- PAIR OF FINE SWEDISH NEOCLASSICAL PORPHYRY
PAIR OF FINE SWEDISH NEOCLASSICAL PORPHYRY URNS, THE MODEL DESIGNED BY LOUIS MASRELIEZ15 3/4 x 12 in. diam.
Note: Swedish porphyry is a rare material which is predominately quarried in Alvadalen, Sweden. This quarry was discovered in the early 18th century and evolved in to a commercial enterprise in 1788. Owned by the Royal Family in the 19th century and used for creating official gifts for foreign dignitaries or as tokens of royal favor. Porphyry objects were well regarded by the Royal Family and especially King Karl IV Johann who reigned from 1818 to 1844. It is a very dense stone that only a well equipped sculptor can master, making it a highly coveted stone. This campana urn shaped model was designed by Louis Masreliez, an artist employed by the porphyry works. A pair of identical urns were owned by Princess Sofia Albertina (1753-1829) and were acquired by the National Museum in Sweden as designed by Masreliez. Louis Masreliez (d. 1806) was a painter and designer and a leading decorator of the late Gustavian period. He was educated in Paris, Bologna and Rome, before returning to Sweden in 1783 at the request of Gustaf III. He was responsible for the designs of several Royal residences, including the Royal Palace in Stockholm, Tullgarn and Drottningholm.
Condition
Both with very minor nicks along the edges, otherwise in good overall condition. Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- PAIR OF MASSIVE SWEDISH NEOCLASSICAL
PAIR OF MASSIVE SWEDISH NEOCLASSICAL PORPHYRY URNS, THE MODEL DESIGNED BY LOUIS MASRELIEZEach of campana shape, raised on a tapered socle on a square base. Each drilled for drainage.
37 1/2 x 28 in. diam.
Note: Swedish porphyry is a rare material which is predominately quarried in Alvadalen, Sweden. This quarry was discovered in the early 18th century and evolved in to a commercial enterprise in 1788. Owned by the Royal Family in the 19th century and used for creating official gifts for foreign dignitaries or as tokens of royal favor. Porphyry objects were well regarded by the Royal Family and especially King Karl IV Johann who reigned from 1818 to 1844. It is a very dense stone that only a well equipped sculptor can master, making it a highly coveted stone. This campana urn shaped model was designed by Louis Masreliez, an artist employed by the porphyry works. A pair of smaller, but identical urns were owned by Princess Sofia Albertina (1753-1829) and were acquired by the National Museum in Sweden and designed by Masreliez. Louis Masreliez (d. 1806) was a painter and designer and a leading decorator of the late Gustavian period. He was educated in Paris, Bologna and Rome, before returning to Sweden in 1783 at the request of Gustaf III. He was responsible for the designs of several Royal residences, including the Royal Palace in Stockholm, Tullgarn and Drottningholm.
Condition
Both in good stable condition, one with a 2 1/2 x 3 in. loss on the back with a trailing 7 1/2 in crack. Both repaired, drilled for drainage, and with age splits. Impressive scale and structurally sound.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- ARCHITECTURE RELATED BOOKS GROUP, 10
ARCHITECTURE RELATED BOOKS GROUP, 10 Group of Architecture related books, 10, and comprising: Nili Portugali, The Act of Creation, etc., Axel Menges: Stuttgart, 2006; Dale Harris et al., Follies and Fantasies: Germany & Austria, Abrams: New York, 1995; E. Casanelles, Antonio Gaudi: A Reappraisal, NYGS: Greenwich, 1965; Ralph Lieberman, Renaissance Architecture in Venice; Abbeville: New York, 1965; John T. Kirk, The Impecunious House Builder, New York: 1984, Anthony Grafton, Leon Battista Alberti: Master Builder of the Italian Renaissance, Hill and Wang: New York 2000, Pete Nelson, New Treehouses of the World, Abrams: New York, 2009; Dams & Zega, Pleasure Pavilions and Follies, etc., Flammarion: Paris: 1995; Christopher Wilk, Marcel Breuer: Furniture and Interiors, MoMA: New York, 1981; and Peter Reed, Alvar Aalto: Between Humanism and Materialism, MoMA: New York, 1998. Largest: 11" H x 10" W.
- (8) VOLS. ON ARCHITECTURE & DESIGN Includes:
(8) VOLS. ON ARCHITECTURE & DESIGN Includes: 1) William Kent: Designing Georgian Britain. Yale, 2013; 2) Magnificent Entertainments: Temporary Architecture for Georgian Festivals. Yale, 2013; 3) The English Manor House. Aurum Press, 1999; 4) Gordon Bunshaft of Skidmore, Owings & Merrrill. MIT/Arch. History Foundation, 1988; 5) The James A. de Rothschild Bequest at Waddesdon Manor: Architecture and Panelling. Philip Wilson, 1996; 6) A Domestic Architecture of H. T. Lindeberg. Acanthus, 1996; 7) American Splendor: The Residential Architecture of Horace Trumbauer. Acanthus, 2002; 8) Leon Battista Alberti: On the Art of Building in Ten Books. MIT Press, 2nd printing, 1989; largest: 12.5"h x. 10"w