A few examples of appraisal values for
C VINCENT WATERCOLOUR

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  REGINALD MARSH
  Gramophone.
  
  Watercolor and gouache, lithographic crayon and brush and black ink on cream wove paper, 1922. 400x520 mm; 15 3/4x20 1/2 inches. Signed and dated "3/22/22" in pencil, lower right recto. Crane & Co. with the date 1921 watermark. Ex-collection The Vincent Price Collection; Kennedy Galleries, New York; and SKT Galleries, New York, with the labels on the frame back.
  
  With a letter of authentication from Norman Sasowsky, Newark, DE, June 6, 1981.
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  Elaine Haxton (1900-1999) (Untitled) 1943 watercolour and pen signed and dated 'ELAINE 43.' lower left; 'TO DEAR PEG A VERY (sic) CHRISTMAS AND A HAPPY NEW YEAR LOVE ELAINE' inscribed under image 28 x 23.5cm Provenance: Vincent Wardell NSW Thence by Descent Private Collection NSW
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  Earle G. Barlow (American, 1923-2013), "Aloha Town", Marine Base, Hawaii, 1967, watercolor on paper, signed and dated lower left, 15" x 23". Prove: Earle G. Barlow (American, 1923-2013), "Aloha Town", Marine Base, Hawaii, 1967, watercolor on paper, signed and dated lower left, 15" x 23". Provenance: The Vincent Family Collection, Fairfield, Connecticut. Condition All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
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  Vincente Pimentel watercolor: Vincente Pimentel (French 1947- )- Untitled (Abstract)- watercolor on paper, signed V. Pimentel upper left, framed, very good condition. 77 x 8 1/2'' Provenance: G. R. N'Namdi Gallery, Detroit MI
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  Vincent G. Stiepevich (Russian/American, 1841-1910) Maiden at the well. Watercolor on paper, signed at the lower right edge, approx. sight size 20-1/4" x 13-1/2", matted and framed under non-glare glass overall approx. 31" x 24-1/4". Metal nameplate on lower part of the frame, finish aged.
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  VINCENT CAPRARO, WATERCOLORS Vincent Capraro (American, 1916-2016), four figure studies, watercolor on paper, each signed "Capraro", matted in one frame with metal artist's name plaque at bottom, largest: 3.75"h x 3"w (sight), 18"h x 16.5"w (frame)
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  19: FERNAND LEGER (1881-1955) WATERCOLOR AND INDIA INKFernand (Joseph Henri) Leger (1881-1955)Deux Portraits (1952)Many thanks to Comite Leger for the following information and comments: This gouache is a study for the illustration of 'Source entière' by the French poet Andre Frénaud (Seghers edition). Attached, 2 photos of the art book. If this work is presented to us, we could deliver a certificate and proceed to the inclusion in the catalogue raisonné on our website www.comiteleger.fr (free access) for works on paper period 1946-1955.The India ink drawing with watercolor and gouache relating to Arthur Rimbaud's book of poems, Les Illuminations is signed F.L. 52 lower right. Graphite inscription verso reads: 'original gouache executed by Fernand Leger in Paris and ceded [given over] by the artist to the undersigned October 14, 1952.' Ink stamp EDITIONS DES GAULES and stamp of the name LOUIS GROSCLAUDE above signature in graphite. The sheet is watermarked PERRIGOT ARCHES SPECIAL MBM FRANCE.In late 1947 Louis Grosclaude, a Swiss publisher based in Zurich, requested that Léger create fifteen illustrations for an edition of Arthur Rimbaud's book Les Illuminations. The project appealed to Léger; during the difficult times in the years following the end of the Second World War, it would enable the artist to open a Swiss bank account and deposit a substantial sum of money. A contract between Grosclaude and Leger was signed 28 January 1948. Léger completed the ink drawings with watercolor and gouache by the end of the year. In addition to the designs that Léger sent to Grosclaude for Les Illuminations, he sold the publisher many watercolors that were ostensibly related to them. Grosclaude stamped these works he acquired on the reverse with his name. The receipt of purchase from 1967 for this work on paper from Sears Roebuck Company, The Vincent Price Collection, is included.Sheet measures 22 x 30 with a framed size of 31.5 x 39.5 inches.Good to very good condition, minor edge chips, minor foxing lower areas, scattered light soiling, no damage, puncture, tear or repair, not laid down, pictured here outside the frame.Provenance: A Kansas City estate. This work is listed on appraisals back to 1977. A receipt from Sears, Roebuck and Company The Vincent Price Collection dated 2/16/67 is included.
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  Florence Vincent Robinson (attributed to) New York (1874-1937) OLD BRIDGE HEIDELBERG watercolor, framed, unsignedsight size: H10" W16"
  
  Good overall condition. Adhered on back edges with tape. Signed & located: verso, F. Robinson, Paris.
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  Madeline Wells (British, 20th Century)
  View of Cordova.
  Unsigned, inscribed "Cordova, Madeline Wells," possibly in the artist's hand, on the
  reverse, identified on labels from the Vincent Price Collection affixed to the reverse. Watercolor and whiting on paper, sight size 19 1/4 x 25 in., framed.
  Condition: Toning, subtle rippling.
  
  Out of the frame the sheet measures 22 x 30 1/8 in. There is toning, rippling, and small nicks/losses to the extreme edges (not visible when framed).
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  ESTEBAN VINCENTE, ETC (American, 1903-2001); Abstract lithograph, "East End", signed, titled and numbered 70/90; Together with Alejandro Leal (Mexican, 20th c), graphite and watercolor on paper of nude figure; Jose Neto (Brazilian, 1932-2006), etching of nude figures, 1997, signed, dated and numbered 3/15; Offset lithograph dinner invitation by Arnold Roth, 2007; (All framed); Largest: 38" x 27" Condition Report:
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  Vincent Clare 1855-1930- Still life of fruit on a mossy bank; watercolour, signed, inscribed verso, 15x23.2cm., (unframed)
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  NELSON'S COLUMN - plaster maquette (6x5cms. approx.) by William Frederick Woodington, A.R.A. (1806 - 1893), sculptor & artist; produced as a model for his commission to provide one of the bronze panels (the Battle of the Nile) for the Column plinth, depicting the wounded Admiral receiving attention below deck on his flagship Vanguard. The sculptor may have completed the Cape St. Vincent panel, following the death of Musgrave Watson in 1847; the panels being produced from 1849 following the Column's completion in 1843. * sold with a mounted photo. (8x5ins.) of the sculptor in middle age, a small watercolour sketch (from his home in Walworth), a copy of his death certificate, and a personal note from his friend the Pre-Raphaelite sculptor Thomas Woolner, giving the hoped- for news of his election to the Royal Academy. Also present is a second maquette - depicting the Trafalgar Death - with the 'England Expects' quotation beneath & copyright date 1898 (?), possibly by his son (of the same name)
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  JEAN B. CHEVILIARD WATERCOLOR OF ALTAR BOYVincent Jean Baptiste Cheviliard (French, 1841-1904) watercolor on paper painting of an altar boy. Matted and framed under glass in a narrow giltwood frame. Signed in bottom left "V. Cheviliard", inscription en verso "Vincent Jean Baptiste Cheviliard, 1841-1904 French". Matted and framed under glass in a narrow giltwood frame. Sight - 7 3/4" H x 5 3/4" W, Framed - 14" x 12". Mid to late 19th century. Condition: Overall very good condition with toning of paper due to age and minimal losses to frame.
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  Vincent D'Agostino (American, 1898-1981), "The City"; watercolor; 19" x 23 1/2"; signed, titled, and dated 1930 verso. Born in Chicago, D'Agostino studied at the Art Institute of Chicago and also with George Bellows and Charles Hawthorne. He was also a WPA artist and was a professor of art at Woodbury college, California from 1949 to 1954.
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  George Vincent Cole 1833-1893- Cattle watering by a stream; watercolour signed and dated 1876, 47x65cm: Henry Edward Bearne exh 1880-1901- Children fishing by a mill; watercolour, signed and dated 1866, 20x50cm., (2)
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  (MARINE) Five books. 1) Wilmerding, J., Paintings by Fitz Hugh LaneNational Gallery of Art, Washington, D.C., (1988).. Wraps. 2) Mariner's Museum and Anthony Peluso, The Bard Brothers.... (1997). Cloth. DJ. 3) Grassby, R.B., Ship, Sea & Sky: The Marine Art of James Edward Buttersworth. (1994). Cloth. Dj. 4) Leek, Michael E., The Art of Nautical Illustration. Wellfleet, (1991). 5) Vincent, Adrian, 19th Century Maritime Watercolours. (1989). Cloth. Dj.
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  C. Vincent - watercolour, Littlehampton Beach looking west, 10 x 16in.
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  James Cook (1904-1960) (Untitled) watercolour 31 x 38.5cm Provenance: Vincent Wardell NSW Thence by Descent Private Collection NSW
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  ROMAIN DE TIRTOFF ERTÉ
  Costume Design for Tosca.
  
  Watercolor, gouache and ink, circa 1920. 370x192 mm; 14 1/2x7 1/2 inches. Signed in ink, lower right recto. Annotated in ink, verso. Ex-collection Vincent Price Gallery, Sears, with the label on the frame back.
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  VINCENT NESBERT (POLISH/AMERICAN, 1898 - 1976), 20TH C. WATERCOLOR, DEPICTS TWO MALE MODELS, ONE SEATED, ONE STANDING, SIGNED LR, LO...Vincent Nesbert (Polish/American, 1898 - 1976), 20th C. watercolor, depicts two male models, one seated, one standing, signed LR, loose, condition consistent with age including toning, foxing, and light wear to edges, sheet: 24" h. x 18" w.
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  FRAMED SILK EMBROIDERY AND WATERCOLOR, TELEMACHUS AND M...Framed Silk Embroidery and Watercolor, Telemachus and Mentor in the Island of Calypso, Calypso takes mentor aside to speak with him, 19th century. sight size: 12 1/2" x 14". Provenance: The Vincent Family Collection, Fairfield, Connecticut. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
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  Ebenezer Wake Cook (1844-1926) Wordsworth Walk Rydal Water watercolour signed 'E. Wake Cook' lower left titled verso 30 x 45.5cm Proceeds of this lot will be donated to the St Vincent de Paul Society Bush Fire Appeal.
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  MEL VINCENT WATERCOLOR ON PAPERMEL VINCENT (Eugene, Oregon, 20th century) watercolor on paper, "North Jetty Clamming." Signed lower right and dated 1972, titled verso, 20" x 28" (image), 27.5" x 35.5" (frame).
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  Attributed to Clarkson Frederick Stanfield (British, 1793-1867)
  Roghe Bayard, on the Meuse
  Unsigned, identified in a later inscription and label from the Vincent Price
  Collection on the reverse.
  Ink and wash with watercolor and gouache on paper, sight size 10 7/8 x 15 in., framed.
  Condition: Laid down, toning, subtle rippling, foxing.
  
  The work is laid down onto a sheet of paper which is mounted onto the backing mat.
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  A EADES (19th Century)'H. M. S. St. Vincent 1815', signed and dated 1896 lower right and titled below, pen, ink and watercolour, 11 1/2" x 17 1/2"
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  CHEVILLIARD, Vincent. Watercolor. "A Rare Find" Signed lower left, plaque with titled on frame. Vincent Jean Baptiste Chevilliard (French, 1841 - 1904). From a Riverdale, NY estate. - Dimensions: Sight - 9.5" high x 7" wide.
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  Watercolor on paper portrait of a Native American: Watercolor on paper portrait of a Native American Indian, inscribed Zacharie Vincent Second Chief Telariolin (1815-1886), purportedly the last pure blooded Huron Indian, 10 1/4" x 6 1/4". Condition Glued down to cardboard, some loss to paper in lower right corner.
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  Vincent Esposito (Maltese, d. 1920) "Italian Harbor Scene", watercolor on paper, 11" x 19", signed lower left "Esposito". Glazed and presented in a giltwood frame.
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  Florence Robinson (NY, MA, 1874-1937) 2-sided watercolor on paper: ARTIST: Florence Vincent Robinson (New York, Massachusetts, 1874 - 1937). NAME: Landscape with Windmill. MEDIUM: watercolor on paper. CONDITION: Excellent. Some age toning. Framed under glass. Some wear to frame. SIGHT SIZE: 15 x 11 inches / 38 x 28 cm. FRAME SIZE: 22 x 19 inches / 54 x 47 cm. SIGNED: lower right. SKU#: 112847. WARRANTY: 7 days returns accepted if item doesn't match description. US Shipping $42 + insurance. ADDITIONAL HIGH-RESOLUTION PHOTOS.
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  (i) Sir William Orpen British, 1878-1931 Bearded Man in Antique Costume Signed Orpen (lr) Charcoal on paper Sight 14 x 11 inches Provenance: Vincent Price Collection (ii) George Richmond British, 1809-1896 Portrait of Mrs. Charles Cholmondely, 1826 Signed Geo. Richmond and dated indistinctly Aug.? 1826 (ll) Watercolor and pencil heightened with white on paper 11 7/8 x 8 3/4 inches Provenance: Sandorval & Co., Inc., New York (iii) William Strutt British, 1826-1915 Study of Lions, 1900 Signed William Strutt, dated and inscribed indistinctly ...Dec. 18th 1900 (ll) and inscribed Primal (lc) Pencil on paper Sight 6 1/2 x 9 3/4 inches (iv) Attributed to William Etty Head of a Man Pastel on paper Sight 22 x 16 inches
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  Battle of St. Vincent, Britain vs. Spain, depicting daring of Sir John Jervis serving under Lord Nelson; hand touched engraving with watercolor and gilt accents. 23" x 34 1/2". Foxing overall.
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  Rolland Harve Golden (American b. 1931) ''Bass Player '' 1965 watercolor 25.25'' x 19.5'' signed and dated lower right Vincent Price Collection label on verso framed
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  SCHAFER, Henri. Watercolor on Paper. "St. Vincent,Rouen, France." Signed and titled lower left. Henri Schäfer, French, 1833-1916. From an East 85th Street NYC estate. Dimensions: Sight - 17.25" high x 13.5" wide. Condition: Good, not examined out of frame.
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  112. Abram August Shampanier (American, 1899 - 1960)
  
  Seated nude woman. Watercolor and ink on paper, signed and dated "Shampanier 1928" on the upper left corner. Matted and framed under glass. Image measures approx. 16-1/4" x 11-1/2", framed overall approx. 21" x 16-1/2". Abram August Shampanier received his training in art at the Art Students League of New York. Working under Frank Vincent DuMond, Kenneth Hayes Miller, F. Louis Mora, George B. Bridgeman, Ernest Blumenschein, and Guy Rose. Most of his career Shampanier spent in New York, and was associated with such artists as Peggy Bacon, Alexander Brook, Paul Fini, Eugene Speicher, Henry Mattson, and Yasuo Kuniyoshi. He worked extensively as a muralist in the New York city area; however, portraits and different techniques of painting were his strong suits.
  
  150/250 Sold: $149.50
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  Bert Flugelman (born 1923) (Untitled) 1955 watercolour signed and dated 'H. Flugelman 1955' lower right 25 x 34cm Provenance: Vincent Wardell NSW Thence by Descent Private Collection NSW
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  FERNAND LEGER (1881-1955) WATERCOLOR AND INDIA INKFernand (Joseph Henri) Leger (1881-1955)Deux Portraits (1952)Many thanks to Comite Leger for the following information and comments: This gouache is a study for the illustration of 'Source entière' by the French poet Andre Frénaud (Seghers edition). Attached, 2 photos of the art book. If this work is presented to us, we could deliver a certificate and proceed to the inclusion in the catalogue raisonné on our website www.comiteleger.fr (free access) for works on paper period 1946-1955.The India ink drawing with watercolor and gouache relating to Arthur Rimbaud's book of poems, Les Illuminations is signed F.L. 52 lower right. Graphite inscription verso reads: 'original gouache executed by Fernand Leger in Paris and ceded [given over] by the artist to the undersigned October 14, 1952.' Ink stamp EDITIONS DES GAULES and stamp of the name LOUIS GROSCLAUDE above signature in graphite. The sheet is watermarked PERRIGOT ARCHES SPECIAL MBM FRANCE.In late 1947 Louis Grosclaude, a Swiss publisher based in Zurich, requested that Léger create fifteen illustrations for an edition of Arthur Rimbaud's book Les Illuminations. The project appealed to Léger; during the difficult times in the years following the end of the Second World War, it would enable the artist to open a Swiss bank account and deposit a substantial sum of money. A contract between Grosclaude and Leger was signed 28 January 1948. Léger completed the ink drawings with watercolor and gouache by the end of the year. In addition to the designs that Léger sent to Grosclaude for Les Illuminations, he sold the publisher many watercolors that were ostensibly related to them. Grosclaude stamped these works he acquired on the reverse with his name. The receipt of purchase from 1967 for this work on paper from Sears Roebuck Company, The Vincent Price Collection, is included.Sheet measures 22 x 30 with a framed size of 31.5 x 39.5 inches.Good to very good condition, minor edge chips, minor foxing lower areas, scattered light soiling, no damage, puncture, tear or repair, not laid down, pictured here outside the frame.Provenance: A Kansas City estate. This work is listed on appraisals back to 1977. A receipt from Sears, Roebuck and Company The Vincent Price Collection dated 2/16/67 is included.
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  Framed Silk Embroidery and Watercolor, Telemachus and Mentor in the Island of Calypso, Calypso takes mentor aside to speak with him, 19th century. sig: Framed Silk Embroidery and Watercolor, Telemachus and Mentor in the Island of Calypso, Calypso takes mentor aside to speak with him, 19th century. sight size: 12 1/2" x 14". Provenance: The Vincent Family Collection, Fairfield, Connecticut. Condition All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
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  HENRIETTE-ANTOINETTE VINCENT (1786-1830): BOWL OF FRUIT Watercolor on parchment, signed 'Mme. Vincent' lower left. 13 x 16 in., 15 3/4 x 18 1/2 in. (frame). Estimate $ 1,500-2,500
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  George Molnar (1910-1998) (Untitled) watercolour a Molnar newspaper cartoon from 26 August 1951 (almost identical to the watercolour on the recto) with the caption 'Charlie found a sure way to beat the books' and inscribed 'BETTY KENDALL MARGARET LORD BILL KENDELL / PALM BEACH' in pen underneath on verso 21.5 x 21cm Provenance: Vincent Wardell NSW Thence by Descent Private Collection NSW Note: Margaret Lord mentioned on the verso was Vincent Wardell's second wife.
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  Margaret Olley (1923-2011) After Fire Banora Point 1960 watercolour signed 'M. Olley 60.' lower right 44 x 54.5cm Provenance: Vincent Wardell NSW Thence by Descent Private Collection NSW
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  (JUVENILE DRAMA.) Cruikshank, Robert. Portfolio of fine original watercolor drawings. 25 finished ink and watercolor drawings for juvenile drama portrait sheets, signed or monogrammed in ink or pencil below, many captioned (5 images together with matching hand-colored engraved plates). Approximately 9x7 1/2 inches each sheet size; 20 in mounts, various light soiling primarily at edges, one image foxed. London, 1830'sFine collection of original watercolor drawings intended to serve as models for juvenile drama portraits at the peak of the genre's popularity. All similar in style, the drawings appear to have been created for the use of John Fairburn, a successful printer of theatrical scenes in the 1830's. Three of the present matching engravings were published by Fairburn, while two others bear the imprint of William Spencer Johnson, a publisher known to have issued later strikes of Fairburn's plates. Toy Theater was an established English child's amusement since the early 1800's; however, popularity increased significantly when the talents of more accomplished artists such as George and Robert Cruikshank became involved in creating the portraits of contemporary actors and actresses in their prominent roles. The present series of drawings by Robert Cruikshank are finely done, portraying almost identifiable likenesses of the thespians exuberantly engaged in the detailed costumes of their stage roles. Some of the notable portraits included here: Mr. Kean as Richard III, Mr. Farley as Grindoff in the Miller & His Men, Mr. Edwin, as the Prince of China in the Bronze Horse, Mr. O Smith as Mammon in the Devils Ducat, Miss Huddart as Joan of Arc, Miss Louisa Pyne as Don Juan, Mr. Butler as Walder the Avenger, Mr. Ducrow & His Favorite Pegasus Dancing the Persian Minuet in Charlemagne, Mr. C Hill as Saint Bernard in the Avenger, Miss Vincent as Prince Aladdin and Miss H Lewis as Ann Jane Thornton the Female Sailor.
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  H. Fletcher (British, 19th/20th century) Seven scenes with naval vessels: two signed lower right "H. Fletcher", "Defeat of the Spanish Fleet Under DeLarigara by Adm. Rooney Off Cape St. Vincent 1780", 5-3/8 x 7-3/4 in.; "Arethusa and Belle Poule 1778", 9-1/8 x 10-1/2 in.; five unsigned, "Two Vessels on Calm Seas", 8 x 14 in., not laid down; "Three Vessels on Rough Seas", 8-1/8 x 13-1/2 in., not laid down; "The Battle of Barfleur 19 May 1692", 7-3/4 x 10-7/8 in.; "The Foudroyant 84 Guns Nelsons Flagship 1799", 8-3/4 x 6-1/4 in.; "Close Hauled in a Stiff Breeze", 10-5/8 x 12-7/8 in., watercolor in grisaille on paper, unframed,
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  Vincent Blatter (Italian, 1843-1913) Mountain lake. Watercolor on paper, signed at the lower right, mounted down and framed under glass, the sight size approx. 11-1/2" x 18", framed in a gilt frame overall approx. 15-3/4" x 22".
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  [Australian Watercolour Painting]. Campbell. Jean. Australian Watercolour Painters 1780 to the Present Day. quarto. preliminary foxing. col & b/w ills. opb marked. illus d/w. Craftsman House. 1989. with Australian Watercolour Institute 75th Anniversary 1923-1998. quarto. col plates. opb. illus d/w. Beagle Press. 1998. with Clemente. C. Australian Watercolours 1802-1926 in the Collection of the National Gallery of Victoria. quarto. col & b/w ills. softcover. NGV. 1991. with Fink. E. The Art of Blamire Young. square quarto. preliminary foxing. col plates. opb. illus d/w. Golden Press. 1983. with The Art of Blamire Young. quarto. Special Number of Art in Australia. 35 tipped in col plates including one at frontis. one b/w plate of a photograph depicting the artist. dpb. cloth spine. Ure Smith. 1921. well used. with Ure Smith. S. and Stevens. B. ed. The Art of J. J. Hilder. quarto. 29 tipped in col plates including frontis. six small tipped in colour plates illustrating Dorothea Mackellar's My Country plus one as title image. dpb. cloth spine. Angus & Robertson. 1918. well used. with Mackellar. D. My Country. quarto. col plates by J. J. Hilder. opb. foxed. illus d/w. Greenhouse Publications. 1985. with Hilder. B. The Heritage of J. J. Hilder. quarto. ex Sydney Technical College Library. liberal use of cancellation stamp in interior. foreword by Lloyd Rees. 30 tipped in col plates including frontis. ocb. Ure Smith. 1966. well used. with J. J. Hilder and Contemporaries: Watercolours from the Permanent Collection of the Art Gallery of New South Wales. quarto. b/w ills. softcover. AGNSW. 1981. with Jesse Jewhurst Hilder Anniversary Exhibition. quarto. col plates. softcover. QAG. 1966. well used. with Perry. P. Sinclair. B. R. W. Sturgess: Watercolourist 1892-1932. oblong quarto. no. 866 of 1 500 numbered copies. col plates. ocb. illus d/w in modern protective cover. Castlemaine Art Gallery & Historical Museum. 1986. with Bate. W. Here's to Grandpa: The Watercolours 1900-1940 of C. A. Wilson. quarto. col & b/w ills. softcover. Royal Historical Society of Victoria. 1995. with Bloomfield. L. ed. Vincent Brown: Life and Work. quarto. col & b/w plates. ocb. illus d/w worn. Odana Editions. 1980. with Vincent Brown: An Early Brisbane Modernist. quarto. col & b/w ills. softcover. QAG. 1990. with Macqueen. K. Adventure in Watercolour. quarto. no. 451 of 1100 numbered copies. signed by the artist .17 tipped in colour plates. tipped in photographic portrait of the artist. preliminaries foxed. dpb. illus d/w and mylar d/w torn at edges. some internal foxing and discolouration. The Legend Press. n.d. (15) Provenance: The Art Library of the Late Peter Wood AO Toowoomba
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  VINCENT CLARE (1855-1925)
  Still Lifes of
  Blossoms and Fruit
  signed ' Vincent Clare'
  watercolour
  4 1/2 x 6 1/4 in (11.4 x 15.8 cm)
  a set of four (4)
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  C. Vincent - a set of three watercolours, two views of Bosham harbour and the Windmill Inn, and another, unsigned, probably C. Vincent
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  Vincent Lines (1909-1968), Bramshill, watercolour, signed and dated 1943, 34cm x 46cm.
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  Vincente S. Manansala (Filipino, 1910-1981), "Marikina Valley", 1967, watercolor on paper depicting mountainous landscape around notoriously active fault line, soft green and black palette with yellow accents, pen inscribed "To Jack from Manansala, 67" LR corner, typed label giving description and 1990 retail price of $500 adhered verso, slight paper wrinkling, matted and framed behind glass, not examined out of frame, approximately ss: 11 1/2" h. x 15 1/2" w. [Deaccessioned from a Connecticut Museum]
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  Anton Mauve (Netherlands, 1838 - 1888): Anton Mauve (Netherlands, Holland, 1838 - 1888) Painting of a windmill in a landscape on an overcast day. Signed lower left. Oil on board. Provenance: private Oklahoma City collection. Anthonij (Anton) Rudolf Mauve was a Dutch realist painter who was a leading member of the Hague School. He was a very significant early influence on his cousin-in-law Vincent van Gogh. Mauve was married to Vincent Van Gogh's cousin Ari?tte (Jet) Sophia Jeannette Carbentus and was a major influence on Van Gogh. He is mentioned directly in 152 of Vincent's surviving letters. Vincent spent three weeks at Mauve's studio at the end of 1881, and during that time he made his first experiments in painting under Mauve's tutelage, first in oils and then early the next year in watercolour (previously he had concentrated on drawing). Mauve continued to encourage him and lent him money to rent and furnish a studio but later grew cold towards him and did not return a number of letters. Sight Size: 7. 5 x 9. 5 in. Overall Size: 13 x 15 in. Condition * By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via wire transfer or cashier’s check, no other forms of payment will be accepted. - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through 6 online platforms and shipping can become backlogged. - All sales are final; no refunds will be given under any circumstances. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client, and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail. com
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  VINCENT ANDREW HARTGEN (American, 1914-2003) COASTAL SPRAY IN WINTER. Watercolor scene shows a wave crashing over rocks partially covered with snow. Signed lower right “Vincent A. Hartgen”. Housed in a weathered gray wood frame with triple mattes. SIGHT SIZE: 13-1/2” x 19”. CONDITION: Very good. 9-72246 ($1,000.00-$2,000.00)