A few examples of appraisal values for
WARNING

• TWO JAPANESE WOODCUT BOOKS ON THE
  TWO JAPANESE WOODCUT BOOKS ON THE OPIUM WAR Fuku Mineta, 1817-1883, author; KAIGAI SHINWA, and KAIGAI SHINWA SHUI, "New Stories from Overseas" and the "Supplement," each title illustrated by Utagawa Sadahide, 1807-1873 (Edo: both about 1849) Each in five volumes, 10 1/8 x 7 in., in traditional Japanese fukurotoji bindings, with red sale ban notice inside the front cover of each vol. I. The first title with straw-colored embossed covers and white printed title labels, with illustrations primarily in black and gray. The second title with printed straw and white lines on the covers, gray title labels, containing illustrations in black with gray or blue secondary. The author was jailed then banished for illegal publication of the book, which gave a detailed history of the English war with China, warning readers of the dangers posed by foreigners. Evidently, he was a bit too curious about foreign technology and customs for the censors.
• THREE CARVED WOOD SANTOS
  THREE CARVED WOOD SANTOS FIGURESThree carved wood santos figures, 18th/19th century Each appears unmarked Three polychrome carved and painted wooden santos figures in various poses, including a travelling figure with a dog, confronting a protective angel proclaiming: "Eres en Peste / Patrono Vous" [likely warning he has sickness or plague], all on a pedestal, as well as an articulated mounted armed Conquistador-style figure trampling a similar articulated figure underfoot, and a second articulated mounted Conquistador-style figure with drawn sword, with a painted "A" to horse's flank, 3 pieces Dimensions: Largest: 22" H x 8" W x 16.75" D; Smallest: 18.5" H x 7" W x 15" D approximately Provenance: Private Collection, Southern California
• BRASS MODEL OF THE BELL ROCK
  BRASS MODEL OF THE BELL ROCK LIGHTHOUSE CIRCA 1900 on a rectangular base, unmarked24.2cm high, 10.8cm wide, 16.5cm deepProvenance: Stevenson CollectionThe Bell Rock lighthouse, engineered by Robert Stevenson, was built between 1807 and 1810. The masonry work was to such a high standard that it has not been replaced for over 200 years. It lies in a treacherous stretch of the North Sea, twelve miles east of Dundee. The lighthouse was built on a rock known as the Bell Rock (or Inchcape). According to legend the rock got its name because, in the 14th century, the Abbot of Arbroath had a warning bell installed on the rock, which floating debris, the winds and the sea would act upon to toll the bell and warn mariners of this approaching danger. Soon after installation the bell was carried off by Dutch pirates. The lighthouse had the first revolving light in Scotland. It was de-manned in 1988 and from then it has been remotely monitored from the Northern Lighthouse Board headquarters at 84 George Street, Edinburgh. It is still an active lighthouse today. Because of the engineering challenges that were overcome to build the lighthouse, it has been described as one of the Seven Wonders of the Industrial World.
• MARIO
  MARIO SANCHEZ(Cuban-American/Florida, 1908-2005) Storm Warning, signed lower right "Mario Sanchez", carved and painted wood, 16-1/4 x 23-3/4 in.; integral plywood frame, 17-1/4 x 24-3/4 x 1-3/4 in.; together with custom made wood carrying case, 18-3/4 x 26-1/2 x 4 in. Note: Mario Sanchez was a Cuban-American folk artist from the Key West cigar-making neighborhood known as "Gato's Village". Self-taught, Sanchez began working artistically in 1930 on media like paper bags and cedar wood boards. His sketches and intaglio works project a unique vision that is playful, nostalgic and rooted to the experience of community, especially in Key West and Tampa, Florida. Sanchez received one-man exhibitions in major museums including New York's American Folk Art Museum, The Museum of the City of New York, Bacardi Museum, and Cuba's National Museum of Fine Art. He has work in the collections of the Smithsonian, The Whitney, and The American Folk Art Museums as well as many private collections in Florida and across the country. Condition: crisp multi-dimensional carving with varied surface finishes and textures, a number of drip spots in sky, some abrasions and surface dirt; frame separating at corners; carrying case with abrasions
• GRAHAM SUTHERLAND (ENGLISH,
  GRAHAM SUTHERLAND (ENGLISH, 1903-1980). Etching. "Warning Camp". Signed lower right. Frederick Keppel & Co. label affixed verso. From a Connecticut collection. Dimensions: Sight: 5.5" high x 6.5" wide Condition: Framed behind glass, not examined out of frame. Good.
• 2019 TOYOTA CAMRY XLE VIN:
  2019 TOYOTA CAMRY XLE VIN: 4T1B11HK8KU755485 Mileage: 10k With a 2.4 liter inline four cylinder engine with front wheel drive, and an eight speed automatic transmission. It features driving modes, a start/stop feature, and automatic parking brake. Exterior in Graphite Metallic, and the interior in two tone leather in Ash and Gray. Features include Apple Carplay and wifi hotspot, forward-collision warning, lane-keeping assist, and adaptive cruise control, automatic climate control, blind-spot monitoring, rear cross-traffic alert, and passive keyless entry. The car is equipped with power adjustable heated front seats, and does not have a sunroof. Please note, bidders may be subject to a bidding limit. Please review your account and contact the front office for assistance with increasing a bid limit prior to the auction. This lot subject to reserve. For this lot, payment accepted only by wire transfer. 15% buyer's premium for LLA live-online and absentee bidding. 20% buyer's premium for live internet bidding through Live Auctioneers. For winning bidders in NC, license plate and titling of vehicle will be obtained by Leland Little Auctions NCFL# 7452, provided all applicable fees and taxes are paid. Additional taxes may be due upon registration, depending on your state of residence.
• 2006 HONDA ACCORD This Honda Accord
  2006 HONDA ACCORD This Honda Accord is a reliable daily driver. Up front is a reliable 3.0L V6 engine mated to a sturdy 5 speed automatic transmission. The combination gets a respectable 25 mpg while putting power down to the front wheels. Inside is a beige leather interior with amenities like sattelite navigation, voice commands, power/heated front seats, and wood grain trim. No dashboard warning lights are present and there are no known mechanical or electrical issues present. This is a great candidate for a first car. Mileage: 249,646 VIN:1HGCM66886AO12659
• UNFRAMED FRAKTUR VORSCHRIFFTca.
  UNFRAMED FRAKTUR VORSCHRIFFTca. first quarter 19th century; ink and watercolor on screen laid paper, vorschrifft type with upper portion German script written instruction warning of faith, watercolor textbox and two angels holding a wreath with single flower, upper corners with flowering tulips, odd lower quarter of textbox with fine English cursive letter and numbers by unattributed artist, 7 3/4"x 12 1/2"; Condition: staining of faces of angels, fold creasing & some separation
• (3) Christopher Pardell Legends
  (3) Christopher Pardell Legends Native American mixed media sculptures, with COA, c/o 1988 "Red Cloud's Coup" 494/750 (10-1/2" h, missing staff), 1990 "Warning" 139/2500 (7-1/2" h), 1991 "Triumphant" 105/750 (12-1/2" h, staff needs repair)
• A ca. 1940 Fougasse (C. Kenneth
  A ca. 1940 Fougasse (C. Kenneth Bird 1887-1965) print, 'Careless Talk Cost Lives', printed for HMSO (His ( or Her) Majesty's Stationery Office). Cyril Kenneth Bird CBE, known by the pen name Fougasse, was a British cartoonist. He was perhaps best known for his work in Punch magazine and his World War II warning propaganda posters; "Careless talk costs lives" was one of the most popular. Overall 15” x 11” Condition: Mat burn CT Transfer Fee $10
• EIGHT WORLD WAR II-ERA PROPAGANDA
  EIGHT WORLD WAR II-ERA PROPAGANDA POSTERS 1940S LARGEST 40” X 28.5”. UNFRAMED.EIGHT WORLD WAR II-ERA PROPAGANDA POSTERS, 1940s, Includes "Fire Away!", "Men Working Together", "Warning from the FBI", "Stop Him!", "Your Government Warns Prepare for Winter Now!", "Bundles for Berlin", "Waiting Buy Victory Bonds" and "Having Seen the Quality of the Work" Roosevelt statement about American weapon production. Dimensions: Largest 40" x 28.5". Unframed.
• JAMES WOODFILL / FREIGHT HOUSE
  JAMES WOODFILL / FREIGHT HOUSE PROTOTYPE (1997)James Woodfill (American, 20th/21st c.) Signal Series prototype for Freight House, circa 1997 Mixed media sculpture with motor and flashing bulbs 78" x 40" x 24" A steel framework with a five by five grid of flashing light bulbs, combined with an auditory component. The multi-sensory prototype was imagined as part of Woodfill's monumental light sculpture designs renovating Kansas City's historic Freight House. The Freight House, a notable former railroad building, was transformed in the latter half of the 1990s into facilities for Jack Stack Barbeque, Lidia's, and Grunauer. Woodfill's Signals are a uniquely varied category of his mechanical works that incorporate light and sound elements. "Woodfill's eccentric light bulb sculptures give off a scratchy ersatz Latin beat, a great deal of ozone, and some of the most odd reaching and grasping of any mechanical contrivances this reviewer has yet seen... Some pieces whirr through the air on long cords, propelled by fans, others boast rows of blinking colored lights which hypnotize like warning signs at the edge of the highway. Somehow, among all this noisy, low-tech sparking, Woodfill had hit upon a combination that pushes the buttons of some of our profoundest human emotions: our childish fascination with things that move and blink with our fear of the automaton and the living dead" (Peter Von Ziegesar, New Art Examiner, 1992). Literature for this work : Thorson, Alice. "Let There Be More Light," Kansas City Star, June 30, 1997. (Photographed) Condition Good condition. Fully working order, including all visual and auditory components. Some oxidation and abrasions to the steel face. The front of the base is bent.
• SHELF LOT COMPRISING (2) MAD
  SHELF LOT COMPRISING (2) MAD MAGAZINES (THE NOSTALGIC MAD NO Shelf lot comprising (2) MAD magazines (The Nostalgic MAD No.2 and No. 125 March '69 WARNING! ONE MAN"S MAGAZINE MAY BE ANOTHER MAN"S POISON) and a DC BATMAN No. 326 Aug. 40 c(ents); a Charles Schultz book "Very Funny Charlie Brown"; Mad's Don Martin's book "Sails Ahead"; together with (5) books or periodicals regarding comics including Jules Feiffer "The Great Comic Book Heroes" and "Comic Strip Toys"
• Lynching Scene of Four African
  Lynching Scene of Four African Americans Russellville KY 1908 Silver gelatin photograph depicting the lynching of four African American men in Russellville KY 5.25 x 7.25 in. The photograph is accompanied by the publication: Coffman Edward. The Story of Russellville: A Short History of the Town of Russellville Logan County Ky. The News-Democrat Print 1931. Small 8vo paper covers 71pp.In 1908 African American Rufus Browder shot and killed a prominent white farmer for whom he worked by the name of James Cunningham out of self defense. Browder was arrested and moved to Louisville KY for his own protection. Subsequently a group of Browder\'s friends were arrested and placed in jail for \"disturbing the peace \" and on the night of Aug. 1 1908 a white mob entered the jail and demanded the prisoners. With the jailer\'s cooperation the prisoners were handed over to the mob and hanged simultaneously from the same tree. A note pinned to one of the men read \"Let this be a warning to you niggers to let white people alone or you will go the same way.\" The four victims were Joseph Riley Virgil Robert and Thomas Jones. This photograph was also produced as a real photo postcard and was purportedly printed and distributed by Nashville TN salesman Jack Morton. Condition: Small pinhole along middle left edge of photograph. Some water damage to book. Some separation of covers along spine of book.
• STREAMLINE SIREN SPARKLING
  STREAMLINE SIREN SPARKLING PISTOLStreamline Siren Sparkling Pistol. New York: Louis Marx & Co., ca. 1940-50s. Friction-operated, sheet metal ñAir Raid Warning Pistolî toy, including original box. When operating, toy makes a siren noise and shoots sparks. 6 _ x 6î. Toy has some oxidation on the top open metal, and exposed metal covering siren, light small chips to paint. Box has light wear and small tears. Very good.
• COLLECTION OF PROMOTIONAL MOVIE
  COLLECTION OF PROMOTIONAL MOVIE THEATER MAILERS.Collection of Promotional Movie Theater Mailers. Big Rapids, Michigan Theatre, 1940s-1950s. Approximately 54 brochures advertising coming features, including films such as Abbott and Costello in "Abbott and Costello Meet the Killer, Boris Karloff,", "Jolson Sings Again,""Cinderella," Bing Crosby in "Riding High," Marx Brothers in "Love Happy," Humphrey Bogart in "The Enforcer," Bob Hope in "The Lemon Drop Kid," Ronald Reagan in "Storm Warning" an inside story of the Klu Klux Klan; and many others. Fair to good.
• GRANNAN, JOSEPH C. WARNINGS AGAINST
  GRANNAN, JOSEPH C. WARNINGS AGAINST FRAUD.Grannan, Joseph C. Warnings Against Fraud. Akron: Werner Ptg. & Litho, 1890. First edition. Brown publisher’s cloth, gilt-lettered spine. Engraved frontispiece depicting the author. 8vo. Cloth edges worn, light foxing on endpapers and front blank pages, else very good. Jessel 31.
• HARDCOVER HARDY BOYS BOOK
  HARDCOVER HARDY BOYS BOOK COLLECTIONThe Hardy Boys Series hardcover collection of fifty nine books by Franklin W. Dixon and published by Grosset & Dunlap, Inc. with the collection appearing to include: #1 The Tower Treasure (8901), #2 The House On The Cliff (8902), #3 The Secret of the Old Mill (8903), #4 The Missing Chums (8904), #5 Hunting for Hidden Gold (8905), #6 The Shore Road Mystery (8906), #7 The Secret of the Caves (8907), #8 The Mystery of Cabin Island (8908), #9 The Great Airport Mystery (8909), #10 What Happened at Midnight (8910), #11 While the Clock Ticked (8911), #12 Footprints Under the Window (8912), #13 The Mark on the Door (8913), #14 The Hidden Harbor Mystery (8914), #15 The Sinister Signpost (8915), #16 A Figure in Hiding (8916), #17 The Secret Warning (8917), #18 The Twisted Claw (8918), #19 The Disappearing Floor (8919), #20 Mystery of the Flying Express (8920), #21 The Clue of the Broken Blade (8921), #22 The Flickering Torch Mystery (8922), #23 The Melted Coins (8923), #24 The Short-Wave Mystery (8924), #25 The Secret Panel (8925), #26 The Phantom Freighter (8926), #27 The Secret of Skull Mountain (8927), #28 The Sign of the Crooked Arrow (8928), #29 The Secret of the Lost Tunnel (8929), #30 The Wailing Siren Mystery (8930), #31 The Secret of Wildcat Swamp (8931), #32 The Crisscross Shadow (8932), #33 The Yellow Feather Mystery (8933), #34 The Hooded Hawk Mystery (8934), #35 The Clue in the Embers (8935), #36 The Secret of Pirates' Hill (8936), #37 The Ghost at Skeleton Rock (8937), #38 Mystery at Devil's Paw (8938), #39 The Mystery of the Chinese Junk (8939), #40 Mystery of the Desert Giant (8940), #41 The Clue of the Screeching Owl (8941), #42 The Viking Symbol Mystery (8942), #43 The Mystery of the Aztec Warrior (8943), #44 The Haunted Fort (8944), #45 The Mystery of the Spiral Bridge (8945), #46 The Secret Agent on Flight 101 (8946), #47 Mystery of the Whale Tattoo (8947), #48 The Arctic Patrol Mystery (8948), #49 The Bombay Boomerang (8949), #50 Danger on Vampire Trail (8950), #51 The Masked Monkey (8951), #52 The Shattered Helmet (8952), #53 The Clue of the Hissing Serpent (8953), #54 The Mysterious Caravan (8954), #55 The Witchmaster's Key (8955), #56 The Jungle Pyramid (8956), #57 The Firebird Rocket (8957), #58 The Sting of the Scorpion (8958) and The Hardy Boys Detective Hand Book revised edition. All with various copywriting dates.
• EDWARD GILBERT HESTER
  EDWARD GILBERT HESTER ENGRAVINGEdward Gilbert Hester (British 1843-1903)- ''The Warning''- engraving in color after Heywood Hardy, good condition. 19 5/8 x 29 1/8''
• AN ANTIQUE MAP, "CHRONOSCOPIUM
  AN ANTIQUE MAP, "CHRONOSCOPIUM ENCYCLICUM QUO TEMPES QU...AN ANTIQUE MAP, "Chronoscopium Encyclicum quo Tempes Quodvis Horarium Diurnumet Annum," 17TH/18TH CENTURY, hand colored engraving, Johann Zahn (German 1641-1707), "Conserva Tempus et Devita a Malo," "Vol. 1, Page 280, Eccli. Cap. 4.V.23," a complex concentric table showing an interpretation of Ovid's Four Ages of Man broken down by the four seasons, four temperaments, celestial movements, Roman months, and zodiac calendar, among other 17th century scientific observations, ending with a thoughtful quotation by the Roman poet, Cornelius Galus (70BC -26BC), "Cuncta trahit fecum vertitque volubile tempus nec patitur certa currere quemque via," plate: 20 1/4" x 16 1/4". Note: The Baroque viewer consulted this map, which is organized according to temperament and birth date to guide the individual through foreseen maladies associated with this information, which are listed here as warnings for the viewer to utilize to maintain a long life. Condition: Some minor creases, edge wear and damages, apparent repairs, tape residue and applied, but overall in good to very good condition, wear commensurate with age and use. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• NEAPOLITAN SCHOOL, A MEMENTO MORI
  NEAPOLITAN SCHOOL, A MEMENTO MORI PAINTING, "SKULL AND ...NEAPOLITAN SCHOOL, A MEMENTO MORI PAINTING, "Skull and Crossbones," 19TH CENTURY, in the 17th century taste, oil on wood. 28" x 19" Note: The skull and cross bones during the 17th century was used a symbol of death, plague and also as a memento mori. Memento Mori translates to, "Remember, you must die." In the early to mid 19th century the symbol evolved into a medical warning to beware of toxic substances. The 20th century most often associates the image with pirates. Provenance: Property of an Important Houston Antiques Dealer Condition: Unsigned, darkened paint, some surface soil and minor wear but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS.” NO REFUNDS will be issued based on condition.
• VINTAGE ERIC HOLCH ORIGINAL SILK
  VINTAGE ERIC HOLCH ORIGINAL SILK SCREEN "STORM WARNINGS...Vintage Eric Holch Original Silk Screen "Storm Warnings" , depicting "Hurricane, Storm, Gale and Small Craft", pencil signed and titled lower center, matted and framed 14.5 in. x 4.5 in. Framed 19.5 in. x 9.75 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• VINTAGE SIGNED ERIC HOLCH "STORM
  VINTAGE SIGNED ERIC HOLCH "STORM WARNING" AND "BEAUFORT...Vintage Signed Eric Holch "Storm Warning" and "Beaufort Scale" Silkscreen Prints , titled and signed in pencil on lower margin 14.5 in. x 4.5 in. Framed 22 in. x 11.75 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• EARLY 1900S NO HUNTING, SHOOTING,
  EARLY 1900S NO HUNTING, SHOOTING, TRESPASSING SIGNFor your consideration is this early 1900s No Trespassing wood sign. The sign shows an all wood construction made of 4 boards and two support boards on the back. The sign reads, "Warning / No Hunting, Shooting, or Trespassing / Louis Bruns" in black lettering. The sign shows good condition despite its vintage age. The wood shows some wear from being outside and the lettering is starting to fade but is still in good readable and display condition. The sign measures 21" L x 27 1/2" W.
• REMINGTON MODEL 522 VIPER .22
  REMINGTON MODEL 522 VIPER .22 SEMI-AUTOMATIC RIFLEFeatured in this lot we have a Remington Model 522 Viper magazine fed semi-automatic rifle chambered in .22 long rifle. This rifle displays a 20" long round barrel, synthetic stock, checkered pistol grip, semi-auto action, 10 round removable magazine, and adjustable rear sight. The left side of the frame is marked with "Remington Model 522 Viper" and proof marks stamped on either side of the barrel near the receiver. The top of the barrel marked with warning labels and "Remington Arms Company, Inc. Ilion, N.Y. U.S.A. ***Model 522*** .22 Long Rifle Only" with the serial number. Mechanically the rifle shows working condition with a working action and heavy trigger pull. The piece shows good condition overall with some light wear and rusting due to handling and use. The rifle weights 4lbs 6oz. Serial Number: 3159283. This is a modern firearm and requires a FFL transfer or NICS background check.
• RUGER MODEL 77 MARK II 25-06 REM
  RUGER MODEL 77 MARK II 25-06 REM BOLT ACTION RIFLEFeatured in this lot we have a Ruger Model 77 Mark II bolt action rifle chambered in 25-06 REM. The rifle displays a 26" long round barrel, heavy hardwood stock, internal magazine, and metallic grey finish. The frame is marked across the side reading "Ruger M77 MARK II" with the serial number. The top of the barrel is marked with a warning label and "STURM, RUGER & CO. INC., SOUTHPORT, CONN. U.S.A." with the side near the frame marked "25-06 REM". Mechanically the rifle shows a smooth bolt action and crisp trigger. The rifle shows good condition close to new with little to no wear. The rifle weights 9lbs 12oz. Serial Number: 784-32818. This is a modern firearm and requires a FFL transfer or NICS background check.
• MOCHE WOOD EARSPOOL W/ SHELL,
  MOCHE WOOD EARSPOOL W/ SHELL, NACRE, & TURQUOISEPre-Columbian, North Coast Peru, Moche, ca. 100 to 500 CE. A lovely and large shell and wood earspool displaying a discoid form and inlaid with delicate carved nacre (mother of pearl) and Spondylus shells. The face features an inlaid design of a central bird in profile surrounded by 4 rectangular shells in a starburst motif, as well as ovoid and circular shell inlays arranged in symmetrical patterns. The ancient avian centerpiece is made of nacre with turquoise stone eyes. The verso is left bare. Earspools such as this were commissioned by a powerful lord who wanted to display his prestige and animal attributes. Size: 2.125" in diameter (5.4 cm); 4" H (10.2 cm) on included custom stand. Spondylus shells have been revered by Andean peoples since the Pre-Columbian era. In addition to being featured in their artwork and used as currency, Spondylus pieces served as sacred offerings to Pachamama, the earth/time mother, a version of Mother Nature. The Spondylus shell carries numerous symbolic meanings. A symbol of fertility and elite social status, it was also believed to be an omen of rain, warning the indigenous of El Nino. In fact, the Spondylus shell only appears when the water becomes warmer during December - the time of the El Nino current - immediately before the rainy season. Provenance: private Hawaii, USA collection; ex-private Hans Juergen Westermann collection, Germany, collected from 1950 to 1960s All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #164513 Condition: Collection label on verso. Old repair visible only on verso. Missing 1 shell inlay. Some nicks to shells and periphery. Otherwise, very nice with light earthen deposits.
• AZTEC MASK MOON GODDESS
  AZTEC MASK MOON GODDESS COYOLXAUHQUI W/ MONTEZUMA GLYPH...Pre-Columbian, Mexico, Aztec Empire, ca. 16th century CE. Wow! An extraordinarily rare greenstone mask of the Aztec moon goddess Coyolxauhqui with an incised name glyph of the ruler Moctezuma Xocoyotzin (c. 1466-1520), also known as Moctezuma II or Montezuma, on the verso. The glyph consists of 3 ornaments - the royal diadem, the nose plug, and the ear plug - all on and around a head of hair with a speech scroll. Alternatively, Coyolxauhqui, whose name translates to "painted with bells," is depicted traditionally with eyes closed and wearing a feathered headdress as reliefs of bells adorn her face. As Coyolxauhqui revolted against her mother, the earth goddess Coatlicue, and was subsequently beheaded by her brother Huitzilopochtli, the Sun god and patron deity of the Aztecs, she began to represent the vanquished enemy and served as a warning to those who challenged the Aztecs. The inclusion of Montezuma II's name glyph on the verso may have conveyed the message that the enemies of the Aztecs should especially fear their ruler. Size: 10.6" W x 7.8" H (26.9 cm x 19.8 cm) Coyolxauhqui was the daughter of the earth goddess, Coatlicue, and the leader of her bothers, the Centzon Huitznahuas or "400 Huiztnaua." When Coatlicue's children learned she was pregnant, they believed she had dishonored them and Coyolxauhqui led a revolt against her. Amidst the attack, Huitzilopochtli, the Sun God and patron deity of the Mexica, was born fully armed and slayed his four hundred siblings, including Coyolxauhqui, who he beheaded. This battle signified the cosmological struggle between the moon and the sun, and also had political overtones, as Coyolxauhqui represented the vanquished enemy and served as a warning to those who challenged the Aztecs. Some authors have also written that Huitzilopochtli tossed Coyolxauhqui's head into the sky where it became the Moon, so that his mother would be comforted in seeing her daughter in the sky every night, and that her scattered brothers became the Southern Star deities. According to the Denver Art Museum, "Moctezuma II or Moctezuma Xocoyotzin (c. 1466-1520), commonly known as Montezuma, is a contested figure in the historical record. He was the leader (tlatoani) of the Mexica Empire, centered in Tenochtitlan. Under Moctezuma, the Empire reached its greatest size. He was in power when Cortes and his band of soldiers arrived from the Yucatan peninsula in 1519. The conquistador eventually took Moctezuma hostage and he died shortly thereafter." The Spaniards wrote of the Aztecs believing that stone quarried to be carved had magical properties and was alive, able to speak and prophecy. Aztec stone sculpture is a culmination of centuries of stone carving in Mesoamerica, and, using fragile volcanic stone and sturdy greenstone, they were able to create remarkably detailed artworks. Greenstone, like this example, was considered more valuable than gold by the Aztecs. By law, only nobility could wear jade and greenstones as they were highly symbolic: their green color was associated with the life-giving power of water and unripened crops. For this reason, they were often used in the performance of rituals. Similar examples can be found at the Peabody Museum of Archaeology, under object number 28-40-20/C10108 and at the National Museum of Anthropology, Mexico City. A copy of a technical examination from Frank Preusser & Associates done on June 16th, 2001 will accompany this piece. The certificate states that the methods of manufacture and the damage and weathering patterns are consistent with the object's assumed time and place of origin and very strongly support its archeological origin. Provenance: ex-Marc Amiguet Schmitt estate, Amiguet's Ancient Art, Evansville, Indiana, USA, acquired prior to January 1, 2010 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #173375 Condition: Some small nicks and abrasions in areas, commensurate with age. Otherwise, intact and excellent with impressive preservation of incised details. Nice sea encrustations.
• ATTIC BLACK-FIGURE OINOCHOE W/
  ATTIC BLACK-FIGURE OINOCHOE W/ ACHILLES, EX-CHRISTIE'SAncient Greece, Athens (Attic), ca. 530 BCE. Finely decorated via the black-figure technique with incised and added fugitive red painted details, a beautiful trefoil oinochoe featuring the scene of a warrior - perhaps Achilles - readying himself for battle; the nude figure bending over to put on his greaves as a high-crested Corinthian helmet rests at his feet and a draped woman, possibly Achille's mother Thetis, and a young man stand to either side. Greaves and ankle guards were hammered from sheet bronze and retained considerable tensile strength, allowing them to be snapped onto the raised leg, as seen here. The woman watches while holding the warrior's spear and shield, serving as an attendant. Behind him, the nude youth holds another spear, likely waiting to arm himself as well. A band of tongues decorates the area above, just below the trefoil spout of the vessel. Though the warrior's armor indicates he may be a hoplite, this may also be a representation of the arming of Achilles by his mother Thetis. Size: 4.2" Diameter x 7.4" H (10.7 cm x 18.8 cm) According to Homer's Iliad, during the last year of the Trojan war, Patroclus, Achilles’s beloved friend, dons Achilles' armor in order to scare the Trojans back from the beaches of Greece. He succeeds in doing so but is killed by Hector and stripped of the armor in the process, leaving Achilles grief-stricken and armorless. Thetis comes to comfort her son and, after seeing his deep despair, persuades Hephaestus, the god of blacksmiths and craftsmen, to forge him new armor. The god accepts and makes a shield, a breastplate, a helmet, and greaves, which Thetis delivers to Achilles, as seen in this example. Enraged, Achilles then returns to battle with the sole aim of avenging Patroclus’ death by killing Hector, despite a warning that doing so would cost him his life. After defeating Hector, Achilles drags his corpse by the heels behind his chariot. Athens mandated that all 18- to 20-year-olds participate in military service; however, during times of war, all male citizens through the age of 60 could be asked to serve. Hoplites carried a large, round, bronze-faced shield known as a hoplon in one hand, as seen in this example, and, in the other, an eight-foot-long wooden spear with a leaf-shaped iron head and a bronze butt spike. The butt spike was known as a sauroter, a "lizard killer," and, if the spear was broken, could be used as a weapon on the remaining end. It could also be used to stand the spear in soft ground or as a digging tool. Scenes of warriors preparing for battle were quite popular in Ancient Greece and can be found on vessels in the Metropolitan Museum of Art (06.1021.164a, b), the Fitzwilliam Museum at Cambridge University (GR.6.1917), the Louvre (E813), Rijksmuseum van Oudheden (PC60), and the Athens Agora Museum (P24360). Published: Christie's London (South Kensington), "Antiquities" (October 5, 2000), no. 195.; J. Eisenberg, "Art of the Ancient World, vol. XIII" (2002), no. 81; Ancient Arms, Armor (2004), no. 48; 1000 Years of Ancient Greek Vases II (2010), no. 72. Provenance: ex-Royal Athena Galleries, New York City, New York, USA; ex-English collection; ex-Christie's South Kensington, London, United Kingdom, October 5th, 2000, sale 8724, lot 195 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #175405 Condition: Possible minor repair to one of the lobes of the trefoil lip. Some areas of overpainting. Some minor nicks to rim and surface. Otherwise, excellent with great remaining detail and pigments.
• SPANISH BLACK POWDER MODEL
  SPANISH BLACK POWDER MODEL CANNON: Barrell 15'' marked Spain, Napoleon III model, resembling the cannons used by North and South during The Civil War, metal rimmed wheels 11.5'' diameter, 28.5'' overall. WARNING: Black powder firearms cannot be shipped to New Jersey, New York City, Illinois, Michigan, Ohio, or Canada. For all other states, please review your state and local laws before bidding. 16.5 lbs.
• ENGLISH BLACK POWDER SIGNAL CANNON:
  ENGLISH BLACK POWDER SIGNAL CANNON: Bronze cannon resting on a wood frame with geometrically carved borders and Lion masques. Ammo box also rests upon the frame. Cannon & wheels are removable for easy storage. Approx. 6.5'' h x 18'' l x 9'' w. CONDITION: WARNING: Black powder firearms cannot be shipped to New Jersey, New York City, Illinois, Michigan, Ohio, or Canada. For all other states, please review your state and local laws before bidding.
• ANNE PACKARD, (AMERICAN, B.
  ANNE PACKARD, (AMERICAN, B. 1933), STORM WARNING, 2007, OIL ON CANVAS, 48 X 60 IN., FRAME: 55 X 67 IN.ANNE PACKARD, (American, b. 1933) Storm Warning, 2007, oil on canvas signed A. Packard, l.l.; signed, dated, and titled, verso. 48 x 60 in., frame: 55 x 67 in. Provenance: The Collection of a Boston Gentleman. Condition: Condition: Overall good condition. No noticeable surface abrasions or other issues.
• PABLO PICASSO, (SPANISH,
  PABLO PICASSO, (SPANISH, 1881-1973), PARA ESTHER, 1958, CRAYON, 8 X 11 IN.PABLO PICASSO (Spanish, 1881-1973) Para Esther 1958, crayon on paper signed and dated Picasso 14.4.58 along lower edge on a blank front page of the book "The Private World of Pablo Picasso" 8 x 11 in. 1958, crayon on paper Dimensions: 8 x 11 in. Provenance: Provenance: The artist; a gift to Esther Watson; by descent in her family to the present owner. This charming drawing was sent with love from Picasso, his wife Jacqueline, and their friend photojournalist David Douglas Duncan to Duncan's aunt Esther. Duncan cabled his aunt, who had recently been unwell, warning her that a "wonderful surprise" was en route to her in America. Some time later, Esther received a copy of Duncan's photo book "The Private World of Pablo Picasso," with notes from Jacqueline and Duncan on the title page, and a special drawing from Picasso on page 6. Esther saved a copy of the letter she sent Picasso in reply, writing, in part, "It meant so much to me that the great artist Picasso would take the time to lovingly decorate and autograph a page in Dave's book just for me; and that in doing so he was sending a thought for my return to health; all this so overwhelmed me that I have no words adequate to express my thanks and gratitude. The flowers that came to me while at the hospital are now only a treasured memory, but your bouquet will stay with me to give me pleasure for the remainder of my life." Indeed, these flowers continued to bring Esther great joy for the remainder of her life, and have been lovingly cared for by her family in the years since her passing. This work is accompanied by the cable from David Douglas Duncan to Esther warning her of the "wonderful surprise," Esther's copy of the letter she sent to Picasso, and a postcard sent by Picasso and Jacquleine to Esther in reply to her letter. Condition: Residue from a paperclip along upper edge, to right of "A"; edges of sheet slightly toned.
• (45) VINTAGE SIGNS RELATED TO
  (45) VINTAGE SIGNS RELATED TO TRAFFIC, PARKING,danger, etc. Most are early to mid-20th c., some are later. To include: Pedestrian Crossing, Entrance, No Parking, Warning Security Dog, Danger, No Trespassing, Safety First, Last Chance Diner and Garage, Fresh Ice Cream, Emergency Eye Wash, Hot Rod, One Way, Warning Blasting Area, Warning Protected by New England Alarms, Reserved Parking, Keep this Door Closed, Stop, Bump, Working to Exceed Customers Expectations, JP Coates, Electric Fence, Safety First, Shower Before Entering Pool, Piney Point Motor Hotel, Employment Office, Dangerous, Parking 25 cents, Artisan Marketplace, Shuttle Bus to World Trade Center, Reserved Parking, Reserved for Visitors, Hide a Key, Stop, No Smoking, This Way Out, Main Office, To the Fire Escape, Contract Pending, Tow away Zone, Visitors Parking, Danger Look out for Trucks, Caution Hazardous Radioactive Material, and Route 6.
• ARTHUR SYZK, 1943 VD POSTER,
  ARTHUR SYZK, 1943 VD POSTER, HITLER, WWIIOriginal World War II United States military propaganda/public service poster warning of Syphilis, Chancroid and Gonorrhea, with Adolph Hitler, Benito Mussolini and Emperor Hirohito attempting to coerce soldiers. Illustrated by Arthur Syzk, signed in the plate at lower right. Printing information from John Wyeth & Brothers, Inc. Philadelphia. Copyright 1943. VP-1. Poster has creases, tears and tape residue. Measures 23" x 17". shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
• ANTIQUE THAI ELEPHANT BELLThis
  ANTIQUE THAI ELEPHANT BELLThis style heavy brass bell was hung on elephants in Thailand. One story says it was to give warning to people that an elephant was coming toward you so had better get out of the way. Another story says that work elephants were impossible to corral, shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.