White Furniture Co. night or end table, c. 1950s, one long drawer over two cabinet doors over long drawer with beveled and recessed drawer front, brass knobs, octagonal front legs, cabinet doors inset with cane-woven panels, incised "White Fine Furniture" interior long drawer, also stenciled "White Furn. Co. 5900-11, Night table, Lot No. 96, Butternut" verso, expected surface wear including light scratches, dents, and dings, 25 1/4" h. x 24 1/8" w. x 16 1/8" d.
ENGLISH QUEEN ANNE DROP-LEAF, TRAP-DOOR RENT TABLE. 18th century, with swing-out leg supports. Circular top; two-drawer frieze; six turned tapering legs end in spoon feet - 28 in. x 48 in. diam.
PROVENANCE: Wayside Inn, Middletown, VA
WEST END FURNITURE MAHOGANY CARVED SIDEBOARD: Carved crest, serpentine front. 2 central drawers, door on either side with applied decoration. West End Furniture label inside top drawer. Carved skirt and legs. 42 1/2'' h. x 72 1/2'' x 22''. For matching table and chairs see next lot 1048.
Black lacquer decorated round end table with a door and 1 drawer, 13" diameter, 28" h Estimate $100-150
AN ART DECO SATINWOOD AND ROSEWOOD VENEERED DINING ROOM SUITE in the manner of Hille, comprising: a dining table, six chairs, sideboard and trolley. The rectangular dining table with rounded ends with broad rosewood crossbanding, mounted on two rectangular legs with conforming satinwood and rosewood veneers, the table 82" x 38". The chairs with dished and arched backs with all over satinwood veneer, on tapering legs, the sideboard with a shaped front with a central reeded panel flanked by twin shaped doors with Bakelite handles, enclosing a fitted interior with short drawers and shelves, on a plinth base, 47" wide. The trolley with three rectangular tiers on rounded supports and castors, 34.5" wide. See illustration
A PAIR OF CARVED ROSEWOOD CABINET END TABLES, Chinese, 20th century, each a square cabinet with relief-carved drawer and doors, 22"H x 22"W x 22"D.
EXQUISITE FRENCH 9 PIECE CARPATHIAN ELM BURLWOOD DINING ROOM SUITE: This richly grained Carpathian Elm Burlwood Dining Suite comprises, A Stunning Single Door China Curio with carved crest and fret carved lattice over glass above a two door cabinet below opening to a spacious storage area with finished interior doors (71.5''h x 40'' x 17''; 1-Highly grained Dining Room Table with two 15'' w leaves ( table measures 96''l x 40.5''l with both leaves inserted). 1- 2 Door, 2 Drawer Carpathian Elm Sideboard; 6- Carved Slatback Dining Chairs. All elements of the spectacular suite with carved aprons and carved cabriole legs ending in ball and claw feet. From the mansion on Lake Hollingsworth, Lakeland FL.
A Gordon Russell oak bedroom suite, Ilmington pattern, comprising two wardrobes, each with two three-panelled doors and two hanging rods bearing metal plaque Gordon Russell, Broadway Worcestershire, 183cm x 122cm (72" x 48", a dressing table with three-part mirror upon a four-drawer table with end supports 137cm (54") wide, a chest of two short and three long drawers, 91cm (36") wide, a pedestal bedside cupboard, 41cm (16") wide, bearing a brass label Gordon Russell Ltd, Broadway Worcestershire, and a head and footboard for two single beds, 94cm (37") wide
REGENCY MAHOGANY DROP-LEAF SEWING TABLE 19th century. Shaped top having molded edge; fall-front door at one end having two drawers above bottom pull-out shelf at other end; raised on fluted tapering legs to peg feet - Closed 26 1/2 in. x 14 3/4 in. x 22 1/4 in.
PAIR OF ITALIAN VENETIAN STYLE SERPENTINE PAINTED END TABLES, 20TH CENTURY, WITH ONE DRAWER AND ONE DOOR, 27" H. , 17 1/2" W. 11" D. NOTE: HAS SOME SCRATCHES AND NICKS TO PAINT.Pair of Italian Venetian Style Serpentine Painted End Tables, 20th Century, with one drawer and one door, 27" h. , 17 1/2" w. 11" d.
CHINESE STYLE CABINET END TABLE, Thomasville Furniture Co., modern, the front featuring a 2-door cabinet and a column of three small drawers. Dimensions: 24.25"H x 28"W x 18"D.
PR MID CENTURY MODERN FORNASETTI END TABLES 1960: A pair of mid century modern Fornasetti style end tables circa 1960. Having one door over one drawer and decorated with hand painted architectural renderings. Ht: 28" Wd: 20" Dpth: 15"
SPECIAL CASE COLUMBIA GRAFONOLA DISC PHONOGRAPH, c. 1910. The special model floor case is a 2-tier lamp table with phonograph drawer on one side, louvered speaker doors opposite, the square serpentine bordered top on four long, cabriole legs ending in carved claw feet. Dimensions: 32"Hx 28"W x 28"D.
Federal Mahogany Carved and Inlaid Lady's Secretary-bookcase, attributed to Thomas Seymour, Boston, c. 1807-12, the decorative eglomise painting attributed to John Ritto Penniman, the turnings possibly by Henry and/or Thomas Ayling. some brasses replaced, (minor imperfections), ht. 76 3/4, wd. 37 1/2, dp. 19 3/4 in. Provenance: John Bryant III (1780-1865), a Boston China Trade Merchant, and his wife Mary Cleveland (Smith) Bryant (1784-1860). Presumably to their son John Bryant IV (1811-1847) and his second wife Mary Ann (Lee) Bryant. To their daughter Julia Bryant (1847-1901), who married Brigadier General Charles Jackson Paine (1833-1916), a railroad magnate and yachtsman, of 87 Mount Vernon Street, on March 26, 1867. To their daughter Georgia Paine Fisher Howland. To her son Charles Paine Fisher. Estate of Charles P. Fisher. Note: The lady's secretary and bookcase was a cultural badge signifying a Boston lady of refinement and education during the Federal period. Mary Cleveland (Smith) Bryant (1784-1860) was such a lady. She had been well-educated as daughter of Rev. John Smith, a professor of Ancient and Middle Eastern Languages at Dartmouth College, and was widely read. It was probably purchased around the time of, or a few years after, her marriage in late 1807 to John Bryant III (1780-1865). He was the son of John Bryant II, the Deputy Commissary of Military Stores at the Federal Armory in Springfield. The elegant bookcase provided space for the increasingly affordable books then available to educated Bostonians. It was also designed to provide everything needed for letter writing to her increasingly dispersed family. The year after the couple's marriage on November 25, 1807, Bryant evidently furnished their Boston house, listing twenty-seven payments in his financial Waste Book under the category "House Furniture". These included one for a "Bedstead" on July 5, 1808 to Boston's premier cabinetmaker, Thomas Seymour. Under financial pressure in 1808, Bryant shipped out on an adventure in the brig Mandarin for Canton, his first to China. Bryant's voyage and trading proved extremely profitable. After his return in 1809, he formed a partnership with William Sturgis dba Bryant and Sturgis, which eventually became one of Boston's most successful China trade firms. The couple lived initially in a fashionable home in Tremont Place, later on Beacon Street near Charles Street. After his return, Bryant made numerous additional purchases of house furnishings in 1810, including another from Thomas Seymour for $39.00 for unspecified furniture which he recorded on Dec. 27. This payment may have been for the present secretary and bookcase. However, Bryant's several voyages in this period are reflected in sporadic and incomplete entries for household expenses. Other purchases from Seymour and other craftsmen probably went unrecorded. Surviving Bryant family and business records do not include actual bills and receipts. The secretary is one of at least four which employ églomisé (reverse glass) painting in two shades of green with repeating Gothic arches and centering stylized leafage. Details are picked out in fine black lines. This "fancy painted" work can be firmly attributed to John Ritto Penniman based on the very high quality of work, and on at least two of his characteristic techniques - faux-shadowing below and to the right of both leaves and arches which simulate light cast from the upper left; and detailed modeling formed by two or more layers of fine black lines applied at right angles to each other, also simulating depth and shadows. Penniman was a tenant in Thomas Seymour's Boston Furniture Warehouse from at least 1808-1810. The two collaborated numerous times, most commonly for decoratively painted panels featuring flowers, leafage, or sea-shells on work boxes and quartetto, work and card tables. Every aspect of the Bryant family secretary reflects Seymour's habitual attention to detail and precise execution. Mahogany veneers are carefully selected of four different grain characters. Spandrels between gothic arches at the tops of the doors are beautifully faced with book-matched curly satinwood and outlined with his typical very fine-gauge black and white stringing lines. Large drawer fronts are framed with curly maple crossbanding, each accented by sand-scorching one long edge to provide greater depth and modeling. Keyholes on doors and drawers are lined or faced with bone shaped to three different patterns. Precisely executed small-scale bead moldings are employed on lower case edges, the frieze, as an astragal molding on the glazed doors, on pilaster columns separating door panels and on the cornice. Molding miter joints are perfect. Drawer construction follows Seymour's typical habits, with fine-gauge dovetails and bottoms beveled on the edges to fit into grooves in drawer sides and fronts. Glue blocking on drawer bottoms along front edges is of even size and evenly spaced. Glue blocks along the drawer sides are cut into short, regular segments from one continuous strip of pine, then butted, glued and cut off at an angle at the rear edge. Small interior and mid-case drawers require no glue blocking. The design of the cornice is particularly refined, with its central oval inlaid with curly satinwood and black stringing surround set into a stripe-figured mahogany ground, its upper molded frame in the form of a semi-oval, and elegantly shaped and molded finial support block above. The small turned roundels applied at terminations of the half -oval molding and on the leg blocks were employed frequently by Seymour in this period. They reflect English Regency designs he began employing at about this period, and which increasingly dominated his work from about 1808 to 1817. Seymour's use of lion-pattern hardware for the interior drawer pulls also follows Regency period preference. An interesting and perhaps unique feature is the hinged lid which slants downward when opened to enable easier writing. This is supported at both ends by lopers which also slant down and slide in slanted housings in the case. Seymour's penchant for constant experimentation resulted in enormous variation in his work. Except for sets and pairs, no two pieces it seems are alike. The Bryant secretary is no exception. Robert D. Mussey, Jr. Milton, Mass. Note: Please note that a copy of Robert Mussey's Furniture Examination Report is available for this piece, with endnotes. We would like to thank Mr. Mussey for his assistance in cataloguing this lot. Estimate $100,000-150,000 The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email (lot inquiry button) or by telephone to the appropriate gallery location (Boston/617.350.5400 or Marlborough/508.970.3000). Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Skinner Inc. shall have no responsibility for any error or omission.
Custom Figured Cherry Dining Furniture en Suitemid 20th century figured cherry with poplar secondary the suite consisting of a corner cupboard with broken arch pediment and inset paneled doors (90 x 40 x 16.5 in.); a sideboard in the Late Classical style with shaped backsplash and upper drawers supported by fully turned spiral columns (51.5 x 71 x 20 in.); (12) Late Classical style side chairs with upholstered seats (34 x 16 x 17.5 in.); a Late Classical style three-part banquet table the ''D'' ends each with shaped top and single drop-leaf the center table with two drop-leaves supported by spiral turned legs (30 x 46 x 159 in.; skirt height 25 in.).Chairs with some scuffing.The set was originally commissioned to be built by Dr. Herman Lee Donovan President of the University of Kentucky from 1941 to 1956 and was purchased from his estate by current consignors.
LOUIS XVI STYLE MAHOGANY TAMBOUR-DOOR STANDFrench Louis XVI style mahogany side table/ bedside cabinet, 20th c., shaped marble top, over a single drawer, tambour doors, opening to storage interior, rising on fluted tapered legs, ending in gilt metal caps, approx 29.75"h, 21.75"w, 16.5"d
VTG CHINESE GILT METAL MOUNTED BURL CABINET TABLEA vintage Chinese wooden end table cabinet mounted with gilt metal hardware with inlaid burl wood panels. Constructed with four drawers to top, center double hinged door recess and large drawer to bottom. Eachdrawer handle having a figural bat design. Measures approx. 24 1/4" height x 26 1/4" width x 16" depth (61.6cm x 66.7cm x 40.6cm).
Condition:
All lots are sold as is and where is. Elite Auctioneers, LLC provides condition reports upon request to aide in your bidding decision. No statement regarding age, condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this catalog or elsewhere, shall be construed to be an express or implied warranty, representation, or assumption of liability. All sales are final, Elite Auctioneers, LLC does not give refunds based on condition. Elite Auctioneers, LLC does not perform any shipping or packing services. We do have a list of suggested shippers who gladly provide quotes prior to your bidding. Please visit our webpage for a list of recommended shippers.
EXQUISITE FRENCH 9 PIECE CARPATHIAN ELM BURLWOOD DINING ROOM SUITE: This richly grained Carpathian Elm Burlwood Dining Suite comprises, A Stunning Single Door China Curio with carved crest and fret carved lattice over glass above a two door cabinet below opening to a spacious storage area with finished interior doors (71.5''h x 40'' x 17''; 1-Highly grained Dining Room Table with two 15'' w leaves ( table measures 96''l x 40.5''l with both leaves inserted). 1- 2 Door, 2 Drawer Carpathian Elm Sideboard; 6- Carved Slatback Dining Chairs. All elements of the spectacular suite with carved aprons and carved cabriole legs ending in ball and claw feet. From the mansion on Lake Hollingsworth, Lakeland FL.
MATCHED PAIR FORNASETTI STYLE END TABLES 1960A matched pair of Fornasetti style end tables having three drawers and one door circa 1960. Ht: 26" Wd: 28" Dpth: 15"
A MID 20TH CENTURY ROSEWOOD TROEDS ARILD SIDEBOARD by Nils Jonsson, with sliding doors at either end flanking four drawers in the middle all opening sycamore linings and standing on square section legs, together with a matching dining table and five Troeds Garmi rosewood bar back dining chairs (7)
Early Gentelman's Dresser w/ Side Cabinet & Mirror: Offered in this lot we have a bachelor chest with an end table and mirror. The pieces are constructed out of stained oak and shows brass fixtures. The base shows two large drawers with the end table showing two drawers and with a door leading in to a storage space. The top of the mirror shows a embossed floral pattern with some spoon carved engraving. The piece is in good condition and measures 45" wide by 78" tall by 20" deep. Condition For a complete representation of condition and for additional images please call 800-686-4216. It is the buyer’s responsibility to view each image and preview the item to determine condition.
JAPANESE ALTAR STYLE CREDENZA TABLE: Top with carved channel, scroll ends, over 3 drawers over 2 doors, shaped skirt. Measures 34 1/2'' h. x 61 3/4'' x 16''.CONDITION: Several scrapes and abrasions, other wear consistent with age and use.
A contemporary Ercol medium elm "Golden Dawn" freestanding corner cupboard partially enclosed by a quarter panelled door beneath two fixed shaped open shelves, a further "Golden Dawn" 3-tier tea trolley of rectangular form with moulded outline, a nest of three graduated occasional tables with pierced and shaped slab end supports, a music cabinet of pedestal form with hinged lid and glazed panelled door over a long drawer, and a 2-tier occasional table of rectangular form with turned baluster columns and frieze drawer to base with carved stop fluted detail (5)
PAIR OF JAPANESE TANSU END TABLES: Pair of Japanese Tansu side tables, having two doors over four drawers. Raised on slat feet. Approx. 25.5'' h x 24'' w x 13.5'' d.CONDITION: Gently used condition.
A PAIR FORNASETTI STYLE END TABLES C. 1960: A pair of Fornasetti style end tables having architectural renderings circa 1960. One having two drawers, the other having two doors. Ht: 22" Wd: 22" Dpth: 13"
Large Ming-Style Huanghuali Three-Drawer Coffer Table, Liansanchu, 19th Century
A two-board top set into a mitered, mortise and tenoned frame with separate everted ends, over shaped spandrels carved with entangled vines and leafy fronds flanking three drawers above a double door with removable stile bordered by two outer panels, all above a short apron carved with chilongs, with baitong mounts
height 34.3"
x
width 78.3"
height 87.0 cm
x
width 199.0 cm
depth 21.1" depth 53.5 cm
NINE-PIECE CHIPPENDALE-STYLE DINING ROOM SET. Probably American, mid 20th century, mahogany and figured veneer. Cabriole leg extension table with two self-stored leaves. 30"h, 39"w, 65"l, 109"l. (with leaves). Six pierced splat side chairs with slip seats in maroon velvet. 18"h. (seat), 39 1/2"h. (overall). Serpentine sideboard with detachable gallery, bank of drawers on end, shelved cabinets behind the other doors. 43"h., 94"l., 22 1/2"w. Matching two-piece breakfront with, glass shelves above and cabinets below. 72"h. 52 1/2"w., 19"d. Well constructed set: solid woods, inlaid edge on shelves and matched carved designs. Slight imperfections.
A Rare American Classical Inlaid Satinwood Astragal End Work Table c. 1815 attributed to Duncan Phyfe New York hinged lid enclosing an interior fitted with a writing panel looking glass and two demilune trays; the frieze faced as a drawer tambour door below reeded urn standard saber legs with waterleaf carving brass paw feet casters height 31 in. width 25 in. depth 12 1/2 in. Note: This rare example is part of a very small group of satinwood work tables related to the Phyfe workshop. Others include a table purchased from Phyfe in 1813 by Victor du Pont for his niece Victorine du Pont Bauduy for her marriage and now conserved by the Hagley Museum and Library Wilmington Delaware. A second table is conserved by the Metropolitan Museum of Art (acc. 1986.84.2). The table offered here is nearly identical to the Met example and shares dimensions and case details with the du Pont example. Reference: Kenny Brown Bretter and Thurlow. Duncan Phyfe: Master Cabinet Maker in New York. p. 122 fig. 151 and pp. 170-173 pl. 8-9.
French Louis XVI style mahogany side table/ bedside cabinet, 20th c., shaped marble top, over a single drawer, tambour doors, opening to storage interior, rising on fluted tapered legs, ending in gilt metal caps, approx 29.75"h, 21.75"w, 16.5"d
FRENCH EMPIRE MAHOGANY PIER TABLE, HAVING MARBLE TOP, E...French Empire Mahogany Pier Table, having marble top, ends having drawers and doors with metal figural form over ball feet, including lower mirror, 19th century, Egyptian faces, height 33 inches, top 19 1/2" x 27 1/2".
Condition:
All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
Pair Unusual & Rare Form Italian Pot End Tables.Great patina on this pair of marble top end tables. With 1 door over 1 small and 1 large drawers. From an East 83rd Street NYC estate. Dimensions: 17" wide x 18" x 43" high. Condition: Good, with small veneer losses, and cracks.
Condition: Good and sold as is.
PAIR OF CARVED ROSEWOOD CABINET END TABLES, Cathay Arts Co., Ltd., Hong Kong, last quarter of the 20th century, each a cube-form cabinet with a pair of relief-carved cabinet doors over single drawer, 22"H x 20"W x 20"D.
Louis XVI-Style Kingwood and Marble-Top Occasional Table, fourth quarter 19th century, the rectangular Breche Arlequino marble top within a three-quarter pierced brass gallery, above a case fitted with three small drawers, over a single cupboard door, all with inlaid panels, raised on paneled, tapering square legs ending in brass caps, h. 29-1/2", w. 17-1/2", d. 13-1/4".
11 PIECE INLAID MAHOGANY HEPPLEWHITE STYLE DINING ROOM SUITE. Set consists of round table with tapered square legs ending in brass castor feet. Inlaid skirt. Table comes with two skirted leaves and three other leaves. Additional center leg support and original wood holder for leaves. Eight side chairs, each fitted with fit in needlework seats having flower decoration on a blue background. High backs with pierced and carved splat, scrolled ear crest, tapering front legs with line inlay. Large serpentine sideboard with line and bellflower inlay. Three central drawers flanked by a bowfront door and single drawer. Shaped backsplash and decorative ring pull and urn hardware. Small serpentine front one drawer two tier serving table. Shaped and inlaid backsplash. Nice ring and urn decorated brasses. Bellflower inlay to the front tapering leg. SIZE: Table is 54” dia.; extended is 120”. Chairs are 43-3/4” h; seat h 19”. Sideboard is 47” at highest; 65” at widest; 25” d. Server is 42-1/2” at highest; 39-3/4” w x 21-1/2” at deepest. CONDITION: Set is in wonderful condition. Chairs show some scuffing to corner edges. 9-96366 (4,000-6,000)
Unusual Five-Piece Louis XVI-Style Gilt-Metal Bedroom Suite, early 20th century, consisting of a bed, dressing table and bench, and a pair of demi-lune bedside cabinets, the bed with a domed glass headboard with applied ormolu scrolling accents, the low footboard with elaborate scrolling patterns, h. 52", inside w. 55", l. 74", outside w. 60", l. 79", the dressing table with a beveled oval plate and side candleholders, the table with a glass-inset top above a single frieze drawer, raised on paneled square legs joined by a shaped X-form stretcher and ending in shaped foliate feet, h. 55", w. 35-1/2", d. 18", the circular bench raised on paneled square legs, h. 20-1/2", w. 15", d. 15", the demi-lune bedside cabinets each with an inset glass surface above a case fitted with a single drawer over a glazed cupboard door, raised on paneled square feet, h. 28", w. 19", d. 12-1/2", all with elaborate decorative floral and scrolling patterns.
AMERICAN CUPBOARD AND TABLE. One-piece pine corner cupboard ca. 1840. Beaded case with removed upper door and paneled door below. Stacked crown molding. And a 20th century tavern table, mixed woods. Distressed red and blue paint, single drawer and breadboard ends. Missing center stretcher. 30"h. 42"w. 26"d.
LATE GEORGE III LINE-INLAID SATINWOOD AND MAHOGANY WRITING TABLE The superstructure fitted with three long drawers flanked by cupboard doors, opening to three short drawers, surmounted by a serpentine gallery, above the fold-out cotton-lined writing surface with inkwell, above two short and three long fitted drawers, raised on square tapering legs, ending on spade feet. 49 x 36 1/2 x 18 in. Estimate $ 1,000-1,500
GROUPING OF OAK FURNITURE INCLUDING A CHEST OF DRAWERS, BARRISTER BOOKCASE AND SIDE TABLE a Mission style chest with two over three drawers and raised on bracket legs, a three tier barrister bookcase with glass doors and a square end table with molded edges and raised on straight molded legs with stretcher - Chest: h: 35.5 in. x w: 42 in. x d 21 in. Bookcase: h: 45.5 in. x w: 34 in. x d 11.5 in. Side table: h: 28 in x w: 18 in.
PAIR OF KOREAN SIDE CABINETS, end table size, each of select wood construction with etched brass mounts, the fronts having two small drawers over a pair of cabinet doors. Dimensions: 25.25"H x 24"W x 15.75"D.
1 Drawer and 1 Door End Table.
Hamilton Manufacturing Co. Doctor's Exam Table Hamilton Manufacturing Co. (American, founded 1880), circa 1930s-1950s. A walnut and walnut burl doctor's office examination table, having a black laminate top, with two sliding shelves, one to one end and to each side, one side with one cabinet, the other with two cabinets flanking three drawers, with three drawers to one end, mounted with metal stirrups, on four faceted and tapering feet Marked with metal label to interior cabinet door, serial number 9460-M6272. Approximate height 30.5", width 55.5", depth 20.75". From the Private Collection of Paul Pattek of Big Canoe, Georgia.
LOUIS XVI-STYLE KINGWOOD-INLAID TULIPWOOD TABLE EN CHIFFONIERE The crossbanded 1/4-veneered top above a drawer with brass pull and a pair of doors fitted with tooled leather book spines, on square, tapered legs ending in box sabots; 30 1/2 x 19 3/4 x 12 in.
9 pc BERKEY & GAY VICTORIAN ENGLISH OAK STYLE DINING SET: Expandable TABLE with draw leaf ends turned legs with stretcher 30''h. 62'' plus two 24'' leaves 39''w.; 6 CHAIRS with 2 being arm chairs single carved back slat with rabbit ear finials removable leather seats turned legs with stretcher arm chairs measure 39 1/2''h. x 29''w. x 21''d. side chairs measure 38''h. x 20'' x 20''; HUTCH with single blind door over 2 drawers on double arch base with stretcher one drawer with Berkey & Gay medallion the other with Paine Furniture Co. Boston Mass medallion 60''h. x 41 1/2''w. x 17''; SIDEBOARD with three carved front deep drawers triple arch base with stretcher 36 1/2'' x 72''w. x 22''d.
Vtg CHINESE GILT METAL MOUNTED BURL CABINET TABLE: A vintage Chinese wooden end table cabinet mounted with gilt metal hardware with inlaid burl wood panels. Constructed with four drawers to top, center double hinged door recess and large drawer to bottom. Eachdrawer handle having a figural bat design. Measures approx. 24 1/4" height x 26 1/4" width x 16" depth (61. 6cm x 66. 7cm x 40. 6cm). Condition All lots are sold as is and where is. Elite Auctioneers, LLC provides condition reports upon request to aide in your bidding decision. No statement regarding age, condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this catalog or elsewhere, shall be construed to be an express or implied warranty, representation, or assumption of liability. All sales are final, Elite Auctioneers, LLC does not give refunds based on condition. Elite Auctioneers, LLC does not perform any shipping or packing services. We do have a list of suggested shippers who gladly provide quotes prior to your bidding. Please visit our webpage for a list of recommended shippers.
SIX PIECE INLAID MARBLE TOP BEDROOM SUITE BY SLACK RASSNICK & CO., NYC. Set consists of: 1) Marble top two door chifrobe with fitted interior having hat box with door, three drawers over four open shelf drawers, two having sections. The doors with inlaid cross hatched top section and bottom panels with matched veneer design with rosewood veneers. The sides with similar panels and banded arrow inlay. All resting on four carved feet. Shaped marble top and having manufacturing plaque to back. SIZE: 55-1/2” h x 41” w x 23” d. 2) Three over two drawer serpentine front marble top inlaid chest. Similar inlays and matched veneers to chifrobe. Three drawers side by side over two large drawers. The bottom drawer having attached carved skirt and each fitted with ring handles. Shaped lavender and white mottled marble. SIZE: 37-3/4” h x 47-3/4” w x 20-3/4” d. 3) Marble top end table. Similar design having a single door with three faux drawer front. Set on casters. SIZE: 33-1/2” h x 17-1/2” w x 16-1/2” d. 4) & 5) Pair of single beds in D-shape with similar matched veneers and carved ribbon decoration. The footboard with acanthus leaf carving to legs and curtain swag carving. One bed has been altered to fit a metal frame, which is not present. Two rails for other bed are present. SIZE: 41-1/2” h x 36” w. 6) Wall mirror shaped with similar ribbon carving. SIZE: 40” h x 32-1/2” w. CONDITION: Generally very good. 9-27363
An American Classical Mahogany Mixing Table, c. 1830, attributed to Anthony Quervelle, the original Egyptian marble top above a shaped frieze drawer flanked by scrolled volute brackets, Gothic paneled door flanked by scrolled wings, beveled base ending in disc feet, height 38 in., width 30 in., depth 18 in. ]Note: A nearly identical example was sold in these rooms December 2nd, 2006, lot 306.
R. L. Schmidt, New Orleans, Twelve-Piece Neo-Renaissance Oak Dining Suite, ca. 1900, comprised of a dining table, with a carved edge fitted with a single matching skirted leaf, supported by a turned pedestal on four legs, each with carved lions' heads, fruit clusters and large paw feet, h. 30", w. 45", l. 60", extended l. 77", a china cabinet, with a shell- and foliate-carved frieze over a pair of glazed doors, flanked by fruit-carved pilasters, the returns with glazed panels, h. 79", w. 58", d. 22", a server, with a single carved drawer over a pair of open shelves, h. 40-1/4", w. 41", d. 22", a buffet, the back retaining the label "Better Made Furniture from R. L. Schmidt, 218 Royal St., New Orleans, La.", the backsplash with a scrolling broken arch centered by a carved fruit basket with cornucopiae-carved ends, the case with three projecting drawers over three doors, each door with applied ribbon and fruit carving on the panels, h. 57-1/2", w. 70-3/4", d. 24", a pair of open armchairs, h. 48", and six like sidechairs, each with a crest rail centered by a carved fruit basket and flanked by Northwind masks, now upholstered in ivory brocade, the whole set having descended en suite since in an uptown New Orleans family.
An American Classical Carved Mahogany Writing Table and Bookcase, c. 1835, attributed to Anthony Jenkins (wc. 1832-1857), Baltimore, flared, stepped cornice, molded frieze, leaf-carved mullioned doors, acanthus carved reeded stiles, paneled drawers with swirled pressed glass pulls; the desk with diamond beveled fitted writing drawer on tapered columnar legs topped by Ionic capitols, and ending in acanthus carved and lobed ball feet, height 87 1/2 in., width 48 in., depth 25 1/2 in. $6000/8000 Note: The shallow case, faceted drawer, and columnar supports with block and melon feet on the lower portion of this lot are nearly identical to those on a known mahogany writing table and bookcase signed A. Jenkins and exhibited by the Maryland Historical Society in 1993 and sold in these salesrooms as lot 395 on December 6, 2003. Reference: Weidman and Goldsborough. Classical Maryland 1815-1845@, p. 136, fig 166.
Italian Burlwood 1 Drawer and 1 Door End Table. From a Greenwich, CT estate. Dimensions: 29.5" x 24" x 15."
In the Manner of L. Marcotte & Co. New York Bedroom Suite New York late 19th century a three-piece bedroom suite in the manner the firm of L. Marcotte & Co. includes a bedstead in ebonized wood having ivory inlaid classical scenes and silvered bronze putti finials a linen press in ebonized rosewood with inlaid ivory rinceau and putti and doors with classical figures and trophies the interior doors on top lined in birdseye maple the lower doors enclosing shaped long drawers for linens and an armoire in ebonized wood with oak and maple secondary having three arched and mirrored doors lined in birdseye maple with ivory inlaid classical trophies of music and art on either end of the case. No signatures but in chalk on the back is ''guache'' for French ''left'' and in the interior of the armoire ''a droite'' for ''right''; bed ht. 66 wd. 55 dp. 83 in.; linen press ht. 81 wd. 57 dp. 25 in.; armoire ht. 94 wd. 20 dp. 102 in. Leon Marcotte born in France in 1824 studied at L'Ecole des Beaux Arts and trained as an architect under the leading neoclassical architect Henri LaBrouste. His sister married Parisian ébéniste Auguste-Emile Ringuet-LePrince who was well-known in the arena of master cabinetmaking having descended in a line of French ébénistes dating to the 18th century. Le Prince had a cadre of elite clientele both in Paris and in New York but became skittish when the 1848 French Revolution affected his Parisian customers. New York was more promising and Ringuet-Leprince and his brother-in-law Leon Marcotte moved to lower Broadway NY to establish a shop. Once there Ringuet-LePrince returned to France Marcotte attended to New York clientele. Initially the firm was called Maison Ringuet-Leprince then Ringuet-Leprince & L. Marcotte and finally L. Marcotte & Co.The business wore many hats as the 'decoration' of interiors was more involved the firm handled everything for clients from fabric to custom furniture. This group of three pieces was probably part of a larger bedroom suite of custom furniture. The firm of Ringuet-Leprince & L. Marcotte was commissioned to build a bedroom suite that consisted of a bedstead two side tables a dresser a linen press a chaise lounge two side chairs and two armoires. It could be argued that these pieces are in the Renaissance revival style one in which L. Marcotte & Co. excelled. The construction and attention to decorative detail demonstrates that the suite is that of a very fine New York firm.Gray Nina. ''Leon Marcotte: Cabinetmaker and Interior Decorator'' American Furniture 1994 pp. 49 2. ibid. pp. 51 3. ibid. pp. 63