A few examples of appraisal values for
TAVERNIER

• JULES TAVERNIER (1844-1889), "VILLAGE
  JULES TAVERNIER (1844-1889), "VILLAGE INDIEN," 1882, WATERCOLOR ON PAPER, SIGHT: 10.25" H X 14.5" WJules Tavernier, (1844-1889) "Village Indien," 1882, Watercolor on paper Signed, titled, and dated in ink lower right: Jules Tavernier / 5 Julliet 82 Watercolor on paper Dimensions: Sight: 10.25" H x 14.5" W
• PAINTING, FOLLOWER OF JULES TAVERNIER
  PAINTING, FOLLOWER OF JULES TAVERNIER Follower of Jules Tavernier (American, 1844-1889), "West Keliikipi, Hawaii," oil on board, unsigned, titled and indistinctly dated lower left, board: 20"h x 24"w, overall (with frame): 23.5"h x 27.5"w
• DAVID HOWARD HITCHCOCK (1861-1943),
  DAVID HOWARD HITCHCOCK (1861-1943), "PAINTING NEAR PEAR...Framed David Howard Hitchcock (1861-1943) oil on canvas, "Painting Near Pearl Harbor". Signed and double dated lower right, "Hitchcock 1910", "1900" (below). Dimensions: 16"h x 26.6"w; (overall) 19.5"h x 29.75"w. Maxwell Galleries, San Francisco label verso. Born in Hawaii, Hitchcock was known as Hawaii's resident artist, especially in plain air painting. He studied under Jules Tavernier along with Joseph Strong. Processing and shipping within the continental U.S. $68.00 plus 1.5% replacement cost insurance. Please note we do not accept credit cards. Condition: Coarse craqueluere over surface, greatest lower half of painting. Approximately .25" loss of paint center, in water area. 3" x 3" area of discoloration canvas verso (upper portion). Witherells strives to provide as much information and photographs as possible but encourages in-person inspection by bidders. Condition: statements are only for general guidance and should not be relied upon as complete statements of fact and do not constitute a representation, warranty or assumption of liability by Witherells. All lots are sold "AS IS" under the Terms & Condition: s.
• EMPIRE GILT-BRONZE MANTEL CLOCK, DEPICTING
  EMPIRE GILT-BRONZE MANTEL CLOCK, DEPICTING CERES WITH AN URN OF PRODUCE AND FARMER'S TOOLS, MARKED ER. TAVERNIER, 19TH CENTURYEMPIRE GILT-BRONZE MANTEL CLOCK, DEPICTING CERES WITH AN URN OF PRODUCE AND FARMER'S TOOLS, MARKED Er. TAVERNIER, 19TH CENTURY, dial marked in black script 'Er. Tavernier', cast as the Goddess of the Harvest wearing a classical toga with a laurel wreath in one hand and holding fruit in her skirt with the other, standing next to a campagna urn filled with fruit, the enameled clock face with Roman numerals set into an upright rectangular section, all above the long base decorated with applied trophies and scrollwork on either side of a circular portrait cartouche, all atop four compressed bun feet;
• PAUL TAVERNIER (FRENCH 1852-1943), FOX
  PAUL TAVERNIER (FRENCH 1852-1943), FOX HUNTING SCENES, TWO OILS ON BOARD, 22-3/4 X 15-3/4 INPaul Tavernier (French 1852-1943), Fox Hunting Scenes, Two Oils on Board, 22-3/4 x 15-3/4 in
• A Pair of French Milk Glass Portrait
  A Pair of French Milk Glass Portrait Busts of Czar Nicholas II and Empress Alexandra Early 20th Century made for 'Bonbons-John Tavernier'. Height of taller 12 7/8 inches.
• JULES TAVERNIER (CA/HI/NY/FRANCE, 1844-1889)
  JULES TAVERNIER (CA/HI/NY/FRANCE, 1844-1889) Yachts in Harbor, oil on academy board, signed lower left, possibly California, in gold painted stick frame, OS: 7 1/4" x 13 1/2", SS: 5 3/4" x 12", good condition.
• AFTER JOHN-BAPTISTE HILAIRE "MUSIC",
  AFTER JOHN-BAPTISTE HILAIRE "MUSIC", FRAMED OIL After John-Baptiste Hilaire (French 1751-1828), "Music", untitled, undated, oil on canvas, depicting two ladies in a garden setting with a fountain in the distance, signed "H. Tavernier at lower left, framed. Canvas approx. 47.5", w. 33""; Overall h. 56", w.43", d. 3.75".
• 5 Antique Harper's Weekly Woodblock
  5 Antique Harper's Weekly Woodblock Engravings - Mining: A lot of five 19th century hand-colored woodblock engravings by Harper's Weekly that all address the theme of mining. These include: (1) "'Struck It Rich!' - Prospecting in the Black Hills" drawn by John A. Randolph (Harper's Weekly, August 12, 1876); (2) "To the Black Hills, or Bust" by J. P. Pranishnikoff (c. 1876 on verso of this page); (3) "Mining in Colorado - A Played-Out Gulch" drawn by Frenzeny and Tavernier; (4) "Gold and Silver Mining, Colorado - A Honey-Combed Mountain" drawn by Frenzeny and Tavernier; and (5) "Smelting Ore in Colorado" drawn by Frenzeny and Tavernier - a double page piece from Harper's Weekly, May 30, 1874. Size: 15. 5" L x 22" W (39. 4 cm x 55. 9 cm); 19. 5" L x 26. 5" W (49. 5 cm x 67. 3 cm) with mat . . Provenance: Mary Williams Fine Art LLC, Boulder, Colorado, USA. . All items legal to buy/sell under U. S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. . . A Certificate of Authenticity will accompany all winning bids. . We ship worldwide and handle all shipping in-house for your convenience. . #153412 Condition Minor toning to sheets commensurate with age, though they are remarkably well preserved. "Gold and Silver Mining, Colorado - A Honey-Combed Mountain", "To the Black Hills, or Bust", and "To the Black Hills, or Bust" were cut from original sheets and show slight losses to edges, but images are complete. "Struck It Rich" is a complete sheet with minute losses to upper edge and acid free tape on the verso used to repair a tear at left. Double page "Smelting Ore in Colorado" shows central crease mark with some darkening and minute losses to joins visible on verso.
• UNKNOWN (Circa 17th century) JUPITER
  UNKNOWN (Circa 17th century) JUPITER WITH THE EAGLE Italian Black chalk heightened with grey wash on laid paper; inscribed “Luca Giordano” in graphite verso. Unframed.Together with:AFTER THEODOOR VAN THULDEN (1606-1669), DUTCHULYSSES [TAVERNIER, 15] (AFTER FRANCESCO PRIMATICCIO (1504-1570), ITALIANRed chalk on laid paper after Van Thulden’s etching, laid down to a later heavy wove paper support; bears initials “TVT” lower left. Unframed. 5.8" / 14.8cm (height) x 7.9" / 20.0cm (width)
• Melchior Tavernier. Map of the Netherlands (Paris:
  Melchior Tavernier. Map of the Netherlands (Paris: 1640). Hand colored engraving, 19 x 15 1/2 in., framed
• Julian Walbridge Rix California (1850-1903)
  Julian Walbridge Rix California (1850-1903) YOSEMITE gouache framed signed: lower right sight size: H22'' W13 1/2'' Provenance: Atlanta Georgia collection. Other Notes: Julian Walbridge Rix was born in Peacham Vermont on December 30 1850. Primarily self-taught he was briefly a pupil of Virgil Williams at the School of Design. He became close friends with Amedee Joullin and Jules Tavernier and when the latter established an art colony in Monterey in 1876 Rix was one of the ''Bohemians'' who followed him there. In 1879 he moved to San Francisco and shared a studio with Tavernier at 729 Montgomery Street. The art market in San Francisco during this period was not a healthy one and Rix moved to Paterson New Jersey in 1880 and subsequently established a studio in New York City. His work was exhibited at the National Academy of Design during the 1880s. He studied art briefly in Europe during 1889 and upon his return he found that his watercolor and oil paintings were in great demand in the East. He maintained an active interest and participation in the San Francisco art scene and in 1883 sent back 200 paintings for a successful solo show. In 1888 his illustrations appeared in ''Picturesque California.'' Rix returned to California for several months in 1901 and painted the valleys and mountains near Monterey and Santa Barbara. Condition: Good Condition. Painted on heavy cardstock-type paper verso with some adhesive residue. Frame in good condition with some light rubbing. Back    Inquiry      Previous Item   Next Item © Charlton Hall Auctions.  Images descriptions and condition reports used on this site are original copyright material and are not to be reproduced without permission. For further information telephone 803.779.5678     © 2012 CHARLTON HALL GALLERIES INC.