Just a few examples of appraisal values for George Morland
After George Morland, oil painting AfterAfter George Morland, oil painting After George Morland, oil painting, After George Morland, (British, 1763-1804), "Selling Fish", 1792, depicting a fishmonger
James Kirby Baldrey 1750-1823- "No 2 of Sketches",James Kirby Baldrey 1750-1823- "No 2 of Sketches", after George Morland, published by J Harris, No 28, Gerrard Street, Soho; lithographs, folio containing
Hassell (John) Memoirs of the Life of theHassell (John) Memoirs of the Life of the late George Morland first edition engraved portrait additional vignette title and plates extra-illustrated with
BRADBURY (FREDERICK) - HISTORY OF OLD SHEFFIELDBRADBURY (FREDERICK) - HISTORY OF OLD SHEFFIELD PLATE, illustrated throughout, cloth, dust jacket, Sheffield: J W Northend Ltd, republished 1968; J P de
George Morland British, 1763-1804 The Labourers'George Morland British, 1763-1804 The Labourers' Luncheon Signed g. morland (lr) and g. morland pinxt on the front of the cart Oil on canvas 28 x
An oil painting on board after George MorlandAn oil painting on board after George Morland showing a family in a woodland setting gathered around a fire and accompanied by a dog, bears signature bottom
After George Morland 1763-1804- "MorningAfter George Morland 1763-1804- "Morning or the Benevolent Sportsman"; originally published May 1791, reproduction print, 46x59cm: together with three
Manner of George Morland 1763-1804- FeedingManner of George Morland 1763-1804- Feeding the horses; mezzotints, a pair, in verre eglomise frames, 57x46cm., ea: together with five other 19th century
GEORGE MORLAND (British, 1763-1804) “THEGEORGE MORLAND (British, 1763-1804) “THE FARMERS STABLE”. Colored print after a painting by George Morland engraved by W. Ward. The print shows an
GYPSIES RESTING BY THE WAY. ATTRIBUTED TOGYPSIES RESTING BY THE WAY. ATTRIBUTED TO GEORGE MORLAND (BRITISH 1763-1804).
Oil on panel, 8 ⅜ x 8 ⅜ inches. Inscribed "George Morland" in
GEORGE MORLAND, Morning of the BenevolentGEORGE MORLAND, Morning of the Benevolent Sportsman, printed title to trimmed margin, handcoloured aquatint, 19.5" x 25.25", its companion and another
Painting, follower of George Morland, tavernPainting, follower of George Morland, tavern scene with figures at an exterior table, signed lower left "G.M", follower of George Morland, British,
Painting manner of George Morland, travelerPainting manner of George Morland, traveler outside a tavern, unsigned, manner of George Morland, 1763-1804, British, oil on canvas, 11-7/8 x 16 in.; 19th
Painting after George Morland, farmer wateringPainting after George Morland, farmer watering pigs in a barnyard with horses and dog, signed lower right "G.M", after George Morland, British,
Painting after George Morland, fisherman'sPainting after George Morland, fisherman's family outside a cottage, after George Morland, British, 1763-1804, 19th century, 17-1/2 x 21-5/8 in.; modern
Painting after George Morland, the artistPainting after George Morland, the artist angling with a friend, unsigned, after George Morland, British, 1763-1804, oil on panel, unframed, 14-3/4 x 19-1/4
STUDIES OF A MAN BY GEORGE MORLAND, LITHOGRAPHSTUDIES OF A MAN BY GEORGE MORLAND, LITHOGRAPH George Morland (British, 1763-1804), signed l.r.; 13.25 x 19 in. with brief biographical label on verso.
AFTER GEORGE MORLAND BRITISH, 1763-1804
THREEAFTER GEORGE MORLAND BRITISH, 1763-1804
THREE PRINTS
16 1/2 x 13, 16 1/2 x 13, and 15 x 11 1/2 in., respectively
Framed; After George Morland; No.1
A 19th century oil painting on board attributedA 19th century oil painting on board attributed to George Morland and showing a sow and her three piglets feeding in a pig sty setting, inscribed George
John Raphael Smith (1752-1812) Feeding theJohn Raphael Smith (1752-1812) Feeding the pigs mezzotint after George Morland with hand-colouring 1801 [Frankau 135] 440 x 540mm. (17 1/4 x 21 1/4 in);
GEORGE MORLAND (BRITISH, 1763-1804) COUPLEGEORGE MORLAND (BRITISH, 1763-1804) COUPLE FISHING Oil on canvas: 14 x 18 in. Framed; there is a black and white photograph of the work at the Frick
2. George Morland (British, 1763-1804)
Rustics2. George Morland (British, 1763-1804)
Rustics gathering wood in a winter landscape. Oil on canvas, with "G Morland 1783" in the lower left corner,
George Morland (after) British (1763-1804)
PAIRGeorge Morland (after) British (1763-1804)
PAIR OF WORKS: A TEA GARDEN and ST. JAMES'S PARK
color lithographs, framed, inscribed: lower margins, Painted
ASCRIBED TO GEORGE MORLAND Two pigs in aASCRIBED TO GEORGE MORLAND Two pigs in a pigsty with a carrot and a turnip beside an upturned barrel, signed "G. Morland", 27.25" x 35.25". See illustration
George Morland (British 1763-1804)
ConversationGeorge Morland (British 1763-1804)
Conversation in a Stable
Signed G. Morland and dated 1787 l.l.
Oil on canvas
20 x 25 in (50.8 x 63.5 cm)
Under
early 19th Century School/A Gentleman Loadingearly 19th Century School/A Gentleman Loading a Rifle/pencil sketch, 22.5cm x 14cm (8.75" x 5.5")Note: This is probably a portrait of George Morland, by
AFTER GEORGE MORLAND BRITISH, 1763-1804
THEAFTER GEORGE MORLAND BRITISH, 1763-1804
THE FRUITS OF EARLY INDUSTRY AND OECONOMY
Color print: 25 1/2 x 18 in. (sight)
Framed; inscribed lower left
AFTER GEORGE MORLAND BRITISH, 1763-1804
AAFTER GEORGE MORLAND BRITISH, 1763-1804
A VISIT TO THE CHILD AT NURSE
Colored print: 18 x 22 in. (sight)
Framed; Inscribed lower left "Painted by G.
School of George Morland (British, 1763-1804),School of George Morland (British, 1763-1804), pair of oil on panel landscapes, the first depicting three figures outside a cottage, signed middle right
THE WAYFARERS. ATTRIBUTED TO GEORGE MORLANDTHE WAYFARERS. ATTRIBUTED TO GEORGE MORLAND (BRITISH 1763-1804) OR FOLLOWER. , , Oil on cradled panel, 18 x 24 inches. With remnants of a signature
Manner of George Morland Pigs in a Sty BearsManner of George Morland Pigs in a Sty Bears signature G. Morland and dated indistinctly on the upper bar of the gate Oil on canvas 23 x 19 1/4 inches
GEORGE MORLAND (BRITISH 1763-1804) COW STUDY.GEORGE MORLAND (BRITISH 1763-1804) COW STUDY. Pencil on laid paper signed with intitals and dated 1794 upper right loose sheet (5.9'' x 6.4''). Together
Joseph Grozer (British, 1755-before 1799),Joseph Grozer (British, 1755-before 1799), After George Morland (British, 1763-1804) Evening or the Sportsman's Return Signed and titled in the plate
CIRCLE OF GEORGE MORLAND (1763-1804)ThreeCIRCLE OF GEORGE MORLAND (1763-1804)Three pigs in a landscape with sty, signed 'G. Morland and dated 1791', oils on canvas, 10 3/4" x 14 3/4"
J.N.O. HARRIS (PUBLISHERS)'Drawings by G.J.N.O. HARRIS (PUBLISHERS)'Drawings by G. Morland', a folio album containing thirty seven lithographs after George Morland, 39 x 52.5cm, cloth bound, sold
ATTRIBUTED TO GEORGE MORLAND (1763-1804)LandscapeATTRIBUTED TO GEORGE MORLAND (1763-1804)Landscape with travellers, horse, cattle and stagecoach on a hillside, signed and dated 1799, oils on canvas, 31
Lot 375
Property of Various Owners Lot 375
Property of Various Owners George Morland (British 1763-1804) Travelers Encamped in the Woods Signed G. Morland l.r. Oil on panel 19-1/4
After George Morland. The School Door, andAfter George Morland. The School Door, and Cottage Door, 19thC coloured prints, a pair, 37cm x 25cm, and another Morland print.
Sale 441 Lot 240
George MorlandSale 441 Lot 240
George Morland (British, 1763-1804) The Fisherman's Wife, 1791 oil on canvas signed S. Morland and dated 19 x 23 inches.
ATTRIBUTED TO GEORGE MORLAND (1763-1804):ATTRIBUTED TO GEORGE MORLAND (1763-1804): PIGS IN THE BARN Oil on canvas, 1792, signed 'G.E. Morland' center right, lined. 20 x 27 in., 27 x 33 in. (frame).
Attributed to George Morland (1763-1804)
PIGSAttributed to George Morland (1763-1804)
PIGS IN A STY
BRITISH
Watercolour en grisaille heightened with white and pen and ink on laid paper, laid down
GEORGE MORLAND (1763-1804): A COUNTRY SCENEGEORGE MORLAND (1763-1804): A COUNTRY SCENE Oil on paperboard, signed 'G. Morland' lower left, with label from Tennessee Fine Arts Center, Nashville,
Attributed to George Morland (1763 FigureAttributed to George Morland (1763 Figure and horse in a barn, faint signature visible under blacklight lower left: G. Morland, oil on canvas laid to canvas,
After Alexander Stephanoff
The CoronationAfter Alexander Stephanoff
The Coronation of King George IV
Aquatint by Dubourg published 1822
34 x 46cm; 13 x 18in (image size)
Together with a mezzotint
Mostly 19th C. collection of original printsMostly 19th C. collection of original prints and some reproductions of cats including works by: Rajon Nathaniel Currier George Cruickshank George Morland
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After George Morland, oil painting AfterAfter George Morland, oil painting After George Morland, oil painting, After George Morland, (British, 1763-1804), "Selling Fish", 1792, depicting a fishmonger
James Kirby Baldrey 1750-1823- "No 2 of Sketches",James Kirby Baldrey 1750-1823- "No 2 of Sketches", after George Morland, published by J Harris, No 28, Gerrard Street, Soho; lithographs, folio containing
Hassell (John) Memoirs of the Life of theHassell (John) Memoirs of the Life of the late George Morland first edition engraved portrait additional vignette title and plates extra-illustrated with
BRADBURY (FREDERICK) - HISTORY OF OLD SHEFFIELDBRADBURY (FREDERICK) - HISTORY OF OLD SHEFFIELD PLATE, illustrated throughout, cloth, dust jacket, Sheffield: J W Northend Ltd, republished 1968; J P de
George Morland British, 1763-1804 The Labourers'George Morland British, 1763-1804 The Labourers' Luncheon Signed g. morland (lr) and g. morland pinxt on the front of the cart Oil on canvas 28 x
An oil painting on board after George MorlandAn oil painting on board after George Morland showing a family in a woodland setting gathered around a fire and accompanied by a dog, bears signature bottom
After George Morland 1763-1804- "MorningAfter George Morland 1763-1804- "Morning or the Benevolent Sportsman"; originally published May 1791, reproduction print, 46x59cm: together with threeManner of George Morland 1763-1804- FeedingManner of George Morland 1763-1804- Feeding the horses; mezzotints, a pair, in verre eglomise frames, 57x46cm., ea: together with five other 19th century
GEORGE MORLAND (British, 1763-1804) “THEGEORGE MORLAND (British, 1763-1804) “THE FARMERS STABLE”. Colored print after a painting by George Morland engraved by W. Ward. The print shows an
180. George Morland (English, 1763 - 1804) "Children180. George Morland (English, 1763 - 1804) "Children Playing at Soldiers." Color mezzotint on paper. Published in London, Aug 5, 1788, by I. R. Smith,
GYPSIES RESTING BY THE WAY. ATTRIBUTED TOGYPSIES RESTING BY THE WAY. ATTRIBUTED TO GEORGE MORLAND (BRITISH 1763-1804). Oil on panel, 8 ⅜ x 8 ⅜ inches. Inscribed "George Morland" in
GEORGE MORLAND, Morning of the BenevolentGEORGE MORLAND, Morning of the Benevolent Sportsman, printed title to trimmed margin, handcoloured aquatint, 19.5" x 25.25", its companion and anotherPainting, follower of George Morland, tavernPainting, follower of George Morland, tavern scene with figures at an exterior table, signed lower left "G.M", follower of George Morland, British,
Painting manner of George Morland, travelerPainting manner of George Morland, traveler outside a tavern, unsigned, manner of George Morland, 1763-1804, British, oil on canvas, 11-7/8 x 16 in.; 19th
Painting after George Morland, farmer wateringPainting after George Morland, farmer watering pigs in a barnyard with horses and dog, signed lower right "G.M", after George Morland, British,
Painting after George Morland, fisherman'sPainting after George Morland, fisherman's family outside a cottage, after George Morland, British, 1763-1804, 19th century, 17-1/2 x 21-5/8 in.; modern
Painting after George Morland, the artistPainting after George Morland, the artist angling with a friend, unsigned, after George Morland, British, 1763-1804, oil on panel, unframed, 14-3/4 x 19-1/4
CROSSING THE BROOK BY GEORGE MORLAND (BRITISH,CROSSING THE BROOK BY GEORGE MORLAND (BRITISH, 1763-1804), oil on canvas, signed l.l. George Morland; 13.5" high x 17" wide (sight).
STUDIES OF A MAN BY GEORGE MORLAND, LITHOGRAPHSTUDIES OF A MAN BY GEORGE MORLAND, LITHOGRAPH George Morland (British, 1763-1804), signed l.r.; 13.25 x 19 in. with brief biographical label on verso.
AFTER GEORGE MORLAND BRITISH, 1763-1804 THREEAFTER GEORGE MORLAND BRITISH, 1763-1804 THREE PRINTS 16 1/2 x 13, 16 1/2 x 13, and 15 x 11 1/2 in., respectively Framed; After George Morland; No.1
A 19th century oil painting on board attributedA 19th century oil painting on board attributed to George Morland and showing a sow and her three piglets feeding in a pig sty setting, inscribed George
John Raphael Smith (1752-1812) Feeding theJohn Raphael Smith (1752-1812) Feeding the pigs mezzotint after George Morland with hand-colouring 1801 [Frankau 135] 440 x 540mm. (17 1/4 x 21 1/4 in);
GEORGE MORLAND (BRITISH, 1763-1804) COUPLEGEORGE MORLAND (BRITISH, 1763-1804) COUPLE FISHING Oil on canvas: 14 x 18 in. Framed; there is a black and white photograph of the work at the Frick
2. George Morland (British, 1763-1804) Rustics2. George Morland (British, 1763-1804) Rustics gathering wood in a winter landscape. Oil on canvas, with "G Morland 1783" in the lower left corner,
George Morland (after) British (1763-1804) PAIRGeorge Morland (after) British (1763-1804) PAIR OF WORKS: A TEA GARDEN and ST. JAMES'S PARK color lithographs, framed, inscribed: lower margins, Painted
ASCRIBED TO GEORGE MORLAND Two pigs in aASCRIBED TO GEORGE MORLAND Two pigs in a pigsty with a carrot and a turnip beside an upturned barrel, signed "G. Morland", 27.25" x 35.25". See illustration
George Morland (British 1763-1804) The HorseGeorge Morland (British 1763-1804) The Horse Feeder oil on canvas signed 'G. Morland' lower right 48.5 x 56cm.
George Morland (British 1763-1804) The Message SignedGeorge Morland (British 1763-1804) The Message Signed G. Morland l.l.; also titled in pencil on verso Watercolor and ink on laid paper laid down on
George Morland (British 1763-1804) ConversationGeorge Morland (British 1763-1804) Conversation in a Stable Signed G. Morland and dated 1787 l.l. Oil on canvas 20 x 25 in (50.8 x 63.5 cm) Under
early 19th Century School/A Gentleman Loadingearly 19th Century School/A Gentleman Loading a Rifle/pencil sketch, 22.5cm x 14cm (8.75" x 5.5")Note: This is probably a portrait of George Morland, by
GEORGE MORLAND (BRITISH, 1763-1804) TURNSTYLE OilGEORGE MORLAND (BRITISH, 1763-1804) TURNSTYLE Oil on canvas: 18 x 14 in. Framed; lower right signed: G. Morland
AFTER GEORGE MORLAND BRITISH, 1763-1804 THEAFTER GEORGE MORLAND BRITISH, 1763-1804 THE FRUITS OF EARLY INDUSTRY AND OECONOMY Color print: 25 1/2 x 18 in. (sight) Framed; inscribed lower left
AFTER GEORGE MORLAND BRITISH, 1763-1804 AAFTER GEORGE MORLAND BRITISH, 1763-1804 A VISIT TO THE CHILD AT NURSE Colored print: 18 x 22 in. (sight) Framed; Inscribed lower left "Painted by G.
School of George Morland (British, 1763-1804),School of George Morland (British, 1763-1804), pair of oil on panel landscapes, the first depicting three figures outside a cottage, signed middle right
THE WAYFARERS. ATTRIBUTED TO GEORGE MORLANDTHE WAYFARERS. ATTRIBUTED TO GEORGE MORLAND (BRITISH 1763-1804) OR FOLLOWER. , , Oil on cradled panel, 18 x 24 inches. With remnants of a signature
Manner of George Morland Pigs in a Sty BearsManner of George Morland Pigs in a Sty Bears signature G. Morland and dated indistinctly on the upper bar of the gate Oil on canvas 23 x 19 1/4 inches
GEORGE MORLAND (BRITISH 1763-1804) COW STUDY.GEORGE MORLAND (BRITISH 1763-1804) COW STUDY. Pencil on laid paper signed with intitals and dated 1794 upper right loose sheet (5.9'' x 6.4''). Together
Joseph Grozer (British, 1755-before 1799),Joseph Grozer (British, 1755-before 1799), After George Morland (British, 1763-1804) Evening or the Sportsman's Return Signed and titled in the plate
CIRCLE OF GEORGE MORLAND (1763-1804)ThreeCIRCLE OF GEORGE MORLAND (1763-1804)Three pigs in a landscape with sty, signed 'G. Morland and dated 1791', oils on canvas, 10 3/4" x 14 3/4"
J.N.O. HARRIS (PUBLISHERS)'Drawings by G.J.N.O. HARRIS (PUBLISHERS)'Drawings by G. Morland', a folio album containing thirty seven lithographs after George Morland, 39 x 52.5cm, cloth bound, sold
ATTRIBUTED TO GEORGE MORLAND (1763-1804)LandscapeATTRIBUTED TO GEORGE MORLAND (1763-1804)Landscape with travellers, horse, cattle and stagecoach on a hillside, signed and dated 1799, oils on canvas, 31
Lot 375 Property of Various Owners Lot 375 Property of Various Owners George Morland (British 1763-1804) Travelers Encamped in the Woods Signed G. Morland l.r. Oil on panel 19-1/4
After George Morland. The School Door, andAfter George Morland. The School Door, and Cottage Door, 19thC coloured prints, a pair, 37cm x 25cm, and another Morland print.
Sale 441 Lot 240 George MorlandSale 441 Lot 240 George Morland (British, 1763-1804) The Fisherman's Wife, 1791 oil on canvas signed S. Morland and dated 19 x 23 inches.
ATTRIBUTED TO GEORGE MORLAND (1763-1804):ATTRIBUTED TO GEORGE MORLAND (1763-1804): PIGS IN THE BARN Oil on canvas, 1792, signed 'G.E. Morland' center right, lined. 20 x 27 in., 27 x 33 in. (frame).
Attributed to George Morland (1763-1804) PIGSAttributed to George Morland (1763-1804) PIGS IN A STY BRITISH Watercolour en grisaille heightened with white and pen and ink on laid paper, laid down
GEORGE MORLAND (1763-1804): A COUNTRY SCENEGEORGE MORLAND (1763-1804): A COUNTRY SCENE Oil on paperboard, signed 'G. Morland' lower left, with label from Tennessee Fine Arts Center, Nashville,
Attributed to George Morland (1763 FigureAttributed to George Morland (1763 Figure and horse in a barn, faint signature visible under blacklight lower left: G. Morland, oil on canvas laid to canvas,
After Alexander Stephanoff The CoronationAfter Alexander Stephanoff The Coronation of King George IV Aquatint by Dubourg published 1822 34 x 46cm; 13 x 18in (image size) Together with a mezzotint
Mostly 19th C. collection of original printsMostly 19th C. collection of original prints and some reproductions of cats including works by: Rajon Nathaniel Currier George Cruickshank George Morland