- Tom Sadler
(American, b. 1952)
Afternoon
Tom Sadler
(American, b. 1952)
Afternoon on the Avenue, 1917 (after Childe Hassam)
oil on canvas
signed T.W. Sadler and inscribed after Childe Hassam (lower left); signed, titled, and inscribed (on the stretcher)
40 x 32 inches.
- LIVERPOOL DELFTWARE IRON-RED TRANSFER-PRINTED
LIVERPOOL DELFTWARE IRON-RED TRANSFER-PRINTED TILE, CIRCA 1760 SQUARE: 5 IN. (12.5 CM.), WITHIN A BLACK WOOD FRAMELIVERPOOL DELFTWARE IRON-RED TRANSFER-PRINTED TILE, CIRCA 1760, attributed to the printshop of John Sadler and Guy Green, depicting "Country Dancing", within a rocaille-scroll border Dimensions: Square: 5 in. (12.5 cm.), within a black wood frame Provenance: With Martyn Edgell Antiques, Ltd., Cambridge, UK, June 2019, £80 From the Collection of Diana Edwards Murnaghan, No. 512 Catalogue note: See Anthony Ray, "English Delftware Tile", (1973), no. 681; For black transfer-printed example of "Country Dancing", see lot 3098 in the present sale and the British Museum, accession no. 1887,0307,E.169.19.
- LIVERPOOL DELFTWARE BLACK TRANSFER-PRINTED
LIVERPOOL DELFTWARE BLACK TRANSFER-PRINTED TILE, CIRCA 1770 SQUARE: 5 IN. (12.5 CM.), WITHIN A BLACK WOOD FRAMELIVERPOOL DELFTWARE BLACK TRANSFER-PRINTED TILE, CIRCA 1770, attributed to the printshop of John Sadler and Guy Green, printed in black with "The Turkish Merchant", depicting a Turkish trader standing at the left before a sailing vessel, an African cargo handler at the right kneeling beside a large rope-tied parcel, within a so-called '88' scroll border Dimensions: Square: 5 in. (12.5 cm.), within a black wood frame Provenance: With Martyn Edgell Antiques Ltd., Cambridge, UK, June 2019, £160 From the Collection of Diana Edwards Murnaghan, No. 513 Catalogue note: See, Anthony Ray, "English Delftware Tiles", (1973) no. 740. This subject is also found on Meissen and Rouen as well as Wood creamware. Compare, The Winterthur Museum, object no. 1969.4725.022.
- LIVERPOOL DELFTWARE BLACK TRANSFER-PRINTED
LIVERPOOL DELFTWARE BLACK TRANSFER-PRINTED TILE, CIRCA 1752-55 SQUARE: 5 IN. (12.5 CM.), WITHIN A BLACK FRAMELIVERPOOL DELFTWARE BLACK TRANSFER-PRINTED TILE, CIRCA 1752-55, signed in the print Sadler (lower left), printshop of John Sadler depicting a windswept young couple at quayside attended by a boatman, within a rocaille-scroll border Dimensions: Square: 5 in. (12.5 cm.), within a black frame Provenance: With Field McIntyre, London, January 2019, £70 From the Collection of Diana Edwards Murnaghan, No. 507 Catalogue note: See Anthony Ray, "English Delftware Tiles" no. 651; compare The British Museum, London, museum no. 1887,0307,E.169.5. See the National Museums Liverpool, accession no. 28.12.74.2; also see Anthony Ray's, Liverpool Printed Tiles, (1994) B4-1.
- FOUR LIVERPOOL DELFTWARE BLACK TRANSFER-PRINTED
FOUR LIVERPOOL DELFTWARE BLACK TRANSFER-PRINTED TILES, CIRCA 1757-1770 SQUARE: 5 IN. (12.5 CM.), EACH WITHIN A BLACK FRAMEFOUR LIVERPOOL DELFTWARE BLACK TRANSFER-PRINTED TILES, CIRCA 1757-1770, the first two signed in the print 'J:Sadler,Liverpl:', all attributed to the John Sadler and Guy Green printshop, each with a scene from rustic life, including: "The Tithe-pig", Maiden and Traveler, "Gentleman Playing a Flute" and "Country Dancing" (4) Dimensions: Square: 5 in. (12.5 cm.), each within a black frame Provenance: The first two tiles - Sotheby's, London, March 1977 (part - split with Harriet Goldweitz) ($125 for 2) The second two tiles - Townsend, MA.,1989 ($132.30 for 2) From the Collection of Diana Edwards Murnaghan, No. 60 Catalogue note: See Anthony Ray, "English Delftware Tiles", (1973), nos. 640, 650, 663 and 681 The 'Tithe pig' design which is also found on porcelain and creamware is derived from an engraving by Muller after Louis Phillip Boitard, dated 1751. See Bernard Watney, "Engravings as an Origin of Designs...," Burlington, Aug. (1966), pl. 18. Also see the example from the Charlotte Schreiber Collection at the Victoria & Albert Museum, unsigned, accession no. 414:840/B-1885. Figures groups of this subject are known at Derby and in Staffordshire pottery. For another example of "Country Dancing", see the British Museum, accession no. 1887,0307,E.169.19.
- AFTER WALTER DENDY SADLER (BRITISH 1854–1923),
AFTER WALTER DENDY SADLER (BRITISH 1854–1923), INTERIOR SCENE, ETCHING, SIGNED L.L., FRAME: 26 3/4 X 31 1/2 IN. (67.9 X 80 CM.)After Walter Dendy Sadler (British 1854–1923), Interior Scene, Etching, Signed l.l.,, Dimensions: Frame: 26 3/4 x 31 1/2 in. (67.9 x 80 cm.)
- AFTER WALTER DENDY SADLER (BRITISH 1854–1923),
AFTER WALTER DENDY SADLER (BRITISH 1854–1923), GENTLEMEN IN THE PARK, ETCHING, SIGNED L.L., FRAME: 26 3/4 X 31 1/2 IN. (67.9 X 80 CM.)After Walter Dendy Sadler (British 1854–1923), Gentlemen in the Park, Etching, Signed l.l.,, Dimensions: Frame: 26 3/4 x 31 1/2 in. (67.9 x 80 cm.)
- SADLER ENGLISH PAINT DECORATED TEAPOT
SADLER ENGLISH PAINT DECORATED TEAPOT 4.75? H x 9.5? diameter
- FOUR FRAMED REPRODUCTION MAPS After
FOUR FRAMED REPRODUCTION MAPS After Georg Braun and Frans Hogenberg, color halftones, sight size, 19 1/4 x 25 in., framed. Together with a signed W. Dendy Sadler etching, early 20th century, sight size, 21 x 25 1/4 in., framed.
- BLUEFIN TUNA MODEL1938
16 in. long,
BLUEFIN TUNA MODEL1938
16 in. long, plaque is 9 in. long
A scale model of a 405-pound bluefin that was caught off Wedgeport, Nova Scotia, by Col. L. Sadler of London and landed in just twelve minutes. Inscribed "405 LB Tuna Killed by Colonel L. Sadler of London England in 12 Minutes, Wedgeport, Nova Scotia, Sept. 11th 1938."
Provenance: Ronald S. Swanson Collection
Private Collection
Literature: Ronald S. Swanson, "Fish Models, Plaques & Effigies," Far Hills, NJ, 2009, p. 53, fig. 70, exact fish illustrated.
Ron Swanson, "Classic Angling," January 2002, p. 17, exact fish illustrated.
Ronald S. Swanson, "Fish Models, Plaques & Effigies," Decoy Magazine, July/August 1996, p. 12, exact fish illustrated.
- PAIR WEDGWOOD BASALT "HERCULES" MOUNTED
PAIR WEDGWOOD BASALT "HERCULES" MOUNTED PLAQUES frame 17" x 15" plaque 7' x 5" oval Pair of framed Wedgwood basalt plaques in original frames from "Sadler" in England; tags on back. High relief of Hercules with lion, and one with wild boar.
- ONE SHELF OF DECORATIVE ARTS One shelf
ONE SHELF OF DECORATIVE ARTS One shelf of decorative arts, including Mackenzie Childs glass pitcher; Sadler teapot in a Blue Willow pattern; (3) mother-of-pearl 'jeweled' boxes; (2) shells and other small ceramics.