- AFTER: EDGAR DEGAS, FRENCH (1834 - 1917)After:
AFTER: EDGAR DEGAS, FRENCH (1834 - 1917)After: Edgar Degas, French (1834 - 1917) Mixed Media on Paper "Le Tub" Signed and Dated 1986 Lower Right. COA included with the lot. Measures 23-3/4" x 31-1/2". Frame measures 35" x 43". Condition: Go
- IMPRESSIONIST BOOK GROUP, 16 Group of
IMPRESSIONIST BOOK GROUP, 16 Group of books on Impressionist painters and Impressionism, 16, and including: Brockway & Frankfurter, The Albert D. Lasker Collection: Renoir to Matisse, Simon & Schuster, 1957; Manet, Metropolitan Museum: New York, 1983; Ann Dumas et al., Edgar Degas: The Last Landscapes, Merrell: London, 2006; Bonjour Monsieur Manet, Centre Georges Pompidou: Paris, 1983; Gail Stavitsky et al, Cezanne and American Modernism, Baltimore Museum of Art: Baltimore, 2010; Albert Barnes et al, The Art of Renoir, the Barnes Foundation Press: Philadelphia, 1977; Albert Barnes et al. The Art of Cezanne, the Barnes Foundation Press: Philadelphia, 1939 (first edition); Jill Lloyd, Vincent Van Gogh and Expressionism, Van Gogh Museum: Amsterdam, 2006; John Leighton et al, 100 Masterpieces in the Van Gogh Museum, Van Gogh Museum: Amsterdam, 2002; Pick & Vance, Van Gogh in Saint-Remy and Auvers, Metropolitan Museum: New York, 1987; Vivien Greene, Divisionism - Neo Impressionism: Arcadia & Anarchy, Guggenheim Museum: New York, 2007; Wildenstein, One Hundred Years of Impressionism, Wildenstein: New York, 1970; 2007; Wildenstein, Renoir, Wildenstein: New York, 1970; Louis Aragon et al, Matisse, Philadephia Museum of Art: Philadelphia, 1948; Jean Selz, Matisse, Crown Publishers: New York, 1978; Jean Sutherland Boggs, Degas, Metropolitan Museum of Art,: New York, 1988. Largest: 14.25" H x 11.25" W.
- FIVE LARGE REPRODUCED PAINTINGS Including
FIVE LARGE REPRODUCED PAINTINGS Including three Renoir reproductions, a Degas reproduction and a Cezanne reproduction; each a color print on canvas, retouched with paint, the largest 42 in. x 43 in.
- ERNESTINE TOURNY OIL ON CANVASERNESTINE
ERNESTINE TOURNY OIL ON CANVASERNESTINE TOURNY (France, 19th century) oil on canvas, portrait of an elegant woman in a white dress with pearls. Signed lower right, 31" x 25" (image), in a period gilt wood and gesso frame, 44" x 38" (frame). Tourny and her husband, Joseph Gabriel Tourny (1817-1880), also an artist, were friends with Edgar Degas (France, 1834-1917) and Degas created a portrait etching of Joseph Tourny in 1857.
- EDGAR DEGAS SIGNED LITHOGRAPHEdgar Degas
EDGAR DEGAS SIGNED LITHOGRAPHEdgar Degas signed lithograph, 15 1/2" x 12", frame - 23" x 19 1/2".
Competitive in-house shipping is available for this lot.
Condition:
Not examined out of frame..
- (5) ART BOOKS: FRENCH IMPRESSIONISM,
(5) ART BOOKS: FRENCH IMPRESSIONISM, MUSEE D'ORSAY(lot of 5) Art books, including: (1) "Pissarro: His Life and Work," Ralph E. Shikes and Paula Harper, Horizon Press, 1980, 362 pages, (1) "Degas and America: the Early Collectors," Ann Dumas and David A. Brenneman, Rizzoli International Publications Inc., 2001, 263 pages, personalized inscription at interior cover, (1) "The Musee D'Orsay," Alexandra Bonfante-Warren, Universe Publishing, 2000, 320 pages, (1) "Great Masters of French Impressionism," J. Carter Brown and Diane Kelder, Crown Publishers, Inc., 158 pages, lacking dust jacket, (1) "Cassatt: a Retrospective," Nancy Mowll Mathews, Hugh Lauter Levin Associates, Inc., 1996, 357 pages, largest: approx 13.25"h, 10"w, 1.5"d; 20.5lbs total
- PAINTING AFTER EDGAR DEGAS, 'THE DANCE
PAINTING AFTER EDGAR DEGAS, 'THE DANCE CLASS'Framed oil painting on canvas, "The Dance Class," after the original 1874 painting by Edgar Degas (French, 1834-1917), now housed at the Metropolitan Museum of Art, New York, sight: 29.5"h, 39.5"w, overall: 55.25"h, 44.5"w, 28.25lbs
- (4) LALIQUE CRYSTAL SCENT BOTTLES, ANEMONE,
(4) LALIQUE CRYSTAL SCENT BOTTLES, ANEMONE, DEGAS(lot of 4) Lalique, France art crystal, including: (2) "Deux Fleurs" perfume/ scent bottles, engraved signature Lalique France underfoot, retaining retail stickers, (one) with stuck stopper, approx 3.75"h, 3.75"w, 1"d, (1)
"Anemone" flower sculpture, with black enamel accents, engraved signature Lalique France on stem, retaining retail stickers, approx 3.5"l, 4.25"diam, (1) "Degas" powder/ vanity box, the lid modeled as a ballerina, molded mark Lalique Society of America, 1989, approx 3"h, 3.25"diam; 1.75lbs total **Provenance: The Living Estate of Gale Galloway’s Villa Serena**
- EDGAR DEGAS (FRENCH, 1834-1917). Etching.
EDGAR DEGAS (FRENCH, 1834-1917). Etching. "Mary Cassatt at the Louvre". Ferdinand Roten gallery label affixed verso. From a New York collection. Dimensions: 12.5" high x 5.5" wide Condition: Framed behind glass, not examined out of frame.
- AFTER EDGAR DEGAS (1834-1917): MARY
AFTER EDGAR DEGAS (1834-1917): MARY CASSATT AU LOUVREEtching in black on wove paper, 1879/1880, printed in 1955 and with the Edition Frank Perls blindstamp.
20 x 13 3/4 in. (sheet), 23 1/4 x 15 3/4 in. (frame).
Literature: see D. 29; A. 54; R/S 52
Condition
With wide margins. Pale mat staining. Otherwise in very good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- AFTER EDGAR DEGAS (1834-1917): FEMME
AFTER EDGAR DEGAS (1834-1917): FEMME NUPencil on paper, with the artist's inkstamp lower right.
8 x 11 1/2 in. (sheet), 18 x 21 1/2 in. (frame).
Note: The authenticity of this work could not be determined.
Condition
Staining. Tiny nicks at the right sheet edge. Staining from old hinges showing through from the reverse of the top sheet corners.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- LéON COGNIET (1794-1880): UNE FEMME
LéON COGNIET (1794-1880): UNE FEMME DE BRIGAND ITALIENOil on canvas, 1825, signed with initials 'LC' lower left, with an indistinct inkstamp on the reverse.
14 x 10 3/4 in., 19 x 16 1/2 in. (frame).
Literature: L.D. Ambrosini, Peasants in French Painting , 1815-184: The Romantic Roots of the Realist Mode , Ph.D. dissertation, NYU, 1989, pp. XXV, 434, no. 335, fig. 292 (engraving after the painting); V. Pomerede, B. Lesage, and C. Stefani, Achille-Etna Michallon , exhibition catalogue, Musée du Louvre, Paris, 1994, p. 125, no. 80; B. Lesage, Achille-Etna Michallon , catalogue de l'oeuvre peint, Gazette des Beaux-Arts, Oct. 1997, p. 137; M. Korchane, in Le Temps des passions: Collections romantiques des musées d'Orléans, exhibition catalogue, 1997, p. 295, n. 4-5; B. Lesage in O. Bonfair, ed., Maesta di Roma: d'Ingres a Degas, les artistes francais a Rome, 2003, pp. 253, fig. 103a, p. 523, nn. 2-3; M. Korchane, in Entre Lumieres & romantisme: dessins du musée des beaux-arts d'Orleans, 2006, p. 180; S. Bann, Léopold Robert and the Afterlife of Antiquity, in Regarding Romantic Rome, 2007, p. 76, n. 12 (reference to engraving).
Presumably Louis-Joseph-August Coutan; sold Petit & Schroth, Paris, April 1830, Lot 13; Monsieur Mainnemare; sold Paris, Feb. 21, 1843; Galerie Terrades, Paris; Neal Fiertag, Paris.
The Estate of Matthew Rutenberg
Condition
Some unobtrusive craquelure. Otherwise in good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.