- PASTEL LANDSCAPEPastel landscape, bearing
PASTEL LANDSCAPEPastel landscape, bearing the signature W. Launt Palmer , frame - 19 1/4" x 16 1/2".
Competitive in-house shipping is available for this lot.
Condition:
Good condition. Losses to frame.
- WILLIAM HENRY CHANDLER PASTEL LANDSCAPE
WILLIAM HENRY CHANDLER PASTEL LANDSCAPE DRAWING New York, New Jersey,1854-1928Impressionist depiction of a docked boat in a forested lake surrounded by mountains. Chandler primarily created landscapes although he did create still life of fruits, dead game, seascapes and occasionally foreign scenes.
- LéON-AUGUSTIN L'HERMITTE, PASTEL LANDSCAPEL
LéON-AUGUSTIN L'HERMITTE, PASTEL LANDSCAPEL éon -Augustin L'hermitte (French 1844-1925) , pastel on paper landscape, titled Faucheurs de Bl é , signed lower left, 13" x 17 1/4". Provenance: Christie's, April 28, 1967, lot 58; A Delaware estate.
- ENGLISH SCHOOL (EARLY 20TH CENTURY),
ENGLISH SCHOOL (EARLY 20TH CENTURY), PASTEL LANDSCAPE PAINTING, SIGNED WELLS Pastel on paper, signed at lower right, stamped "S. Wood...N. 91 / Monochromatic Boards" to paper en verso, presented in a period giltwood frame under glass.
- Large pastel landscape of a water wheel
Large pastel landscape of a water wheel and mountains with a figure on a bridge, circa 1870, mounted in a period frame.
16.5" x 23 ss / 22" x 29" oa
Condition: Wear consistent with age, not examined out of frame.
- JANE UREN SCOTT / UNTITLED PASTEL LANDSCAPEJane
JANE UREN SCOTT / UNTITLED PASTEL LANDSCAPEJane Uren Scott
(Nebraska, 1918-2011)
Untitled (River Landscape with Cows)
Pastel on paper
24" x 36"
Signed "Jane Scott P.S.A." to the bottom right. Presented behind glass in a frame that measures 28 1/2" x 40 1/2".
Condition
Very good condition. Not removed from the frame.
- 4 POLISH SCHOOL (20TH C.) WORKS ON PAPER4
4 POLISH SCHOOL (20TH C.) WORKS ON PAPER4 Polish School (20th C.) Pastel Landscape Drawings on paper, signed by Unknown Artist. Ranging in Size from: 4'' x 6'', 10 x 15 cm to 6'' x 12'', 41 x 30 cm. Acquired in 1980s from a polish private collection.
- 2 SAMUEL CHAFFEE WATERCOLOR LANDSCAPESTwo
2 SAMUEL CHAFFEE WATERCOLOR LANDSCAPESTwo (2) Samuel R. Chaffee (Massachusetts/Rhode Island, 1850-1913) watercolor and pastel landscape paintings. 1st item: Watercolor and pastel painting depicting a river landscape. Signed "S. R. Chaffee" lower left. Housed in an early 20th century American style frame. Sight - 11 3/4" H x 20" W. Framed - 21 1/2" x 29 1/2" W. 2nd item: Watercolor and pastel painting depicting the sunrise over a river landscape. Signed "S. R. Chaffee" lower right. Housed in a contemporary wooden frame. Sight - 11" H x 18" W. Framed - 22" H x 27 1/2" W. Late 19th/early 20th century. (Higher-resolution photos are available at www.caseantiques.com)
Condition:
Both items: Overall excellent condition. Not examined outside of frame.
- WILLIAM HOWARD CHRISTY: LANDSCAPE -
WILLIAM HOWARD CHRISTY: LANDSCAPE - PASTELWilliam Howard Christy, pastel landscape, signed. [Frame: 19 1/2 x 29 1/2 inches]. Appears to be some soiling; not taken out of frame.
Condition:
Appears to be some soiling; not taken out of frame.
- 4 GEORGE CRESS SMALL W/CS, INCL. FIGURES,
4 GEORGE CRESS SMALL W/CS, INCL. FIGURES, ARCHITECTURE,...Four (4) George Ayers Cress (American/Tennessee, 1921-2008) watercolor paintings on paper. All unframed.1st item: A stylized depiction of two standing figures with heads turned to the viewer's right and rendered in vivid yellow, orange, blue, and red hues. On heavy wove paper. Signed "George Cress 1958," lower right, and with old accession number en verso. 14 7/8" H x 6 13/16" W. 2nd item: Watercolor and pastel view of a canal in Venice with two buildings, one featuring Venetian Gothic windows, rendered in bright blue, yellow, purple, and green hues. On sketchbook paper with old accession number en verso. 11 11/16" H x 9" W. 3rd item: An impressionistic depiction of a wooded landscape with a river or creek in lower right. On heavy wove paper with old accession number en verso. 11 9/16" H x 9" W. 4th item: Colorful watercolor and pastel landscape with a body of water in the foreground and house beyond. Rendered in saturated blue and green hues with yellow, pink, purple, and peach accents. On heavy wove paper. Signed "George Cress 2000," lower right, and with old accession number en verso. 10 9/16" H x 13 15/16" W. Biography: "George Cress was born in Anniston, Alabama and studied at Emory University, American University, and the University of Georgia, where he studied under fellow Southern contemporary artist Lamar Dodd. He was a central figure in Chattanooga's arts community and served as President of the Tennessee Arts Council. He sat on the board of the Hunter Museum of Art. From 1951-1984 he was painter in residence at the University of Tennessee in Chattanooga. The Cress Gallery of Art at UTC is named in his honor." (Source: The Tennessee Historical Quarterly Vol. XLIV No. 2: "Landscape and Genre Painting in Tennessee 1810-1985").
Condition:
All items in excellent condition.
- WILL HENRY STEVENS PASTEL LANDSCAPE
WILL HENRY STEVENS PASTEL LANDSCAPE PAINTING, HAY BARNWill Henry Stevens (Indiana/Louisiana/N.C/Tennessee, 1881-1949), "Hay Barn," pastel on paper landscape painting depicting a man raking hay from a horse-drawn wagon into a central barn set in the middle of a field, while gray clouds threaten overhead. A bare tree stands in the foreground. Signed "Stevens" lower left. Matted and framed under glass in an ebonized frame with a gilt sight edge. Sight - 16" x 13". Frame - 24" x 21". Biography (from the Johnson Collection): "An abiding love of nature - especially as borne out in the Southern landscape - informed the life and work of painter, poet and teacher Will Henry Stevens. Born in Vevay, Indiana, Stevens enrolled at the Cincinnati Art Academy in 1901 where his teachers included Frank Duveneck and Lewis Henry Meakin. In 1904, he won a design competition sponsored by Cincinnati's famous Rookwood Pottery and was subsequently hired as a tile designer. Two years later, Stevens undertook studies at the Art Students League in New York with William Merritt Chase and developed associations with Van Dearing Perrine and Jonas Lie in the city. His first one-man show was held at the New Gallery in 1907. Over the course of his career, Stevens' expansive intellectual curiosity and interest in experimental art forms led him to work in varied media and innovative styles, producing both realist and abstract expressions. In 1921, Stevens became a member of the faculty at Sophie Newcomb College in New Orleans, teaching there until his retirement in 1948. He plumbed the lush Louisiana landscape for subject matter during the school year, while the summers were reserved for travels to the mountains of North Carolina and Tennessee. Stevens was a popular teacher at several art colonies in the South, including Black Mountain, North Carolina. Throughout his career, he maintained friendships with Robert Henri, George Bellows, and other artists, and closely followed the modernist scene in New York. His work is included in the collections of the Smithsonian Museum of American Art, Los Angeles County Museum of Art, Ogden Museum of Southern Art, Morris Museum of Art, and Museum of Fine Arts, Boston."
Condition:
Light toning to paper. 3/4" repaired tear at upper left edge.
- THREE JEROME HARD PASTEL LANDSCAPESThree
THREE JEROME HARD PASTEL LANDSCAPESThree (3) Jerome Hard (20th century) pastel landscape paintings, including one (1) depicting two figures on a beach looking out at the water with a second couple walking and a lighthouse in the background, signed and dated "J. Hard '63" lower right; one (1) depicting three figures confronting a wide-eyed animal in a field of tall grass, signed "Hard" lower left; and one (1) depicting a row of trees leading down a sloping hill to a river. All with framer's label affixed to backing. All housed and matted under glass in giltwood frames. Sights ranging from: 5" H x 7 5/8" W to 5 5/8" H x 10" W. Frames ranging from 10 1/2" H x 13" W to 12 5/8" H x 17" W.
Condition:
All items in overall good condition. Landscape of grass field and riverside have shifted slightly in the frame. Not examined outside of frames.