- A SET OF TWELVE W.T. COPELAND & SONS
A SET OF TWELVE W.T. COPELAND & SONS PLATES DESIGNED BY LIONEL EDWARDS 10" diameter A set of 12 porcelain plates of cream / beige color with wood grain border. Retailed by Sloane & Smith, Ltd., London, each having a transfer image of a hunt scene designed by artist Lionel Edwards (1878-1966). Comprising No. 1 "Full Cry", No. 2 "Gone Away", No. 3 "going to A halloa", No. 4 "A Check", No. 5 "Off to Draw", No. 6 "The Find", No. 7 "Homeward", No. 8 "Gone to Ground", No. 9 "Stag at Bay", No. 10 "Drawing the Dingle", No. 11 "The Kill", No. 12 "The Last Draw", with impressed Copeland Spode mark to base, each with mark to underglaze black.
- 19TH C. ENGLISH HUNT SCENE "FULL CRY,"
19TH C. ENGLISH HUNT SCENE "FULL CRY," OIL 19th century English oil on masonite, "Full Cry," depicting an English hunt scene, dated lower left "1875," reverse canvas lining, with title and gallery label "N.R. Omell" to stretcher. Image: 10.5" H x 14" W; frame:14.75" H x 18.5" W x 1.25" D. Craquelure throughout.
- (4) ENGLISH EQUESTRIAN FOX HUNT PRINTS(lot
(4) ENGLISH EQUESTRIAN FOX HUNT PRINTS(lot of 4) Framed prints on paper, including: "Meeting At Cover," "Breaking Cover," "Full Cry," and "The Death," sight: approx 9"h, 23.5"w, overall: approx 10.25"h, 24.75"w; 10lbs total **Provenance- From the Estate of Claude and Zenobia Nantz**
- ENGLISH SCHOOL: HUNT IN FULL CRYOil
ENGLISH SCHOOL: HUNT IN FULL CRYOil on canvas, unsigned, lined.
14 x 21 in., 18 x 25 /2 in. (frame).
Condition
Lined. Scattered craquelure. Otherwise in good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold ""as is"" in accordance with our conditions of sale.
- JOHN NOST SARTORIUS (1759-C. 1830):
JOHN NOST SARTORIUS (1759-C. 1830): A HUNT IN FULL CRYOil on canvas, 1782, signed 'JN Sartorius' and dated lower right, with label from Richard Green, London, lined.
27 x 37 1/2 in., 33 x 43 1/2 in. (frame).
Condition
Lined. Craquelure with inpainting showing mostly at top. Otherwise in good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- JOHN FREDERICK HERRING JR. (1815-1907):
JOHN FREDERICK HERRING JR. (1815-1907): FULL CRYOil on canvas, unsigned, lined.
20 x 36 in., 24 1/4 x 40 1/4 in. (frame).
Condition
Lined. Several tiny losses at bottom. A surface scuff at left. Otherwise in good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- Large English Elaborately Carved Giltwood
Large English Elaborately Carved Giltwood Looking Glass, in the George III style, the tall cresting modeled as a ho-ho bird in full cry, flanked by spray-filled giltwood urns, the gilding in bright and matte finishes, h. 64\", w. 32\".
- TWO HENRY THOMAS ALKEN FOX HUNT SCENE
TWO HENRY THOMAS ALKEN FOX HUNT SCENE OIL PAINTINGS.Pair of Henry Thomas Alken Fox Hunt Scene Oil on Canvas Paintings. (British, 1785-1851). Full Cry and The End of the Hunt. One is signed lower right "H. Alken". Image size 11-1/2" x 16-1/2", in matching molded gilt frames 15" x 20-1/2" overall. Provenance: Purchased at Sotheby's, New York, April 15, 2000, English Country House Sale No. N07455, lot 17. Condition: : Good with minor wear.
Condition:
Condition: : Good with minor wear.
- SEWING BIRD & 2 STEVENGRAPHS1st item:
SEWING BIRD & 2 STEVENGRAPHS1st item: Metal figural sewing bird clamp with pincushion top (missing cushion), the pin with heart shaped terminus, 4-3/4"H. 2nd and 3rd items: 2 fox hunt themed Stevengraph bookmarks, titled The Meet and Full Cry, both framed original mats labeled WOVEN IN SILK BY THOMAS STEVENS, INVENTOR AND MANUFACTURER, COVENTRY AND LONDON (REGISTERED). 2-1/4" x 6" sight, 5-2/3" X 9" framed.
Condition:
1st item: missing cushion. 2nd item: Overall fading and discoloration to textiles and mats, abrasions and scattered molding losses to original frames.
- PAIR CHARLES HUNT FOX HUNTING PRINTSPlate
PAIR CHARLES HUNT FOX HUNTING PRINTSPlate 2, Breaking Cover and Plate 3, Full Cry. 30 7/8" high, 40 1/2" wide framed. Damage to frames, not examined out of frames. Provenance: Property of a New York City Collector.
Condition:
Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.
- 14 W.T. COPELAND & SONS HUNT PLATESBritish,
14 W.T. COPELAND & SONS HUNT PLATESBritish, circa 1922, retailed by Sloane & Smith, Ltd., London, each having a transfer image of a hunt scene designed by artist Lionel Edwards (1878-1966), wood grain border, comprising No. 1 "Full Cry" (two plates), No. 2 "Gone Away", No. 4 "A Check", No. 5 "Off to Draw", No. 6 "The Find", No. 7 "Homeward" (two plates), No. 8 "Gone to Ground", No. 9 "Stag at Bay", No. 10 "Drawing the Dingle", No. 11 "The Kill" (two plates), No. 12 "The Last Draw", some with impressed Copeland mark to base, each with mark in underglaze black, 10-1/4 in.
Provenance: Private Collection
Condition:
areas of loss to transfer decoration, crazing throughout, scratching, wear to rims, discoloration; No. 1 with hairline crack, No. 2 series of hairlines and cracks
- CIRCLE OF JAMES ROSS(British, active
CIRCLE OF JAMES ROSS(British, active 1729-1733)
The Hare Hunt, unsigned, oil on wood, 28 x 68 in.; modern gilt wood frame, 32 x 72 in.
Provenance: Sotheby's New York, June 5, 1986, lot 10 as "Full Cry", sold for $$8,800; The Important Private Collection of a Rocky Mountain Couple
Condition:
some restorations, board with convex warp, retouch at joins, other scattered retouch