An atmospheric study from Haden's window; The causeway to the Cathedral of Mont St. Michel
Artist: Haden, Francis Seymour (English, 1818-1910); Jeffery, Paul
Title: Out of Study Window; Le Mont St. Michel
Date: 1859, n.d.
Medium: Etching; Etching
Dimensions: 4 x 10 inches; 6.5 x 10.5 inches
Edition Number: not numbered; 55/150
Signature: Signed S. Haden lower right in plate, titled Out of Study Window and initialed H in plate lower left, pencil signed Seymour Haden lower right margin; pencil signed in right margin Paul Jeffery, numbered 5/150 and titled Le Mont St. Michel lower left
Provena: Sealed bid auction of Women's Committee Carnegie Museum of Art 2/18/1972, Pittsburgh, PA; The Estate of J.Robb Wilson; The Galleries at Haugh and Keenan, Pittsburgh, PA, 12/7/72; The Estate of J.Robb Wilson
Frame Type: black painted wood; black painted wood
Frame Size: 12.25 x 17 inches; 13.5 x 16.5 inches
PAUL RAJON (FRANCE, 1842-1888) ETCHING, "REMBRANDTPAUL RAJON (France, 1842-1888) etching, "Rembrandt Dans Son Atelier." Image measures 9" x 7.5". In a wood frame; 18" x 16.25" overall.
B. NORDFELDT COLORED WOODCUT, NORTH SEA FISHERMANBror Julius Olsson Nordfeldt (American, 1878-1955) colored woodcut on cream Japan paper titled "North Sea Fisherman". Signed in pen upper left "Nordfeldt No 52 1906". Housed in a simple wooden frame with rounded corners. Sight: 9 1/8" H x 14 7/8" W. Framed: 14 3/4"H x 20 1/8" W. Circa 1906. Biography (Courtesy of AskArt: The Artists' Bluebook): Norfeldt was a painter, etcher, engraver and teacher. Born in Sweden, he immigrated with his family to the U.S. as a child. He became a student at the Art Institute of Chicago in 1899 and later became an assistant to Albert Herter of New York, helping him paint a mural for the Paris Exhibition. In 1900, Nordfeldt went to France and remained there to study and teach. He attended the Academie Julian in 1900 as a pupil of Jean Paul Laurens, where he was much influenced by the painting styles of Manet, Gauguin and Cezanne and was especially taken with the strong, bold coloration of the newly introduced Fauves style. Moving to London, he studied etching and woodblock cutting as a pupil of Frank M. Fletcher. He exhibited work at the Royal Academy of London. During World War I, Nordfeldt was in California where he worked as a camouflage painter for the Navy and was also in Europe on military duty. Previous to that, he had an exhibition entry in the San Francisco Panama-Pacific Exposition of 1915, winning a silver medal for an etching. Throughout his career, especially when he was living in New Mexico, Nordfeldt made many trips to California. In 1937, he exhibited work with the San Francisco Art Association.
Condition:
Overall light toning with a couple of vertical bands of darker toning.
EUSTACE PAUL ZIEGLER ETCHING (Seattle, Washington 1881-1969) An Alaskan landscape with totem pole and Indian hogan. 4.75" by 7.75" Signed in pencil lower right E.P. Ziegler In wood frame. Condition Report
Framed and matted print of mallard ducks signed l.r. "Paul Wood" and titled "Arrivie" ? Paris Etching Society NY USA. 19"x24"
Paul Garvey (NY), Figure with Owl
oil on canvas, signed and dated 1974 on the verso, simple wooden frame. Accompanied by an artist's proof etching by Garvey and dated 1973, unframed (Sheet 7.25 x 6.5 in.).
DOA 31 x 30.75 in.
HELLEU, Paul Cesar, (French, 1859-1927): Profile of Young Beauty Wearing a Hat, possibly the artist's wife, Color Dry Point Etching, size with margins 17 5/8'' x 12 3/4'', pencil signed lower left, custom wood grain frame 24'' x 19 1/2''.CONDITION: Some older repair to paper in upper margin, several handling creases and several minor spots of foxing, taped to mat in upper margin.
Print after Degas, ballerina from Paul Valery, Degas Danse Dessin , Ambrose Vallard, Editeur, signed in plate "Degas", after Edgar Degas, French, 1834-1917, color aquatint and etching on Arches paper, plate 10-1/4 x 7-3/8 in., page 12-1/2 x 9-1/2 in.; modern wood and composition French style frame. Floated, good condition; frame with abrasions. Private Collection
BROR NORDFELDT COLORED WOODCUT, THE WAVE, MOONRISEBror Julius Olsson Nordfeldt (American, 1878-1955) colored woodcut on cream Japan paper titled "The Wave, Moonrise". Pencil signed upper left "Nordfeldt No 52 1906". Housed in a simple wooden frame with rounded corners. Sight: 9 3/8"H x 11 1/4"W. Framed: 14 5/8"H x 16 1/4" W. Circa 1906. Biography (Courtesy of AskArt: The Artists' Bluebook): Norfeldt was a painter, etcher, engraver and teacher. Born in Sweden, he immigrated with his family to the U.S. as a child. He became a student at the Art Institute of Chicago in 1899 and later became an assistant to Albert Herter of New York, helping him paint a mural for the Paris Exhibition. In 1900, Nordfeldt went to France and remained there to study and teach. He attended the Academie Julian in 1900 as a pupil of Jean Paul Laurens, where he was much influenced by the painting styles of Manet, Gauguin and Cezanne and was especially taken with the strong, bold coloration of the newly introduced Fauves style. Moving to London, he studied etching and woodblock cutting as a pupil of Frank M. Fletcher. He exhibited work at the Royal Academy of London. During World War I, Nordfeldt was in California where he worked as a camouflage painter for the Navy and was also in Europe on military duty. Previous to that, he had an exhibition entry in the San Francisco Panama-Pacific Exposition of 1915, winning a silver medal for an etching. Throughout his career, especially when he was living in New Mexico, Nordfeldt made many trips to California. In 1937, he exhibited work with the San Francisco Art Association.
Condition:
Overall toning, otherwise excellent condition.
SIGNED PAUL WOOD "COCKERS" ETCHINGPaul Wood (1897-1964), pencil signed Paul Wood dog etching titled "Cockers", framed under glass; signed to bottom right and marked to upper right "Paris Etching Society N.Y. U.S.A." and "SZL" inside a circle with "Cockers" underneath; measures approximately 18-1/4" x 22-1/4" with frame and has a sight image of approximately 10-3/4" x 14-1/2". In good overall condition.
A black and white etching of a Thames scene with St Paul's Cathedral, signed bottom right Maria Eaton, 18 x 25 cm approx in black and gilt frame together with further etchings and engravings of topographical scenes including a view of Corn Street signed E Sharland, unframed, further works by Sharland, unframed, etc, together with a pencil study of boys playing cards, 17 x 23 cm approx in wooden frame, and a framed coloured print after Meissoier
EUSTACE PAUL ZIEGLER (Seattle, Washington 1881-1969). Etching and drypoint, Trial proof no.1 Three fishermen hauling in their nets. 4 1/4 in. by 3 3/8 in., signed E.P. Ziegler'31 in pencil l.r. In wood frame.
EUSTACE PAUL ZIEGLER ETCHING (Alaska/Washington, 1881-1969) Fishermen with poles hauling in their nets. Image measures 4.5" x 4.5", pencil signed "EP Ziegler" lower right, numbered "25" lower left. In a wood frame, 11.5" x 9.5" overall.
ROBERT SHAW (Delaware, 1859-1912) two etchings: "Fraunces Tavern," New York and "St. Paul's Church," New York. Both pencil signed. Plates measure 9.5" x 14". In matching wood frames; 18" x 22" overall.
Artist: Gulmody, Possibly Paul
Title: French Street Scene
Date: 20th century
Medium: etching on paper with handcoloring
Dimensions: 5.9 x 8.6 inches (plate)
Edition Number:
Signature: pencil signed illegibly, possibly Paul Gulmody lower right, titled illegibly Porte _' Dun upper left
Provena:
Frame Type: gold painted wood
Frame Size: 13.75 x 16.75 inches
PAUL CADMUS "WAITING FOR REHEARSAL" ETCHING, 1984 Paul Cadmus (American, 1904-1999) "Waiting for Rehearsal" etching on wove paper, 1984, depicting three semi-nude figures backstage at a New York City theater, pencil signed lower right, titled and numbered edition 78/175 lower left, Pelavin Printmaker blind stamp lower right corner, housed under glass in a burl wood frame. Image: 19" H x 14.5" W; frame: 26.25" H x 20.25" W.
Bror Nordfeldt Colored Woodcut, The Wave, Moonrise Bror Julius Olsson Nordfeldt (American, 1878-1955) colored woodcut on cream Japan paper titled "The Wave, Moonrise". Pencil signed upper left "Nordfeldt No 52 1906". Housed in a simple wooden frame with rounded corners. Sight: 9 3/8"H x 11 1/4"W. Framed: 14 5/8"H x 16 1/4" W. Circa 1906. Biography (Courtesy of AskArt: The Artists' Bluebook): Norfeldt was a painter, etcher, engraver and teacher. Born in Sweden, he immigrated with his family to the U.S. as a child. He became a student at the Art Institute of Chicago in 1899 and later became an assistant to Albert Herter of New York, helping him paint a mural for the Paris Exhibition. In 1900, Nordfeldt went to France and remained there to study and teach. He attended the Academie Julian in 1900 as a pupil of Jean Paul Laurens, where he was much influenced by the painting styles of Manet, Gauguin and Cezanne and was especially taken with the strong, bold coloration of the newly introduced Fauves style. Moving to London, he studied etching and woodblock cutting as a pupil of Frank M. Fletcher. He exhibited work at the Royal Academy of London. During World War I, Nordfeldt was in California where he worked as a camouflage painter for the Navy and was also in Europe on military duty. Previous to that, he had an exhibition entry in the San Francisco Panama-Pacific Exposition of 1915, winning a silver medal for an etching. Throughout his career, especially when he was living in New Mexico, Nordfeldt made many trips to California. In 1937, he exhibited work with the San Francisco Art Association.
ROBERT SHAW (DELAWARE, 1859-1912) TWO ETCHINGS: "ROBERT SHAW (Delaware, 1859-1912) two etchings: "Fraunces Tavern," New York and "St. Paul's Church," New York. Both pencil signed. Plates measure 9.5" x 14". In matching wood frames; 18" x 22" overall.
ARRIVAL BY PAUL WOOD (AMERICAN SCHOOL, 20TH CENTURY). Colored etching, signed lower right, Paris etching society. Depicting a flock of ducks landing. 18.25"h. 23.25"w., in a modern wood frame, 28"h. 31.5"w.
Paul Wood (French 20th century). ''Le Depart '' color etching signed lr framed Estimate $ 70-100 All property is sold as-is. No condition report is supplied. Prospective buyers should submit an inquiry requesting detailed examination of each lot prior to bidding. Back   Inquiry   Email Lot  © Alex Cooper. Images descriptions and condition reports used on this site are originalcopyright material and are not to be reproduced without permission. Forfurther information telephone 410-828-4838 Schedule •  Catalogues •  Archives •  Login •  RegisterAbout Us | Consignors | Buyers | Catalogs | Contact Us | FAQ | Join Our Mailing ListHome | Oriental Rugs | Real Estate Auctions | Alex Cooper's Artfact Page | Alex Cooper Live! Blog908 York Road Towson Maryland 21204Baltimore: (410) 828-4838 | Fax: (410) 828-0875 | Toll-Free: (800) 272-3145antiques@alexcooper.comSite by Fastspot
EUSTACE PAUL ZIEGLER (Seattle, Washington 1881-1969). Etching and aquatint, no. 25 Fishermen with poles hauling in nets 4 1/4 in. by 4 1/4 in., signed EP Ziegler l.r. In wood frame. Provenance: by descent in the family
EUSTACE PAUL ZIEGLER ETCHING (Alaska/Washington, 1881-1969) Hunter carrying game birds. Image measures 6.75" x 5", pencil signed "EP Ziegler" lower right, numbered "25 7" lower left. In a wood frame, 12.5" x 10.25" overall.
AFTER GABRIEL PERELLE, TWO HAND COLORED ETCHINGS (French, 1604-1677) Landscapes with castles and figures, after paintings by Paul Bril and published by P. Drevet. Images measure 9" x 12", in matching gilt wood frames.
JOSEPH VICTOR ROUX CHAMPION (FRENCH, 1871 - 1953) 7" x 5" Portrait of Paul Signac. Etching and aquatint on paper, signed in the plate with tile lower right, matted in a wooden frame, overall 14 ½" x 11 ½". Bloch Gallery, Kansas City label verso.
Framed and matted print of setter dogs and mallard ducks pencil signed l.r. "Paul Wood" and titled "Eau Chasse" ? Paris Etching Society NY USA. 11"x15"
PAUL BROWN SIGNED "THE WATER" ETCHINGDESCRIPTION: A Paul Brown signed equestrian etching titled: "The Water" featuring a group of jockeys racing. Signed lower right: "Paul Brown" Mounted in a black wood frame.
CIRCA: Early 20th Cent.
ORIGIN: USA
DIMENSIONS: (Image) H: 13.5" x L: 21.5" (Framed) H: 15.25" x L: 23"
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CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS(305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
After Paul Cezanne (French, 1839-1906) "Paysage a Auvers". Restrike of an etching and aquatint on paper, later impression, the plate size approx. 5-1/2" x 4-1/2", paper size approx. 11-1/4" x 7-1/2", with linen mat and gilt fillet under glass in a gilt wood frame, overall approx. 19-5/8" x 18-5/8".
PAUL GEISSLER ETCHING. Handcolored study of an elderly gentleman with a pot of flowers. Signed by Geissler (Germany 1881-1965). 11 3/4'' h. 9 1/2'' w. In a wood and burlap frame. 24 3/4'' h. 21'' w.
THREE ETCHINGS AND AQUATINTS: Two by Paul Emile Lecompte (French, 1877-1950) "Vieux Logis en Bourgogne, France" and "Moulin Sur L'Epte France," images measure 17.75" x 23" and 18" x 23"; Lucien Dasselborn (Belgian, 1873-1952) "The Church Road," image measures 11.5" x 14". In gilt wood frames.
Seven Figural Prints (American and French, 19th/20th century)
John Sloan (New York, 1871-1951), "She let herself down on the floor by his side and clasped his knees." from Of Human Bondage, Chapter 71, unsigned edition of 1500, etching on paper, 5-3/4 x 3-7/8 in. (plate), modern frame [hinged in; frame with abrasions];
Paul Cezanne (French, 1839-1906), Portrait du peintre Armand Guillaumin au pendu, published by The Collector's Guild, posthumous etching on paper, 6 x 4-1/4 in. (plate), gilt wood frame;
Honore Daumier (French, 1808-1879), Family with Child in Uniform, signed lower left in image "h.D.", lithograph on cream paper 10-1/4 x 7-3/4 in. (sight), modern frame [toning];
After Louis Icart (French, 1888-1950), Le Jardin Japonais, reproduction, 8-1/4 x 10-1/4 in. (image), gilt wood frame, [toning];
After Carle Vernet (French, 1758-1836), two hand-colored lithographs of merchants, "Marchand…", signed in stone "Carle Vernet", lithographer De Delpich, 10-3/4 x 7-5/8 in. (sight), matching frames, [toning, fozing, fading];
After Jean-Francois Millet (French, 1814-1875), Madame J.-F. Millet, reproduction of a drawing, 10 x 7-1/4 in. (sight), inlaid frame [stains, foxing; lacking glass]. Provenance: Property from the Collection of Marjorie S. Fisher, Palm Beach, Florida
PAUL CESAR HELLEU(French, 1859-1927)
The Needle, circa 1888, drypoint etching, plate 7-3/4 x 6-1/8 in.; fine gilt wood frame, 16-1/4 x 14-1/4 in.
Condition:
not removed from framing, some light toning; frame with abrasions
B. Nordfeldt Colored Woodcut, North Sea Fisherman Bror Julius Olsson Nordfeldt (American, 1878-1955) colored woodcut on cream Japan paper titled "North Sea Fisherman". Signed in pen upper left "Nordfeldt No 52 1906". Housed in a simple wooden frame with rounded corners. Sight: 9 1/8" H x 14 7/8" W. Framed: 14 3/4"H x 20 1/8" W. Circa 1906. Biography (Courtesy of AskArt: The Artists' Bluebook): Norfeldt was a painter, etcher, engraver and teacher. Born in Sweden, he immigrated with his family to the U.S. as a child. He became a student at the Art Institute of Chicago in 1899 and later became an assistant to Albert Herter of New York, helping him paint a mural for the Paris Exhibition. In 1900, Nordfeldt went to France and remained there to study and teach. He attended the Academie Julian in 1900 as a pupil of Jean Paul Laurens, where he was much influenced by the painting styles of Manet, Gauguin and Cezanne and was especially taken with the strong, bold coloration of the newly introduced Fauves style. Moving to London, he studied etching and woodblock cutting as a pupil of Frank M. Fletcher. He exhibited work at the Royal Academy of London. During World War I, Nordfeldt was in California where he worked as a camouflage painter for the Navy and was also in Europe on military duty. Previous to that, he had an exhibition entry in the San Francisco Panama-Pacific Exposition of 1915, winning a silver medal for an etching. Throughout his career, especially when he was living in New Mexico, Nordfeldt made many trips to California. In 1937, he exhibited work with the San Francisco Art Association.
PAUL CESAR HELLEU (FRENCH, 1859-1927)Paul Cesar Helleu
French, 1859-1927
Le Demi Sourire
Drypoint etching; signed in graphite lower left
The bust portrait of a young lady in hat and dark fur coat. Mounted behind glass, painted wooden frame.
Impression: 11 x 9 1/2 in. (27.9 x 24.1 cm.), frame: 20 3/4 x 17 in. (52.7 x 43.2 cm.)
Pair of Original Framed Etchings: Featured in this lot we have a pair of original framed etchings originating from the early 20th century. The first piece shows the image of "St. Paul's - West Front" by Edward J. Cherry. The back of the piece shows a signed artist's proof across the bottom of the etching. The second etching shows the image of a older man with the image is titled "La Russe" drawn by Arthur William Heintzelman. The etchings are set into a wood frame with with a border of beige and white. The images are in good condition overall with some damage to the second frame. The first frame measures 13 1/2" tall by 10" wide and the second frame measures 14" tall by 11 1/2" wide. Condition For a complete representation of condition and for additional images please call 800-686-4216. It is the buyer’s responsibility to view each image and preview the item to determine condition.
VINTAGE ETCHING OF MEN SPLITTING WOOD Etching in brown ink on paper, mid 20th century, possibly a later printing of an etching by Paul Sandby, matted and framed.
PAUL-ADOLPHE RAJON ETCHING (French, 1842-1888) Musketeer lighting a pipe near the fire. Image measures 15" x 12", signed lower right. In a wood frame.
WAYNE THIEBAUD COLOR ETCHING AND DRYPOINT (California/Arizona, born 1920) "Chocolates," 1993. Image measures 8-7/8" x 10-3/8", paper measures 15" x 16", pencil signed "Thiebaud" lower right, dated 1993, numbered AP/3. Crown Point Press embossed stamp lower right and embossed "Laurence J. Hamlin" (printer). In a silvered wood frame. Provenance: purchased from Paul Thiebaud's San Francisco gallery.
EUSTACE PAUL ZIEGLER ETCHING (Seattle, Washington 1881-1969) Deer with mountain in the background. Image measures 4.75" x 6.5", pencil signed "E.P. Ziegler" lower right. In a wood frame.
EUSTACE PAUL ZIEGLER ETCHING (Alaska/Washington, 1881-1969) Totem pole and Indian hogan. Image measures 7.5" x 4.5", pencil signed "EP Ziegler" lower right. In a wood frame, 15.25" x 12" overall.
JOSEPH VICTOR ROUX CHAMPION (FRENCH, 1871 - 1953) 7" x 5" Portrait of Paul Signac. Etching and aquatint on paper, signed in the plate with tile lower right, matted in a wooden frame, overall 14 ½" x 11 ½". Bloch Gallery, Kansas City label verso.
CEZA LANDSCAPE IN AUVERS PAUL CEZANNEOriginal Landscape Etching Housed in a Quality Carved Wood Frame.This Etching is Set Within a Gold Leaf Inner Frame Mounted in a Linen Mat.Done by French Artist Paul Cezanne (1839-1906)
Signed Paul Wood "Cockers" Etching Paul Wood (1897-1964), pencil signed Paul Wood dog etching titled "Cockers", framed under glass; signed to bottom right and marked to upper right "Paris Etching Society N.Y. U.S.A." and "SZL" inside a circle with "Cockers" underneath; measures approximately 18-1/4" x 22-1/4" with frame and has a sight image of approximately 10-3/4" x 14-1/2". In good overall condition.