J H Boel, 19th / 20th c - In theJ H Boel, 19th / 20th c - In the Highlands - Morning; Evening, a pair, both signed and dated 1899, oil on canvas, 19 x 39.5cm (2) More Information Evening - torn
ANTIQUE MONUMENTAL BRITISH ENGRAVINGANTIQUE MONUMENTAL BRITISH ENGRAVING (19TH CENTURY), EVENING IN THE HIGHLANDS Engraving, published in London, 1871, L. Brall & Sons, presented in period giltwood framing.
JOHN MACWHIRTER (SCOTTISH, 1839-1911),JOHN MACWHIRTER (SCOTTISH, 1839-1911), EVENING MIST - ISLE OF SKYE Watercolor on paper, signed lower left, presented under glass in the likely original gilt frame.
CHARLES LESLIE: IN THE HIGHLANDSCHARLES LESLIE: IN THE HIGHLANDS Oil on canvas 12 x 24 in. (possibly relined) signed and dated 1882.
PATRICK NASMYTH (SCOTTISH 1787-1831)
INPATRICK NASMYTH (SCOTTISH 1787-1831)
IN THE MEADOWS, EVENING Signed and dated 1829, oil on canvas23cm x 28cm (9in x 11in)Provenance: John Lyall, Blunsden Abbey, Wiltshire
EVENING LANDSCAPE IN THE MANNEREVENING LANDSCAPE IN THE MANNER OF GEORGE INNES (NEW YORK/MASSACHUSETTS 1825-1894). Oil on canvas. Peaceful landscape at sunset. 10''h. 12''w. in a period frame 15 1/4''h. 17 1/4''w. Trimmed to the edge of the image and relined. We cannot guarantee the authenticity of the signature on this painting. Condition reports are available on all items. Please note: unless a condition report is requested we do not post detailed condition information about each item sold. If you choose to bid without requesting a condition report you are accepting the item ''as-is'' with no gaurantees.
ALFRED DE BREANSKI "HIGHLAND VALLEYALFRED DE BREANSKI "HIGHLAND VALLEY AT SUNSET" (1921)Alfred I. de Breanski Sr. (British, 1852-1904). "A Highland Valley at Sunset" oil on canvas, 1921. Signed "A. de Breanski 1921" at lower right corner. A breathtaking landscape of Scotland's Highland Valley by British artist Alfred de Breanski, a leading British landscape painter of the Victorian era. De Breanski presents this sublime mountain range bathed in radiant light of the setting sun, glowing in beautiful shades of red and gold as crystalline blue waters cascade in the riverbed below. De Breanski was especially adept at capturing natural light and a broad range of climactic conditions in the tradition of John Constable, as demonstrated in this outstanding landscape painting, mounted in a custom frame. Size (sight view): 15.5" L x 23.5" W (39.4 cm x 59.7 cm) Size (frame): 21" L x 29" W (53.3 cm x 73.7 cm)
About the artist: "Alfred de Breanski Sr. was a British landscape painter, best known for his idyllic yet realistic depictions of rural Wales and Scotland. Through his close attention paid to the manifold textures, light, and coloristic qualities of each particular landscape, it is evident that de Breanski was deeply influenced by the work of John Constable. He also drew much inspiration from the dramatic nature of the Scottish countryside, such as the Highlands, which are noted for their desolate beauty and spectacular scenery. Born in 1852 in Greenwich, England, he went on to exhibit his works at the Royal Academy in London from 1872 until 1918. Today, his works are in the collections of the Southampton City Art Gallery, the Lang Art Gallery, and the Brighton & Hove Museums. De Breanski died in 1928 in London, England." (source: artnet)
Provenance: private Monroe, Connecticut, USA collection, acquired September 2021
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#178846
Condition:
Signed "A. de Breanski 1921" at lower right corner. Painting has been professionally cleaned and is in overall very good condition. No patches, no unstable paint. A few small scattered in-painting spots in the sky and two small areas on the far left. Canvas is tight with no stretcher marks. Verso of canvas has darkened with age. A few scuffs and nicks to the custom frame as shown. Fit with an old suspension wire which we suggest replacing with new wire.
ANDREW MELROSE (SCOTLAND / NJ,ANDREW MELROSE (SCOTLAND / NJ, 1836-1901), HIGHLAND DAWN, GLENCOE PASS OF SCOTLAND Oil on canvas, signed at lower left, presented in the original gilt composition frame, verso with inscribed with title on the reverse, inscribed again with a poem describing the scene, written in the artist's hand on a label affixed to the stretcher.
DAVID STIRLING (COLORADO/IOWA,DAVID STIRLING (COLORADO/IOWA, 1887-1971), "EVENING LIGHT ESTES PARK 1943"., OIL ON BOARD, 23.25" X 35.75". FRAMED 27" X 39".DAVID STIRLING, Colorado/Iowa, 1887-1971, "Evening Light Estes Park 1943". Signed lower right "Stirling". Titled verso. Dimensions: Oil on board, 23.25" x 35.75". Framed 27" x 39".
BRITISH SCHOOL: LADY AND GENTLEMANBRITISH SCHOOL: LADY AND GENTLEMAN IN HIGHLAND DRESS Oil on canvas relined 22 x 17 in. signed.
NORA BOWKETT (1897-1976): A SUMMERNORA BOWKETT (1897-1976): A SUMMER DAY IN THE HIGHLANDS Oil on canvas signed lower right. 12 x 18 in. (sight) 17 x 23 in. (frame).
Eva Holusa Makk painting (Hawaii,Eva Holusa Makk painting (Hawaii, born 1933), titled verso canvas "Evening Peace", evening coastal scene with distant city, artist's stamp verso "Eva H. Makk", oil on canvas, unframed, 24 x 30 in. Good condition.
GRAHAM WILLIAMS (SCOTTISH, 1895-1950)GrahamGRAHAM WILLIAMS (SCOTTISH, 1895-1950)Graham Williams
Scottish, 1895-1950
End of Day; Glen Affric
Oil on canvas
Signed lower left. Expansive and expert landscape rendering of the Scottish highlands, the tips of mountains catching the bright orange sunset out of view, the still water below home to a solitary sailboat. Fine gilt frame with title plaque to the center.
Stretcher: 24 x 36 in. (60.96 x 91.44 cm.), frame: 31 x 43 in. (78.74 x 109.22 cm.)
ELIZABETH BORGLUM, "EVENING STORM"ELIZABETH BORGLUM, "EVENING STORM" O/C LANDSCAPE Elizabeth Janes Putnam Borglum (American 1848-1922), "Edge of the Mountains" or "Evening Storm" or "Sunset, Sycamore Mountains", late 19th/early 20th century, oil on canvas depicting a dark landscape with a mountain in the distance, signed at lower right, gallery tag from Maxwell Galleries Fine Paintings located en verso, framed. Provenance: Private Collection, Clarendon, TX; acquired at Coeur d'Alene Galleries March in Montana Auction, 2019; Maxwell Galleries Fine Paintings, San Francisco, CA. Note: Elizabeth Borglum was married to Gutzon Borglum, best known for his stone portrait carvings on Mount Rushmore, from 1889-1908. Elizabeth studied with Emil Carlsen, Felix Hidalgo, and J. Foxcroft Cole. Approx. h. 16", w. 20"; overall h. 23", w. 26.75", d. 1.5".
SCOTTISH HIGHLAND CATTLE GRAZINGSCOTTISH HIGHLAND CATTLE GRAZING BY A LOCH, 20TH CENTURY Oil on artist's board, signed "C R Adams," presented in a carved gilt wooden frame.
ROBERT SPENCER: "IN THE HIGHLANDS"oilROBERT SPENCER: "IN THE HIGHLANDS"oil on canvas signed lower left Provenance: Estate of David Copley, La Jolla 12 x 14 inches Condition:
Scottish Highlands by J.F. GreshamScottish Highlands by J.F. Gresham Signed J.F. Gresham dated?1948 and almost certainly depicting the Scottish Highlands.? Oil on canvas;?23.5 x 30 in.
Thomas C. Blake (American b. 1890)Thomas C. Blake (American b. 1890) "A Highland Sunset". Oil on canvas signed in the lower left corner apprx. 16" x 20" framed in a wide decorative gilt frame overall apprx. 24" x 28". Titled and inscribed with "T.C. Blake" on the stretcher.
Attributed to Francis Swaine (English,Attributed to Francis Swaine (English, 1725-1782)
The Evening Gun
oil on copper
unsigned
7 x 9 1/8 inches.
Robert Hunter (20th Century), ScottishRobert Hunter (20th Century), Scottish SLIPWAY, EVENING, 1968 signed and dated "68" lower right; titled to Society of Scottish Artists label verso sight 24.25 x 37.5 in — 61.6 x 95.3 cm
Painting, Francis E. Jamieson (British,Painting, Francis E. Jamieson (British, 1895-1950), Highland landscape, titled verso "Loch Katrine near Stronachlacher", signed lower left "F.E. Jamieson", oil on canvas, unframed, 15-7/8 x 24 in. Abrasion top left with some indentation.
''Glen Croe Loch Long Argyleshire''''Glen Croe Loch Long Argyleshire'' sheep in a winter landscape oil on canvas. 13'' H x 19'' W.
SIGNED & DATED, SCOTTISH HIGHLANDSSIGNED & DATED, SCOTTISH HIGHLANDS O/C PAINTING 19th century Scottish highlands oil on canvas painting depicting sheep in an snowy landscape, artist signed lower right date 1879; 38"H 58"W overall
TOM MOSTYN (1864-1930): EVENINGTOM MOSTYN (1864-1930): EVENING ON THE TERRACE Oil on canvas 20 x 27 in. signed lower right. Provenance: From the collection of Mr. Gordon Getty San Francisco CA.
G.W. Hayes (American 19th century)G.W. Hayes (American 19th century) South American Landscape Oil on canvas titled Evening in the Cordilleras So. America ? on verso signed G.W. Hayes New York l.r.; 21.5 x 35.5 in. Condition: Recently cleaned. Three small spots of inpainting along left side.
Currier & Ives, publishers THECurrier & Ives, publishers THE DRIVE THROUGH THE HIGHLANDS LIFE IN THE COUNTRY, MORNING Two hand-colored lithographs
Estimate:$600-$800
SCOTTISH HIGHLANDS STREAM SCENESCOTTISH HIGHLANDS STREAM SCENE WITH COTTAGES: Illegibly signed A?. Jones dated 1905 OIL/Canvas 12'' x 16'' framed 15 1/2'' x 19 1/2''.CONDITION: Relined. Minor cracklure.
Carl Beck Oil ''Evening in theCarl Beck Oil ''Evening in the San JuanMountains Colorado'' on board image area 5'' x 7'' listed artist 1893 - 1969
PAIR OF STAFFORDSHIRE MOUNTED HIGHLANDERSPAIR OF STAFFORDSHIRE MOUNTED HIGHLANDERS Mid-19th century, two equestrian Scottish Highlander hunters on horseback, each bearded gentleman dressed in traditional robes and kilts, depicted seated with one arm resting on the back of a successfully hunted deer, mounted to oval bases.
GRAHAM WILLIAMS OIL ON CANVAS SCOTTISHGRAHAM WILLIAMS OIL ON CANVAS SCOTTISH HIGHLANDS Graham Williams (English, 1895-1950) oil on canvas painting depicting the Scottish Highland mountainside in brilliant hues of pink, purple, blue, and gold, with ox / cows / cattle drinking from a lake in the distance, titled "Gold Tipped Hills Over Morven on the Dee, Scotland" in pencil to verso, signed to bottom left, and housed within a giltwood frame with scrolling floral motif. Image: 23.5" H x 35.5" W; frame: 31" H x 42.5" W x 3" D.
GRAHAM WILLIAMS OIL ON CANVAS SCOTTISHGRAHAM WILLIAMS OIL ON CANVAS SCOTTISH HIGHLANDS Graham Williams (English, 1895-1950) oil on canvas painting depicting the Scottish Highland mountainside in brilliant hues of pink, purple, blue, and gold, with ox / cows / cattle drinking from a lake in the distance, titled "Gold Tipped Hills Over Morven on the Dee, Scotland" in pencil to verso, signed to bottom left, and housed within a giltwood frame with scrolling floral motif. Image: 23.5" H x 35.5" W; frame: 31" H x 42.5" W x 3" D.
HIGHLAND LANDSCAPE SIGNED WILLIAMHIGHLAND LANDSCAPE SIGNED WILLIAM E. MEADOWS (UNITED KINGDOM 2ND HALF-19TH CENTURY). Oil on canvas signed lower left. Colorful image of mountain lake. 30''h. 50''w. in a frame 38''h. 58''w.
ROI CLARKSON COLMAN: "EVENING HAZE,ROI CLARKSON COLMAN: "EVENING HAZE, LAGUNA"oil on canvas signed lower right 20 x 30 inches Condition:
CARI E. WATSON O/C HIGHLAND CALVES,CARI E. WATSON O/C HIGHLAND CALVES, MORNING BY THE LOCH...Cari E. Watson (United Kingdom, 19th-20th Century) oil on canvas painting titled "Highland Calves, Morning by the Lochside, Loch Jay N.B." depicting highland cows grazing in a meadow of heather and grass near a body of water under a cloudy blue sky. Signed and dated "Cari E. Watson - 1924" lower right. Titled and additionally signed, en verso. Housed in a giltwood frame with protective plastic mounted en verso. Sight: 12 1/4" H x 18 1/2" W. Framed: 15 7/8" H x 22" W.
The Estate of Pia Stratton, Nashville, Tennessee.
Condition:
Overall very good condition with minute surface grime, light craquelure, and no visible retouching. Frame with scattered gilt loss.
Scottish engraving after J. Thompson,Scottish engraving after J. Thompson, "Crossing a highland Loch" after Jacob Thompson, British, 1806-1879, engraved by C. Mottram, hand-colored restrike or reproduction engraving, page 24-11/16 x 35-7/8 in.; modern gilt wood frame. Loose, very light toning and fading, Scotch tape top edge in margin, possibly trimmed (no plate mark).
Landscape by T.J. Willison OilLandscape by T.J. Willison Oil on Board T.J. Willison (American 1864-1940) titled Evening on verso label signed l.r. and on verso and dated 1922 on verso; 7.5 x 9.5 in. Condition: Darkened varnish.