- MANNER OF ANNIBALE CARRACCI (ITALIAN,
MANNER OF ANNIBALE CARRACCI (ITALIAN, 1560-1609), THE HOLY FAMILY Oil on canvas (lined), unsigned, likely 19th century, presented in an antique frame.
- AFTER CARRACCI CABINET DU ROY LOUVRE
AFTER CARRACCI CABINET DU ROY LOUVRE CHALCOGRAPHIE After Annibale Carracci etching on paper from the "Cabinet du Roy" series with blindstamp: "Musee du Louvre Chalcographie" in lower margin. Image: 9.25" H x 12.25" W; frame: 14.5" H x 17.5" W x 0.75" D.
- ATTRIBUTED TO CIRCLE OF ANNIBALE CARRACCI
ATTRIBUTED TO CIRCLE OF ANNIBALE CARRACCI (1560-1600): KNEELING PRIESTChalk on paper mounted on paper, unsigned, indistinctly inscribed lower center; together with Attributed to Barthélémy Du Pan (1712-1763): Seated Mother and Child , black and white chalk on blue paper, unsigned.
17 1/2 x 11 1/2 in. (sheet), 22 1/2 x 16 in. (frame), approximately 7 1/2 x 6 in. (sheet), 12 x 10 in. (frame).
Condition
Priest with the sheet mounted on paper, losses, tears and staining. Mother and Child with foxing and a small split lower left. Not examined out of frame.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- MANNER OF ANNIBALE CARRACCI (1560-1609)
MANNER OF ANNIBALE CARRACCI (1560-1609) CHRIST AND THE SAMARITAN WOMAN oil on canvas, 72cm x 62cm, in a 17th style century stripped frame, the reverse with a red seal on the stretcher
- MANER OF ANNIBALE CARRACCI, (ITALIAN,
MANER OF ANNIBALE CARRACCI, (ITALIAN, 1560-1609), MARY, JESUS, AND ST. JOHN, OIL ON COPPER, 11 1/4 X 9 IN.; FRAME: 18 1/2 X 12 IN.Maner of ANNIBALE CARRACCI, (Italian, 1560-1609) Mary, Jesus, and St. John, oil on copper 11 1/4 x 9 in.; frame: 18 1/2 x 12 in. Provenance: A Brookline, Massachusetts Lady. Condition:
- PIETRO AQUILA AFTER CARLO MARATTA, ENGRAVING
PIETRO AQUILA AFTER CARLO MARATTA, ENGRAVING 17th c., "Iacentem Picturam Annibal Carraccius..." [Annibale Carracci leads the art of painting out of the darkness and into the light], engraving on laid paper, approx. 20"h x 30"w
- FRANCESCO BRIZIO AFTER ANNIBALE CARRACCI
FRANCESCO BRIZIO AFTER ANNIBALE CARRACCI (ITALIAN, 1560-1609) SAINT ROCH DISTRIBUTING ALMS TO THE POOR ENGRAVING: 11 1/2 X 17 3/4 IN...Unframed Engraving: 11 1/2 x 17 3/4 in. Provenance: Private Collection in Virginia
- FOLLOWER OF ANNIBALE CARRACCI "THE
FOLLOWER OF ANNIBALE CARRACCI "THE LAUGH" oil on canvas. unsigned. Giltwood frame.
- CARRACCI CABINET DU ROY LOUVRE ETCHING
CARRACCI CABINET DU ROY LOUVRE ETCHING Annibale Carracci, etching on paper from the "Cabinet du Roy" series with blindstamp: "Musee du Louvre Chalcographie" in lower margin, housed in a giltwood frame. Image: 13.5" H x 19.5" W; frame: 23" H x 29" W.
- FRAMED CASTELLI MAIOLICA PLAQUE Early
FRAMED CASTELLI MAIOLICA PLAQUE Early 18th c. Italian Polychrome Glazed Pictorial Plaque, depicting a Classical mythological scene of 'Venus Carried on the Waves by Triton with the three Graces and Cupids', after a work by Annibale Carracci (Italy, 1560-1609) from a fresco cycle in the Farnese Gallery, Palazzo Farnese, Rome; in a molded wooden frame, plaque: 11 1/8" x 15 3/4", OS: 17 1/4" x 21 1/4". A few unglazed areas, frame scuffs.
- AFTER ANNIBALE CARRACCI TWO PUTTI, FRAMED
AFTER ANNIBALE CARRACCI TWO PUTTI, FRAMED OIL After Annibale Carracci (Italian 1560-1609), portion from "Diana and Endymion", 19th century, oil on canvas, Italian School painting depicting two putti in a landscape, apparently unsigned with Rich's Atlanta, GA department store label en verso, in period gesso and giltwood frame. Note: This composition is after the original fresco "The Loves of the Gods" located at the Palazzo Farnese, Rome. Canvas approx. h. 20.5", w. 25.25"; Overall h. 33.5", w. 28.5", d. 1.75".
- ATTRIBUTED TO ANNIBALE CARRACCI (BOLOGNA
ATTRIBUTED TO ANNIBALE CARRACCI (BOLOGNA (1560-1609 ROME): RECTO: EXTENSIVE LANDSCAPE WITH A CLUMP OF TREES; VERSO: STUDIES OF A SEATED MALE NUDE AND OF A SHOULDER AND UPPER ARM Pen and brown ink (recto); pen and brown ink black chalk on paper (verso); 5 1/2 x 13 in. PROVENANCE: Sir Peter Lely (L.2092); Jonathan Richardson Sr. (L.2184); Sir Joshua Reynolds (L.2364); William Esdaile (L.2617); Hamilton Easter Field (L.872a); Mr. and Mrs. Lester Francis Avnet; By whom sold Sotheby's New York January 18 1984 lot 183 (as Attributed to Agostino Carracci); Pietro Scarpa Venice; Acquired from the above 1988. EXHIBITED: Morgan 2001 no. 6 (as Attributed to Agostino). The landscape drawing of the Carracci have continued to present problems of attribution to scholars and connoisseurs. This lovely expansive view has been attributed to Agostino but the description of the distant mountains and the open and free composition and handling are quite close to works generally given to Annibale such as the extraordinary Landscape with a Smiling Sunrise in the Louvre. The studies on the verso can be connected with the frescoes in the principal salone of Palazzo Magnani Bologna a commission planned and executed by the three Carracci together and completed around 1592. The seated male nude with his arms above his head and his legs crossed is most closely related to a Telamon generally attributed to Lodovico. The drawing has affinities with Lodovico's early style in the delicacy of the penwork but there are also similarities with Annibale's slightly later study for Hercules in the Camerino Farnese.