- THE BEST LITTLE HOOSIER BRAND KITCHEN
THE BEST LITTLE HOOSIER BRAND KITCHEN CABINET C. 1920This is a perfect little example of Hoosier's rare diminutive size made in extremely limited numbers during the 1920's. The doors have caramel slag insets, the catches are embossed with the Hoosier brand's distinctive stylized 'H' logo, the upper right door still has a HOOSIER HELPFUL COOKING HINTS paper label inside, a nice original Hoosier tag near the top above the doors, paneled sides, roll-up front. sliding porcelain enamel work surface, and more.Measures 63.75 x 25 x 24.5 inches.Very good original condition, noting the effects of normal use free from damage, repair or heavy wear.
- HOOSIER FRUITWOOD TWO-PART KITCHEN CABINET,
HOOSIER FRUITWOOD TWO-PART KITCHEN CABINET, 72 X 48 X 27 1/2 IN. (182.9 X 121.9 X 69.9 CM.)Hoosier Fruitwood Two-Part Kitchen Cabinet,, Dimensions: 72 x 48 x 27 1/2 in. (182.9 x 121.9 x 69.9 cm.)
- Oak 2-pc Hoosier cabinet, top with 4
Oak 2-pc Hoosier cabinet, top with 4 doors with stained glass inserts at top, tambour door, base with enamel top over three drawers over single door, 69"h x 39"w x 12"d
- CECIL HEAD (AMERICAN, 1906-1995). Oil
CECIL HEAD (AMERICAN, 1906-1995). Oil on board. "Down on the Farm". Signed lower right. 62nd Annual Hoosier Salon label affixed verso. From a Plainsboro, NJ collection. Dimensions: 19.5" high x 25.25" wide Condition: Good.
- AN AMERICAN OAK HOOSIER PANTRY CABINET
AN AMERICAN OAK HOOSIER PANTRY CABINET An American oak hoosier pantry cabinet, McDougall Company, IN, composed of two tiers with enamel top, includes original paper instruction labels and Mcdougall metal factory label 71"h x 50"w x 27"d
- Provincial American \"Hoosier\"-Style
Provincial American \"Hoosier\"-Style Baker\'s Cabinet, early 20th century, the top with a pair of glazed doors above a row of three drawers and an openwork surface below, the base with a pull-out cutting board above a single drawer and two cabinets, h. 67-1/2\", w. 41\", d. 23-3/4\".
- PAINTING, RANDOLPH COATS Randolph Coats
PAINTING, RANDOLPH COATS Randolph Coats (American, 1891-1957), Winter Village Scene, oil on canvas, signed lower right, exhibition label (Hoosier Salon Exhibition, 1945) affixed stretcher bar verso, canvas: 26"h x 32"w, overall (with frame): 31.5"h x 37.5"w.
- HENRY MACGINNIS (AMERICAN, 1875-1962)
HENRY MACGINNIS (AMERICAN, 1875-1962) BULL RUN DAM, C. ...Henry MacGinnis (American, 1875-1962) Bull Run Dam, c. 1916 oil on canvas In very fine condition with rare Newcomb-Macklin frame Signed H. R. MacGinnis lower left 40 in. h. x 30 in. w., image 51 in. h. x 41 in. w., as framed Henry Ryan MacGinnis, 1875-1962, was born in Indiana and began his art studies under the eminent Hoosier artists T.C. Steele, J.O. Adams and William Forsyth. One of his earliest exhibitions was in 1896, when he showed his work with other notable Hoosier artists such as T.C. Steele, J. Ottis Adams, R.B. Gruelle, William Forsyth, Otto Stark and Clarence Ball. In 1900, MacGinnis left Indiana to study in Europe. For five years, he painted and studied in Paris and Munich, where he won Honorable Mention from the Royal Academy of Fine Arts in Munich. He was a member of the Audubon Artists, Hoosier Salon, Salmagundi Club, and Allied Artists. In 1908, soon after MacGinnis returned to the states, William Merritt Chase, chairman of the Exhibition Committee of the 19th Annual Exhibition of the Art Club in Philadelphia, selected the MacGinnis painting New Hampshire Hills for an important exhibit. The show included paintings from other artists such as Mary Cassatt, Ernest Lawson, Childe Hassam and William Merritt Chase. A broad look at MacGinnis' work suggests a concern with impressionism; however, for the most part, MacGinnis stayed within the realm of realism often softened by an impressionistic approach. As mentioned, MacGinnis began painting with the Hoosier artists in Indiana, primarily focusing on landscapes from that region. In 1924, MacGinnis moved to Trenton, New Jersey where he both taught and continued to paint. He focused on painting portraits and landscapes near the Delaware River and New Hope, Pennsylvania region. During this period, he also painted many landscapes and seascapes in Provincetown, Massachusetts, Cape Breton, New Jersey, and in Vermont and New Hampshire. - Richard Frey
- VINTAGE SYNDICATE SALES HOOSIER GLASS
VINTAGE SYNDICATE SALES HOOSIER GLASS DECORATIVE VASENostalgic decor, distinctive line pattern. Marked HOOSIER GLASS.
- GOLD GLASS AURENE NAPPY DISHDESCRIPTION:
GOLD GLASS AURENE NAPPY DISHDESCRIPTION: Steuben gold glass Aurene nappy dish.
Iridized lead glass
Paint stamped “Aurene Haviland and Co."
Reference:
Shape #2670, p. 233
Pictured at Fig. 98, p. 28 of Frederick Carder Steuben Glass by Marshall Ketchum.
Pictured at page 102 of A Guide to Colored Steuben Glass 1903-1933 by Eric E. Ericson and called a “dish”.
Thomas Dimitroff in his book, Frederick Carder and Steuben Glass at p. 230 states:
“Stamps were also used to mark items with silver or white paint, these marks often are partially or completely worn off as a result of washing between 1910 and 1905, Aurene pieces were made for the retailer Haviland and Co. and were commonly marked “Aurene” and “Haviland and Co.” stamped with either matte acid or paint.”
Factory records show this produced in a 4”, 5” and 6” lengths.
Provenance:
Estate of Mr. and Ms. Alan Shovers
Acquired 9/10/11 from Fancy That Antiques of Marshall, Michigan at the Hoosier Antique Show at the Indiana State Fair in Indianapolis, IN
CIRCA: 1910-1915
DIMENSIONS: H: 2.75" x D: 4"
CONDITION: Great condition. Normal signs of age. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
- STEUBEN GOLD AURENE FLORIFORM VASEDESCRIPTION:
STEUBEN GOLD AURENE FLORIFORM VASEDESCRIPTION: Steuben gold Aurene floriform vase. Iridized Lead Glass. Shape #2652. Signed "Aurene 262"
4 1/4"H, 4 1/4" Diameter
Reference:
Shown at page 10 of Objects of Desire: The Art of Frederick Carder by Alan Shovers
Provenance:
Estate of Mr. and Ms. Alan Shovers
Acquired 4/9/02 from Onion House Antiques of Okemos, MI at Hoosier Antique Super Show
DIMENSIONS: H: 4.25" D:4.25"
CONDITION: Vintage condition. Normal signs of age. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
- GOLD GLASS AURENE NAPPY DISHDESCRIPTION:
GOLD GLASS AURENE NAPPY DISHDESCRIPTION: Steuben gold glass Aurene nappy dish. Iridized lead glass Paint stamped “Aurene Haviland & Co." Reference: Shape #2670, p. 233 Pictured at Fig. 98, p. 28 of Frederick Carder Steuben Glass by Marshall Ketchum. Pictured at page 102 of A Guide to Colored Steuben Glass 1903-1933 by Eric E. Ericson and called a “dish”. Thomas Dimitroff in his book, Frederick Carder and Steuben Glass at p. 230 states: “Stamps were also used to mark items with silver or white paint, these marks often are partially or completely worn off as a result of washing between 1910 and 1905, Aurene pieces were made for the retailer Haviland & Co. and were commonly marked “Aurene” and “Haviland & Co.” stamped with either matte acid or paint.” Factory records show this produced in a 4”, 5” & 6” lengths. Provenance: Estate of Mr. & Ms. Alan Shovers Acquired 9/10/11 from Fancy That Antiques of Marshall, Michigan at the Hoosier Antique Show at the Indiana State Fair in Indianapolis, IN CIRCA: 1910-1915 DIMENSIONS: H: 2.75" x D: 4" CONDITION: Great condition. Normal signs of age. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.