Herbert Hanush (American/New Orleans, 20th Century) "St. Louis Cathedral", watercolor and India ink on paper, sight 16" x 12-3/4", signed lower right "Herbert Hanush". Glazed, matted and presented in a giltwood frame.
Antoine Gaston Alciatore (American/New Orleans, b. 1896), "St. Louis Cathedral, French Quarter", oil on canvas board, signed lower right, "Talens Artist's Materials" label en verso, 18 in. x 14 1/4 in., in a period frame. $700/900 Provenance: Purchased in California. Note: Born in 1896, Antoine Gaston Alciatore was the grandson of Antoine Alciatore who founded New Orleans landmark Antoine's Restaurant in 1840. Active in New Orleans in 1915, Alciatore exhibited at the Art Association of New Orleans. Reference: Encyclopedia of New Orleans Artists, 1718-1918, The Historic New Orleans Collection, p. 4.
Clarence Millet, A.N.A. (1897-1959, New Orleans), "St. Louis Cathedral from Chartres Street," oil on board, signed lower left, framed, H.- 10 in., W.- 8 in. Provenance: Descended in the family of Jeanne Cloar, known to be the artist's French Quarter landlady.
Pamela Clesi (New Orleans), "St. Louis Cathedral," and "Brulatour Courtyard," c. 1975, pair of oils on canvas, signed l.r., framed, H.- 29 3/4 in., W.- 14 1/2 in.
Nestor Hippolyte Fruge (American/Louisiana, b. 1916) "Lively View of the St. Louis Cathedral, French Quarter, New Orleans", watercolor, signed lower left "N. Fruge", verso with handwritten label inscribed "Watercolors by Nestor Fruge, Jackson Square, Res. 539 Toulouse St., NOLA", sight 14-1/2" x 10-3/4". Glazed, matted and framed.
Louis Oscar Griffith (American/Chicago, 1875-1956, active New Orleans 1916-1917), "Old St. Louis Cathedral", etching on paper, signed lower right and numbered "7" lower left, titled lower left under mat, 15 1/4 in. x 11 1/2 in., matted and framed. $500/700
James Carl Hancock (Arkansas/Louisiana, b. 1898), “An Acadian House” and “St. Louis Cathedral, New Orleans, Louisiana”, etchings, pencil-signed and titled, image 5 1/2 in. x 5 1/2 in., sheet 6 1/4 in. x 6 in., and image 10 in. x 6 1/2 in., sheet 12 1/2 in. x 9 1/2 in., respectively, unframed
Carl M. Thorp (1912-1989, Louisiana/California), "Cathedral," 1959, oil on canvas board, signed lower right, titled, signed and dated en verso, presented in a wood frame, H.- 23 3/4 in., W.- 19 5/8 in., Framed H.- 31 3/4 in., W.- 27 3/4 in. NOTE:Tthis is of the St. Louis Cathedral from Jackson Square.
Herbert Hanush (American/New Orleans, 20th Century) "St. Louis Cathedral Side Street", watercolor on paper, sight 15" x 11", signed lower right "Herbert Hanush". Glazed, double matted and presented in a carved giltwood frame.
Larry Casso (American/New Orleans, 20th Century) "St. Louis Cathedral", watercolor on paper, 14-3/4" x 11", signed and dated lower right "Larry Casso Xmas '59". Glazed, double matted and presented in a stained oak frame.
CLARENCE MILLET (AMERICAN/NEW ORLEANS)Clarence Millet (American/New Orleans, 1897-1959), "View of St. Louis Cathedral from Chartres St." and "View of Cabildo from Jackson Square", 2 oils on canvas board, signed lower right and left respectively, each 8 in. x 10 in., framed alike. (2 pcs.)
Jessie Barrows Jones (American, 1865-1944), “Chartres Street with a View of St. Louis Cathedral, French Quarter”, oil on canvas, signed lower right, 18 in. x 14 in., in a modern giltwood frame of period inspiration. $700/900
Knute Heldner (American/New Orleans, 1877-1952) "View of St. Louis Cathedral", oil on canvas, 20" x 18", signed lower right "Knute Heldner". Presented in the original polychromed frame.
Adolph Kronengold (American/New Orleans, b. 1900) "Jackson Square and St. Louis Cathedral in the Rain", ca. 1960, watercolor on paper, sight 14-1/4" x 11", signed lower right "A. Kronengold". Glazed and presented in a teal-edged strie bone silk mat within a carved giltwood and plaster frame.
Guy Martin Chapel (American/Illinois, 1871-1957, active New Orleans 1902), "St. Louis Cathedral, Jackson Square", oil on board, signed lower right, 20 in. x 15 7/8 in., in a carved and giltwood frame. $1000/1500
George Frederick Castleden (American/Louisiana, 1861-1945) "View of the St. Louis Cathedral and the Presbytere", 1934, oil on canvas, 36" x 24", signed and dated lower left "G. F. Castleden '34". Presented in a period giltwood frame. Provenance: Private collection, St. Louis, Missouri.
Knute Heldner (Swedish/New Orleans, 1877-1952) "View of the St. Louis Cathedral, Jackson Square, French Quarter, New Orleans", oil on canvas, 20" x 16", signed lower left "Knute Heldner". Framed.
Fred Lyman (American/New Orleans, 20th Century) "St. Louis Cathedral and the Cabildo", ink on paper, sight 10" x 13", signed and dated lower left "Fred Lyman 1956". Glazed, matted and presented in a black-painted wooden frame.
Colette Pope Heldner "Mardi Gras Day New Orleans": Colette Pope Heldner (1902-1990). Oil on canvas titled "Mardi Gras Day, New Orleans, " depicting a painting of a lively scene of the Mardi Gras festival, 1927. Signed along the lower left. With a label from Architects and Engineers Supply Company, Duluth, Minnesota, along the verso, which includes the title and date. This painting provides an exciting view of 1920s New Orleans, including a view of the Cabildo. The Cabildo was the seat of Spanish colonial city hall of New Orleans, Louisiana, and is now the Louisiana State Museum Cabildo. It is located along Jackson Square, adjacent to St. Louis Cathedral. Provenance: Private collection, Minnesota Dimensions: Unframed; height: 18 1/4 in x width: 22 1/4 in. Framed; height: 21 1/2 in x width 25 1/2 in. SKU: 03813 Condition Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions. com with any condition questions.
New Orleans School (Early 20th Century) "St. Louis Cathedral", etching, image 2-1/2" x 2". Glazed, matted and presented in a carved giltwood frame.
Adolph Kronengold (American/New Orleans, 1900-1986), "St. Louis Cathedral and Place d'Armes", watercolor, signed and "'84" lower right, 10 3/4 in., x 7 1/4 in., unframed. $800/1200
Morris Henry Hobbs (American/New Orleans, 1892-1967), "St. Louis Cathedral, Old New Orleans", etching, pencil-signed and titled, image 5 in. x 3 7/8 in., attractively framed. $300/500
JOHN CASPAR WILD, AMERICAN (1806-1846) SECOND PRESBYTERIAN CHURCH, ST. LOUIS COURT HOUSE, CHRIST CHURCH, ST. LOUIS, and ST. LOUIS CATHEDRAL, four colored lithographs published and printed by John Caspar Wild at the Missouri ...
Estimate: 600.00 - 900.00
Clarence Millet (American/New Orleans, 1897-1959), "View of St. Louis Cathedral from Chartres St." and "View of Cabildo from Jackson Square", 2 oils on canvas board, signed lower right and left respectively, each 8 in. x 10 in., framed alike. (2 pcs.)
New Orleans Mahogany Regulator Wall Clock , c. 1860, dial marked "TELL TALE CLOCK PATENDED BY Slas. FOURNIER/NEW ORLEANS" pinwheel escapement, lyre pendulum, h. 65 in., w. 24 in., d. 22 in . Provenance: Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans. Note: Clockmaker Stanislaus Fournier came to New Orleans from France in 1841 or 1842. His pre-eminent shop at 60 Royal Street was a French Quarter landmark. Fournier?s accomplishments include the three-faced church clock installed at St. Louis Cathedral in 1851, the development of a four-hand stopwatch for horse racing in 1855, and the invention of a ?tell-tale? register clock in 1857. Fournier died in 1853 and is buried in New Orleans? St. Louis Cemetery No. 1, Vault 24. Ref.: Kinabrew, J.M. ?Stanislaus Fournier, New Orleans Clock and Watch Maker?, National Association of Watch and Clock Collectors Bulletin, April 1997, pp. 189-192.
Louis Oscar Griffith (American/Indiana, 1875-1956, active New Orleans, 1916-1917), “Unloading the Banana Boats, New Orleans Dock”, oil on canvas, signed lower center, 43 1/2 in. x 48 1/4 in. ]Provenance: Acquired from the Estate of the artist, Nashville, Indiana. Exhibited “Brown County Artists Show” at the Brown County Art Gallery in 2004. Note: The picturesque sights of New Orleans appealed to the midwestern painter and printmaker Louis Oscar Griffith. Like many artists who wintered in the city, Griffith turned his attention to the historic St. Louis Cathedral, French Market, facades and patios of the Vieux Carrè. However, Griffith was particularly fascinated by the waterways surrounding the city and painted the New Basin Canal, Bayou St. John and, in this splendid painting, the busy docks along the Mississippi River. Instead of giving an overview of the port, he focused on the industrious and muscular dockworkers as they carry the large bunches of bananas off the recently arrived ships that transited between Cuban and Central American ports and New Orleans.Already accomplished American Impressionist artists, “Griff” as friends knew him, and his fellow Midwesterner Robert Grafton spent the winter of 1916 and 1917 in the city. They were readily accepted into the active and thriving artistic community and exhibited with the Art Association of New Orleans at the Isaac Delgado Museum of Art (today New Orleans Museum of Art) and St. Charles Hotel. Although Griffith made only one extended trip, the city left a lasting impression on him and he continued to exhibit his New Orleans paintings throughout his career.
M. Quinn (New Orleans), "View of St. Louis Cathedr M. Quinn (New Orleans), "View of St. Louis Cathedral from a Pontalba Balcony," 20th c., oil on masonite, signed l.r., presented in a gilt and polychromed frame, H.- 23 3/4 in., W.- 17 1/2 in.
Joseph Kadanec (1898- , New Orleans), "St. Louis Cathedral from the Rear," early 20th c., oil on canvas, signed l.r., framed, H.- 17 1/2 in., W.- 23 1/4 in.
Laurence Christie Edwardson (American/New Orleans, 1904-1995), two oils on board, including "Orleans St. Looking toward St. Louis Cathedral, New Orleans", signed lower left, signed, titled and inscribed en verso, 24 in. x 28 in.; and "St. Louis Cathedral, New Orleans", signed lower right, signed, titled, dated "1963" and with label "Paintings by Larry Edwardson now at Bryant Gallery, 631 Toulouse St., New Orleans" en verso, 10 in. x 22 in., both in period frames. $1000/1500 Provenance: Purchased from the artist, New Orleans, 1963.
Anthony Buchta (American, 1896-1967) "The St. Louis Cathedral in Old New Orleans", watercolor, signed lower right "Anthony Buchta", retains label en verso "Harmanson's Art & Book Store, 333 Royal Street, New Orleans", sight 10" x 8". Glazed, handsomely matted and framed. Provenance: Collection of Dr. James W. Nelson, Gonzales, Louisiana.
Raymond Scully (American/New Orleans, 20th c.), "St. Louis Cathedral, French Quarter", oil on canvas, signed lower left, artist's card addressed 720 Mystic Avenue, Gretna, en verso, 19 3/4 in. x 16 in.
Nestor Frugé (LA, 1914/16-2011/12), Two New Orleans Watercolors
the first depicting figures strolling down Pere Antoine's Alley with a view to the St. Louis Cathedral, the second an interior courtyard; both matted and framed under glass, each signed at lower right.
DOA 23.75 x 19.5 in. (each)
M. Neelo (American/New Orleans mid-20th c.) "St. Louis Cathedral Chartres Street French Quarter" 1957 oil on canvas signed and dated lower right signed titled and dated en verso 16 in. x 20 in. in a period frame.
Johnny Donnels (1954-2009), "St. Louis Cathedral," 20th c., watercolor, signed l.r., framed, H.- 21 5/8 in., W.- 13 1/2 in.
Nestor Hippolyte Frugé (American/New Orleans b. 1916) "St. Louis Cathedral" and "French Quarter Courtyard" two watercolors on paper signed lower left and right respectively both 14 7/8 in. x 11 1/8 in. both unframed.
P.H. Motyzok (Ukrainian, Contemporary) "Chartres Street, New Orleans, Looking Toward St. Louis Cathedral", oil on canvas, 14-1/2" x 10-1/2", signed lower right and on the reverse "Motyzok". Presented in an antiqued black-painted wooden frame.
New Orleans School (Early-to-Mid 20th century) "St. Louis Cathedral" and "Brulatour Courtyard", two hand-colored black-and-white photographs by separate artists, both 7" x 5", the former titled lower left and signed indistinctly lower right., the latter unsigned. Each presented in unique carved giltwood frames.
A Neupert Double Manual Harpsichord, ca. 1950, Bamberg, Germany, "Vivaldi" model, h. 37-1/4", w. 39-1/4". Provenance: Estate of Dr. Elise Cambon, New Orleans, Louisiana. Dr. Cambon served as organist and music director at the St. Louis Cathedral in New Orleans for 62 years. Proceeds from the sale of this harpsichord will benefit the Louise S. McGehee School, the St. Louis Cathedral, Newcomb/Tulane University, Loyola University, the Academy of the Sacred Heart and the University of Michigan.
George B. Luttrell (1936-2000), "St. Louis Cathedral," and "Bourbon St.," 1969, pair of oils on canvas, titled l.l., signed and dated l.r., gallery wrapped, H.- 21 5/8 in., W.- 8 in.
Johnny Donnels (1924-2009), "St. Louis Cathedral," 20th c., H.- 21 5/8 in., W.- 13 1/2 in. , and "French Quarter Buildings," 20th c., , H.- 21 5/8 in., W.- 13 1/2 in., two watercolors, both signed, framed. 2 Pcs.)
Alice Standish Buell (American, 1892-1964), two etchings depicting views of the St. Louis Cathedral in New Orleans, both examples are titled and signed in pencil lower margins, the larger etching is sight 11" x 8", the other is sight 8-1/4" x 5-1/2". Glazed, matted and framed. Provenance: Collection of Dr. James W. Nelson, Gonzales, Louisiana.
Colette Pope Heldner (American/New Orleans, 1902-1990), "St. Louis Cathedral, New Orleans, LA", oil on board, signed lower left, titled en verso, 21 in. x 10 1/4 in., framed. $2000/3000
Provenance: Succession of Charles Duke Zucker (1925-2014), New Orleans, LA.
James Carl Hancock (1890-1960, New Orleans), "St. Louis Cathedral New Orleans," 20th c., pen and ink, titled l.l., signed l.r., presented in a silver gilt frame, H.- 13 1/2 in., W.- 11 1/4 in.
RONNIE BOURDREAUX, AMERICAN ST. LOUIS CATHEDRAL-NEW ORLEANS, oil on canvas, signed and titled on verso, unframed. h: 29" x w: 29"
Estimate: 75.00 - 100.00
Adolph Kronengold (American/New Orleans 1900-1986) "St. Louis Cathedral" watercolor on paper signed lower right 11 1/4 in. x 7 1/2 in. matted and framed. Provenance: Collection of Alice Barry New Orleans and Pass Christian MS.
Adolph Kronengold (American/New Orleans, 1900-1986), "Orleans Street Looking Towards St. Louis Cathedral", oil on masonite, signed lower right, Sandra Zahn Oreck Gallery label en verso, 20 in. x 16 in. $2500/3500
Knute Heldner (American/New Orleans, 1877-1952) "View of St. Louis Cathedral Through Jackson Square", etching, image 4-1/2" x 3", monogrammed lower right "KH". Glazed, matted and presented in an ebonized frame.
W.E. Dwyer (New Orleans), "Jackson Square," "St. L W.E. Dwyer (New Orleans), "Jackson Square," "St. Louis Cathedral," and "Pirate's Alley," 20th c., three oils on board, signed verso, one signed l.l., presented in a single frame, Each- H.- 11 5/8 in., W.- 8 5/8 in., Total- H.- 13 5/8 in., W.- 30 in.
A Group of Eleven Vintage Silver Gelatin Photographs of New Orleans and Environs including "St. Louis Cathedral"; "French Quarter Courtyard"; "Houmas House"; "The Gardens"; "Live Oaks";; "Live Oak Alley"; "The Pontalba"; "Plush Interior"; "Lafitte's Blacksmith Shop"; "The Oak"; and "The Victorian" with its corresponding glass plate negative; all unsigned ranging in size from 14 in. x 11 in. to 8 in. x 10 in. all unframed (12 pieces).
Fred Thomas Larson (American/New Orleans, b. 1868) "St. Louis Cathedral", engraving, sight 9" x 6-1/2", pencil titled lower left, pencil signed lower right "Fred Larson". Glazed, matted and presented in an ebonized frame.