- Two Indian Paintings on Paper
12 1/2
Two Indian Paintings on Paper
12 1/2 x 8 3/4 inches (sight).
- 2 ROBERT REDBIRD SR 'INDIAN PAINTINGS'
2 ROBERT REDBIRD SR 'INDIAN PAINTINGS' MM ON PAPER Robert Redbird Sr. (American 1939-2016), 'Native Figure,' mixed media on paper, depicting a Native American man draped in black and white with several feathers in his hair, signed to lower right, in a black frame; and 'Kiowa Spirit Symbols', mixed media on paper, signed to lower right, in a black frame. Approximate dimensions: "Native Figure", sight h. 21", w. 29"; frame h. 29", w. 37", d. 0.875"; Kiowa Spirit Symbols, sight h. 28.875", w. 21"; frame h. 37", w. 29", d. 0.875"
- AN ALBUM OF SIXTY 19TH CENTURY INDIAN
AN ALBUM OF SIXTY 19TH CENTURY INDIAN PAINTINGS watercolours on mica, some with a paper companion 'head', depicting a variety of domestic servants, religious figures and tradespeople, mostly 11cm x 8cm, loosely pasted and contained in Victorian gilt tooled blue leather album with bronze locking clasp, the front flyleaf pasted with photographs of Amy & Johnnie Fullerton, dated Edinburgh 1850, approximately 68 in total
- GUIDO RENI (1575-1642) ITALIANGuido
GUIDO RENI (1575-1642) ITALIANGuido Reni, red chalk on brown paper, head of a young man facing left, signed B/C. Laid down. 12" x 9.75". Provenance: purchased from Alister Mathews, Great Britain in 1965. Mathews was an antique dealer born in Watford, England on April 7th, 1907. During the 1920”s, he operated Grayhound Press, a private press through which he published his friend Monk Gibbon. From the early 1950’s until some time in the 1970’s, he operated as a dealer in prints and drawings, rare books and manuscripts. He sold Indian paintings to the British Museum in 1943, prints and drawings to the P&D from the 1950’s onwards.
- (2 PC) PAIR OF RAJASTHANI INDIAN PROCESSION
(2 PC) PAIR OF RAJASTHANI INDIAN PROCESSION PAINTINGSDESCRIPTION: (2 Pcs) A Pair of Indian Paintings depicting a Rajasthani Royal Maharaja procession with several walking figures and over an elephant figures. Both paintings are framed. The secular and sacred power of an Indian king was expressed most spectacularly in the grand public processions that celebrated royal events and religious festivities. Riding a richly caparisoned elephant with his maharani (queen) at his side, the ruler was lavishly dressed and jeweled and surrounded by attendants bearing symbolic attributes of kingship: a royal parasol, chauri, fans and staffs of authority. CIRCA: 20th Century. ORIGIN: India. DIMENSIONS: H: 15 1/4" W: 40 1/2". CONDITION: Good condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
- TWO FRAMED INDIAN PAINTINGS OF KRISHNATwo
TWO FRAMED INDIAN PAINTINGS OF KRISHNATwo framed Indian paintings of Krishna on fabric. Not examined out of frames. One with paint losses. Sight size: 13 1/4" high, 9 3/4" wide. Frame size: 23 3/4" high, 19 1/2" wide.
Condition:
Any condition information included in our lot descriptions is not the equivalent of a written condition statement, and the absence of condition information does not imply that the lot is free of defects. Our auction lot descriptions reflect our effort to provide accurate, objective and fair information on all lots for sale, and we encourage bidders to request written condition statements and large file images on any lots of interest by emailing condition@woodburyauction.com. We also strongly advise that you or someone on your behalf inspect the lot personally before bidding. All lots are sold "as is" and "where is" and neither we nor any consignor makes any warranties or representation of any kind or nature with respect to the property. There are no returns and no refunds based on condition.
- TWO INDIAN PAINTINGS IN SHADOW BOX FRAMESdepicting
TWO INDIAN PAINTINGS IN SHADOW BOX FRAMESdepicting battle/hunt scenes, later 20th century, not examined out of frames. Largest: 9" high, 12 1/2" wide. Provenance: Property of a Woodbury CT Estate.
Condition:
Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.
- THREE INDIAN PAINTINGSLargest frame
THREE INDIAN PAINTINGSLargest frame size: 16 1/4" high, 11 3/4". Pigments on paper heightened with gold. Not examined out of frames. Foxing, staining, frame wear.
Condition:
Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.
- GROUP THREE INDIAN PAINTINGSsome with
GROUP THREE INDIAN PAINTINGSsome with exposed manuscript backing, varying scenes. Largest frame size: 8 5/8" high, 14 3/4" wide. Not examined out of frame, some insect damage.
Condition:
Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.
- A PAIR OF INDIAN PAINTINGS, 19TH CENTURYA
A PAIR OF INDIAN PAINTINGS, 19TH CENTURYA PAIR OF INDIAN PAINTINGS, 19TH CENTURY
Krishna and Radha ,
gouache on paper
each measuring 31.5 x 22 cm (12 3/8 x 8 5/8 in.
framed dimensions: 40 x 30.5 cm (15 3/4 x 12 in.)
- TWO QAJAR LACQUERED LEATHER PAPIER MACHE
TWO QAJAR LACQUERED LEATHER PAPIER MACHE BOOK COVERS
PERSIA, 19TH CENTURY with central reserves of lovers on white grounds adorned with peacocks and flowers within script borders, the opposing sides with panels of script on red and gilt grounds; one comprising front cover only, framed; the other comprising front and back cover, unframed(2)46cm x 31cm eachProvenance: Kimmerghame, Duns, the Estate of the Late Major General Sir John Swinton K.C.V.O., O.B.E., D.L. (1925-2018)Major General Sir John Swinton began his military career in 1944 with the Scots Guards, rising in rank to Major General in 1976. He was also Brigadier of the Queen’s Body Guard for Scotland (Royal Company of Archers) in 1977, and retired from Army life in 1979. With his strong military background, he was appointed Deputy Lieutenant for Berwickshire in 1980 and Lord Lieutenant from 1989 to 2000. A high point of his tenure was escorting the Stone of Scone back to Scotland in 1996.The Swinton family history and ownership of land in Berwickshire can be traced to the early part of the 12th century, when Ernulf de Swinton received one of the first private charters recorded in Scotland which confirmed his property from David I of Scotland (1084-1153). This is one of two original charters of David I kept in the cartulary of Durham; both are to Ernulf and also refer to Ernulf’s father (Udard), grandfather (Liulf) and great-grandfather (Eadulf) as holding the land before him. This would make Eadulf the first landowner of Scotland whose ownership could be proved, and means that the Swinton family would by this hypothesis be one of only three (the two others being the Arden and Berkeley families) that could trace its unbroken land ownership and lineage to before the Norman Conquest, making it one of the oldest landed families in Britain.Kimmerghame itself was the site of an earlier house, the home of Sir Andrew Home in the 1730s. The lands and estate of Kimmerghame came into the ownership of the family of Swinton in 1776 when Archibald Swinton of Manderston married Henrietta Campbell of Blythswood in Glasgow. This older house was demolished and rebuilt in the early 1850s, the architect being the celebrated David Bryce, who employed some materials from the older house. Bryce’s Scots Baronial house was substantially damaged by fire in 1938 and only partially rebuilt. The family still retains Kimmerghame and its contents.Captain Archibald Swinton (1731-1804) went to India in the service of the East India Company as a surgeon. He reached Madras in 1752 and took part in the campaigns being waged between the French and English Companies for supremacy in the south. He also took part in an expedition 1756-57 to Negrais in Burma. He reached eastern India for the first time in 1759 when he arrived at Ganjam in Orissa and from there went on to Calcutta. He also transferred from being a surgeon to an ensignship in the Company’s Bengal army.When Archibald Swinton left the Company’s service at the end of 1765, he took with him a letter from the Emperor to King George III asking for help to reseat him on the throne of his ancestors, since Clive would not do so unilaterally; Swinton took a munshi with him in case the answer should be written in Persian. So ‘Captain Swinton, bringing with him the Munshy (sic) (and including in his baggage the large Indian jars, the Indian pictures, Chinese pictures painted on glass, numberless ivory, silver and crystal handled arms, jewels, Persian books, etc. etc.), sailed from India …’ The important group of Indian paintings and other works of art are now in the care of the National Museum of Scotland having been accepted by the nation in lieu of inheritance tax.The Swinton family have had strong connections with the Army and the legal profession. Part of their impressive collection was sold at our saleroom in Five Centuries: Furniture, Paintings and Works of Art sale on 23 Feb 2022, and subsequently Fine Asian & Islamic Works of Art on 13 May 2022, lot 150-159
- SPINACH GREEN JADE WITH AGATE INSET
SPINACH GREEN JADE WITH AGATE INSET OPIUM PIPE
QING DYNASTY, 19TH CENTURY ? ????????????????the cylindrical shaft in plain form with metal mount, inset both ends with agate mouthpiece, the stone of luscious rich green tone with variegated dark streaks (1)49.5cm wideProvenance: Kimmerghame, Duns, the Estate of the Late Major General Sir John Swinton K.C.V.O., O.B.E., D.L. (1925-2018)Major General Sir John Swinton began his military career in 1944 with the Scots Guards, rising in rank to Major General in 1976. He was also Brigadier of the Queen’s Body Guard for Scotland (Royal Company of Archers) in 1977, and retired from Army life in 1979. With his strong military background, he was appointed Deputy Lieutenant for Berwickshire in 1980 and Lord Lieutenant from 1989 to 2000. A high point of his tenure was escorting the Stone of Scone back to Scotland in 1996.The Swinton family history and ownership of land in Berwickshire can be traced to the early part of the 12th century, when Ernulf de Swinton received one of the first private charters recorded in Scotland which confirmed his property from David I of Scotland (1084-1153). This is one of two original charters of David I kept in the cartulary of Durham; both are to Ernulf and also refer to Ernulf’s father (Udard), grandfather (Liulf) and great-grandfather (Eadulf) as holding the land before him. This would make Eadulf the first landowner of Scotland whose ownership could be proved, and means that the Swinton family would by this hypothesis be one of only three (the two others being the Arden and Berkeley families) that could trace its unbroken land ownership and lineage to before the Norman Conquest, making it one of the oldest landed families in Britain.Kimmerghame itself was the site of an earlier house, the home of Sir Andrew Home in the 1730s. The lands and estate of Kimmerghame came into the ownership of the family of Swinton in 1776 when Archibald Swinton of Manderston married Henrietta Campbell of Blythswood in Glasgow. This older house was demolished and rebuilt in the early 1850s, the architect being the celebrated David Bryce, who employed some materials from the older house. Bryce’s Scots Baronial house was substantially damaged by fire in 1938 and only partially rebuilt. The family still retains Kimmerghame and its contents.Captain Archibald Swinton (1731-1804) went to India in the service of the East India Company as a surgeon. He reached Madras in 1752 and took part in the campaigns being waged between the French and English Companies for supremacy in the south. He also took part in an in expedition 1756-57 to Negrais in Burma. He reached eastern India for the first time in 1759 when he arrived at Ganjam in Orissa and from there went on to Calcutta. He also transferred from being a surgeon to an ensignship in the Company’s Bengal army.When Archibald Swinton left the Company’s service at the end of 1765, he took with him a letter from the Emperor to King George III asking for help to reseat him on the throne of his ancestors, since Clive would not do so unilaterally; Swinton took a munshi with him in case the answer should be written in Persian. So ‘Captain Swinton, bringing with him the Munshy (sic) (and including in his baggage the large Indian jars, the Indian pictures, Chinese pictures painted on glass, numberless ivory, silver and crystal handled arms, jewels, Persian books, etc. etc.), sailed from India …’ The important group of Indian paintings and other works of art are now in the care of the National Museum of Scotland having been accepted by the nation in lieu of inheritance tax.The Swinton family have had strong connections with the Army and the legal profession. Part of their impressive collection was sold at this saleroom in Five Centuries: Furniture, Paintings and Works of Art sale on 23 Feb 2022, and subsequently Fine Asian & Islamic Works of Art on 13 May 2022, lot 150-159Note: To create a jade baton of this length requires a substantial jade boulder. The simplicity of the pipe showcases the attractive natural colour of the stone. Compare to a Chinese jade silver-mounted opium pipe, dated to the 20th century, sold at Christie's Amsterdam, 3-4 April 2012, lot 365.