- JAMES DEAN SHADOW BOX DISPLAY Shadow
JAMES DEAN SHADOW BOX DISPLAY Shadow box housing miniature "Rebel Without A Cause" poster, photo with signature, and card with information, this film made Dean an iconic symbol of rebellious youth for future generations, beautifully framed, 23 1/2 x 27 in., with COA.
- JAMES DEAN PROTOTYPE - SMALL - ROYAL
JAMES DEAN PROTOTYPE - SMALL - ROYAL DOULTON CHARACTER ...Rebel Without A Cause. Dark brown jacket, and blue racing car, knife and checkered flag as handle.
Condition:
Good.
- JAMES DEAN GALLERY TRIVIA CARD DECKDESCRIPTION:
JAMES DEAN GALLERY TRIVIA CARD DECKDESCRIPTION: A James Dean Gallery deck featuring cards with trivia about James Dean. Marked:"This set is one of only 25,000 Limited edition sets produced of the James Dean Collection. CIRCA: Late 20th Ct.(1995) ORIGIN: USA DIMENSIONS: H:3 5/8" L:2 5/8" CONDITION: Fair condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
- CHARLES FAZZINO (AMERICAN, B. 1955)
CHARLES FAZZINO (AMERICAN, B. 1955) MIXED MEDIA SERIGRA...DESCRIPTION: Charles Fazzino (American, b. 1955) Mixed media serigraph on rag museum board. Titled: "Forever James Dean" features a hand embellished collage celebrating James Dean. Pencil signed lower right: "Charles Fazzino numbered lower left: "72/300DX" mounted in a silver accented black shadow box. CIRCA: 20th Cent. ORIGIN: USA DIMENSIONS: (Image) H: 20.5" x L: 14" (Framed) H: 27.5" x L: 21.5" CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
- EARL E. COLLINS O/C MARINE PAINTING,
EARL E. COLLINS O/C MARINE PAINTING, LIGHTNING CLIPPER ...Earl Edward Collins (Connecticut/New York, 1925-1992) oil on canvas maritime painting depicting the clipper ship "Lightning" sailing across tumultuous waters, an American flag visible at the stern. Signed and dated "Earl Collins '82" lower right. Handwritten index card with history of the Lightning en verso of frame. Housed in a metallic silver wooden frame with off white linen liner and metallic silver wood fillet. Sight: 19 1/2" H x 23 1/2" W. Framed: 25 1/2" H x 29 1/2" W. Note: "Built by Donald McKay, the Lightning was the first clipper built in the United States for a British firm. In 1862, returning to Liverpool, it struck an uncharted rock in Rip. No water entered the vessel but, on arrival at Liverpool, a rock 6 feet long was found sticking through its timbers and beginning to work loose. Under Capt. 'Bully' Forbes, the Lightning made its first voyage to Australia in 77 days, and on its return voyage made it in a record 64 days. It had the distinction of carrying, free of charge, early consignments of introduced animals, including rabbits, sent to Thomas Austin of Barwon Park, Winchelsea. The Lightning's entire life was spent on the Australian run carrying immigrants and cargo. The wreck of the Lightning caused by the fire was the worst shipping calamity in Geelong's history. A fire that had broken out was discovered at about 1 am. Water was pumped into lower hold in an attempt to douse it but the efforts of local volunteer fire brigades were unsuccessful. The blazing ship was towed away from the Yarra Street Wharf by James Deane's tug Resolute. Attempts to scuttle the vessel by boring holes and cutting the outside planking also failed. The Volunteer Artillery had also been unsuccessful in attempts to sink the vessel to put out the fire. The wreck was finally removed with explosives. The Lightning finally sank at about 6 pm., her location about 200 yards from Wharf in 25 feet of water. Geelong's Centenary celebrations included a re-enactment of burning of Lightning." (adapted from Heritage Council Victoria, Victorian Heritage Database: https://vhd.heritagecouncil.vic.gov.au/shipwrecks/415).
Condition:
Overall very good condition.
- EARL E. COLLINS O/C MARINE SHIP PAINTING,
EARL E. COLLINS O/C MARINE SHIP PAINTING, LIGHTNINGEarl Edward Collins (Connecticut/New York, 1925-1992) oil on canvas maritime painting depicting the clipper ship "Lightning" sailing across tumultuous waters, an American flag flying from the stern, and figures standing on the sail. Signed and titled lower right. Housed in a grey wood frame with a linen mat. Sight: 19 3/4" H x 23 1/2" W. Framed: 26 1/4" H x 30 1/2" W. Note: Built by Donald McKay, the Lightning was the first clipper built in the United States for a British firm. In 1862, while returning to Liverpool, it struck an uncharted rock. No water entered the vessel but, on arrival at Liverpool, a rock 6 feet long was found sticking through its timbers and beginning to work loose. Under Capt. 'Bully' Forbes, the Lightning made its first voyage to Australia in 77 days, and on its return voyage made it in a record 64 days. It had the distinction of carrying, free of charge, early consignments of introduced animals, including rabbits, sent to Thomas Austin of Barwon Park, Winchelsea. The Lightning's entire life was spent on the Australian run carrying immigrants and cargo. The wreck of the Lightning caused by the fire was the worst shipping calamity in local history. A fire that had broken out was discovered at about 1 am. Water was pumped into lower hold in an attempt to douse it but the efforts of local volunteer fire brigades were unsuccessful. The blazing ship was towed away from the Yarra Street Wharf by James Deane's tug Resolute. Attempts to scuttle the vessel by boring holes and cutting the outside planking also failed. The Volunteer Artillery had also been unsuccessful in attempts to sink the vessel to put out the fire. The wreck was finally removed with explosives. The Lightning finally sank at about 6 pm., her location about 200 yards from Wharf in 25 feet of water in the town of Geelong, Australia. (adapted from Heritage Council Victoria, Victorian Heritage Database: https://vhd.heritagecouncil.vic.gov.au/shipwrecks/415).
Condition:
Overall very good condition.
- REBEL WITHOUT A CAUSE.Rebel Without
REBEL WITHOUT A CAUSE.Rebel Without a Cause. Warner Bros., 1955. One sheet (41 x 27"). James Dean, as Jim Stark, depicted with a cigarette in hand, leaning against a brick wall, in the poster for the classic film directed by Nicholas Ray, co-starring Natalie Wood. A beautifully restored copy, linen-backed, with multiple tears and losses restored, and discolorations enhanced across the image. B+.
- TOM MCNEELY (B. 1935) "JAMES DEAN"Tom
TOM MCNEELY (B. 1935) "JAMES DEAN"Tom McNeely (Canadian, B. 1935) "James Dean - American Icon" Signed lower right. Original Watercolor on Paper.
Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation.
This painting originally appeared on the Fleetwood First Day Cover of the 32c James Dean stamp issued June 24, 1996. James Dean symbolized dichotomous adolescence in all its glory. Tough, vulnerable and rebellious teenagers, feeling misunderstood and wanting acceptance, were drawn to the young actor. His tragic, sudden death not only shocked teen America, but spurred it to new heights of hero worship. With his first film, East of Eden, James Dean superbly portrayed the misunderstood, rebellious son with a vulnerable spirit that thousands of teenagers could identify with. However, it was Dean's next film, Rebel Without a Cause, that would forever imprint in the minds of his audience attitudes of independence, non-conformism and hostility toward established mores. In that film Dean was depicted as a loner, standing out from other teens, yet nevertheless a vital part of them. Though labeled a rebel, the character he portrayed was vulnerable and sought acceptance from those in authority. For America's teenagers, Dean's performance served as a paradigm for the turmoil and insecurities of adolescence. Dean's third and final film, Giant, with Elizabeth Taylor and Rock Hudson, told the story of the generational conflict between two Texas families. The film appears to be a drama aimed at adults, yet Dean's intense portrayal of a loner who is rejected and alienated from the world aroused sympathy and compassion in young viewers. An American icon, Dean embodied the tragedy and hope of youth, while his death made him the legend that would become James Dean.
Image Size: 22 x 16 in.
Overall Size: 23.75 x 20.25 in.
Unframed. (B15384)
Condition:
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- 15 PIECE DAVID ANDERSON ART LOT: 1)
15 PIECE DAVID ANDERSON ART LOT: 1) Ghostly Portrait of an Elderly Woman, Mixed Media/Board, 12'' x 9'', signed upper right, framed, 17.5'' x 14.5''; 2) ''Yet Another Hope'' Portrait of a Young Boy, Lithograph, sight size 5'' x 3.75'', signed lower right, titled lower left and numbered 1/15, framed, 12.5'' x 11''; 3) Draped Actor, Trial Proof Etching, sight size 8'' x 5.5'', signed lower right, dated '76, titled lower left, framed, 16.5'' x 13.75''; 4) The Actual Copper Plate for Previous Etching, 16.5'' x 13.75''; 5) A Dark Macabre Portrait of a Man, Oil/Board, sight size 7.5'' x 7.5'', signed lower right, framed, 16'' x 16''; 6) Portrait of a James Dean Type Young Man, Oil/Canvasboard, sight size 9.25'' x 7.25'', signed lower right, framed, 15'' x 13.5''; 7) Portrait of a Young Girl Wearing Ruffled Shirt and Pink Vest, Oil/Canvasboard, 9.5'' x 7.5'', signed lower right, framed, 16'' x 14''; 8) Mixed Media of a Rabbi?, sight size 9.5'' x 6.5'', framed, 17'' x 14''; 9) Surreal Portrait of a Young Man's Face, Oil/Board, sight size 10'' x 9'', signed upper right and framed, 16'' x 15''; 10) Portrait of a Young Dark Haired Man, Oil/Canvasboard, sight size 19.25'' x 9.25'', signed lower right, framed, 22.5'' x 12.5''; 11) Fragmented Memory, Watercolor and Gouache, sight size 17'' x 22'', signed lower right and dated '72, framed, 27'' x 32.5''; 12) Table Top Still Life with Flowers and Vessels, Oil/Board, sight size 23.5'' x 17.5'', signed lower right, dated '69, framed, 30.'' X 23.5''; 13) Heavy Impasto Table Top Still Life with Floral Bouquet, Oil/Canvasboard, sight size, 13.5'' x 17.5'', signed lower right, dated `71, framed, 22.5'' x 26.5''; 14) Still Life with Water Vessels, Oil/Canvasboard, sight size 17.5'' x 13.5'', signed lower right and dated '71, framed, 26.5'' x 22.25''; 15) Profile Portrait Painting of a Man, Oil/Board, sight size 13.5'' x 10.5'', singed lower right, dated '75, framed, 23'' x 20''
- ANGEL DIAZ, COLLAGE Angel Diaz (Peruvian/American,
ANGEL DIAZ, COLLAGE Angel Diaz (Peruvian/American, 20th/21st c.), James Dean, mixed media collage on canvas, no signature observed, 32"h x 52"w
- RUSSELL YOUNG (B. 1960): "JAMES DEAN"
RUSSELL YOUNG (B. 1960): "JAMES DEAN" (FROM 'FAME + SHAME')color silkscreen on canvas signed and numbered 'AP 4/5' (verso). Provenance: Guy Hepner Gallery, Los Angeles; Private Collection, Pacific Palisades, California; Acquired from the preceding by the present owner, 2013. 39 3/4 x 28 3/4 inches canvas Condition:
- FIVE ASSORTED OFFSET PRINTED MOTION
FIVE ASSORTED OFFSET PRINTED MOTION PICTURE POSTERS, INCLUDING JUDY GARLAND AND JAMES DEAN, FRAME OF LARGEST: 28 X 22 3/4 IN. (71.12 X 57.79 CM.)Five Assorted Offset Printed Motion Picture Posters, including Judy Garland and James Dean,, Dimensions: Frame of largest: 28 x 22 3/4 in. (71.12 x 57.79 cm.)