georgia, after J.O. Davidson, hand colored, 10 x 14-1/8 in. (sight), toning and foxing; City of Macon, Georgia, after Theodore R. Davis, 9-3/4 x 14-1/4 in. (sight), toning and foxing; modern frames. Not examined out of frames; frames with abrasions.
THOMAS MCKNIGHT (AMERICAN, B. 1941).THOMAS MCKNIGHT (AMERICAN, B. 1941). 21" x 23" "The Hamptons", 1987 Set of 12 original serigraphs printed by Wilcox Fine Art, New York, on Somerset Soft White texture rag paper, each signed in pencil lower right, from the edition of 175, each numbered in pencil lower left 143/175, each stamped verso copyright Thomas McKnight 1987, in a silk portfolio with gold text. Titles: Southampton, Mecox Bay, Wainscott, Water Mill, Bridgehampton, East Hampton, Maidstone, Georgica, Sagaponack, Westhampton, Sag Harbor, and Amagansett.
Collection of wheelmen etched glassCollection of wheelmen etched glass reprints photo copies framed sheet music silhouettes and an ordinary print by LJ Patterson 1976 #4 of 5 limited edition ''Bayliss - Thomas''. Approximately (18) pieces. ( *NOTE TO ABS/INTERNET BIDDERS: Large and/or heavy lots may have high shipping costs. Contact UPS Store #5539 for shipping estimates.)
Three Civil War soldier tintypes:Three Civil War soldier tintypes: one-sixth plate, uniformed standing soldier, cavalry sword suspended from belt, image of seated child opposite (possibly same person), both in thermoplastic case, with inserted 1894 obituary of Margaret Mattox, referencing her son Thomas, and tintype of her(?); one-sixth plate image of seated soldier holding muzzle-loading percussion rifle, "U.S." belt buckle, embossed leather case, interior hinge separation ; one-ninth plate image, man with lighter-colored uniform, oval buckle, leather case, separated at hinge, wear . Private Collection, Easley, South Carolina
THOMAS CONDER, BRITISH 1746-1831,THOMAS CONDER, BRITISH 1746-1831, THE CAROLINA'S, WITH PART OF GEORGIA, ENGRAVING: 14 1/2 X 14 7/8 IN. (SHEET), 15 3/8 X 15 5/8 IN. (FRAMED)THOMAS CONDER, BRITISH, 1746-1831 THE CAROLINA'S, WITH PART OF GEORGIA, Engraving: 14 1/2 x 14 7/8 in. (sheet), 15 3/8 x 15 5/8 in. (framed) Framed Engraving: 14 1/2 x 14 7/8 in. (sheet), 15 3/8 x 15 5/8 in. (framed)
Thomas Sergent majolica jardinieremodeledThomas Sergent majolica jardinieremodeled as a hawk with its prey standing before two tree trunks on a naturalistic base. Stamped ''TS''. 14''L Circa - Late 19th C.