- GROUPING OF 6 DAVID LANCE GOINES POSTERSGrouping
GROUPING OF 6 DAVID LANCE GOINES POSTERSGrouping of 6 David Lance Goines lithographic posters to include: "Messiah"; "Parsifal"; "Dance"; "The General"; "Pandora's Box"; and "America". Largest measures 28" x 20", all in near pristine condit
- MARY MIGHT AFTER WALTER CRANE PANDORAMary
MARY MIGHT AFTER WALTER CRANE PANDORAMary Might (19th century), after Walter Crane (British, 1845-1915). Watercolor and pencil on brown paper, after Crane's Pandora. Unsigned. Later ink notations on verso "Mary Might Pandora, 1885" and "The Brooklyn Art Association Catalogue of a Collection of Designs by Walter Crane". 9" x 13 1/4" (with frame 15 3/4" x 20"). Tears and losses to corners and edges of paper; chips and losses to frame.
- 6VOL H.W. LONGFELLOW BOOKS WITH FIRST
6VOL H.W. LONGFELLOW BOOKS WITH FIRST EDITIONS Six volumes by Henry Wadsworth Longfellow: The Seaside and the Fireside by Henry Wadsworth Longfellow. Published 1850 by Ticknor, Reed, and Fields, Boston. Early edition. Bound in original publisher's papers. 8vo. 141pp. Tales of a Wayside Inn by Henry Wadsworth Longfellow. Published 1863 by Ticknor and Fields, Boston. Original green publisher's cloth with gilt titling on the spine. 8vo. 225pp. with advertisements. Kavanagh: A Tale by Henry Wadsworth Longfellow. Published 1849 by Ticknor, Reed, and Fields, Boston. Book is half bound in brown leather with marbled boards and gilt borders. Raised bands with gilt titling and decoration. Original boards are bound into the back of the book. 12mo. 188pp. The Masque of Pandora by Henry Wadsworth Longfellow. Published 1875 by James R. Osgood, Boston. Bound in tan leather with marbled boards. Raised bands and gilt titling on the spine. 12mo. 146pp. Outre-Mer, A Pilgrimage Beyond the Sea by Henry Wadsworth Longfellow. Published 1846 by William D. Ticknor. Second edition. Bound in tan calf leather with gilt borders. Raised bands on the spine with gilt titling and decoration. 8vo. 374pp. The Divine Tragedy by Henry Wadsworth Longfellow. Published 1871 by James R Osgood, Boston. Bound in green cloth with a gilt cross on the front and gilt titling on the spine. 8vo. 150pp.
- CHARLES ALLAN WINTER (AMERICAN, 1869-1942)
CHARLES ALLAN WINTER (AMERICAN, 1869-1942) "PANDORA" Oil on canvas. Signed 'Charles A. Winter' (lower left). With original giltwood and jeweled frame. This work is archived at the Frick Art Reference Library, New York, Container ID No. 3107100221796. Archives: Charles Allan and Alice Beach Winter papers, circa 1890-1949, Archives of American Art, Smithsonian Institution. [Box 11: Glass Plate Negatives, circa 1890-circa 1930.]
Exhibited:
National Academy of Design, New York, 1909.
Buffalo, New York, The Buffalo Fine Arts Academy - Albright Art Gallery, Catalogue of the Fourth Annual Exhibition of Selected Paintings by American Artists, May 10 - August 30, 1909.
Literature:
Harper's Weekly, Volume 53, 1908, Paintings of Note at the National Academy Exhibition (pictured).
Burr McIntosh Monthly, 1909 (pictured).
Catalogue Note: Winter is remembered for his work with Elbert Hubbard Roycrofter’s movement. Illustrating many of Hubbard’s ‘Little Sermons’ in Cosmopolitan magazine, the artist also worked frequently for The Fra Magazine. His style and aesthetic was recognized by proponents of the Arts & Crafts movement for its refined and harmonious beauty.
Charles Allan Winter (American, 1869-1942)
Born in Cincinnati, Charles Allan Winter enrolled in the Cincinnati Art Academy at a young age. He was awarded a Foreign scholarship from the school in 1894 to study at the Académie Julian in Paris under William-Adolphe Bouguereau and Gabriel Ferrier, as well as a scholarship to study in Rome. Returning to this country, he taught portraiture at the St. Louis School of Fine Art from 1898 to 1901. It was there that he met his future wife Alice Beach who was also an artist.
In 1901, the Winters settled in New York where he worked as a portrait painter and as a magazine illustrator including with "The Masses." During this time, like many painters, Winter began experimenting with various color theories and technical approaches to painting using geometric principals to strengthen his compositions. It was around 1910 that the Winters made their first summer visit to Gloucester and Cape Ann. Enamored with the area, they convinced John Sloan and his wife Dolly who they had befriended in New York to also visit. In 1922, the Winters had a house and studio built on Mount Pleasant Avenue in East Gloucester; they made this their year-round home in 1931.
Charles Allan Winter was employed during the 1930s as a mural painter under the auspices of the Works Progress Administration. Examples of his murals are preserved within Gloucester’s City Hall.
- (8) VARIOUS NATIVE AMERICAN INDIAN ARROWHEADS(lot
(8) VARIOUS NATIVE AMERICAN INDIAN ARROWHEADS(lot of 8) Native American Indian arrowheads, comprising: (3) Enel Tuareg Knife, (2) Pandora knife, (1) Ensor, (1) Neo Knife, (1) Flint Awl Drill, largest approx 5.75"l, 1.75"w *Provenance: Estate of a retired Austin, Texas doctor, an avid arrowhead collector. All authenticated by Dwain Rogers, Temple, Texas*
- (8) NATIVE AMERICAN PANDORA & NEO ARROWHEADS(lot
(8) NATIVE AMERICAN PANDORA & NEO ARROWHEADS(lot of 8) Native American Indian arrowheads, comprising: (6) Pandora knives and (2) Neo knives, largest approx: 4.5"l, 1.75"w *Provenance:
Estate of a retired Austin, Texas doctor, an avid arrowhead collector. All authenticated by Dwain Rogers, Temple, Texas
- FRENCH GILT METAL MOUNTED MARBLE MANTEL
FRENCH GILT METAL MOUNTED MARBLE MANTEL CLOCKFrench mantel shelf clock, late 19th c., figural topper of a classically dressed woman, likely a depiction of Pandora, over gilt metal mounted rouge marble case, housing dial with Arabic numerals, behind beveled glass dial window, unmarked time and strike movement, rising on toupie feet, retaining pendulum, approx 14.25"h, 11.5"w, 6"d, 23lbs **Provenance: from a private Austin, Texas estate collection**
- JIMI HENDRIX ORIGINAL 1967 POSTER Mr.
JIMI HENDRIX ORIGINAL 1967 POSTER Mr. Experience-Pandora Productions. Silkscreen. With the copyright text at lower right (c. Pandora Productions 1967. Myers/Johansen III). From a Harrison, NY collection. Dimensions: 35" h x 23" w. Condition: Small margin stains upper left. Faint discoloration. Scattered creasing.
- DIEGO GARCIA DEL GALLEGO: PANDORAMixed
DIEGO GARCIA DEL GALLEGO: PANDORAMixed media in a shadow box, signed lower right, with label from Galeria Kin, Amargura, no. 12 Mexico.
24 x 14 x 14 1/4 in.
Condition
In good overall condition with minor wear throughout.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- E. AIZELIN (FRANCE,1821-1902). A large
E. AIZELIN (FRANCE,1821-1902). A large Barbedienne bronze of a woman, signed "E. Aizelin F. 1864", also "F. Barbedienne. Fondeur", and with a foundry stamp. Possibly Pandora? From a Hewlett, Long Island, NY estate. Dimensions: 23.5" h x 7.25" w x x 5.75" d. Condition: No condition issues noted.
- JIMI HENDRIX ORIGINAL 1967 POSTER Mr.
JIMI HENDRIX ORIGINAL 1967 POSTER Mr. Experience-Pandora Productions. Silkscreen. With the copyright text at lower right (c. Pandora Productions 1967. Myers/Johansen III). From a Harrison, NY collection. Dimensions: 35" h x 23" w. Condition: Small margin stains upper left. Faint discoloration. Scattered creasing.
- A 925 SILVER ALE PANDORA LADIES RING.
A 925 SILVER ALE PANDORA LADIES RING. SIZE - L