- JOSE LUIS CUEVAS (MEXICAN, 1934-2017)
JOSE LUIS CUEVAS (MEXICAN, 1934-2017) ARTIST'S SKETCHJose Luis Cuevas (Mexican, 1934-2017) artist's sketch book. Circa 1957, New York City. Includes multiple pencil sketches and notations on front and back cover of drawing titles and fellow artist's nam
- SIX PRINTS OF MALLARDS & WATERFOWL Including
SIX PRINTS OF MALLARDS & WATERFOWL Including four proof illustrations of Ward Bros. decoys by Jack Schroeder, each with additional signed pencil sketches by Lem Ward; two prints of water fowls with matching Maryland hunting permit stamps, the largest 18 1/2 in. x 17 1/2 in.
- 1894 Great Men & Famous Women, 8 Vol
1894 Great Men & Famous Women, 8 Vol Set, Hess, each "A Series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in history" by category, wear to spines.
- PAINTED PINE PARCHEESI GAMEBOARD, LATE
PAINTED PINE PARCHEESI GAMEBOARD, LATE 19TH C.Painted pine Parcheesi gameboard, late 19th c. , 17 1/2" x 17 5/8". Provenance: An Ohio Collection.
Competitive in-house shipping is available for this lot.
Condition:
Good condition. Verso with pencil sketches.
- (2) CHARLES DEMUTH (1883-1935) SKETCHBOOK
(2) CHARLES DEMUTH (1883-1935) SKETCHBOOK STUDIES(lot of 2) Framed watercolor, ink, and pencil sketches on paper, unsigned, Charles Henry Demuth (United States, 1883-1935), (1) with Santa Fe East gallery label, sight: approx 6.75"h, 4.25"w, overall: approx 15.25"h, 12.25"w, (1) double sided, sight: approx 5"h, 4.5"w, overall: approx 13.25"h, 12.5"w; 5lbs total *Provenance: The family of Alfred A. King (Texas, 1916-2006) great-grandson of Captain Richard King, founder of the now 825,000 acre Texas King Ranch.*
- TOM UTTECH (AMERICAN, B.1942). "Pale
TOM UTTECH (AMERICAN, B.1942). "Pale Sunset Bear". Oil on panel, 1988. Signed and dated 4.22.88 on front lower right. In artist's custom frame with pencil sketches. Frame is also titled, signed and dated at the lower edge "On a Mountain Journey, Tom Uttech, July 24, 1991". Additionally signed, titled, dated with artist's address on verso. Struve Gallery, Chicago label verso. Stremmel Gallery, Nevada label verso. From a private collection. Dimensions: Framed: 21.5" h x 24.5" w. / 16" h x 19" w. (panel). Condition: Good.
- PENCIL SKETCHES AND DRAWINGS BY JAMES
PENCIL SKETCHES AND DRAWINGS BY JAMES RUDISILL.Large Group of Pencil Sketches and Drawings by James Rudisill York County Pennsylvania Artist. Condition: : Fair to good.
Condition:
Condition: : Fair to good.
- (2PC) PAUL BROWN EQUESTRIAN PENCIL SKETCHESDESCRIPTION:
(2PC) PAUL BROWN EQUESTRIAN PENCIL SKETCHESDESCRIPTION: (2 Pc) Paul Brown pencil on paper sketches. Features horse themed sketches with written script, signed "Paul Brown" mounted in black wood frames.
CIRCA: 20th Cent.
ORIGIN: USA
DIMENSIONS: (Image) H: 8.25" x L: 10.5" (Framed) H: 13.5" x L: 15.25"
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CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS(305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
- PAIR OF ILLUSION SKETCHES BY BLACKSTONE.Blackstone,
PAIR OF ILLUSION SKETCHES BY BLACKSTONE.Blackstone, Harry (Henry Boughton). Pair of Illusion Sketches by Blackstone. Pencil sketches on thin paper, the first depicting the Buzz Saw Illusion, showing a ghoulish figure lowering a saw into the torso of a woman, with notations indicating the size of the poster Blackstone had in mind for the image; the second an unnamed production illusion, annotated by Blackstone: “To Boxley/ a big production/ by Harry Blackstone 9—5—51”. 8 ½ x 11”. Sold with a check signed by Blackstone, payable to the Washington Athletic Club for $54.03.
- SIX PIECE GROUP OF FRAMED WORKS ON PAPER,
SIX PIECE GROUP OF FRAMED WORKS ON PAPER, TO INCLUDE FI...Six Piece Group of Framed Works on Paper, to include five watercolor and pencil sketches by Erica Von Kager; along with a pencil on paper of a young boy by Freda Delaney, largest image 13 1/2" x 17".
Condition:
All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
- TWO SKETCHES OF DECO SIDEBOARD & DINING
TWO SKETCHES OF DECO SIDEBOARD & DINING TABLETwo Pencil Sketches of Deco Sideboard & Dining Table on Paper, unsigned (2 pc.)
(NJWA325/2)(MS)
Dimensions: Larger framed 15 1/4" H x 17 3/4" W
Property from the Estate of an Important New York Modernism Dealer.
Condition:
Slight oxidation on paper.
- THOMAS MORAN(Pennsylvania/California,
THOMAS MORAN(Pennsylvania/California, 1837-1926)
On the Welsh Coast, 1885, signed and dated with artists monogram cipher "TM 85" lower right, oil on panel, 12-1/4 x 25 in.; original carved gilt wood and composition frame, labeled "Thos. Thos. A. Wilmurt" verso, 24-3/4 x 37-1/2 in.
Provenance: Acquired from the artist (family tradition holds that four Moran works were acquired directly from the artist, one each year from 1882 to 1886); By descent in family; Private Knoxville Collection
Note: This painting will be included in Phyllis Braff, Melissa Webster Speidel and Stephen L. Good's forthcoming catalogue raisonne of the artist's works.
The scene Moran portrayed here appears to be Conway Castle and its environs. For related pencil sketches, see Moran Thomas and Anne Morand. 1996. Thomas Moran the Field Sketches 1856-1923 . Norman: University of Oklahoma Press for the Thomas Gilcrease Institute of American History and Art Tulsa, nos. 599 and 609.
In March 2012, a new record was set by Brunk Auctions for a Thomas Moran watercolor titled, Cliffs of Green River-Wyoming Territory which sold for $1,700,000. The significance of that work was in part due to the provenance, which could be traced back to the artist and was documented through a photograph of the painting in the home circa 1895. It was also noted in an early family inventory. This painting comes from the same collection and was likely acquired around the same time as Cliffs of Green River.
Condition:
panel with 1-1/2 in. crack extending from right edge under frame, surface dirt layer, yellowed varnish, panel with very slight warp; frame with losses at edges, cracking, grime, wear commensurate with age