- LINE VAUTRIN (1913-1997), "LA RECONNAISSANCE
LINE VAUTRIN (1913-1997), "LA RECONNAISSANCE EST LA MéMOIRE DU COEUR," CIRCA 1950Line Vautrin, (1913-1997) "La Reconnaissance est la Mémoire du Coeur," circa 1950, Brass and enamel cigarette case with cork lining Unmarked Reads "La reconnaissance est la mémoire du coeur," which translates to "gratitude is the memory of the heart," an adage credited to both Jean-Baptiste Massieu (1772-1846) and Hans Christian Andersen (1805-1875), and reportedly the d'Harnoncourt family motto Brass and enamel cigarette case with cork lining Dimensions: 3.325" H x 5.25" W x 0.625" D Provenance: The Artist René d'Harnoncourt, acquired from the above The Collection of Frederick W. Davis, gifted from the above Private Collection, Northern California, by descent from the above
- RELIGIOUS EX-VOTO RETABLO PAINTING SR.
RELIGIOUS EX-VOTO RETABLO PAINTING SR. ESQUIPULASUnframed religious ex-voto retablo oil painting on metal panel, Mexico, c.1863, offered in gratitude to Sr. Esquipulas (Black Christ of Esquipulas) for the recovery of C. Luis Robles, approx 10"h, 14"w, 0.5lbs
- D.L. DEMING (20THC.) BRONZE PRESENTATION
D.L. DEMING (20THC.) BRONZE PRESENTATION SCULPTUREVerdigris bronze abstract sculpture, created as a presentation piece for Alfred A. King, plaque reads: "In Gratitude to Alfred A. King / Chairman, 1989-91 / Fine Arts Foundation Advisory Council / The University of Texas at Austin," signed to the reverse: D.L. Deming (United States, 20th c.), dated 1991, approx 24"h, 9.75"w, 8.25"d, 12lbs *Provenance: The family of Alfred A. King (Texas, 1916-2006) great-grandson of Captain Richard King, founder of the now 825,000 acre Texas King Ranch.*
- WILLIAM CHARLES KAUTZ: INDIAN CORNOil
WILLIAM CHARLES KAUTZ: INDIAN CORNOil on board, signed 'Bill Kautz' and inscribed 'To Hank with gratitude' lower right.
22 1/4 x 9 in., 24 1/2 x 11 1/4 in. (frame).
Condition
A small losses at the left, top and bottom edges. Surface soiling. Otherwise in good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- ITALIAN SIENNA MARBLE MODEL OF THE 'TEMPLE
ITALIAN SIENNA MARBLE MODEL OF THE 'TEMPLE OF CASTOR AND POLLUX', AFTER THE ANTIQUE15 1/2 x 7 3/4 x 3 in.
Note: The three columns and entablature of the ancient temple of Castor and Pollux are what remains of the temple in the Roman Forum today. It was dedicated in 484 BC in gratitude for a victory at The Battle of Lake Regillus. The Roman dictator Aulus Postumius Albus Regillensis vowed to build a temple to the Dioscuri (Castor and Pollux) if the Republic won the battle. According to legend, Castor and Pollux appeared on the battlefield as two horseman in aid of the Republic. After the battle was won they appeared on the Forum in Rome watering their horses at the Spring of Juturna, thereby announcing the victory. The temple stands on the supposed spot of their appearance. Castor and Pollux are twin sons of Zeus and Leda, their cult came to Rome from Greece via Magna Graecia and the Greek culture of Southern Italy.
Condition
In good overall condition with a very small restoration on the top, very minor nicks throughout. Well carved.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- Elizabeth II WWII 'British Guest Children'
Elizabeth II WWII 'British Guest Children' Signed Presentation Certificate of Gratitude, c.1953 framed 14 x 8.5 in — 35.6 x 21.6 cm
- BIRGER SANDZEN 'ABANDONED MINE, COLORADO'
BIRGER SANDZEN 'ABANDONED MINE, COLORADO' OIL ON PANELBirger Sandzen (Swedish-American, 1871-1954) Abandoned Mine, Colorado, 1949 Oil on panel 20" x 24" An appealing Colorado vista from Sandzen's later period. Throughout his career, Sandzen maintained a fascination with the abandoned buildings and ghost towns of Colorado, documenting old mining sites from Leadville to Central City. According to the Birger Sandzen Memorial Gallery, the artist's focus in Colorado during this period was on the Rocky Mountains' Front Range, and that is presumably where this scene is taken from as well. Signed to the bottom right, titled and dated in pencil to the reverse of the board, alongside a "VI i" Greenough Collection catalog code. Presented in a frame that measures 28 1/2" x 32 1/2". Provenance: From the corporate art collection of a Kansas City based Fortune 500 company, thence from the American Legacy Gallery in Kansas City, MO, thence from Margaret Sandzen-Greenough, daughter of Birger Sandzen. Our gratitude to the Birger Sandzen Memorial Gallery for their assistance in the authentication process.
Condition
Very good and stable condition, noting only very mild cracking in the white impasto pigments. No in-painting or over-painting, repairs, losses, or other issues noted under blacklight inspection.
- Tiffany & Co.. bread plates, set of
Tiffany & Co.. bread plates, set of twelve with presentation box. 1923-47, sterling silver, glass, silver-gilt. ¼ h × 6¼ dia in. result: $3,500. estimate: $1,500–2,200. Lot is comprised of a presentation box (after 1950) and set of twelve bread plates with wreath borders and initial ‘K’ (1923-47).
Marked to binding of presentation box ‘25190’, inscribed to cover ‘WEP Embassy of the United States of America’, and to underside of cover ‘To Eleanor and Bill in affection and gratitude for an unforgettable visit love Jake Liddah 1976’.
Marked to underside of each bread plate ‘20198A 13558’.
Sold with a fully marked owl-form salt and pepper shaker set by Tiffany & Co. (London, 1965).
117.1 ozt (gross weight). Provenance: Gift from Jake Liddah to William J. and Eleanor Porter (presentation box) | Private Collection
- Tiffany & Co.. inkstand. c. 1880, hammered
Tiffany & Co.. inkstand. c. 1880, hammered and etched silver. 2 h × 9¾ w × 6 d in. result: $2,500. estimate: $3,000–5,000. Inkstand features fern decoration, two ink pots, a central compartment, and two drawers.
Engraved with monogram ‘GFS’ and presentation inscription to underside ‘George F. Shrady, MD with the high esteem and gratitude of a patient’.
Marked to underside ‘6258 4169’. 19.2 ozt.
- Jon Kuhn. Untitled. 2000, ground, polished,
Jon Kuhn. Untitled. 2000, ground, polished, and laminated glass, stainless steel. 13 h × 10½ dia in. result: $9,375. estimate: $5,000–7,000. Etched signature and date to underside ‘Jon Kuhn 2000’ with message of gratitude to client. Provenance: Gift from the artist to the present owner
- JUNE HN5505 - ROYAL DOULTON PETITE FIGURINEHand
JUNE HN5505 - ROYAL DOULTON PETITE FIGURINEHand decorated Bone China. She wears a red dress and carries a bouquet of roses, for the Rose flower of the month, meaning love, gratitude, and appreciation.
Royal Doulton backstamp. Signed by artist. Box not included.
Artist: Doulton Studios
Issued: 2011
Dimensions: 6.75"H
Manufacturer: Royal Doulton
Country of Origin: England
Condition:
Good.
- RARE 19TH CENT FRENCH EMPIRE GILT BRONZE
RARE 19TH CENT FRENCH EMPIRE GILT BRONZE MANTEL CLOCKDESCRIPTION: This figural 19th Cent. clock features a round enamel dial, marked "a Paris", indicates the Roman numeral hours and the Arabic fifteen-minute intervals by means of two bronze hands. The clock is positioned within a gilt bronze casing mounted along the top with a scene of Atala Freeing Chactas. Has original Pendulum and key. Provenance: Purchased form Richard Redding Antiques Story: When François-René de Chateaubriand (1768-1848) published his epic prose 'Atala' in 1801 it was heralded a sensational success. Napoleon, who was determined to effect a reconciliation between Church and State welcomed the support it gave to his Concordat and in gratitude appointed Chateaubriand his First secretary at the French Embassy in Rome. The public adored 'Atala'. Between 1801 and 1805 eleven editions had been published and translations were published as far a field as Russia and Hungary. Chateaubriand's heroine, Atala inspired all forms of the arts, from ballads, paintings, engravings, wax works and as here clock cases. Chateaubriand's tragic story told how Chactas, a native Indian had been captured by a party of Muskogees and Seminoles who were going to burn him. He was tied to a tree where Atala, the Chief's daughter came to visit him. She was a Christian and filled with compassion and admiration for the captive she freed him. This part of the story is illustrated in the sculptural case above, with the hunter's weapons beside the clock and his fate, the burning fire surrounding the dial. Once freed they travelled North America setting up home with a missionary. Chactas was strongly influenced by Atala's faith and fell deeply in love. He asked her to marry him and though Atala loved him she could not, since her mother and later Atala herself had vowed that she would never loose her virginity. So rather than live without consummating her love for Chactas she killed herself. Chactas found her dying in a cave. On her deathbed Atala explained why she could not marry him. "To save my life [at birth] my mother made a vow: she promised the Queen of the Angels that to her, if I escaped death, should be consecrated my virginity….Fatal vow which hurries me to the grave!". The narrative is then continued on the plaque below. After Atala died Chactas and the missionary took her to be buried and as they walked a dog appeared. CIRCA: Early 1800s ORIGIN: France DIMENSIONS: H: 15.5: W: 12.5" Depth: 4.75" CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission."""