- BRIDGET RILEY, COLOR SERIGRAPH + LETTER,
BRIDGET RILEY, COLOR SERIGRAPH + LETTER, 1971 Bridget Riley (American, b. 1931), Print for Chicago 8 (from the portfolio CONSPIRACY: The Artist as Witness), published by David Godine and the Center for Constitutional Rights, pencil signed, dated and editioned "Artist Proof" lower margins, accompanied with letter by artist, slat framed under glass, 24"h x 18"w (frame)
- BRIDGET RILEY (BRITISH, B. 1931) PRINT
BRIDGET RILEY (BRITISH, B. 1931) PRINT FOR CHICAGO 8 (FROM THE PORTFOLIO CONSPIRACY: THE ARTIST AS WITNESS) Colored serigraph. Signed, numbered and dated 'Bridget Riley 34/150 '71' (lower left).
- BRIDGET RILEY (B. 1931) "UNTITLED [FRAGMENT
BRIDGET RILEY (B. 1931) "UNTITLED [FRAGMENT 4/6]" 1965. Screenprint on plexiglass. Signed and dated 'Riley '65' (lower left). Edition 67/75.
- BRIDGET RILEY HAYWARD GALLERY SERIGRAPH
BRIDGET RILEY HAYWARD GALLERY SERIGRAPH POSTERBridget Riley (British b. 1931). Hayward Gallery exhibition serigraph poster, 1971. Printed by PKM studio lower right. 30" x 40". Waviness to the paper.
- BRIDGET RILEY, BRITISH 1931-, ELAPSE,
BRIDGET RILEY, BRITISH 1931-, ELAPSE, 1982, COLOR SCREENPRINT, SHEET: 47 1/2 X 31 1/2 IN. (120.65 X 80.01 CM.), FRAME: 50 1/4 X 34 1/4 IN. (127.64 X 87 CM.)BRIDGET RILEY, BRITISH, 1931- ELAPSE, 1982, Color screenprint Lower left titled: Elapse; lower right signed and dated: Bridget Riley '82; lower right blind stamp: The Print Club of Cleveland Color screenprint Dimensions: Sheet: 47 1/2 x 31 1/2 in. (120.65 x 80.01 cm.), Frame: 50 1/4 x 34 1/4 in. (127.64 x 87 cm.) Provenance: The Estate of Nina W. Josephs Please note this is not part of the estate of Ruth Bader Ginsburg.
- FOUR REPRODUCTION CONTEMPORARY PRINTS
FOUR REPRODUCTION CONTEMPORARY PRINTS Includes work by Wayne Thiebaud, Joseph Albers, Jasper Johns and Bridget Riley, all framed.
- BRITISH SCHOOL, 20TH CENTURY ABSTRACT
BRITISH SCHOOL, 20TH CENTURY ABSTRACT COMPOSITION signed "Riley '59" in pencil lower left, mixed media on paper, 35cm x 49cm An attribution to Bridget Riley has been previously suggested. Although this would appear atypical for the Artist's oeuvre at this period, it may represent an interesting transition from her early figurative works toward the abstract and Op art styles she adopted from 1960 onwards. Provenance: The Collection of Bournemouth & Poole College.
- BRITISH SCHOOL, 20TH CENTURY ABSTRACT
BRITISH SCHOOL, 20TH CENTURY ABSTRACT COMPOSITION signed "Riley '59" in pencil lower right, mixed media on paper, 25cm x 35cm An attribution to Bridget Riley has been previously suggested. Although this would appear atypical for the Artist's oeuvre at this period, it may represent an interesting transition from her early figurative works toward the abstract and Op art styles she adopted from 1960 onwards. Provenance: The Collection of Bournemouth & Poole College.
- Bridget Riley, by Maurice de Sausmarez,
Bridget Riley, by Maurice de Sausmarez, Studio Vista, London 1970 and four other books on Riley and Op Art (5)
- After Bridget Riley/Hayward Gallery
After Bridget Riley/Hayward Gallery 21 July to September 1971/framed exhibition poster, 75cm x 102cm
- Bridget Riley (born 1931)/Firebird (Schubert
Bridget Riley (born 1931)/Firebird (Schubert 9)/signed, numbered 53/75 and dated '71/screenprint in colours, 76.5cm x 101.7cm/in plexiglass case
- BLINDS & SHUTTERS (THE STORY OF THE
BLINDS & SHUTTERS (THE STORY OF THE SIXTIES) 14 ½" x 10" (COOPER, Michael) ROYLANCE, Brian, editor. Blinds & Shutters. (Guildford): Genesis/Hedley, (1990). Thick folio, original three-quarter black morocco, yellow cloth boards, photolithographic endpapers, original hand-crafted silk-screened box inset with sliding “blind” over an original photographic print (measuring 12" x 8 ½"), each edition a differnt photograph, edition 455/5000. This copy is signed by: Peter Blake, Jenny Boyd, Eric Clapton, Adam Cooper, Terry Doran, Allen Jones, Gavin Lambert, Ann Marshall, Earl McGrath, Keith Richards, Bridget Riley, Colin Self, and Bill Wyman. Signed limited first edition of this electrifying tribute to photographer Michael Cooper, number 4555 of 5000 copies, with over 600 images (in color and black-and-white) of the Beatles and Rolling Stones, along with numerous celebrities, writers, painters and musicians.