- PIETA CARITA FRATERNITA MARBLE SCULPTURE,
PIETA CARITA FRATERNITA MARBLE SCULPTURE, 20TH C. "Pieta, Carita, Fraternita" [Piety, Charity, Brotherhood] figural marble sculptural group depicting Christ, Nicodemus, the Virgin Mary and Mary Magdalene during the deposition from the cross in Giallo Antico marble, above a sphere surmounting a white Carrara marble base on which the title is set in contrasting stone, apparently unsigned. 38.5" H x 17" W x 12" D.
- JOACHIM PROBST "ROSE PIETA" OIL ON CANVAS,
JOACHIM PROBST "ROSE PIETA" OIL ON CANVAS, 1960 Joachim Probst (American, 1913-1980), "Rose Pieta" Oil on Canvas, 1960, signed lower right and inscribed "Probst / 1960-1961 / "ROSE PIETA" to verso. Image: 60" H x 50" W; frame: 61" H x 51" W. Keywords: Paintings, Religious, Mother Mary, Jesus Christ
- AFTER SALVADOR DALI BRONZE PIETAAfter
AFTER SALVADOR DALI BRONZE PIETAAfter Salvador Dali (Spain, 1904-1989). Figural abstract bronze, Pieta, after Michelangelo's Madonna della Pieta. Impressed signature and numbered 202. 4"H including marble base.
- A GROUP OF CONTEMPORARY RETABLOSA group
A GROUP OF CONTEMPORARY RETABLOSA group of contemporary retablos, Five works: Nicholas Herrera (b. 1964, New Mexico) "La Divina Potera," 20th/21st century, New Mexico Signed and titled recto: La Divina Potera / Nicholas H; further signed and inscribed verso With figure in red holding sheep, with cactus garland and black bird 10.5" H x 5.875" W Nicholas Herrera (b. 1964, New Mexico) Untitled, 20th/21st century, New Mexico Signed verso: Nicholas Herrera; further inscribed verso With kneeling figure in black with large mustache and bow, arrows and cross 13" H x 11.25" W Gustavo Victor Goler (b. 20th century, New Mexico) "Santo Nino de Atocha," 1997 Polychrome retablo on carved panel Signed, titled, and dated verso: Talpa / '97 12.375" H x 9" W Diego Lopez (b. 20th century) "San Francisco," 1996 Polychrome retablo on carved panel Signed, titled, and dated verso: Diego Lopez / San Francisco / '96 19" H x 8.625" W Cruz Lopez (b. 20th century) "Pieta," 2000 Polychrome retablo on carved panel Signed, titled, and dated verso: Cruz Lopez / Pieta / 2000 16.625" H x 8.375" W 5 pieces Provenance: The Estate of Eleanor Koffler
- 17TH & 18TH CENTURY VELLUM BOUND BOOKS,
17TH & 18TH CENTURY VELLUM BOUND BOOKS, 4 Assortment of four antique vellum bound books, including Sermoni Di S. Lorenzo Giustiniani Tradotti dal Latino dal Padre D. Niccolo Antonio Giustiniani Tomo Primo (1750), Theologia Moralis A Reverendo Patre Anacleto Reiffenstuel Tomus Secundus (1773), Philipp Jakob Spener Catechismus(1689), Johann Gerhard Schola Pietatis (1653). Largest: 10" H x 7.5" W x 1" D. Wear, losses, pencil, foxing, toning. Property from the Estate of designer, model, television host, and business woman, Nina Griscom.
- BERNARDINO GATTI, IL SOJARO "PIETA"
BERNARDINO GATTI, IL SOJARO "PIETA" OIL ON CANVAS Bernardino Gatti, called Il Sojaro (Italian, 1495-1575/76) "The Pieta," oil on canvas, depicting the Virgin holding the body of Christ, bearing Christie's labels on reverse (see note at bottom), housed in a parcel gilt ebonized frame. Image: 27.75" H x 22" W; frame: 38" H x 32" W x 2.5" D. Note: The attribution to Bernardino Gatti comes from a Sales Room Notice at Christie's when this painting was previously sold as Lot 239 in "Important Old Master Paintings, Part II," on April 5, 2006. The notice from Christie's reads in full: "We are grateful to Giovanni Godi of Consultenza d'Arte, Milano for pointing out that Giuseppe Cirillo has attributed the present painting to Bernardino Gatti, Il Sojaro (Pavia 1495-1575/76 Cremona) - see G. Cirillo, Ancora per la pittura parmense del Cinquecento in Parma per L'Arte, Anno IX, Fasciolo 1-2, 2003, pp. 43-44, fig. 14." Previously, the painting was attributed to Circle of Scipione Pulzone, called il Gaetano (Italian, 1540-1598). Provenance: Removed from a private residence at the Pierre Hotel.
- 20TH CENTURY SCHOOL: PIETÃOil on gold
20TH CENTURY SCHOOL: PIETÃOil on gold leaf paper mounted on canvas, signed 'Emile Nolde' and dated 1897 lower right.
23 1/2 x 17 in. (sheet), 32 3/4 x 27 in. (frame).
Note: Attribution to Emile Nolde could not be made.
Condition
Sheet mounted on canvas. Canvas with wax lining. A pressure dent with attendant splits at center. Other splits and creases. Surface soiling and scuffing.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- PAINTED TERRACOTTA FIGURAL GROUP OF
PAINTED TERRACOTTA FIGURAL GROUP OF THE PIETA, POSSIBLY SOUTH GERMAN20 x 13 1/2 x 10 in.
Condition
The Madonna is missing her left hand and Christ is missing his right hand. Losses along the base with minor nicks and chips throughout. Small hole in the back of the Madonna's head. Numerous wear to the painted surface particular on the body of Christ with minor staining and crazing. Structurally sound.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- PAINTED TERRACOTTA FIGURAL GROUP OF
PAINTED TERRACOTTA FIGURAL GROUP OF THE PIETA, POSSIBLY SOUTH GERMAN20 x 13 1/2 x 10 in.
European Works of Art from the Collection of Luigi Pellettieri
Condition
The Madonna is missing her left hand and Christ is missing his right hand. Losses along the base with minor nicks and chips throughout. Small hole in the back of the Madonna's head. Numerous wear to the painted surface particular on the body of Christ with minor staining and crazing. Structurally sound.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- CONTINENTAL SCHOOL: PIETATempera on
CONTINENTAL SCHOOL: PIETATempera on canvas.
12 1/4 x 9 in. (frame).
Condition
Soiling, soft creases. Stains and vertical abrasion across the front with associated losses.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- ITALIAN RENAISSANCE WOOD CARVING The
ITALIAN RENAISSANCE WOOD CARVING The Pieta, 16th c. finely carved mahogany, on integral plinth with foliate decoration, flat back, 9 1/2" x 8" x 3 1/2". Missing one hand from each where they would have met.
- SMITH CAVALRY CARBINE, .50 CAL A Civil
SMITH CAVALRY CARBINE, .50 CAL A Civil War-era Smith Carbine made for the U.S. Cavalry by Poultney & Trimble of Baltimore. The firearm utilizes a unique break-action mechanism which was coupled with a propietary paper-cartridge with an additional rubber gasket to complete the gas seal. This particular carbine is in overall fine condition, with some recoil cracks in the stock, a missing tang screw, and some frosting just forward of the chamber. The finish is largely worn off with maybe 60% remaining and some minor pitting around the percussion nipple and hammer. S/N: 7531, Caliber: .50 Cal BP, BBL: 21 1/2", OAL: 39"