(9) STERLING PLATES & SALZBURG THALER(9) STERLING PLATES & SALZBURG THALER COIN BOWL(lot of 9) Sterling silver, including: (8) small plates, marked sterling, approx 3 5/8"diam, (1) small bowl, with inset 1 Thaler coin from the Bishopric of Salzburg, obverse with the Madonna and Child above the arms of the Archbishop, reverse with Saint Rupert, bowl unmarked, approx 1"h, 3 3/8"diam; 13.53ozt total
(5) Austrian garments to include (2)(5) Austrian garments to include (2) H. Moser Salzburg wool cropped blazers with faux wood button closure and voluminous sleeves, M/L, wonderful black velvet cropped kruger dirndl with lattice tape and floral bead embroidery, includes red silk waistband, black brocade similarly designed bodice with coin style button closure and Loden Plankl floral embroidered button front sleeveless bodice. Also to include German style hat.
Oil on canvas by Peter Gish, New EnglandOil on canvas by Peter Gish, New England winter landscape, signed lower right, Gish. Image 19” x 27” Overall 27” x 35” Condition: very good CT Transfer Fee $20 **Peter Michael Gish has been painting since 1945. After graduating from Dartmouth College where he worked with Paul Sample, he studied fresco, drawing and painting in Paris, 1951-1952. Later he continued these studies in Madrid at the Academia Real Bellas Artes. From 1957 – 1958 he attended Oskar Kokoschka’s Sommerakademie in Salzburg, and was Kokoschka’s assistant there in 1959. Following several years as a free lance artist, he entered Yale University where he earned his MFA in painting in 1964. The next summer he was visiting artist at Dartmouth College. In 1967 he served as a combat artist in Vietnam, and more recently with the US Marine Corps in Iraq during Operation Provide Comfort, 1991, and Operation Restore Hope in Somalia – 1992-1993. Peter Gish has exhibited his work widely, including shows at the National Academy, The American Watercolor Society, The City Center Gallery, The Kraushaar Gallery and Artzt Gallery in New York and the Smithsonian Institution in Washington, D.C. His work is represented in many private and public collections, including those of Dartmouth College, the Joseph H. Hirshorn collection, the Center for Financial Studies at Fairfield University, and the USMC Historical Museum in Washington, D.C.**
(3) TWO STERLING MOUNTED CUT GLASS TABLE(3) TWO STERLING MOUNTED CUT GLASS TABLE ARTICLES: AND A WATERFORD CUT GLASS VASE (lot of 3) Two sterling mounted cut glass table articles: and a Salzburg cut glass vase 9"h, total weighable 2.8 toz
PRINTS, AFTER FRANZ ANTON DANREITERPRINTS, AFTER FRANZ ANTON DANREITER (lot of 2) After Franz Anton Danreiter (Austrian, 1695-1760), "La Paroisse ou L'Eglise des RRPP Cordeliers a Salsbourg" and "L'Eglise de la SS Trinite a Salsbourg," from "Die Salzburgische Kirchen-Prospect," copper engravings, largest overall (with frame): 14"h x 18"w. Note: Gump's SF, CA sticker affixed verso.
EIGHT PACKS OF PLAYING CARDS.Eight PacksEIGHT PACKS OF PLAYING CARDS.Eight Packs of Playing Cards. Including Franz Adametz Patience Pack, “Smile” Puzkersdorf Rezegh designed by Ernst Insarn, Nikolas Moser double deck, Piatnik Wiener Veduten Tarock, Piatnik Elisabeth Mayer Salzburgewr Tarock, Piatnik Tiroler Tarock, Piatnik Arnold Schoenberg Playing Cards and Piatnik Bjorn Wiinblad double deck. All decks excellent to mint.
FIVE EARLY AUSTRIAN (SALZBURG) SILVERFIVE EARLY AUSTRIAN (SALZBURG) SILVER COINSincluding a fine half thaler klippe of Wolfgang Teodor, nd. and several further 17th century klippes. VG to XF, refer to photos, one mounted, the largest holed. Largest: 45 mm. Provenance: Property of a Litchfield County, CT Estate.
Condition:
Any condition information included in our lot descriptions is not the equivalent of a written condition statement, and the absence of condition information does not imply that the lot is free of defects. Our auction lot descriptions reflect our effort to provide accurate, objective and fair information on all lots for sale, and we encourage bidders to request written condition statements and large file images on any lots of interest by emailing condition@woodburyauction.com. We also strongly advise that you or someone on your behalf inspect the lot personally before bidding. All lots are sold "as is" and "where is" and neither we nor any consignor makes any warranties or representation of any kind or nature with respect to the property. There are no returns and no refunds based on condition
AUSTRIA SALZBURG 1/2 THALER, 1628andAUSTRIA SALZBURG 1/2 THALER, 1628and Saxony silver thaler, 1593 1/2 thaler issued for the consecration of Salzburg Cathedral, 1628 the thaler with Johan Georg, August, and Christian II of Saxony, 1593. Both +/- UF, please see photographs, oxidation and wear. Largest: 40 mm. Provenance: Property of a Litchfield County, CT Estate.
Condition:
Any condition information included in our lot descriptions is not the equivalent of a written condition statement, and the absence of condition information does not imply that the lot is free of defects. Our auction lot descriptions reflect our effort to provide accurate, objective and fair information on all lots for sale, and we encourage bidders to request written condition statements and large file images on any lots of interest by emailing condition@woodburyauction.com. We also strongly advise that you or someone on your behalf inspect the lot personally before bidding. All lots are sold "as is" and "where is" and neither we nor any consignor makes any warranties or representation of any kind or nature with respect to the property. There are no returns and no refunds based on condition
GRP: MODERN AND CONTEMPORARY ART BOOKSLargeGRP: MODERN AND CONTEMPORARY ART BOOKSLarge group of reference books, monographs, and catalogs on modern and contemporary art, including works on major movements such as Futurism and Synchromism, and artists including Zao Wou-Ki, Georges Rouault, Pablo Picasso, and Anselm Kiefer, among many others. Additionally includes works on Eastern European and Latin American art during the period, along with several auction catalogs. A full list of titles included is as follows: three catalogs from Arthur Tooth and Sons Limited; William C. Seitz, "Hans Hofmann"; George W. Staempfli invitation to "Mary Bauermeister" exhibition; Frank O'Hara "New Spanish Painting and Scupture"; an issue of "In the Art World" catalog; catalog from San Jose State University "Holly Lane"; catalog of the University Art Museum, University of California "Lindner"; Marlborough New London Gallery catalog "Ben Nicholson: Twelve New Works June 1967"; catalog of Galerie des Granges "Andre Planson: Oeuvres Recentes (1970-1975); Graham W. J. Beal "Wayne Thiebaud Painting"; an issue of the Arts Club of Chicago "Germaine Richier, January 21-February 19, 1966"; Eine Sammlung "Werner Gilles"; catalog from Centro Cultural San Angel "Mauricio Cervantes: El Codigo de lo Intangible"; resume/promotional material of John Black; Max Bill promotional material; Museum of Modern Art catalog "Picasso: 75th Anniversary Exhibition"; catalog from Marlborough Gallery "William Baziotes: Late Work 1946-1962"; catalog from the Italian Festival - San Francisco April-May 1959 "Italy: Three Directions in Painting and Sculpture of Younger Italian Artists"; catalog from Aquavella Galleries "XIX & XX Century Drawings, Watercolors, Pastels, Gouaches, Collages: October 21-November 24, 1982"; catalog from Richard Gray Gallery "Picasso's Picassos: Paintings, Drawings & Sculpture from the Artist's Estate"; catalog from Howard Wise Gallery "Light Ballet"; catalog from Galeria Arte Actual Mexicano "Ricardo Mazal Pinturas"; catalog from Centro Cultural San Angel "Alberto Castro Lenero: La Fragmentacion"; two copies of Frank Gaard's "Terence la Noue"; 2 copies of a catalog from the Arts Club of Chicago, The University Gallery and the Jewish Museum "Pierre Alechinsky"; catalog from the Weintraub Gallery "Henry Moore: Sculpture, Watercolors & Drawings, Graphics, Portfolios"; catalog from Marlborough Gerson Gallery "Arnaldo Pomodoro"; Deborah Wye "Louis Bourgeois"; Allison C. Meier, Kris Kuksi, and Samuel D. Gliner "Colin Christian: Trypophobia"; Time Magazine, "Covers"; a catalog from Staempfli "Minoru Yamasaki: The Architect and his use of Sculpture as an Integral Part of Design"; catalog from the Arts Club of Chicago "Tom Holland"; Peter Selz "15 Polish Painters"; Werner Schmalenbach "The Known and Unknown of Julius Bissier"; "Adrian Berg: Recent Paintings of Gloucester Gate, Regents's Part"; Atherton Curtis and Paul Proute "Adolphe Appian: son Oeuvre Grave et Lithographie"; catalog from Marisa del re Gallery "Diego Giacometti"; Thalia Gouma-Peterson "Miriam Schapiro: A Retrospective, 1953-1980"; Ebria Feinblatt and Bruce Davis "Los Angeles Prints, 1883-1980"; catalog from La Sociedad Mexicana de Arte Moderno "Alberto Castro Lenero: Castillo Interior"; catalog from the University of California, Los Angeles/Cleveland Museum of Art/Minneapolis Institute of Arts/Museum of Fine Arts, Boston/Philips Gallery, Washington D.C./San Francisco Museum of Art "John Marin Memorial Exhibition"; catalog from Chapellier Gallery "Frank Duveneck 1849-1919"; Edward Kienholz "Volksempfangers Nationalgalerie Berlin"; the Connoisseur, January 1963; publication from Galleria Fiamma Vico Frezzeria San Marco "Gaston Orellana Aldo Bresciani"; Robert Rosenblum "The Sculpture of Picasso"; catalog from the Sidney Janis Gallery "The High-Kitsch of Eilshemius at Janis"; catalog from the Sun Valley Art Auction June 29, 1991; catalog from Galerie van de Loo "Alfred Kremer: Seichnungen"; catalog from the Sidney Janis Gallery "New Paintings Sculpture & Drawings by Jim Dine"; Maurice Tuchman "American Sculpture of the Sixties"; catalog from the Ravinia Festival Art Exhibit 1962; Vittore Frattini "Miklos N. Varga: Frammenti Lirici 2"; Beelden Schilderijen Tekeningen Grafisch Werk "Robert Vander Eycken"; catalog from the Chicago Sculpture International May 10-15 1984"; "Edward Lentsch"; catalog from Minnesota Museum of Art "Kollwitz"; catalog from the Art Institute of Chicago "Anselm Kiefer"; catalog from the Marlborough Gallery "Ettore Colla"; catalog from Manny Silverman Gallery "Edward Dugmore Burning Bright: Paintings 1950-1959"; catalog from Wexner Center of the Arts "Will / Power: New Works by Papo Colo, Jimmie Durham, David Hammons, Hachivi Edgar Heap of Birds, Adrian Piper, Aminah Brenda Lynn Robinson"; catalog from Staempfli "Fritz Koenig"; catalog from Robert Miller gallery "Robert S. Zakanitch"; Jennifer Licht "Eight Contemporary Artists"; catalog from Stephen Roman + Private Art Dealer "Darcilio Lima 1944-1991"; catalog from Musee d'Art Americain Giverny and Terra Museum of American Art, Chicago "Roxy Paine"; catalog from Robert Fraser Gallery "Peter Blake"; catalog from Grand Central Art Galleries "August Mosca: A Fifty Year Retrospective"; catalog from Marlborough Gallery "Larry Rivers 1970-1973"; catalog from Marlborough Gallery "Isaac Witkin"; Martin Friedman "Adolph Gottlieb"; catalog from Marisa del re Gallery "Baj Fontana Manzoni"; catalog from Howard Wise Gallery "Otto Piene: Elements"; catalog from Lefebre Gallery "Corneille"; catalog from FineArts Printing Services "Johnmarc Edwards"; "Tongabezi: Victoria Falls, Zambia"; 1998 Pew Fellowships in the Arts catalog; catalog from BlumHelman gallery "David True--Recent Paintings"; catalog from Marlborough-Gerson Gallery "R. B. Kitaj"; 5 issues of Art in America magazine; William Firebrace "Things Worth Seeing: A Guide to the City of W"; catalog from Curt Valentin Gallery "Lehmbruck and his Contemporaries"; "Karl Hartung"; Katrina Daschner "Killing the Systems Softly"; 8 Walker catalogs; a catalog from Kunstmuseum Luzern; catalog from Felix Landau Gallery "Harry Kramer: Sculptures, Objects and Films"; Rita Caurio "Artexile No Brasil: Viagem pelo Mundo da Tapecaria"; Francisco Goya and Philip Hofer "The Disparates or, The Proverbios"; a catalog from The Art Gallery at Kennesaw State College "Cameroon Art: Selections from the Collection of William Arnett"; 2 issues of Art in America journal; Albert E. Elsen "Modern European Sculpture 1918-1945: Unknown Beings and Other Realities"; a catalog from the Art Institute of Chicago "A Century of Progress : Exhibition of Paintings and Sculpture, June 1 to November 1 1933"; an issue of Directions in Contemporary Painting and Sculpture from the Art Institute of Chicago publication; Alan G. Wilkinson "The Drawings of Henry Moore"; a catalog of Marlborough Gallery "Grisha Bruskin"; three publications by the Museum of Modern Art; one issue of Paris/New York Arts Yearbook 3"; five issues of Arts International journal; four issues of Art International: The Lugano Review journal; publication/catalog from the Dr. Martyna Miskinis Collection; four issues of the Journal of Decorative and Propaganda Arts; catalog of the National Gallery of Jamaica and the Smithsonian Institution exhibition "Jamaican Art: 1922-1982"; a catalog from the Museu de Art Moderna's VII Bienal "Estados Unidos da America" 1963; Gail Levin "Synchromism and American Color Abstraction 1910-1925"; a catalog from Gebr. Douwes Fine Art "Russian Paintings"; catalog from National Collection of Fine Arts "Sao Paulo 9"; two issues of "Alan D'Arcangelo" from Marlborough Gallery; a catalog from Associated American Artists "Lyonel Feininger: Ships and Seas"; Frances Carey and Antony Griffiths "From Manet Toulouse-Lautrec: French Lithographs 1860-1900, catalog of an Exhibition at the Department of Prints and Drawings in the British Museum, 1978"; catalog from Walker Art Center "Tyler Graphics: The Extended Image"; a catalog from Hauswedell & Nolte Auction House; Handzeichnungen, "Documenta III," two copies; Ken Friedman "Fluxus Virus: 1962-1992"; Ann Temkin "Alice Neel"; catalog from Knoedler Contemporary Art "David Smith"; Andre Maisonneuve "Ger Lataster"; catalog from the Edinburgh Festival 1955 "Paul Gauguin: Paintings, Sculpture and Engravings"; catalog from Richard Gray Gallery "Jennifer Bartlett"; catalog from Felix Landau Gallery "First West Coast Exhibition Kinetic Sculpture and Cinematisations by Pol Bury"; Earl S. Braggs "Hat Dancer Blue"; catalog from Lefebre Gallery "Julius Bissier"; "Italian Art: Monographs on Artists" catalog 115; catalog from Dayton's Gallery 12 "Calder"; Andrew Carnduff Ritchie "The New Decade: 22 European Painters and Sculptures"; Frederick A. Sweet "Sargent, Whistler and Mary Cassatt"; catalog from Pamela Auchincloss Gallery "Charles Arnoldi: Recent Monotypes from the Garner Tullis Workshop"; an issue of The Arts Club of Chicago journal May 6 through June 26, 1985; catalog from Bowdoin College Museum of Art "Leonard Baskin"; catalog from Dayton's Gallery 12 and Dwan Gallery "Charles Ross: Prisms"; Walker Arts Center publication "Nicholas Krushenick"; an issue of Sport Equestri journal "La Vita di Caprilli"; three catalogs from Marlborough Gallery; Jean Leymarie "Zao Wou-Ki"; Janis Conner and Joel Rosenkranz "Rediscoveries in American Sculpture: Studio Works 1893-1939"; catalog from Stedelijk Museum Amsterdam "Anselm Kiefer: Bilter 1986-1980"; Paul Maenz & Gerd de Vries "Anselm Kiefer"; Henrik Cornell "Carl Milles and the Milles Gardens"; catalog from Comune di Milano "Giorgio de Chirico; Jenny Lion "Magnetic North"; catalog from Wexner Center for the Arts "Maya Lin: Public/Private"; Walker Art Center "6 Artists 6 Exhibitions"; Howard Wise Gallery "Lights of Silver by Mack"; catalog from Stadische Kunsthalle Dusseldorf, ARC/Musee d'Art Moderne de la Ville de Paris, The Israel Museum "Anselm Kiefer"; catalog from Marian Goodman Gallery "Anselm Kiefer"; catalog from Walker Art Center "New Art of Argentina"; Museum of Modern Art "Georgio de Chirico"; Kasmin Limited "John Howlin Recent Paintings"; Marlborough-Gerson "Four London Artists: Gordon House, Colin Lanceley, Richard Lin and Joe Tilson"; Marlborough Prints Price List; catalog from the Arts Club of Chicago and University of Minnesota Gallery "Alan Davie"; Marlborough Gallery "Colin Lanceley"; catalog from the Junior Council of the Museum of Modern Art "Recent Painting USA: The Figure"; Martin Friedman, Graham W.J. Beal, Lisa Lyons "Drawings by Lesak and Rainer"; promotional material from Borgenicht Gallery; catalog from Katonah Museum of Art "Dorothy Dehner: Sixty Years of Art"; two promotional pamphlets from Staempfli; Elizabeth Armstrong and Sheila McGuire "First Impressions: Early Prints by Forty-Six Contemporary Artists"; catalog from Hapsburg, Feldman Fine Art Auctioneers "Soviet Contemporary Art: The Property of the Kniga Collection, Paris"; Vavara Rodchenko and Aleksandr Lavrentiev "The Rodchenko Family Workshop"; Walker Art Center catalog "Richard Sussman"; catalog from Charles Cowles Gallery "Tom Holland"; catalog for the VII Bienal in Sao Paulo, Brazil "10 American Sculptors: Agostini, Chryssa, Decker, Kipp, Mallary, Schmidt, Segal, Sugarman, Weinrib, Wines"; Barbara J. Bloemink "The Art of Esteban Lisa"; Marlborough Gallery catalog "Contemporary Spanish Realists"; Robert C. Morgan "All the Lost Souls: Lu Zhang's Mirror of Identity"; promotional material for Lefebre Gallery; Walker Art Center "Michelangelo Pistoletto: A Reflected World"; Pierre Alechinsky "Three Pillories: A Key to an Image"; five catalogs from Dre Devens Dutch Constructivist; catalog from the Museum of Modern Art, Minneapolis Institute of Arts, San Francisco Museum of Art and the Art Gallery of Toronto "Les Fauves"; catalog from the Minneapolis Institute of Arts "Modern Illustrated Books from the Collection of Louis E. Stern"; Sylvan Cole, Jr and Robert Doty "Will Barnet: Etchings, Lithographs, Woodcuts, Serigraphs 1932-1972 catalog raisonne"; Edith Hoffmann "Kokoschka Life and Work"; Elac Lyon "Mattiacci, Mochetti, Nannucci"; Wladimiro Settimelli and Filippo Zevi "Gli Alinari: Fotografi a Firenze 1852-1920"; William C. Seitz "Mark Tobey"; Kunstforum International "Zwischenbilanz II Neue Deutsche Malerei"; Henry Geldzahler "New York Painting and Sculpture: 1940-1970"; Virginia M. Mecklenburg "The Patricia and Phillip Frost Collection: American Abstraction 1930-1945"; Gert von Osten "Plastik seit 1800 in Deutschland, Osterrich und der Schweiz"; Steven Heller and Louise Fili "Dutch Moderne: Graphic Design from Destijl to Deco"; one Christie's catalog; Joshua C. Taylor "Futurism"; Sotheby's catalog, "The Eye of a Collector: Works from the Collection of Stanley J. Seeger"; journal from the University of Minnesota "Germany in the Twenties: The Artist as a Social Critic"; Bruckmann Munchen "Marino Marini"; Verlag Torsten Brohan "Hans Moller"; Henri Baruk, Andre Neher and Leon Askenazi "Le Livre de Ruth"; catalog from Istituto di Cultura di Palazzo Grassi "La Pittura Metafisica"; catalog from Galerie van de Loo Munchen "Maurice Wuckaert"; Marlborough Gallery "Avigdor Arikha Ink Drawings 1965-1972"; catalog from Weinstein Gallery "Fifteenth Anniversary"; two copies of Malcolm C. Salaman "Fine Prints of the Year: An Annual Review of Contemporary Etchings and Engraving"; catalog from the Pushkin Museum, Moscow "Impressionist and Post-Impressionist Paintings from the U.S.S.R."; catalog from the Far Gallery "Leonard Baskin: The Graphic Work, 1950-1970"; catalog from Editions Limited Gallery "Jurgen Peters"; Martin Friedman and Graham W.J.Beal "George Segal: Sculptures"; Judith Zilczer "'The Noble Buyer: John Quinn Patron of the Avant-Garde"; Luis R. Cancel, Jacinto Quirarte, Marimar Benitez, Nelly Perazzo, Lowery S. Sims, Eva Cockcroft, Felix Angel, and Carla Stellweg "The Latin American Spirit: Art and Artists in the United States, 1920-1970"; catalog from the United Book Guild "Aubrey Beardsley Drawings"; Peter Selz "Emil Nolde"; Kunsthaus Richterswil "Ardyn Halter"; Jean Dubuffet "Dubuffet: 1962-66"; John Richardson "Georges Braque 1882-1963: An American Tribute"; Walker Art Center catalog "Scale and Environment: 10 Sculptors"; Pace Gallery Publications "Dubuffet"; William H. Wilson "Raoul Dufy: A Retrospective"; Publication from R.S. Johnson International, Chicago "Pablo Picasso (1881-1973): Master of Graphic Art"; Martin H. Bush and Kenworth Moffett "Goodnough"; David Eugene Smith "Mathematics and Poetry"; catalog from Galerie van de Loo Munchen "Dimitri Hadzi"; Stephanie Barron "German Expressionist Sculpture"; an issue of "Avant-Garde" magazine; Carl de Keyzer "Homo Sovieticus"; catalog from the Tel Aviv Museum of Art "Yigal Ozeri 1994-1997"; Demetrio Paparoni "Stefano Peroli"; two issues of Design Quarterly journal; Robert P. Metzger "Reuben Nakian: Centennial Retrospective 1897-1986"; Schule von Pistoia "Barni Buscioni Ruffi"; publication from Hundert Tage fur Salzburg "Mimmo Paladino"; Minnesota Museum of Art publication "Clara"; James David Draper and Guilhem Scherf "Augustin Pajou: Royal Sculptor 1730-1809"; Albert Scaglione "Laszlo Dus"; Germano Celant "Mario Merz"; catalog from Tubingen-Hamburg-Zurich "Joseph Beus Olfarben 1949-1967"; two copies of Ronald Paulson "Hogarth's Graphic Works: First Complete Edition"; Pierre Courthion "Rouault"; Leon Bellefleur postcards "12 Dessins - Drawings"; "Byelorussian Glassmaker's Art"; catalog from G. di San Lazzaro.
SKU: 04011
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Condition:
Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
ITALIAN SCHOOL, A PAINTING, "PORTRAITITALIAN SCHOOL, A PAINTING, "PORTRAIT OF FERDINAND III,...ITALIAN SCHOOL, A PAINTING, "Portrait of Ferdinand III, Grand Duke of Tuscany, wearing a Green Coat and Diamond Encrusted Tuscan Order of Saint Stephen," 1790-1825, oil on canvas. 24 1/2" x 18" Note: House Of Habsburg-Lorraine. Ferdinand III (May 6, 1769-June 18, 1824), Grand Duke of Tuscany(1790-1801), Prince-Elector and Grand Duke of Salzburg(1803-1805), Grand Duke of Würzburg (1805-1814), Grand Duke of Tuscany (1814-1824). Son of Leopold II, Holy Roman Emperor, Archduke of Austria, King of Hungary and Croatia, King of Bohemia and his wife Infanta Maria Luisa of Spain, Holy Roman Empress, Queen of Hungary and Bohemia, and Grand Duchess of Tuscany.
Condition:
Heavy craquelure, some losses, very old lined canvas, stretcher marks, darkening, some chips, and flaking, but overall in fair to good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
AUSTRIAN CARVED OAK FIGURE OF HANS STEININGERAustrianAUSTRIAN CARVED OAK FIGURE OF HANS STEININGERAustrian Carved Oak Figure of Hans Steininger, the base affixed with brass plaque inscribed "Hans Steininger, Rattsherr Von Braunau Am Inn Lefte Am Gute Wolfsgarten In Parsch Lei Salzburg Vorzirka 350 Jahren; Hans Steininger was Mayor of Braunauam Inn and lived at Gute Wolfsgarten in Parsch near Saltzburg around 350 years ago: Note: He was celebrated for owning the longest beard in the world and died in 1567 after tripping on his facial hair
Height 66 in. Width 12 in. Depth 7 in.
Condition:
Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
RENAISSANCE STYLE CARVED WALNUT SGABELLORENAISSANCE STYLE CARVED WALNUT SGABELLO CHAIRContinental, 19th century, elaborately carved form with masks and leaves in the Renaissance style, through tenoned removable back, pierced circular seat, 51-1/2 x 16 x 19-1/2 in.
Provenance: Dorotheum, Salzburg, November 11, 2003, lot 369 (with facsimile of original catalog page, shipping document); Private Collection
Condition:
break and screw repair at front stretcher, breaks and repairs to lower "ears" of back with later bracing at back, other scattered cracks, minor chips and losses, old loss at one rear foot