A few examples of appraisal values for
HIROSHIGE II

• UTAGAWA HIROSHIGE I AND II, (3) WOODBLOCK
  UTAGAWA HIROSHIGE I AND II, (3) WOODBLOCK PRINTS Utagawa Hiroshige (Japanese, 1797-1858), "Inaba Province, Karo Koyama", 1853, 14"h x 9.5"w (sheet) and "Nihonbashi: Daimyo Procession Setting Out", from the series Fifty-three Stations of the Tokaido Road, 1833-34, 9"h x 13.25"w (sheet); with, Utagawa Hiroshige II (Japanese, 1826-1869), "Yoshiwara", from the series Fifty-three Stations of the Fan, 1865, 13"h x 9.25"w (sheet), sheets laid down on silk, framed under glass, approx. 20"h x 14"w and reverse (frames)
• THREE JAPANESE WOODBLOCK PRINTS Includes
  THREE JAPANESE WOODBLOCK PRINTS Includes a woodblock print circa 1858 by Utagawa Hiroshige II (Shigenobu) (1826-1869) entitled Sanno Festival Parade (Sanno matsuri), from the series "Famous Places in Edo (Edo meisho)," professionally framed with triple mats and gilt frame (extensive fading to color; rubbing and wear to surface; some stains spots; not examined outside of the frame), and a woodblock print by Katsukawa Shuntei (1770–1820) from the Chushingura series of a bride's journey, Mount Fuji looming above the traveling party, framed over a mat with silk and gilt mat surround and gilt frame (trimmed; extensive fading to color; rubbing and wear to surface; scattered stains and foxing spots; not examined outside of the frame), and a later reproduction of a woodblock print by Utagawa Hiroshige of an elegant lady standing on a boat under a pine tree branch looking out over the water with the moon above, professionally framed with triple mats and gilt frame (some fading to color; not examined outside of the frame).
• UTAGAWA HIROSHIGE II "DISTANT VIEW OF
  UTAGAWA HIROSHIGE II "DISTANT VIEW OF ENOSHIMA" JAPANES...Utagawa Hiroshige II (1826-1869). Japanese woodblock printed triptych depicting a distant view of Kinkameyama, Enoshima, from the Seven League Beach, Soshu (Soshu Shichirigahama, Enoshima Kinkameyama enkei no zu). SKU: 03113 Follow us on Instagram: @revereauctions Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• 3 JAPANESE WOODBLOCK PRINTSGroup of
  3 JAPANESE WOODBLOCK PRINTSGroup of three Japanese woodblock prints including: Utagawa Hiroshige II (Japanese, 1826-1869) and Utagawa Kunisada (Japanese, 1786-1865). Print titled "Ume Yashiki" from the series "36 Views of the Pride of Edo" depicting figures smoking in a courtyard surrounded by flowering trees. Inscribed along the lower right margin. Toyohara "Yoshu" Chikanobu (Japanese, 1838-1912). Print from the series "Eastern Customs: Enumerated Blessings" depicting two women. Kunichika Toyohara (Japanese, 1835-1900). Print titled "I Don't Want You To Leave" from the series "32 Fashionable Physiognomies" depicting a young woman glancing behind her. Sight; height ranges from 13 1/2 in to 14 1/2 in; width ranges from 9 1/2 in to 10 in. Framed; height ranges from 20 1/2 in to 22 in; width ranges from 16 in to 17 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• UTAGAWA HIROSHIGE II (1826 - 1869) WOODBLOCKUtagawa
  UTAGAWA HIROSHIGE II (1826 - 1869) WOODBLOCKUtagawa Hiroshige II (Japanese, 1826 - 1869) "Tenjin festival on the Yodo river in Osaka" Woodblock. Series: Shokoku Meisho hyakkei (One hundred famous views in the Provinces). Original label verso. Image Size: 13.25 x 8.5 in. Unframed. Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• UTAGAWA HIROSHIGE II (JAPANESE, 1826-1869)Utagawa
  UTAGAWA HIROSHIGE II (JAPANESE, 1826-1869)Utagawa Hiroshige II Japanese, 1826-1869 Makuchiyama Temple by the Imado Bridge (Imado-bashi Matsuchiyama) from Thirty-six Views of The Eastern Capital (Toto sanjurokkei) Woodblock print, artist's red block seal lower left A figure traversing the river in a yanebune before the temple laden with falling snow; unframed. Green and white fan seal upper right, red block series seal upper left, published 1861-1862. Plate: 13 1/2 x 9 in. (34.3 x 22.9 cm.) Condition: Any condition statement is given as a courtesy to a client, is an opinion, and should not be treated as a statement of fact. Reference to condition written, oral or within a condition report shall not be regarded as a full account of condition and may not include all defects, alterations, or restorations. Absence of a condition report does not imply a lot is flawless or lacking imperfections or damage. Selkirk Auctioneers & Appraisers shall have no responsibility for any error or omission. Returns shall not be accepted on the basis of condition.
• RISHHO HIROSHIGE II (JAPAN, 1826-1869),
  RISHHO HIROSHIGE II (JAPAN, 1826-1869), HAMAMATSU STATION ENZA-MATSU PINE., WOODBLOCK PRINT, 9" X 7" SIGHT. FRAMED 17" X 13".RISHHO HIROSHIGE II, Japan, 1826-1869, Hamamatsu Station Enza-matsu Pine. From the Fifty-three Stations of Tokaido. Circa 1865. Dimensions: Woodblock print, 9" x 7" sight. Framed 17" x 13". Provenance: The Estate of Edward J. Tynan.
• UTAGAWA HIROSHIGE III (JAPANESE, 1842-1898),
  UTAGAWA HIROSHIGE III (JAPANESE, 1842-1898), NIHONBASHI TRIPTYCH Meiji 15 (1882), woodblock print, triptych, an expansive view of old Edo during the early Meiji period (1868-1912), with horse drawn streetcars and electric lights and power lines, figures are dressed in a mix of old style attire and new Western styles that were being introduced to Japan at the time, rising behind the street scene is the Imperial Palace and Mount Fuji, signed and titled, framed together with mat, not examined outside of the frame.
• UTAGAWA HIROSHIGE II WOODBLOCK PRINTUtagawa
  UTAGAWA HIROSHIGE II WOODBLOCK PRINTUtagawa Hiroshige II (Japanese, 1826-1869) woodblock print, Night Rain at Karasaki from the series Eight Views of Ohmi. With poem upper center. Signed in cartouche lower left. Titled upper right. Sidney Rothman The Gallery label on verso. Print: 15" x 9 1/2". Frame: 19 3/4" x 14 3/4". Toning to paper. Creases upper left and lower right. Water damage upper left.
• TWO JAPANESE WOODCUTSTWO JAPANESE WOODCUTS.
  TWO JAPANESE WOODCUTSTWO JAPANESE WOODCUTS. After Utagawa Hiroshige II(1826-1869) "Smoking Mount Asama" from the "One Hundred Views of Famous Places in the Provinces" Series. After Toyoharu (1735-1814) "Sanjusangen-do Temple" with figures and archery competition. Oban size, in wood frames; 21.5" x 16.5" and 17" x 22.25" overall.
• UTAGAWA HIROSHIGE II (JAPAN, 1826-1869)
  UTAGAWA HIROSHIGE II (JAPAN, 1826-1869) Oban Yoko-E Landscape by Hiroshige Utagawa, view across rolling grassy hills past pines and cherry trees to large temple complex, top edge mounted to card, full margins, 10" x 14 1/2". Heavily toned, wrinkled, wormage to margins.
• UTAGAWA TOYOKUNI III (1786-1865) AND
  UTAGAWA TOYOKUNI III (1786-1865) AND UTAGAWA HIROSHIGE II (1826-1869) COMPLETE SET OF THE MIRACLES OF KANNON, WEST ROUTE 1858, woodblock prints on paper, thirty-four separate sheets (34)