- PRINT, REGINALD HOLMES Reginald Holmes
PRINT, REGINALD HOLMES Reginald Holmes (Canadian, b. 1934), "X," 1969, screenprint, pencil signed and dated lower right, edition 41/98, sheet: 19.25"h x 28.5"w, overall (with frame): 21"h x 30"w
- WILLIAM REGINALD WATKINS. LANDSCAPE
WILLIAM REGINALD WATKINS. LANDSCAPE WITH POND, OIL (American, 1890-1985). Oil on canvas, signed and dated "W.R. Watkins, 1921" lr, sight size: 18 x 22 in., framed size: 24 x 28 x 3 inches.
- ATTRIBUTED TO REGINALD MARSH. NUDE STUDY,
ATTRIBUTED TO REGINALD MARSH. NUDE STUDY, CONTE CRAYON (American, 1898-1954). Red conte crayon on paper, attribution on verso with facsimile copy of a personal letter to Frank Redelius from the artist, sight size: 12 x 8 in., framed size: 17 3/4 x 13 3/4 x 1/2 inches.
- REGINALD NEAL (AMERICAN, 1909-1992)
REGINALD NEAL (AMERICAN, 1909-1992) "SQUARE OF TWO" Color lithograph. Signed 'Reginald H. Neal' (lower right) and 'Square of Two 3/100' (lower left).
- STAFFORDSHIRE SALT-GLAZED STONEWARE
STAFFORDSHIRE SALT-GLAZED STONEWARE POLYCHROME-ENAMELED TEAPOT AND COVER, CIRCA 1760 HEIGHT: 4 IN. (10.2 CM.), LENGTH FROM SPOUT TO HANDLE: 6 1/2 IN. (16.5 CM.)STAFFORDSHIRE SALT-GLAZED STONEWARE POLYCHROME-ENAMELED TEAPOT AND COVER, CIRCA 1760, globular with crabstock handle and spout, enameled in the famille rose palette with a rose flower spray above a blue rock, the shoulder and cover with crosshatched diaper design Dimensions: Height: 4 in. (10.2 cm.), Length from spout to handle: 6 1/2 in. (16.5 cm.) Provenance: Reginald French Collection With Hollis Broderick Antiques, May 2000, ($400) From the Collection of Diana Edwards Murnaghan, No. 329
- REGINALD POLLACK (AMERICAN 1924-2001),
REGINALD POLLACK (AMERICAN 1924-2001), BIRCHES, OIL ON BOARD, SIGNED L.R. AND DATED 1983, 23 X 31 IN. (58.4 X 78.7 CM.)Reginald Pollack (American 1924-2001), Birches, Oil on Board, Signed l.r. and Dated 1983,, Dimensions: 23 x 31 in. (58.4 x 78.7 cm.)
- REGINALD BOTTOMLEY (BRITISH, 1856-1933).
REGINALD BOTTOMLEY (BRITISH, 1856-1933). Oil on canvas. Portrait of a Woman. Signed lower left. From a White Plains, NY collection. Dimensions: 30" high x 25" wide Condition: Good. A small repair in hair and lower right.
- Reginald Marsh (American, 1898-1954)
Reginald Marsh (American, 1898-1954) etching "People's Follies", etching on paper, blindstamp "WM" for Whitney Museum, edition 35/100, Associated American Artists card on reverse, -1/4" x 11-3/4" plate, 14" x 17" sheet, framed 16-1/4" x 20-1/4", corner mounts, not laid down, very good condition
- ROY LICHTENSTEIN (1923-1997): THINKING
ROY LICHTENSTEIN (1923-1997): THINKING NUDE (FROM NUDES)Roy Lichtenstein, American, (1923-1997) Thinking Nude (from Nudes) AFTER CONSERVATION, color lithograph signed in blue ink color lithograph Dimensions: Image: 5 1/2 x 8 1/2 in.; Sheet: 8 1/2 x 11 in. Provenance: Roy Fox Lichtenstein (October 27, 1923 – September 29, 1997) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City. Whaam! and Drowning Girl are generally regarded as Lichtenstein's most famous works. Drowning Girl, Whaam!, and Look Mickey are regarded as his most influential works.[8] His most expensive piece is Masterpiece, which was sold for $165 million in January 2017. Early years: Lichtenstein was Jewish, although he "played down his roots" and "didn't speak often of being Jewish".[10] His family was upper middle class.[1][11][12] His father, Milton, was a real estate broker, his mother, Beatrice (Werner), a homemaker.[13] He was raised on the Upper West Side and attended public school until the age of twelve. He then attended New York's Dwight School, graduating from there in 1940. Lichtenstein first became interested in art and design as a hobby, through school.[14] He was an avid jazz fan, often attending concerts at the Apollo Theater in Harlem.[14] He frequently drew portraits of the musicians playing their instruments.[14] In his last year of high school, 1939, Lichtenstein enrolled in summer classes at the Art Students League of New York, where he worked under the tutelage of Reginald Marsh.[15] Career: Lichtenstein then left New York to study at Ohio State University, which offered studio courses and a degree in fine arts.[1] His studies were interrupted by a three-year stint in the Army during and after World War II between 1943 and 1946.[1] After being in training programs for languages, engineering, and pilot training, all of which were cancelled, he served as an orderly, draftsman, and artist.[1] Lichtenstein returned home to visit his dying father and was discharged from the Army with eligibility for the G.I. Bill.[14] He returned to studies in Ohio under the supervision of one of his teachers, Hoyt L. Sherman, who is widely regarded to have had a significant impact on his future work (Lichtenstein would later name a new studio he funded at OSU as the Hoyt L. Sherman Studio Art Center).[16] Lichtenstein entered the graduate program at Ohio State and was hired as an art instructor, a post he held on and off for the next ten years. In 1949 Lichtenstein received a Master of Fine Arts degree from Ohio State University. In 1951, Lichtenstein had his first solo exhibition at the Carlebach Gallery in New York.[1][17] He moved to Cleveland in the same year, where he remained for six years, although he frequently traveled back to New York. During this time he undertook jobs as varied as a draftsman to a window decorator in between periods of painting.[1] His work at this time fluctuated between Cubism and Expressionism.[14] In 1954, his first son, David Hoyt Lichtenstein, now a songwriter, was born. His second son, Mitchell Lichtenstein, was born in 1956.[18] In 1957, he moved back to upstate New York and began teaching again.[4] It was at this time that he adopted the Abstract Expressionism style, being a late convert to this style of painting.[19] Lichtenstein began teaching in upstate New York at the State University of New York at Oswego in 1958. About this time, he began to incorporate hidden images of cartoon characters such as Mickey Mouse and Bugs Bunny into his abstract works. Condition: Please see photos for attached conservation report
- REGINALD MARSH, WATERCOLOR ON PAPER,
REGINALD MARSH, WATERCOLOR ON PAPER, 1944 Reginald Marsh (American,1898-1954) "Girl Walking by a Millinery Shop", signed and dated lower right, gallery label verso, framed under glass, 19.5"h x 13.5"w (sight), 25"h x 19.5"w (frame)
- REGINALD MARSH, HAND-TINTED ETCHING,
REGINALD MARSH, HAND-TINTED ETCHING, 1930 Reginald Marsh (American, ,1898-1954), "Gaiety Burlesque" (Sasowski 102), pencil signed lower right, likely from an edition of 39, etching in applied colors on laid paper, matted and framed under glass, 11.75"h x 9.75"(sight), 17.5"h x 15.5"w (frame)
- William Reginald Watkins (American,
William Reginald Watkins (American, 1890-1985) MD artist, landscape painting "Twin Oaks on the River Avon", oil on canvas, estate label on reverse, signed "W. R. Watkins 1923", 25" x 30", framed 31" 36", very good condition