A few examples of appraisal values for
APPIAN WAY
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- EUGENE BERMAN 6 LITHOGRAPHSEugene Berman
EUGENE BERMAN 6 LITHOGRAPHSEugene Berman (American/Russian 1899-1972)- ''Appian Way''; ''Flaming Column''; ''Leaning Flaming Column''; ''L'Obelisco in Delerio''; ''Nocturnal Cathedral''; ''Pisan Fantasy''- 6 lithographs, each signed in pencil; overall good condition, various sizes.
- GIOVANNI BATTISTA PIRANESI (ITALIAN,
GIOVANNI BATTISTA PIRANESI (ITALIAN, 1720-1778)Giovanni Battista Piranesi
Italian, 1720-1778
The Tomb, called La Conocchia
Etching
Published 1776, illustrating several figures about the foot of the tower, an informative cartouche lower right. Matted behind glass, framed.
This distinctive tomb is nicknamed La Conocchia, or spindle, whose shape it recalls. It sits along the Appian Way, well south of Rome, almost to Naples. It is believed to have been built in the 100s CE, possibly for the only daughter of Emperor Vespasian.
Plate: 28 7/16 x 18 15/16 in. (72.23 x 48.1 cm), frame: 42 1/2 x 32 1/4 in. (108 x 81.9 cm.)
Ex Iowa Wesleyan University collection
Condition:
Any condition statement is given as a courtesy to a client, is an opinion, and should not be treated as a statement of fact. Reference to condition written, oral or within a condition report shall not be regarded as a full account of condition and may not include all defects, alterations, or restorations. Absence of a condition report does not imply a lot is flawless or lacking imperfections or damage. Selkirk Auctioneers & Appraisers shall have no responsibility for any error or omission. Returns shall not be accepted on the basis of condition.
- HERMAN VAN SWANEVELT (NETHERLANDS) C.
HERMAN VAN SWANEVELT (NETHERLANDS) C. 1600-1655. GRAVEYARD ON THE APPIAN WAY. ETCHING, C. 1625. BARTSCH 57. DUTUIT 57, II/II. A GOOD...Herman van Swanevelt (Netherlands) c. 1600-1655. Graveyard on the Appian Way. Etching, c. 1625. Bartsch 57. Dutuit 57, ii/II. A good later (18th century) impression. Initialed in the plate and inscribed "fe" and with the copyright, l.r. Titled in the plate, l.c. Printed in black ink on light beige cream laid paper with small margins, top and bottom and cut to the platemark left and right. 104 x 178 mm. (4 1/4 x 7 in.) Landscape with Ruias and a Woman with a Parasol. Etching, c. 1630. Bartsch 85; Dutuit 85, iv/IV. A good later (18th century) impression. From the series Différents paysages ornés de Fabrique. With the artist's address in the plate, l.l. Printed in black ink on light beige cream laid paper with thin margins. 169 x 278 mm. (6 5/8 x 10 7/8 in.) Distribution of Bread ot the Poor at the Convent Gate. Etching, c. 1630. Bartsch 93; Dutuit 93, iv/IV. A good, later (18th century) impression. From the series Différents paysages ornés de Fabrique With the artist's address in the plate, l.l. with the copyright address in the plate, l.r. Printed in black ink on light beige laid paper with thin margins. The scene is in the thermal baths of Dioclerias, Rome. 169 x 278 mm. (6 5/8 x 10 7/8 in.) Adriaen vander Cabel (Netherlands) c. 1630-1705. Village by the Waterside. Etching, c. 1670. Bartsch 23. From a series of Landscapes III. Printed in black ink on contemporary laid paper with thread margins and a foolscap watermark. A very good impression of this uncommon print. Partially missing the lower plate with N. Rob's (publisher) address, otherwise complete. 134 x 228 mm.(5 1/4 x 8 15/16 in.) (4)
- O/C Italian Landscape with Ruins & Figures.Possibly
O/C Italian Landscape with Ruins & Figures.Possibly Appian Way Rome. Bears plaque and label verso attributing work to Hubert Robert French 1733 - 1808. Appears to be signed illegibly lower right. From a Piermont NY collector. Dimensions: 14.75'' high x 11.25'' wide. Condition: Craquelure fleabite losses lower right otherwide good.
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