A few examples of appraisal values for
JOHN PLAYER

• John Jon
  John Jon
• John Jam
  John Jam
• John Jam
  John Jam
• John Johnston (American
  John Johnston (American 1751-1818) pair of oil on canvas portraits of a lady and gentleman signed and dated on verso 1799 30" x 25". ?
• After John Jam
  After John Jam
• After John Jam
  After John Jam
• WORK ON PAPER, JOHN PAUL JONES John
  WORK ON PAPER, JOHN PAUL JONES John Paul Jones (American, 1924-1999), Standing Profile, charcoal and pastel on paper, unsigned, overall (with frame): 40"h x 32"w
• John (Giovanni) Califano
  John (Giovanni) Califano (American/Italian 1864-1946) Sheep Herder oil on canvas signed J. Califano (lower right) 30 x 50 inches.
• John Francis Murphy (American,
  John Francis Murphy (American, 1853-1921) attributed; stream in landscape; oil on canvasboard; 11 1/4" x 9 1/4"; JFM monogram lower left.
• JOHN JOHNSTON INGLIS
  JOHN JOHNSTON INGLIS (AMERICAN/IRISH, 1867-1946) Oil on canvas. Signed 'John J. Inglis' (lower left). John Johnston Inglis (American/Irish, 1867-1946) John Johnston Inglis was born on August 26th, 1867 in Dublin, Ireland. He studied at the Dublin Academy then at the Ecole des Beaux-Arts under Jean-Leon Gerome. At the Academie Colorossi his teachers were Raphael Collin and Gustave Courtois. Inglis began his painting career on his return to London in 1889. He exhibited at the London Academy, the Royal Hibernian Academy and the Scottish Academy. His travels took him to Niagara Falls and Lockport, New York and in 1907 Inglis settled in Rochester, New York. Here he was active in the Rochester Art Club and served as president. He accepted a position at the School of Applied Arts at the Athenaeum and Mechanics Institute which became the second professional art school in Rochester. In 1923, Inglis was named a director of the Memorial Art Gallery. He also took on the job of restoring the extensive portrait collection owned by the Rochester Historical Society, a task he completed in 1927. After a long illness, Inglis died at his home in Rochester on September 2nd, 1946. He is best known for seasonal landscape and marine painting.
• John/Portrait of a Bearded
  John/Portrait of a Bearded Gentleman/signed/pencil drawing, 22cm x 29cm
• Small motto
  Small motto
• John George Brown (American
  John George Brown (American 1831-1913) etching of a boy playing the flute signed in pencil lower right 13 1/4" x 9 1/2". ?
• DANIEL JOHNSTON (AMERICAN,
  DANIEL JOHNSTON (AMERICAN, 1961-2019): TURN AND WALK AWAYmarker on paper; signed lower left; marker on paper; signed lower left; inscribed in pencil to verso " 5384 2010"; Sheet: 11 x 8 1/2 in.; Dimensions: Sight:10 3/4 x 8 1/2 in. (27.3 x 21.6 cm.), Frame: 17 1/2 x 15 in. (44.5 x 38.1 cm.) Condition: Good; no tears, nicks, or stains; taped to mat along top edge; examined out of frame.
• JOHN PAUL STRAIN (AMERICAN, B.
  JOHN PAUL STRAIN (AMERICAN, B. 1955), THE PARTING Gouache on paper, signed and dated 1997 at lower left, matted and presented under glass in an attractive gilt frame.
• Johann
  Johann
• John Chapman (after) (British
  John Chapman (after) (British fl.1792-1823) IRELAND (Erin and Britannia greeting) colored engraving framed signed and titled: lower margins in plate image size: H9 1/4'' W7'' Provenance: Florida private collection. Trimmed margins taped tear to lower left and left center. Coloration is good.
• JOHN PIPER (ENGLAND, 1903-1992)
  JOHN PIPER (ENGLAND, 1903-1992) SCREENPRINT, "BUCKJOHN PIPER (England, 1903-1992) screenprint, "Buckden in a Storm." Pencil signed lower right, numbered 75/100, blindstamp lower right. Certificate of authenticity attached verso. Image measures 22.5" x 33". In a metal frame; 28.5" x 38.5" overall.
• John Korver, (American, 20th
  John Korver, (American, 20th Century) "Meeting the Riverboat", limited edition offset chromolithograph, sight 24-1/2" x 32-1/2", litho-signed and titled lower center, pencil signed and numbered lower right: "John Korver 41/100. Glazed, matted and presented in a carved giltwood frame.
• DALLAS E. JOHN (AMERICAN, BORN
  DALLAS E. JOHN (AMERICAN, BORN 1945), FOUR LARGE PARROT SILKSCREEN PRINTS Each a serigraph in colors, all pencil signed, dated, titled, and numbered lower margin, presented in uniform bamboo-style wooden framing.
• John Little  (American,
  John Little  (American, 1907-1984) Vertical, 1976 oil on canvas signed John Little and dated (lower right); signed, titled and dated (verso) 92 x 34 inches.
• OLD MASTER JOHN THE BAPTIST PANEL
  OLD MASTER JOHN THE BAPTIST PANEL PAINTING Europe,19th CenturyDepicting John the Baptist in fur dressings and red robe grasping a staff and standing in field overlooking a river.
• JOHN PAUL JONES, (1924-1999),
  JOHN PAUL JONES, (1924-1999), UNTITLED, OIL ON CANVAS, 40" H X 30" WJohn Paul Jones, (1924-1999) Untitled, Oil on canvas Initialed lower left: JPJ Oil on canvas Dimensions: 40" H x 30" W
• JOHN WILLIAM CASILEARAmerican
  JOHN WILLIAM CASILEARAmerican 1811-1893Fisherman on a remote mountain river. Initialed lower right J.W.C. 68''.Oil on canvas 12'' x 10''. Framed.''
• Attributed to Sir Peter Lely,
  Attributed to Sir Peter Lely, Late 17th Century Portrait of John Blow oil on canvas 29 x 18 inches. Property from the Collection of Maestro Raymond Leppard, Indianapolis, Indiana
• John Willenbecher (American, b
  John Willenbecher (American, b 1936) 3 Abstract Works on Paper, ink on paper, each signed JW 1999, 12-3/4" x 9-1/4" sheet, framed 20-1/4" x 16-1/2", very good condition
• John Williamson (New York,
  John Williamson (New York, 1826-1885) View on the Hudson, 1860, signed "JW 60", oil on canvas, 20 x 26-7/8 in.; original 19th century gilt wood and composition frame with label for "Chas G. Campbell Newark New Jersey",
• JOHN LUKE EASTMAN, AMERICAN 20TH
  JOHN LUKE EASTMAN, AMERICAN 20TH CENTURY, "...TO THOSE WHO BY PATIENCE IN WELL-DOING SEEK FOR GLORY AND HONOR AND IMORTALITY, HE WILL GIVE ETERNAL LIFE"., SCREEN PRINT IN COLOR, SIGNED JOHN L EASTMAN, AND NUMBERED A/P, UJohn Luke Eastman, American 20th Century, "...To Those Who by Patience in Well-Doing Seek for Glory and Honor and Imortality, He Will Give Eternal Life"., Screen print in Color, Signed John L Eastman, and numbered A/P, Unframed,, Dimensions: Sheet Size: 26 x 26 in. (66 x 66 cm.)
• John Piper CH (1903-1992)/'The
  John Piper CH (1903-1992)/'The Glyders'/screenprint on textile, 51cm x 60cm/Note: Commissioned by Arthur Sanderson to mark their Centenary in 1960
• JOHN PEARSON (AMERICAN, B. 1940) 19
  JOHN PEARSON (AMERICAN, B. 1940) 19 ¾" x 19 ¾" "Mondrian Series (A Selection)", 1974. Set of 4 color silkscreens on BKF Rives paper, edition 17/62, published for the University Print Club of Cleveland, each signed and numbered by the artist in pencil verso, verso reads "Mondrian Series CWRUPC: # BX 17/62 John Pearson", each in matching metal frames, overall 22 ¼" x 22 ¼".
• JOHN BANOVICH (AMERICAN, B.
  JOHN BANOVICH (AMERICAN, B. 1964), EDEN Giclée print in colors, 2001, ink signed and numbered, with accompanying paperwork, in custom framing.
• John Pope (American 1821-1880)
  John Pope (American 1821-1880) oil on board portrait of a young girl titled Autumn in the Woods signed lower left 12" x 10". ?
• John D. Banks (Australian,
  John D. Banks (Australian, 1883-1945)
• § JOHN WELLS (BRITISH 1907-2000)
  § JOHN WELLS (BRITISH 1907-2000) DANCER, 1952 artist's proof, signed, inscribed and dated in pencil in the margin, engraving20cm x 13.5cm (7.9in x 5.4in)Note: Two different impressions/states of this print dated to 1950 are in the British Museum.John Wells and Wilhelmina Barns-Graham shared a particular friendship. Both had benefited from the mentorship of Ben Nicholson who, of the many artists that gathered in St Ives, seemed to have had a particular interest in Barns-Graham’s work. She and Wells had also been significantly influenced by the work of Naum Gabo, a leading figure in Russian Constructivism who, as an emigrant during the War, followed his friends Nicholson and Hepworth to St Ives, playing a key role in the modernist developments that took place.This impact was seen in the pair's artistic practices which shared an affinity with an analytical, at times scientific approach to abstraction. As a result there is often something more linear and hard-edged to their output than some of their more expressionistic peers: a theory of the landscape and its forms as much as a representation of it.
• John Little  (American,
  John Little  (American, 1907-1984) Double Play, 1963 oil on canvas signed John Little and dated (lower left); signed, dated and titled (verso) 51 1/4 x 36 inches.
• PHOTOGRAPH, JOHN SEXTON John Sexton
  PHOTOGRAPH, JOHN SEXTON John Sexton (American, b. 1953), Roaring River, 1978, gelatin silver print, pencil signed lower right, dated lower left, image/sheet: 7.25"h x 9.25"w, overall (with frame): 16.25"h x 20.25"w. Provenance: Private Collection (Oakland, CA).