(2) ROYAL HICKMAN #582 ART POTTERY PLATETwo Royal Hickman #582 art pottery plates measuring 7 1/2"" wide x 11" long. No cracks, chips or repairs. Crazing throughout, minimal surface wear and one very small spots of glaze loss on the rim of one plate. Hickman worked with Haeger Potteries in the 1930s and again in the 1950s, but during the mid-1940s, operated his own pottery business out of Tampa. This piece is from the personal collection of renowned Florida collector Alfred R. Frankel, MD and author of the book “Old Florida Pottery: Potters in Paradise†being “The Collector’s Guide to History, Makers and Marks, 1859-1966.†This plate is shown on page 145. shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
BOTTLE VASE, A. R. COLE POTTERY (1941-1974 SANFORD, NC) Mirror Black glazed earthenware, stamp to the underside.
A Shelley E R Wilkes flambe ginger jar and cover covered in a rich flambe glaze printed Shelley mark, etched E R Wilkes 23cm. high Edward R Wilkes (1861-1953) was one of the most talented decorators at Bernard Moore's pottery. He worked for several other potteries including Howson's, specialising in flambe glazes.
OVERBECK POTTERY PIN WITH BOOK, 1 3/4” D ROUND; MULTI COLOR GLAZE OVER WHITE CLAY; INSCRIBED OBK MONOGRAM., “THE CHRONICLE OF THE OVERBECK POTTERY” BY KATHLEEN R. POSTLE; INDIANA HISTORICAL SOCIETY; 1978.Overbeck Pottery Pin with Book 1 3/4" D round; multi color glaze over white clay; inscribed OBK monogram. "The Chronicle of the Overbeck Pottery" by Kathleen R. Postle; Indiana Historical Society; 1978.
C. R. Auman pottery vase, runny green glaze with several orange highlights, incised bands, attributed to C. R. Auman, Seagrove area, North Carolina, late 1920s, 9-1/2 in. Large base and rim chips.
Museum-Exhibited Ecuadoran Pottery Figures (2): **Originally Listed At $400**. . Pre-Columbian, Ecuador, Manabi, Bahia culture, ca. 500 BCE to 500 CE; Jamacoaque (Jama Coaque) culture, ca. 500 CE. A group of 2 hollow-molded pottery figures from ancient Ecuador. First is a nude Jamacoaque creamware standing male figure with delineated legs and exposed genitalia, a stocky body with curved arms, and a bulbous head with a prominent nose and pierced ears. Second is a seated Bahia figure covered in orange pigment while wearing a stippled cloak and donning a multi-pronged headdress atop the bulbous head. Size of largest (Bahia): 3. 3" W x 5. 6" H (8. 4 cm x 14. 2 cm). . Exhibited in "Artifacts of Ecuador: Collection of Col. William R. Cameron (Ret. ), Monterey Peninsula Museum of Art, January 8 to 29, 1977 . . Provenance: private California, USA collection, acquired in 2004; ex-private Gill family collection, Pebble Beach, California, USA, acquired in 1980; ex-Colonel William R. Cameron (Ret. ) collection, California, USA, acquired in 1965 to 1968; exhibited in "Artifacts of Ecuador: Collection of Col. William R. Cameron (Ret. ), Monterey Peninsula Museum of Art, January 8 to 29, 1977. . All items legal to buy/sell under U. S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. . . A Certificate of Authenticity will accompany all winning bids. . We ship worldwide and handle all shipping in-house for your convenience. . #145162 Condition Jamacoaque figure has small repair to one arm and losses to areas around both eyes. Bahia figure has repair to nose and one headdress horn, and loss to another headdress horn. Both figures have fading to original pigmentation, light abrasions, and softening to some finer details. Light earthen deposits throughout.
Published / Exhibited Anasazi Mogollon Bird Vessel TL'd: North America, Southwest, Southeastern Arizona, Anasazi / Ancestral Pueblo, Greater Mogollon, Greater Salado, Upper Gila (Highland Salado), ca. 1300 to 1450 CE. A stunning and quite sizeable black-on-cream Gila Salado bird effigy vessel, hand-coiled and smoothed from a red clay. The overall form presents an ovoid avian body with high relief wings to either side, a 'feathered' tail protruding at the rear, and a stylized head rising from the front end. The vast majority of the surface is decorated with intricate design motifs: a checkerboard pattern with dotted squares perhaps representing 'eyes' adorning the bird's breast, wavy zigzags along the wings and lower body; triangular, step, and spiral motifs adorning the upper body; finally, frets on the tail and vessel rim. A beautiful example, so finely handbuilt and decorated! Size: 12. 5" L x 10" W x 7" H (31. 8 cm x 25. 4 cm x 17. 8 cm). . There are three recognized styles of Salado polychrome pottery: Pinta, Gila, and Tonto. Gila vessels like this example were often decorated with complex designs, at times featuring stylized snakes, lizards, parrots, stars, the sun, and eyes. Many of these images also appear in petroglyphs. The Salado (Spanish for "salty") peoples migrated to the Salt River in Southeastern Arizona. They resided in the center of three major cultures of the Southwest of the time period: Anasazi to the North, Mogollon to the East and South, and the Hohokam to the West and Southwest. . Published and Exhibited in "Ancient Origins: Southwestern Pottery, 600-1600 A. D. 85 Objects from the Drapkin Collection", R. Drapkin / Museum of Fine Arts, St. Petersburg, 2002, page 87, fig. 75. . This piece has been tested using thermoluminescence (TL) analysis and has been found to be ancient and of the period stated. A full report will accompany purchase. . . Provenance: ex-private Florida, USA collection, acquired in 1980s; ex-R. Drapkin collection. Published and Exhibited in "Ancient Origins: Southwestern Pottery, 600-1600 A. D. 85 Objects from the Drapkin Collection", R. Drapkin / Museum of Fine Arts, St. Petersburg, 2002. . All items legal to buy/sell under U. S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. . . A Certificate of Authenticity will accompany all winning bids. . We ship worldwide and handle all shipping in-house for your convenience. . #153085 Condition Nicks to peripheries of head, beak, wings, rim and other high-pointed areas. Approximately half of the rim including the head was reattached with restoration over the break lines. Tail section was restored. Stabilized crack on underside. Pressure fissures on the base. Edges of wings were smoothed out with a bit of clay. All was executed quite well and the piece presents very nicely.
3pc R DORE Pottery Portrait Busts Heads. John Marks, Richard Nixon. Signed.
Dimensions: H: 14 inches: W: 8 inches: D: 7 inches ---
Condition: Surface wear. Small chips
Eight (8) Pottery Lovers Commemorative Pieces left P.A. Lowery Art Tile marked (die impressed) P.A. Lowery Art Tile 2010 Pottery Lovers 2010 30 and seal signed (hand script) P.A. Lowery mint condition 5''w. butterfly magnet reads Pottery Lovers Zanesville 84 reverse signed (hand script) DEB tiny chip on the tip of one wing 2.75''w. brown handled jug reads Pottery Lovers Zanesville Ohio signed (hand incised) Marvin Bailey 2008 mint condition 6.25''h. business card holder reads Pottery Lovers 1997 unmarked mint condition 4.5''w. Weller & Owens artist signature tile reads 2nd Annual Zanesville Art Pottery Convention July 13 1978 marked H&R Johnson Ltd. Cristal Made in England tiny glaze chips on three corners 6'' x 6'' Door vase marked (hand incised) PLR 2007 with (die impressed) DOOR seal tiny chip on the bottom of base 5.5''h. Chris Powell bowl marked (die impressed) Pottery Lovers 2006 signed (hand script) Powell 6.25''w. blue paper weight reads Pottery Festival 1990 25 Years reverse marked (hand incised) 39 Pottery Peregrinators excellent condition 3.25''w.
[THE REFERENCE LIBRARY OF C. T. LOO (1880-1957)] A group of works on Chinese art from the library of C. T. Loo, comprising:: [THE REFERENCE LIBRARY OF C. T. LOO (1880-1957)] A group of works on Chinese art from the library of C. T. Loo, comprising:. . HOBSON, R. L. Chinese Pottery and Porcelain I-II. London, 1915; The Wares of the Ming Dynasty. London, 1923. SIGNED COPY by the author. Gunnar Lamby ex libris. The Later Ceramic Wares of China. New York, 1925; Chinese Art. London, 1927. - WILLIAMS, Rose Sickler. Catalogue of Chinese, Corean, and Japanese Potteries. New York, 1914. - EUMORFOPOULOS, George, foreword. Ming and Ch'ing Porcelains. London: 1923. Provenance: Arthur Rothwell, with his penciled notes. -Burlington Fine Art's Club. Exhibition of Early Chinese Pottery and Porcelain. London, 1910. -Burlington Fine Art's Club. Illustrated Catalogue of Chinese Art. London, 1915. - HOUO, Paul Ming-Tse. Preuves des Antiquites de Chine. Beijng, 1930. -PALEOLOGUE, M. L'art Chinois. Paris, 1887. Provenance: Langdon Warner, Kyoto, 1907 (ink). - CHEN, J. D. The Three Patriarchs of the Southern School in Chinese Paintings. Hong Kong, 1955. -HERTHINGTON, A. L. The Early Ceramic Wares of China. London: 1922. - BUSHELL, S. W. Oriental Ceramic Art. Collection of W. T. Walters. New York, 1886. Text edition only. -Bronzes Antiques de La Chine Appartenant à C. T. Loo. Paris, 1924. -Briques et Objets Ceramiques des Han. Appartenant à C. T. Loo. Paris, 1936. -Archaic Chinese Jades. Exhibition Catalogue. The University Museum: Philadelphia, 1940. (2 copies). -An Exhibition of Chinese Archaic Jades . C. T. Loo. , Inc. West Palm Beach, 1950. -An Exhibition of Chinese Stone Sculptures. C. T. Loo. , Inc. New York, 1940. -SIREN, Osvald. Studein zur Chinesischen Plastik der Post-T'angzeit. Berlin, 1927; The Chinese on the Art of Painting. Peiping, 1936. Early Chinese Painting from the A. W. Bahr Collection. London, 1938. -The Oriental Ceramic Society. Exhibition of Chinese Jades. London, 1948. -LAUFER, Berthold. Jade. Chicago, 1912. Charles Bain Hoyt (1889-1949) ex libris; Ivory in China. Chicago, 1925. -HONEY, William Bowyer. The Ceramic Art of China. London: 1944. -GULLAND, W. G. Chinese Porcelain. London, 1929. 2 volumes, fifth edition. -GROTHE, Hugo (1869-1954). Orientalisches Archiv I-III. Leipzig, 1910-13. STRANGE, Edward F. Chinese Lacquer. New York, 1926. -Oriental Art. Ceramics, Fabrics, Carpets. London: 1928. -LETH, Andre. Chinese Art. Copenhagen, 1953. Illustrated Catalogue of the Beautiful Old Chinese Porcelains Comprising the Extraordinary Private Collection formed by Mr. S. S. Carvalho. New York: 1914. -MIZUNO, Seiichi. UnkoÌ„ sekibutsugun (Yungang Grottoes). Tokyo, 1944; Chinese Stone Sculpture. Tokyo, 1950. -MENTEN, J. F. H. Chinesische Grabfunde und Bronzen. Zurich, 1948. -ACKERMAN, Phyllis. Ritual Bronzes of Ancient China. London: 1945. -FENOLLOSA, Ernest F. Epochs of Chinese and Japanese Art I-II. London, 1921. Fourth edition. Anna May McNulty Carter ex libris. -MANNERHEIM, C. G. Till Häst Genom Asien. Helsingfors, 1946. -MEYER, Agnes E. Chinese Painting as Reflected in the Thought and Art of Li Lung-mien. New York, 1923. -KOYAMA, Fujio. Soji (Song Ceramics). Tokyo, 1943. -Les Laques du Coromandel. Paris, 1920. -WEN Yu. Selected Ancient Bronze Drums. Shanghai, 1957. -The Tokwaan-Kokyo-Zuroku or Ancienct Chinese Mirrors from the Collection of the Late Kenzo Tomioka. Kyoto, 1924. -HARADA, Yoshito. Lo-Lang€¦ Excavation of Wang Hsü's Tomb. Tokyo, 1930. -UMEHARA, Sueji. Tang Dynasty Mirrors. 2 volumes. Kyoto, 1945. Together 46 works in 52 volumes, all first edition unless otherwise noted. . A selection of important foundational works informing the study and collection of Chinese art in the early 20th century from the personal library of famed art dealer, collector, and connoisseur C. T. Loo: including early catalogues from the seminal exhibitions at Burlington House in London, and a number of works by R. L. Hobson, keeper of ceramics at the British museum, and many of Loo's personal copies from his own exhibitions. In addition to Loo, many of these works bear the names and notes from other contemporaries such as Langdon Warner, Charles Bain Hoyt, and Arthur Rothwell: figures foundational to shaping the field, and whose collections and tastes have now spread throughout the world's most renowned public and private collections. . Property from a Prominent Chicago Collection Condition . For condition inquiries please contact asian@hindmanauctions. com
ROMAN PITCHER, ATTRIBUTED A.R. COLE POTTERY (1941-1974 SANFORD, NC) Probably turned by Foister Cole or Jack Kiser at A.R. Cole, well-developed chrome red glaze with downward streaks, wide spout above ring turned neck, baluster body on splayed footed base, comfortable applied handle with index finger rest, not marked.
Vintage R. R. P. Co. Dark Green Drip 6'' PlanterFrom the estate is a very nice R.R.P. Co. of Roseville Ohio dark green drip pattern 6'' round planter. R.R.P. Co. stands for Robinson Ransbottom Pottery Company and no longer in business. The planter is clearly marked on bottom R.R.P. Co #398 and is in very good collectible condition.
Four Pieces of Cole Pottery two ashtrays light green to red glaze, one straight walled with angled rests, the other with folded over ruffled edge with impressed grooved rest, stamped “A.R. Cole Pottery Sanford N.C.”, 4 in. and 6-1/4 in., [grinding to base edge]; brown, orange and tan glazed ruffle edged vase, “Cole Pottery Sanford N.C.” and “Neolia” in script, 4-1/2 in.; lidded jar with black, brown and green glazed body, applied lug handles below neck, blue and black glazed rim with finial nob, stamped “A.R. Cole Pottery Sanford N.C.”, 6 in., [chip on base].
APOTHECARY JAR, ATTRIBUTED A.R. COLE POTTERY (1941-1974 SANFORD, NC) Multi-color turned earthenware, split handles extend from below the rim, ring turned body, unmarked. Original price in pencil 1.49.
NC Pottery Three Pieces Early Stonewarelate 19th/early 20th century the first a pitcher with cobalt bands to the rim and shoulder ( 9 in.); the second likely turned at C.R. Auman Pottery a funerary vase with ruffled rim and coggle wheel decoration some cobalt highlights (7.5 in.); the third also a funerary vase (6.75 in.).Condition as made.
ROYAL HICKMAN #571 ART POTTERY PLANTERRoyal Hickman #571 art pottery planter or centerpiece. Planter measures 15 1/4" long x 3 1/2" tall x 4 1/2" deep. No cracks, chips or repairs. Crazing throughout, light surface wear. Hickman worked with Haeger Potteries in the 1930s and again in the 1950s, but during the mid-1940s, operated his own pottery business out of Tampa. This piece is from the personal collection of renowned Florida collector Alfred R. Frankel, MD and author of the book “Old Florida Pottery: Potters in Paradise†being “The Collector’s Guide to History, Makers and Marks, 1859-1966.â€
An Anna pottery stoneware pig flask
Wallace and Cornwall Kirkpatrick, Anna, Illinois
dated 1885
Naturalistically modeled prone with upturned snout and curly tail, incised details highlighted with gilt, one side of body inscribed St Louis the future Great/ Latest and Only Reliable/ Railroad and River Guide/ By/ Anna Pottery/ 1885, the remainder of pig's body incised with a map of the railroads O. & M.R.R. and C.B.I.C.R.R. and the following landmarks on their intersecting routes Miss. River, Cairo, Grand Tower, Chester, Alton, Springfield, Bloomington, Anna, Carbondale, DuQuoin, Tamaroa, Centralia, Odin, Mattoon, Champaign, Gillman, Kankakee, Pullman, Chicago the Great Corn mart of the World, Dubuque, Mounds, Tunnel Hill, Vincennes and Cincinnati the Pork city.
length 6 3/4in (17cm)
A.R. COLE POTTERY SANFORD N.C. GREEN GLAZED VASE AND A LOY CARPENTER STUDIO POTTERY VASE, H OF TALLER: 10-1/2 INA.R. Cole Pottery Sanford N.C. Green Glazed Vase and a Loy Carpenter Studio Pottery Vase, H of taller: 10-1/2 in
SIGNED CHARLES MCLAUGHLIN ROOKWOOD POTTERY VASE (1917)Rookwood Pottery Vase by Charles Jasper McLaughlin (1888-1964) dated 1917. Signed, numbered, and dated on base. A beautiful vellum glazed ceramic vase decorated with a striking orchid motif comprised of magenta and yellow blossoms on a golden vine, a white crackleware body with rich royal blue hues adorning the shoulder - all presenting a matte finish. The vessel is marked on the base with the Rookwood logo (a back-to-back "R" and "P" surrounded by flames), "XVII" to indicate the date 1917, identifying shape number "1126 C", and a "CJM" Charles Jasper McLaughlin artist's mark. A stunning vellum glazed ceramic vase by Rookwood artist Charles Jasper McLaughlin that reflects the Arts and Crafts Movement's appreciation for nature-inspired themes and epitomizes many of its aesthetic tenets. Size: 5.375" W x 8.75" H (13.7 cm x 22.2 cm)
The Rookwood Pottery Company was founded in 1880 by the artist Maria Longworth-Nichols who created a world-renowned ceramic studio in Cincinnati, Ohio that attracted reputable artists and ceramicists. Born in Kentucky in 1888, Charles Jasper McLaughlin attended the Cincinnati Art Academy in 1905 and also studied landscape painting at the Sorbonne in Paris, France. McLaughlin was an artist at Rookwood pottery from 1913 to 1920. Most of his designs were Vellum Glaze florals and landscapes. Years later, from 1927 to 1929, he taught architecture at Texas A & M College, and returned to Cincinnati by the early 1930s to study painting at the Cincinnati Art Academy.
Provenance: private Wabasha, Minnesota, USA collection; ex-Nancy and Dr. E.F. Simpson collection, Los Angeles, California, USA, acquired from 1970 to 2000
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm.
Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping.
#171830
Condition:
Marked on the base with the Rookwood logo (a back-to-back "R" and "P" surrounded by flames), "XVII" to indicate the date 1917, identifying shape number "1126 C", and a "CJM" Charles Jasper McLaughlin artist's mark. Excellent overall!
ATTRIBUTED A.R. COLE POTTERY (NC), CHROME RED POTTERY FLOOR VASE 1940s, streaky orange-red chromium oxide glaze, tapered form with attached ring handles, not signed.
STONEWARE WHIMSEY WITH DUCKS. Signed "William" and "Barry" or "Perry", probably Ohio, early 20th century. Charming table-top sculpture with a mother duck and six ducklings. 7"d. In the Akron city directory for 1901, a William Perry was listed working at both the R&M Pottery and at Borne-Robinson Clay Products.
A.R. Cole Pottery bowl in turquoise. Marked A.R. Cole Sanford N.C. Mint. 9 1/2'' wide by 4 1/4'' tall.
H.R. German Pottery Stein rooster inlaid lid festive scene with barmaid & patrons 8'' tall 1/2 liter high relief
(ENGLISH PORCELAIN, ETC.) Ten books. 1) Litchfield, F., Pottery and Porcelain. 2) Jewitt, Llewellynn, Ceramic Art of Great Britain. 3) Godden, G., British Porcelain: An Illustrated Guide. 4) Godden, G., An Illustrated Encyclopedia of British Pottery & Porcelain. 5) Fisher, S., British Pottery and Porcelain. 6) Bedford, J., Toby Jugs. 7) Bedford, J., Delftware. 8) Bedford, J., Staffordshire Pottery Figures. 9) Mountford, A.R., The Illustrated Guide to Staffordshire Salt-Glazed Stoneware. 10) Haggar, R. & Adams, E., Mason Porcelain & Ironstone 1796-1853.
(STAFFORDSHIRE, BENNINGTON & OTHER POTTERY) Fifteen books. 1) The Knopf Collector's Guides to American Antiques: Pottery & Porcelain. 2) Hodkinson, M. & J., Sherrati? A Natural Family of Staffordshire Figures. 3) Hall, J., Staffordshire Portrait Figures. 4) Turner, H.A.B., A Collector's Guide to Staffordshire Pottery Figures. 5) Pope, C.M., A-Z of Staffordshire Dogs: A Potted History. 6) Olive, A., The Victorian Staffordshire Figure. 7) Larsen, E.B., American Historical Views on Staffordshire China. 8) Haggar, R.G., Staffordshire Chimney Ornaments. 9) Stanley, L.T., Collecting Staffordshire Pottery. 10 & 11) Chaffers, W., Marks & Monograms on Pottery & Porcelain. Vol. 1 & 2. 12) Barret, R.C., How to Identify Bennington Pottery. 13) Barret, R.C., A Color Guide to Bennington Pottery. 14) Barret, R.C., Bennington Pottery and Porcelain. 15) Altman, S. & V., The Book of Buffalo Pottery.
Black Snake-Handled Pitcher by A.R. Cole
Arthur Ray Cole (1862-1974; active 1941-1974). Highly glazed. Incised "941" and "A.R. Cole Pottery / Sanford, NC" on base. Good condition. 16 3/4" x 8 3/4".
Fifteen volumes on Chinese ceramics
Including: W.G. Gulland, Chinese Porcelain, volumes I and II, 1902; A.W. Bahr, Old Chinese Porcelain & Works of Art in China, 1911; O. Rucker-Embden, Chinesische Fruhkeramik, 1923; A.L. Hetherington, R.L. Hobson, Chinesische Fruhkeramik, 1923; G.R. Sayer, trans., Ching-te-chen T'ao-lu, or The Potteries of China, 1951; G.R. Sayer, trans., T'ao Ya, or Pottery Refinements, 1959; Basil Gray, Early Chinese Pottery and Porcelain, 1952; Soame Jenyns, Ming Pottery and Porcelain; Soame Jenyns, Later Chinese Porcelain, the Ch'ing Dynasty (1644-1912); Gompertz, Chinese Celadon Wares, 1958; W.B. Honey, the Ceramic Art of China and Other Countries of the Far East, 1954; Chinese Ceramic Research Institute, Taipei, Taiwan, Selected Specimens of Chinese Porcelains, 1959; J.A. Pope, Chinese Porcelains from the Ardebil Shrine, 1956; and Anthony Du Boulay, Chinese Porcelain, 1963, with dated autograph by the author.
Varying sizes
1926 HENTSCHEL ROOKWOOD VASE, SIGNED / NUMBEREDRookwood Pottery Vase by William Ernst Hentschel (1892-1962) dated 1926. Signed, numbered, and dated on base. A striking and quite sizable glazed ceramic vase decorated with blooming pink flowers - all outlined in cobalt blue and embellished with lustrous layers of emerald green glaze with bands of cobalt framing the floral imagery at the upper and lower ends. The vessel is marked with the Rookwood logo (a back-to-back "R" and "P" surrounded by flames) on the base, "XXVI" to indicate the date 1926, identifying shape number "1095 A", and a "WEH" (William Ernst Hentschel) artist's mark. A stunning glazed ceramic vase by Rookwood artist William Hentschel that reflects the zeitgeist for organic motifs during the Arts and Crafts Movement! Size: 6.75" in diameter x 17.3" H (17.1 cm x 43.9 cm)
The Rookwood Pottery Company was founded in 1880 by the artist Maria Longworth-Nichols who created a world-renowned ceramic studio in Cincinnati, Ohio that attracted many reputable artists and ceramicists. Born in New York on June 16, 1892 William Ernst Hentschel studied art at the Art Students League and Columbia University in New York City, the University of Kentucky, as well as the Cincinnati Art Academy. Hentschel worked as designer at Rookwood Pottery from 1913 until 1932, creating both incised and molded pieces. He also taught at the Cincinnati Art Academy from 1921 until 1957 and developed his own printmaking technique (aquetone) in 1928 in which he used an airbrush with numerous stencils. Hentschel's artwork was exhibited at the Closson Gallery (1929), Roullier's Gallery in Chicago (1930), the Traxel Galleries in Cincinnati (early 1930s), and the Cincinnati Art Museum (1932).
Provenance: ex-Nancy and Dr. E.F. Simpson collection, Los Angeles, California, USA, acquired from 1970 to 2000
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm.
Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping.
#172495
Condition:
Vase is marked with the Rookwood logo (a back-to-back "R" and "P" surrounded by flames) on the base, "XXVI" to indicate the date 1926, identifying shape number "1095 A", and a "WEH" (William Ernst Hentschel) artist's mark. Periphery of base is slightly rough, perhaps from removing from the kiln. Very minor scuffs, spalls, and stains from former labels. Otherwise excellent.
Museum Exhibited Chorrera Pottery House Effigy Vessel: Pre-Columbian, Ecuador, Chorrera culture, ca. 9th to 4th century BCE. A hand-built pottery effigy vessel in the form of a large domicile resting atop a flared foot. The rectangular house sits on an integral plinth and has a singular doorway, a slanted roof with projecting central corners, and a cylindrical spout with a flared rim. The highly-burnished vessel boasts a cream-hued ground atop which swaths of vermilion pigment accentuate the plinth, roof line, and spout. Size: 4. 375" W x 6. 25" H (11. 1 cm x 15. 9 cm). . Exhibited in "Artifacts of Ecuador: Collection of Col. William R. Cameron (Ret. ), Monterey Peninsula Museum of Art, January 8 to 29, 1977 . . Provenance: private California, USA collection, acquired in 2004; ex-private Gill family collection, Pebble Beach, California, USA, acquired in 1980; ex-Colonel William R. Cameron (Ret. ) collection, California, USA, acquired in 1965 to 1968; exhibited in "Artifacts of Ecuador: Collection of Col. William R. Cameron (Ret. ), Monterey Peninsula Museum of Art, January 8 to 29, 1977. . All items legal to buy/sell under U. S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. . . A Certificate of Authenticity will accompany all winning bids. . We ship worldwide and handle all shipping in-house for your convenience. . #145206 Condition Losses to spout rim, areas of roof line and plinth, and base, with fading and chipping to original pigmentation, and light encrustations. Light earthen deposits and great traces of original pigmentation throughout. Old inventory labels beneath base.
H.R. Etched Pottery Stein, jester, cat & owl, 1/2 liter, pewter top, 9", #436, excellent.
R. Bonnert (?) Pottery Bowl with Faces
Signed. 4 1/2" H, 15" Dia.
Three Cobalt-decorated Stoneware Jugs, Rhode Island and Vermont, late 19th century, a three-gallon jug with impressed maker's mark "R.I. POTTERY CO./PHENIX, R.I.," with a bird perched on a stylized flower; a two-gallon jug marked "CORNELLIS & MUMFORD PROVIDENCE, R.I.," with leaf decoration; a two-gallon jug marked "E. & L.P. NORTON/BENNINGTON VT.," with a stylized leaf motif, (imperfections), ht. 13 1/2-15 1/2 in.
Sixty-Eight Reference Books Pertaining to Chinese Ceramics
Soame Jenyns Ming Pottery and Porcelain 1953 (two copies); Jan Wirgin Sung Ceramic Designs 1970; Sheh Ch'eng Blue and White Porcelain of the Ming and Ch'Ing Dynasties 1988; Wang Qing-zheng, Fan Dong-qing, & Zhou Li-li translated by Lillian Chin & Xu Jie The Discovery of the Ru Kiln: A Famous Song-ware Kiln in China 1991; Adrian M. Joseph Ming Porcelains: Their Origins and Development 1971; Tri Color Pottery of the T'ang Dynasty 1977; The Coloured Figurines in Yang Ling Mausoleum of Han in China 1992; Zhang Wenli translated by Li Tianshu, Du Qimei, Zhang Siying, & Chen Haiyan The Qin Terracotta Army: Treasure of Lintong 1996; John Alexander Pope Fourteenth-Century Blue-and-White: A Group of Chinese Porcelains in the Topkapu Sarayi Muzeso, Istanbul 1970; Margaret Medley T'ang Pottery & Porcelain 1981; The Oriental Ceramic Society of Hong Kong Exhibition of Chinese Blue and White Porcelain and Related Underglaze Red 1971; Daisy Lion-Goldschmidt Chinese Porcelain and Pottery 1957; Imperial Tombs of China 1995; Ann Paludan The Imperial Ming Tombs 1981; Suzanne V. Valenstein A Handbook of Chinese Ceramics 1975; W.B.R. Neave-Hill Chinese Ceramics 1975; Cornelius Osgood Blue-and-White Chinese Porcelain: A Study of Form 1956; Bo Gyllensvard with translations by Ann Kempe Chinese Ceramics in the Carl Kempe Collection 1964; Ancient Pottery Figures; Margaret Medly The Chinese Potter: A Practical History of Chinese Ceramics 1976; Guo Jingkun (Editor) Science and Technology of Ancient Ceramics 3 Proceedings of the International Symposium 1995; Sotheygy & Co. Catalogue of Important Chinese Ceramics: The Property of Mrs. Alfred Clark 1975; Margaret Medley Yuan Porcelain & Stoneware 1974; Transactions of the Oriental Ceramic Society, 1969-1971 1972; Transactions of the Oriental Ceramic Society, 1971-1973 1974; Transactions of the Oriental Ceramic Society, 1975-1977 1977; Transactions of the Oriental Ceramic Society, 1977-1978 1979; Transactions of the Oriental Ceramic Society, 1978-1979 1980; Transactions of the Oriental Ceramic Society, 1979-1980 1981; Transactions of the Oriental Ceramic Society, 1980-1981 1982; Warren E. Cox The Book of Pottery and Porcelain Volume I 1944; Wei Ji translated by Sylvia Yu, Julian Chen, & Christopher Malone The Art of Chinese Ceramics 2006; Various Authors New Perspectives on the Art of Ceramics in China 1992; Penelope Hughes-Stanton & Rose Kerr Kiln Sites of Ancient China: Recent Finds of Pottery and Porcelain 1980; J.M. Addis Chinese Ceramics from Datable Tombs 1978; Yaozhou Kiln 1992; Nancy B. Retchin & Elizabeth H. Hammer with Michael B. Weisbrod From the Kilns of Kings and Commoners: Chinese Pottery and Porcelain 1990; Anthony du Boulay Chinese Porcelain 1963; Yutaka Mino Pre-Sung Dynasty Stonewares in the Royal Ontario Museum 1974; R.L. Hobson The Wares of the Ming Dynasty 1962; Soame Jenyns Later Chinese Porcelain: The Ch'ing Dynasty (1644-1912) Fourth Edition 1971; Suzanne G. Valenstein Highlights of Chinese Ceramics; A. D. Brankston Early Ming Wares of Chingtechen 1970; A. Jacquemart The Wonders of Ceramics 1866; Ann Paludan Images of Asia: Chinese Tomb Figures 1944; Ann Frank Chinese Blue and White 1969; G. St. G. M. Gompertz Chinese Celadon Wares 1980; Mark Chou A Discourse on Hung Hsien Porcelain 1987; Calvin Chou The Hollow Line in Dating Chinese Ceramics 1978; Gerald Davidson The Handbook of Marks on Chinese Ceramics 1994; Joseph Grebanier Chinese Stoneware Glazes 1975; Jason C. Kuo (Editor) Studies in Chinese Art History and Archaelology, Volume I: Born of Earth and Fire: Chinese Ceramics from the Scheinman Collection 1992; Sheila Keppel China in 1700: Kangxi Porcelains at the Taft Museum 1988; Maura Rinaldi & Eng-Lee Seok Chee Ceramics in Scholarly Taste 1993; Kitty Higgins Chinese Ceramics 1986 (Two Copies); S.T. Yeo & Jean Martin Chinese Blue & White Ceramics 1978; The Quest for Eternity: Chinese Ceramic Sculptures from the People's Republic of China 1987; The Museum of Far Eastern Antiquities Bulletin Number 47 1975; Cornellius Osgood Blue-and-White Chinese Porcelain, a Study of Form 1956; Yutaka Mino Freedom of Clay and Brush through Seven Centuries in Northern China: Tz'u-chou Type Wares, 960-1600 1980; Louise Allison Cort & Jan Stuart with Laurence Chi-sing Tam Joined Colors: Decoration and Meaning in Chinese Porcelain, Ceramics from Collectors in the Min Chiu Society, Hong Kong 1993; S.W. Bushell Oriental Ceramic Art: Illustrated Examples from the Collection of W.T. Walters 1980; Nils Palmgren Kansu Mortuary Urns of the Pan Shan & Ma Chang Groups 1934; Xue, Dongxing History of Yaozhou Kiln 1992 (two copies); Cheng, Jingkun 1999 Science and Technology of Ancient Ceramics 4 Proceedings of the International Symposium (ISAC'95) 1999.
1900 W. MCDONALD ROOKWOOD VASE LILIES, EX-BUTTERFIELDRookwood Pottery Vase by William Purcell McDonald (1864-1931) ca. 1900. Signed and numbered on base. A striking ceramic vase of a classic form decorated with elegant lilies in relief, embellished with lustrous golden yellow, amber, olive green, and chocolate brown hues on the exterior walls with a yellow and green interior - all under an Iris glaze. The vessel is marked with the Rookwood logo (a back-to-back "R" and "P" surrounded by flames) on the base, identifying shape number "568 B", and a "WMcD" (William McDonald) artist's mark. The incised "W" indicates that the design is under an Iris glaze - a clear high glaze that gives a photorealist effect. A stunning Iris glazed ceramic vase by Rookwood artist William McDonald with a decorative theme that reflects the zeitgeist for organic motifs during the Arts and Crafts Movement! Size: 4.7" W x 9.125" H (11.9 cm x 23.2 cm)
The Rookwood Pottery Company was founded in 1880 by the artist Maria Longworth-Nichols who created a world-renowned ceramic studio in Cincinnati, Ohio that attracted many reputable artists and ceramicists. William Purcell McDonald was one of the earliest Rookwood artists. He worked at Rookwood from 1882 to 1931. In 1904, McDonald was promoted to be head of the architectural department; however, he continuted to create pottery for Rookwood until his death in 1931.
A relief iris vase with poppies by William Purcell McDonald sold for $30,000 (Rookwood: The Pritsker Collection - David Rago - January 18, 2020 - Lot #1)
Provenance: ex-Nancy and Dr. E.F. Simpson collection, Los Angeles, California, USA, acquired from 1970 to 2000
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm.
Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping.
#172036
Condition:
Minute chip to glaze on rim and a few scratches on the exterior. Otherwise very nice. Marked on the base with the mirrored "R" Rookwood logo, identifying shape number "568 B", and a "WMcD" (William McDonald) artist's mark. In addition, the incised "W" indicates that the design is under an Iris glaze - a clear high glaze that gives a photorealist effect. There is also a Butterfield & Butterfield auction label on the underside.
MARGARET MCDONALD ROOKWOOD POTTERY VASE (1926)Rookwood Pottery Vase by Margaret Helen McDonald (1893-1964) dated 1926. Signed, numbered, and dated on base. A beautiful vellum glazed ceramic vase with fruitful berry vines adorning the shoulder on a cherry blossom pink body with a robin blue glaze embellishing the interior of the neck. This vessel is marked with the Rookwood logo (a back-to-back "R" and "P" surrounded by flames), a handwritten "M-M" (Margaret McDonald) artist mark, "XXVI" to indicate the date 1926, and identifying shape number "614 E" on the base. A gorgeous example of Rookwood Pottery by Margaret McDonald, featuring a fresh berries-on-the-vine motif and exquisite coloration with an attractive matte finish. Size: 4.375" W x 8.5" H (11.1 cm x 21.6 cm)
The Rookwood Pottery Company was founded in 1880 by the artist Maria Longworth-Nichols who created a world-renowned ceramic studio in Cincinnati, Ohio that attracted reputable artists and ceramicists. Margaret Helen McDonald was the daughter of famous Rookwood artist William McDonald. Born in Cincinnati, Ohio in 1893, Margaret started decorating pieces in 1913 and continued until 1948.
Provenance: private Wabasha, Minnesota, USA collection; ex-Nancy and Dr. E.F. Simpson collection, Los Angeles, California, USA, acquired from 1970 to 2000
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm.
Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping.
#171837
Condition:
Vessel is marked with the Rookwood logo (a back-to-back "R" and "P" surrounded by flames), a handwritten "M-M" (Margaret McDonald) artist mark, "XXVI" to indicate the date 1926, and identifying shape number "614 E" on the base. Near choice if not choice condition.
ATTRIBUTED A.R. COLE POTTERY (NC), LARGE VASE 1930s-40s, turquoise glazed with scattered streaks of a deeper shade, attached ring handles, not signed.
RUFFLED RIM VASE, ATTRIBUTED TO C.R. AUMAN POTTERY (1922-1937 SEAGROVE, NC) Clear glazed earthenware low form with copper oxide runs and rim decoration, not signed.
CHROME RED VASE, ATTRIBUTED JACK KISER (NC) Probably turned at A.R. Cole Pottery, 1940, shape consistent with other vases by Kiser with flared mouth, grooved rat tail handles, unmarked.
A collection of Asian art reference books
Hardcover books including:
Barilli, Renato. Art Nouveau. 1969; Brown, Claudia ad Chou Ju-hsi The Elegant Brush: Chinese Painting Under the Qianlong Emperor 1735-1795. 1985; Bussagli, Mario. Chinese Bronzes. 1969; Bussagli, Mario. Chinese Painting. 1969; Burling, Judith and Arthur Hart. Chinese Art.; Cahill, James. Treasure of Asia: Chinese Painting.1960; Chu, Arthur and Grace. Oriental Antiques and Collectables, A Guide. 1973; Denny, Walter B. The Smithsonian Illustrated Library of Antiques: Oriental Rugs. 1979; Donnelly, P.J. Blanc de Chine. 1969; Far East Fine Arts. Inc The Four Jens. 1977; Fourcade, Francois. Art Treasure of the Peking Museum.; Grebanier, Joseph. Chinese Stoneware Glazes. 1975; Hart, Henry. Seven Hundred Chinese Proverbs. 1945; Kotz, Suzanne. Imperial Taste. Chinese Ceramics from the Percival David Foundation ,1989; Lee, Sherman E. A History of Far Eastern Art.; Lefebvre d’Argence, Rene-Yvon. Chinese Treasures from the Avery Brundage Collection. 1968; Lin Yutang, Imperial Chinese Art. 1983; Lion-Goldschmidt, Daisy. i>Chinese Art: Bronze, Jade, Sculpture, Ceramics. 1966; Luzzato-Bilitz, Oscar. Oriental Lacquers. 1969; Luzzatto-Bilitz, Oscar. Antique Jade. 1969; Medley, Margaret. The Chinese Potter. 1976; Reed, Stanley. All Color Book of Oriental Carpets and Rug. 1972; Royal Ontario Museum. Chinese Art. 1972; Smith, Bradley and Wan-go Weng. China: A History in Art.; Taiwan National Palace Museum, Masterpieces of Chinese Album Painting in the National Palace Museum (6 volumes); Thiel, Albert W. R. Chinese Pottery and Stoneware. 1953; Valenstein, Suzanne G. A Handbook of Chinese Ceramics. 1975; Zhiyu, Shen. The Shanghai Museum of Art. 1981.
Paperback Books including: Pal, Pratapaditya. The Sensuous Immortals. 1978; The Exhibition of Archaeological Finds of The People’s Republic of China. 1975; Oriental Art: quarterly publication devoted to all forms of oriental art. Vol. XXV No. 1, Spring 1979; Hong Kong Museum of Art. Yixing Pottery. 1981; Parke-Bernet Galleries. Oriental Art. 1971; International Exhibitions Foundation. The Work of Tomioka Tessai. 1969; Lefebvre D’Argence, Rene-Yvon. Chinese Ceramics in the Avery Brundage Collection 1967; Sotheby Parke-Bernet Inc. Chinese Paintings, Textiles, Snuff Bottles, Ceramics and Works of Art. 1979; Avery Brundage Foundation. The Fascinations of Asian Arts. 1970; Sotheby Parke Bernet (Hong Kong) Ltd. Important Chinese Ceramics and Works of Art.; 1978; Yee, Chiang. Chinese Calligraphy: An Introduction to Its Aesthetic and Technique. 1973; Sullivan, Michael. A Short History of Chinese Art. 1970;
Watson, William. Ancient China: The Discoveries of Post Liberation Archaeology. 1974; Phoenix Art Museum. Chinese Ceramics The Wong Collection. 1982; Sze, Mai-mai. The Way of Chinese Painting: Its Ideas and Technique. 1959; Hobson, R.L. Chinese Pottery and Porcelain. 1976; Jenyns, Soame R. Chinese Art II. 1966; Jenyns, Soame R. Chinese Art III. 1981; National Endowment for the Humanities. The Chinese Exhibition: A pictorial record of the Exhibition of Archaeological Finds of The People’s Republic of China. 1975; Lefebvre D’Argence, Rene-Yvon. Chinese Jades in the Avery Brundage Collection. 1972; Lefebvre D’Argence, Rene-Yvon. Ancient Chinese Bronzes in the Avery Brundage Collection. 1966; Brown, Claudia and Ronald D. Hickman. Chinese Cloisonne: The Clague Collection. 1980; Riely, Celia Carrington. Chinese Art: from the Cloud Sampler and other Collections in the Everson Museum.1968; AntikWest. Chinese Pottery and Porcelain. 1985; Smithsonian Institution. Renaissance of Islam: Art of the Mamluks. 1981; Chow, Fong. Oriental Art. 1975;Anita Siu, Wai-fong. The Modern Spirit in Chinese Painting. 1985; National Gallery of Art. The Chinese Exhibition: An Illustrated Handlist of the Exhibition of Archaeological Finds of The People’s Republic of China. 1975; Spink & Son Ltd. The Minor Arts of China III. 1987; Phoenix Art Museum. Heritage of the Brush: The Roy and Marilyn Papp Collection of Chinese Painting. 1989; Tucson Museum of Art. Tucson Collects: The Year of the Snake/The Year of the Horse. 1978; Exhibition of Ancient Bronzes of the People’s Republic of China (in Chinese). Japan, 1976; Hobson, R.L., & A.L Hetherington. The Art of the Chinese Potter. 1982; Lefebvre d’Argence, Rene-Yvon. The Hans Popper Collection of Oriental Art. 1973; Brown, Claudia and Donald Rabiner. Chinese Glass of the Qing Dynasty 1644-1911. 1987; Sotheby Parke Bernet. Oriental Works of Art. 1975; Spence, Jonathan D. Emperor of China: Self-Portrait of K’Ang-Hsi. 1975; Lawton, Thomas. Chinese Figure Painting. 1973; Capon, Edmund. Art and Archaeology in China. 1977.
TWO ATTRIBUTED C.R. AUMAN POTTERY PIECES NC 1920s-30s, an unusual butter or cheese dome and a jug, clear yellow glazed earthenware with cobalt, not signed.
ROYAL HICKMAN #537 ART POTTERY VASERoyal Hickman #537 art pottery vase. Vase measures 6 1/4" wide x 3 3/4" tall x 2 7/8" deep. No cracks, chips or repairs. Crazing throughout, minimal surface wear. Hickman worked with Haeger Potteries in the 1930s and again in the 1950s, but during the mid-1940s, operated his own pottery business out of Tampa. This piece is from the personal collection of renowned Florida collector Alfred R. Frankel, MD and author of the book “Old Florida Pottery: Potters in Paradise†being “The Collector’s Guide to History, Makers and Marks, 1859-1966.â€
Rare Auman NC Pottery Figural Dishattributed to C. R. Auman Pottery circa 1930 clear glaze with deep blue highlights this unusual piece depicts a goose atop a shell form dish.7 x 6.75 x 7 in.Original expected defects due to impurities in the clay.
THREE VINTAGE NORTH CAROLINA POTTERY VASES Lead glazed earthenware with manganese oxides, a tall baluster vase with sine waves attributed to Joe Owen (14 1/2 in.) (large inch and repair to rim); two vase possibly C.R. Auman Pottery (taller with 4 in. hairline).
A.R. Cole Pottery bowls two North Carolina basket shape covered in a multicolored crystalline glaze 13''w x 5.5''h; with a A.R. Cole Pottery bowl double handled shape covered in a yellow glaze 10''w x 3''h all marked
Lot of 4 Museum Exhibited Narino Pottery Conch Whistles: Pre-Columbian, Colombia, to Ecuador (Carchi) region, Northern Highlands, Narino, ca. 800 to 1500 CE. A fine group of 4 hand-built pottery whistles exhibiting conch-shell forms. The 3 smaller whistles are covered in cream-hued slip and have pierced mouth holes on one end and a pierced suspension hole on the other. One small whistle has red pigment adorning one end in a fretted pattern, and another has a trio of red stripes interspersed by faded orange pigment. The largest whistle has its mouth on the side of the body and features a single coiled striation filled with red pigment on one end. The larger whistle produces a nice sound when played, though the trio of smaller whistles do not produce sound. Size of largest: 4. 875" L x 3. 5" W (12. 4 cm x 8. 9 cm). . Exhibited in "Artifacts of Ecuador: Collection of Col. William R. Cameron (Ret. ), Monterey Peninsula Museum of Art, January 8 to 29, 1977 . . Provenance: private California, USA collection, acquired in 2004; ex-private Gill family collection, Pebble Beach, California, USA, acquired in 1980; ex-Colonel William R. Cameron (Ret. ) collection, California, USA, acquired in 1965 to 1968; exhibited in "Artifacts of Ecuador: Collection of Col. William R. Cameron (Ret. ), Monterey Peninsula Museum of Art, January 8 to 29, 1977. . All items legal to buy/sell under U. S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. . . A Certificate of Authenticity will accompany all winning bids. . We ship worldwide and handle all shipping in-house for your convenience. . #145170 Condition All items have light fading to original pigmentation, and minor nicks and abrasions, otherwise intact and very good. Scattered manganese deposits and light earthen deposits throughout. Large whistle produces sound when played, but 3 smaller whistles do not produce sound.
TWO PIECES OF S.R. ROGERS POTTERY(Pike County, Georgia, 1881-1954) runny brown slip glazed creamer with rutile highlights, flared rim, applied strap handle, 5-1/4 in.; churn with blackish, green and reddish Albany slip glaze, applied strap and lug handles to opposing shoulders, flared rim, 17-3/4 in., both pieces stamped "S.R. Rogers" at shoulder, creamer also stamped on base, crock with impressed "5"
Provenance: Private North Carolina Collection
Condition:
glaze voids and anomalies as made, minor surface abrasions, wear to base edge of churn, minor chip and wear to churn rim, chip and wear to churn handle
Bulbous Carolina Ring Handled Oil Jar.
Description Super multi-colored drip glaze over high-gloss blue background. Marked "A.R. Cole Pottery Sanford, NC" under base.
Condition (Excellent). Size 12" T.
A.R. Cole North Carolina 10 1/8" Vase - Mint
A.R. Cole vase with stippled black on white color. Marked with circular A.R. Cole Pottery, Sanford N.C. stamp. Mint. 10 1/8" tall.
Estimate: 100.00 - 150.00
Auman/Masten salt glaze vase, swirled brown and cobalt glaze, unsigned, C. R. Auman Pottery, glaze attributed to Charles B. Masten, Seagrove area, North Carolina, 1928-1930, 6-1/2 in.
ATTRIBUTED TO C.R. AUMAN POTTERY (RANDOLPH COUNTY, NC), UNUSUAL FRUIT BOWL 1920s-30s, clear lead glazed earthenware with red and green runs and splashes, applied ribbon handles, not signed.