Lladro porcelain lamp base, modelled and hand painted with a reclining woman and dove beside a tree trunk, factory marks to the base, 35cm high
depicts the Trinity --God the Father, Jesus Christ, and the dove-- over the Immaculate Virgin, above the Four Parts of the World: Asia with the camel, America with the Indian feathers, Africa, the woman with the rhino horn, and Europe on the horse.
18th-19th Century European Jesuit School
oil on canvas mounted to masonite
54 x 42 inches
apparently unsigned
gold wood
56 x 44 inches
Denis Smith acrylic on masonite Woman with Dove very simplified portrait of a woman with dove patterned blue and pink background pink frame ss: 23 1/2'' h. x 32'' w.
THOMAS NELSON MACLEAN SCULPTURE(British, 1845-1894)
Neoclassical Woman with Dove and Flowers, signed in base "MacLean", patinated and parcel gilt bronze, marble, slate and bronze stepped plinth, 19-3/4 x 9-1/4 x 7-1/2 in.
Provenance: John W. Stark House, Springfield, Tennessee [[europeanart]]/[[sculpture]]
Condition:
dark reddish brown to black patina, some rubbing, abrasions, small area of verdigris corrosion; base with crack and chips
Monumental Painted Linen Panel, "Thoughts of Love", featuring a pensive classical maiden seated in a farm yard surrounded by doves, fourth quarter 19th century, presented in a fruitwood-stained beechwood frame, h. 63-1/2", w. 98". Ex-collection the Estate of Josephine Baker, Castelnaud-Fayrac, France. Josephine Baker became famous in the 1920's for her on stage comic routines, singing and exotic beauty. She took on nicknames which included �Black Venus�, �Black Pearl�, and �Creole Goddess�. Her career spanned fifty years until her death in 1975. During her hayday she rivaled the likes of Gloria Swanson and Mary Pickford as the most photographed woman in the world and earned more than any entertainer in Europe. Due to the racial tension in America she spent most of her time in Paris and refused to perform in front of segregated audiences. The NAACP named May 20th Josephine Baker Day in honor of her efforts. During World War II, she served France by both performing for the troops and as an honorable correspondent for the French Resistance by smuggling secret messages written on her sheet music. After the war, she adopted 12 children from around the world. At her Funeral the French government honored her with a 21 gun salute making her the first American woman buried in France with Military honors.
Alvar Munoz Alvar Sunol Munoz-Ramos (Spanish, b. 1935), "La Paloma (Girl with Dove)'', parcel gilt and patinated bronze, from an edition of 175, inscribed to side "ALVAR 33/175 ©". Figural sculpture depicting the bust and arms of a young woman with large dove in hard, with dark stone plinth base. Overall (with base) approximately 10.25" x 10" x 6". From the Private Collection of Paul Pattek of Big Canoe, Georgia.
Baroque Oil on Canvas Painting. Depicting a young woman and dove. Image size 11-1/4" x 7-1/4", in a period style frame, 17" x 13-1/4" overall.
Bronze sculpture after Emmanual Villanis (French 1858-1914) titled ''Woman with Doves''. Mounted on round marble plinth base. Bronze is unsigned. Title plaque on front of base reads ''Woman with Doves by Villans''. Condition: good see images. Measures 21.25'' tall x 10'' wide (at base). Shipping weight 44 lbs.
A Group of Four Staffordshire Figures
18TH/19TH CENTURY
depicting a woman with dove; a woman with mandolin; a woman with wheat sheaf; and a man carrying a lamb on his back.
Height of tallest 9 inches.
Jesus Guerrero Galvan ''Woman with Doves'' gouache watercolor and graphite on paper. Signed and dated upper left ''Guerrero Galvan 1963'' with label en verso ''Galeria de Arte Misrachi Mexico City''. Site: 13''H x 17.75''W; Frame: 20.25''H x 25''W. Jesus Guerrero Galvan (Mexican 1910-1973). Provenance: Galeria de Arte Misrachi Mexico City.
Attractive Roman Bronze Handle w/ Cherub & Woman: Roman, Imperial Period, ca. 1st to 3rd century CE. A beautiful cast bronze handle from a chest or situla, with a woman's face in high relief at its lower end, a standing, nude cherub in high relief at the upper end, and two relief doves in flight on the body of the handle itself. The cherub figure may represent the god Cupid (Eros), who in Roman times switched from being represented as a handsome young man to being the chubby baby we are familiar with today. The bronze on this example is in particularly nice condition, smooth and with an even, grey-green patina. Size: 1. 8" W x 3. 45" H (4. 6 cm x 8. 8 cm); 5. 05" H (12. 8 cm) on included custom stand. . . Provenance: ex-William Froelich collection, New York, USA, acquired in the 1970s. . All items legal to buy/sell under U. S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. . . A Certificate of Authenticity will accompany all winning bids. . We ship worldwide and handle all shipping in-house for your convenience. . #137145 Condition Repaired at upper center. Repair is well done and difficult to see. Nice preservation of motifs with smooth grey-green patina.
1408 - Limoges Porcelain, Picasso Woman and Dove Plate
Limoges porcelain plate depicting Pablo Picasso's (Spanish, 1881 - 1973) woman and dove design, signed verso, 9 1/8" dia. Provenance: From a Florida estate.
Georgian mourning pendant. In approx. 14K yellow gold with engraved border decoration. Navette shaped sepia with macerated hair on ivory depicting a kneeling woman in Grecian garb holding a heart over a flame. The flame rests on a plinth base monogrammed "TAD". Above a dove flies holding a laurel wreath in its beak. Circa 1800. MEASUREMENTS: 40mm x 23mm without hanging loop. 3.9 dwt (6.0 grams). CONDITION: Minute pinprick ding to reverse.
GROUP OF LALIQUE GLASSWARE, 10 PCS1st item: Lalique "Rosine" vase with two doves. Etched "Lalique, France" underside of base.2nd item: úChrysisî Art Deco frosted crystal nude statuette. Inscribed "Lalique, France" underside of base. 3rd item: Frosted crystal bull paperweight on rectangular base. Etched "Lalique, France" front of base. 4th item: Crystal panda figurine with frosted accents. "Lalique" sticker on lower back. Etched "Lalique, France" underside of base. 5th item: Frosted crystal crouching woman figurine. Etched "Lalique, France" underside of base. 6th item: Two flowers perfume bottle with satin finish. Etched "Lalique, France" underside of base. 7th item: Nude woman with flowers frosted crystal figurine on black glass base. Etched "Lalique, France" side of base. 8th item: Frosted crystal figurine of two nude women clutching a column of bubbles on round stand. Etched "Lalique, France" underside of base. 9th item: Small crystal glass with frosted accents of two crouching women. Etched "Lalique, France" underside of glass. 10th item: Crystal perfume bottle stopper with frosted accents in the style of Lalique. Not etched. Ranging in size from 1 3/4" H x 1 1/2" W to 7" H x 2 7/8" W. Early/mid 20th century. Provenance: Private collection, Nashville, TN. (Higher-resolution photos are available at www.caseantiques.com)
Condition:
1st item: Overall excellent condition. 2nd item: Frosting worn on 2" area of left thigh and 1/8" area of base. 3rd-6th items: Overall excellent condition. 7th item: Frosting worn on 1/8" area of right thigh and on flowers. 8th-9th items: Overall excellent condition. 10th item: Areas of grime in recesses of frosted accents. Minute chips around edges of stopper.
FRENCH BLANC DE CHENE UNGLAZED PORCELAIN BUST OF BEAUTIFUL YOUNG WOMAN WITH DOVE PERCHED ON HER SHOULDER; 11"H X 8"W
TWO PIECES OF MOURNING JEWELRY. Probably American early 19th century ivory. Gold set oval brooch of a woman done in sepia standing with folded hands by an urn topped plinth. 1 3/4''. And an oval gold pendant of woman placing a wreath on a pair of kissing doves. Done in sepia and clipped hair. 1 1/2''.
Signed 19th C. Italian Painting, Woman with Dove Signed 19th C. Italian Painting, Woman with Dove. Oil on canvas. Unframed. Signed illegibly lower right. Size: 9 x 14 inches.
UNFRAMED COLOR POSTER OF DOVE AFTER PICASSO AND ETCHING OF WOMAN AFTER KATHE KOLLWITZ, LARGEST: 22 X 30 INCHESUnframed Color Poster of Dove After Picasso and Etching of Woman After Kathe Kollwitz, Largest: 22 x 30 inches
French School (19th century), Woman with Doves: pastel on paper, unsigned, presented under glass in the likely original antique gilt frame. DOA 30 x 24. 5 in. Jack Patla & Co. , Charleston, SC
365. Sunol Alvar (Spanish, b. 1935)
"La Paloma." Ceramic verdigris sculpture. Head and an arm of a woman holding a dove on her right hand. The sculpture measures approx. 9"H x 9"W x 4-1/2"Deep. Inscribed "Alvar" on the front and right side. Provenance: From the collection of Tom Wilson, Cleveland, Ohio. Mr. Wilson's collection spans several decades and includes wonderful Art Deco, sculpture, paintings and drawings from around the the world. Mr. Wilson is a well know cartoonist and creator of the character Ziggy.
300/500 Sold: $701.50
POLYCHROME SCRIMSHAW WHALE'S TOOTH WITH CHILEAN WOMAN AND SAILORS MID-19TH CENTURY LENGTH 4.5".POLYCHROME SCRIMSHAW WHALE'S TOOTH WITH CHILEAN WOMAN AND SAILORS, Mid-19th Century, Obverse depicts a sailor holding an American flag, his arm entwined with a woman in traditional dress holding a Chilean flag. Components of the flag and her outfit heavily colored with red sealing wax. Above the couple is an image of a handshake, probably a fraternal emblem, and "Acuerdate[?], G.W. Brown" in script lettering. Reverse depicts a dove holding a laurel wreath above a sailor holding a star ensign and a spear and standing beside an eagle perched on an anchor. Fan-like border at tip and sawtooth border at base. Dimensions: Length 4.5". Provenance: Richard A. Bourne Company, Hyannis, Massachusetts, March 1986, Lot #289.
Lot of Two 19th Century Pastels. Both unsigned. Woman with dog and pocket watch - 18.25" high x 15" wide, as is - old repairs to tears, especially along lower edge, framed behind glass, not examined out of frame. Woman with dove - 19.75" high x 15.75" wide, housed in an antique giltwood ribbon crown frame, appears to be in good condition, framed behind glass, not examined out of frame.
ENGLISH SCHOOL, THREE PORTRAIT MINIATURES LATE 18TH / EARLY 19TH CENTURY comprising an oval near profile portrait of a young lady, her dark hair tied with a scarf, in a pale pink muslin dress, the reverse with hairwork wheat stalks with seed pearls, 6.5cm high; an oval portrait of a gentleman wearing a powdered wig and dove grey coat with white tie, in a gilt metal locket frame, 4.5cm high; and an oval portrait on card of woman young woman with powdered hair and a pink gown, in a later leather case, 4.5cm high (3) Estimate £ 250-350 + fees. Sold for £300 (buyer's premium included)
REYNOLD BROWN (American, 1917-1991) “TAINTED DOVE”. Illustration oil on paper/board shows a nude woman reclining on a large brass bed. Pencil sketch lines are seen outside of oil. Signed lower right “Reynold Brown”. Housed in a fancy gilt gesso decorated frame with title and name tag. SIGHT SIZE: 10-1/2” x 13-3/4”. CONDITION: Very good. 9-71973 ($500.00-$1,000.00)
MINIATURE HAND PAINTED PORTRAIT, OIL, UNKOWN SUPPORT, DEPICTS YOUNG WOMAN IN RED SHAWL WITH THREE DOVES AND A BASKET OF EGGS, INDIST...Miniature hand painted portrait, oil, unkown support, depicts young woman in red shawl with three doves and a basket of eggs, indistinct signature on right, embroidered fabric verso, framed on easel stand, ss: 4 1/2" h. x 3 1/2" w., wear consistent with age, not examined out of frame.
Fred Hines (British act. 1875-1922)/Woman Feeding Doves by a Cottage/watercolour, 39cm x 57.5cm/R Bowman/Botanical Study/watercolour, 55cm x 43.5cm and sundry prints/Provenance: The Estate of the late Sir John and Lady Smith
ART DECO BRONZE. Wonderful Deco bronze depicts woman, probably a dancer with knee on a marble column and arms outstretched. On her front arm rests a dove with outstretched wings. The sculpture rests on a decorative marble base and appears to be unsigned. SIZE: 21” t x 17” w. CONDITION: Two corners missing from marble inlay on base, otherwise very good. 5-71259 (1,500-2,500)
Group of Lalique Glassware, 10 pcs: 1st item: Lalique "Rosine" vase with two doves. Etched "Lalique, France" underside of base. 2nd item: úChrysisî Art Deco frosted crystal nude statuette. Inscribed "Lalique, France" underside of base. 3rd item: Frosted crystal bull paperweight on rectangular base. Etched "Lalique, France" front of base. 4th item: Crystal panda figurine with frosted accents. "Lalique" sticker on lower back. Etched "Lalique, France" underside of base. 5th item: Frosted crystal crouching woman figurine. Etched "Lalique, France" underside of base. 6th item: Two flowers perfume bottle with satin finish. Etched "Lalique, France" underside of base. 7th item: Nude woman with flowers frosted crystal figurine on black glass base. Etched "Lalique, France" side of base. 8th item: Frosted crystal figurine of two nude women clutching a column of bubbles on round stand. Etched "Lalique, France" underside of base. 9th item: Small crystal glass with frosted accents of two crouching women. Etched "Lalique, France" underside of glass. 10th item: Crystal perfume bottle stopper with frosted accents in the style of Lalique. Not etched. Ranging in size from 1 3/4" H x 1 1/2" W to 7" H x 2 7/8" W. Early/mid 20th century. Provenance: Private collection, Nashville, TN. (Higher-resolution photos are available at www. caseantiques. com) Condition 1st item: Overall excellent condition. 2nd item: Frosting worn on 2" area of left thigh and 1/8" area of base. 3rd-6th items: Overall excellent condition. 7th item: Frosting worn on 1/8" area of right thigh and on flowers. 8th-9th items: Overall excellent condition. 10th item: Areas of grime in recesses of frosted accents. Minute chips around edges of stopper.
CERAMICS: MARION HUSE (AMERICAN, 1896-1967), NINE CERAMIC PIECES: RESTING DOVE SHAPED FIGURE WITH GLAZE MARKINGS, SIGNED "MH" ON BAS...CERAMICS: Marion Huse (American, 1896-1967), nine ceramic pieces: resting dove shaped figure with glaze markings, signed "MH" on base, 6" l.; plaque of girl in pink dress, unsigned; pierced plaque of a womanly bust, some cracking; figure of a nude woman, seated; abstracted and pierced sculpture; red glazed vase with white glazed interior, initialed on bottom, tapered neck, glaze imperfections, approx. 6 1/2" h. x 2 1/2" w.; plate, initialed on bottom, central female figure with dark hair, glaze imperfections, 11 3/4" d.; plaque, unsigned, depicts half-length view of woman in low relief, figure holds baby to her chest, minor cracks along top, approx. 1/2" h. x 7 1/4" w. x 9 1/2" w.; along with covered bowl, unsigned, cover of bowl with raised grape motif, chips to grapes, hairline crack on interior of cover and bottom of vessel, approx. 3" h. x 4 1/4 "d. [Works by Marion Huse are currently being offered at Vose Galleries and Childs Gallery, and have been sold by Spanierman Gallery in the past. This work was given to the Brockton Art Museum (MA) by the artist's husband, Dr. Robert Barstow; the BAM in turn gifted the Huse Collection to the New Britain Museum of American Art which later chose to sell some Huse works through auction at Winter Associates, Inc., CT]
BOOK OF HOURS, use of Rouen, in Latin. Late 15th Century Northern France (probably Rouen), [c. 1470-80 and c. 1520]. Illuminated manuscript on vellum. Small 4to (160 x 110 mm). 236 leaves, 1 blank, complete, red ink foliation skips a leaf between fols.86 and 87, ruled in red ink, 25 lines, written-space 112mm. by 70mm., written in dark brown ink in two sizes of a gothic bookhand, quires vi-viii by a different scribe in a more rounded hand, capitals touched in yellow, rubrics in red, running titles in liquid gold (somewhat darkened) at top of each page, line-fillers, one-line, 2- to 5-line initials throughout in liquid gold on red, blue and brown grounds, a FULL BORDER ON EACH PAGE of narrow bars of liquid gold on three sides and the outer side a panel with blue and gold acanthus, flowers, fruit and occasional birds, with black dots and fine lines, a large historiated initial (11 lines) of the Trinity on fol.44r, ELEVEN LARGE MINIATURES WITH FULL BORDERS in arched compartments above large initials and 5 lines of text, with borders of acanthus, fruit, flowers and occasional birds on parti-coloured gold grounds. 18th-century mottled calf, tooled in blind, white metal clasp, vellum pastedowns and free-endleaves. Condition: occasional wear and rubbing of borders, slight stains and general signs of use, some water damage towards end of manuscript; small splits to joints. Provenance: (1) Written and illuminated for use in Rouen. The Calendar includes Rouen feasts, including Hugh, Romanus, Evodius, Mellonius etc., and the translation of the relics of St.Anne and translations of Audoenus, Laurence, Ursinus, Romanus and Evodius as well as the dedication of Rouen cathedral (October 1). The lengthy Litany includes Mellonius, Evodius, Romanus, Audonus etc., as well as Ermelinda, a Belgian recluse from Maldart, Opportuna of Montreuil and Angadresima, abbess of Oroër-des-Vierges, who recieved the veil from Audoenus; (2) M. Lowdon-Rolly (according to a loosely inserted printed label, the manuscript was owned by Lowdon-Rolly whenit was exhibited in the 1952 exhibition 'L'Art du Moyen Age', in the Musée Cantini in Marseilles).Contents:The manuscript opens with a Calendar including Rouen saints (fol.1r); the Hours of Virgin [Use of Rouen], with Matins (fol.7r), Lauds (fol.18v), Prime (fol.23r), Terce (fol.30r), Sext (fol.32v), None (32v), Vespers (fol.36v) and Compline (fol.39r); Hours of the Holy Ghost (fol.41v); Suffrages to the Holy Trinity and Saints (fol.44r); the Penitential Psalms (fol.49r) and Litany; the Office of the Dead (fol.63r) and the Commendation of Souls (fol.78v); additional Offices for different feasts throughout the year (fol.92r); additional Psalms and prayers to the Virgin (fol.228r).Illumination:The illumination is the work of two artists of different generations. The majority of the miniatures are painted by a follower of the MASTER OF THE ÉCHEVINAGE DE ROUEN (or the Master of the Geneva Latini), who dominated Rouennais illumination during the third quarter of the fifteenth century. Books of Hours in this style were illuminated in Rouen in huge numbers in the later fifteenth century, supplying the needs not only of that city but also of all Normandy and elsewhere. The Échevinage Master ran a large workshop with many collaborators, producing very standardised Books of Hours designed to be sold on the open market (cf. F. Avril and N. Reynaud, Les manuscrits à peintures en France 1440-1520, 1993, pp.169-72; J. Plummer, The Last Flowering, French Painting in Manuscripts 1420-1530, 1982, pp.66-7, nos.87 and 88). The style of the miniatures in this manuscript is very close to that in a manuscript from the group, now Edinburgh, University Library MS.43. A second artist painted the miniatures of the Crucifixion (fol.39r), Pentecost (fol.41v) and the initial of the Trinity (fol.44r) in the distinctive style of the MASTER OF THE ANGO HOURS. Quires 5, 6 and 7 are early sixteenth-century replacements for the original leaves, which presumably were damaged in some way, but written and decorated to concord with the rest of the manuscript. The Ango Master represents the last great moment of Rouen manuscript illumination. Named after one of his characteristic works (Paris, BnF ms.N.a.lat.392), a Book of Hours for Use of Rouen which includes a poem on the christening of Maria Ango in the church of St. Patrice de Rouen in 1514. Other Books of Hours by the same painter include Rouen, Bibl.Mun.ms.35 (Use of Rouen), Cambridge, Fitzwilliam Museum MS.116 (Use of Rome), New York, PML MS.M.61 (Use of Orléans) and a Book of Hours sold at Sotheby's London, 5 December 1995, lot 48. His style is steeped in classical and Italian influences and shows the trend into baroque and mannerism. Most manuscripts by the Ango Master appear to have been made in the 1520s and it was presumably at that date that these two quires were added to the present manuscript to replace damaged ones. The complexity of text and extensive border decoration are typical of Rouen Hours of the last decade of the century and were designed to allow manuscripts to compete with the new printed Books of Hours. The subjects of the miniatures are:1. Folio 7r, the Annunciation, 95mm. by 65mm., in an arched compartment, the Virgin and Gabriel kneeling in an interior; full border. 2. Folio 25r, the Nativity, 90mm. by 65mm., the Virgin, Joseph and two angels kneeling in adoration of the Child, in front of a ruined stable, to the right the ox and ass; full border.3. Folio 28v, the Annunciation to the Shepherds, 95mm. by 65mm., three shepherds with their flock in a landscape, one playing bagpipes, and one, a woman, playing with a sheep, an angel in the sky above; full border. 4. Folio 30v, the Adoration of the Magi, 95mm. by 65mm., the Virgin and Child seated before the stable, the kings presenting gifts, in a landscape; full border. 5. Folio 32v, the Presentation in the Temple, 95mm. by 65mm., the Holy Family with Simeon and an attendant with a basket of doves, in an interior seen through an architectural frame; full border. 6. Folio 34v, the Flight into Egypt, 95mm. by 65mm., the Virgin and Child riding a donkey led by St. Joseph, in the background the miracle of the wheat, set in a landscape; full border.7. Folio 36v, the Coronation of the Virgin, 95mm. by 65mm., the Virgin kneeling before God the Father seated on a throne, an angel swooping down to place a crown on her head, set in an interior; full border.8. Folio 39r, the Crucifixion, 88mm. by 70mm., Christ on the Cross, with Mary Magdalene kneeling at the foot of the Cross and weeping, to the left the Virgin, St.John the Evangelist and two of the Marys, to the right a group of horsemen, in a landscape; full border. 9. Folio 41v, Pentecost, 90mm. by 71mm., the Virgin seated with an open book on her lap, surrounded by the kneeling Apostles, with the Holy Ghost above, in an interior; full border.10. Folio 44r, the Holy Trinity, 48 by 41mm., Christ and God the Father enthroned with the Dove above,11. Folio 49r, King David, 100mm. by 63mm., David kneeling before his throne, his harp and crown on the floor beside him, looking up at a bust of God in the sky, in an interior with a view of a city behind; full border.12. Folio 63r, a Funeral Service, 100mm. by 66mm., to the left a blue-draped bier with four candles and three mourners behind it, to the right four priests singing beside a lectern, in an interior; full border.
Valentin Bing (Dutch, 1812-1895), Young Woman with Dove
oil on panel, monogrammed and dated 1852 at lower left, presented in a later gilt frame.
SS 12 x 9.75 in.; DOA 15.5 x 13.25 in.
No apparent condition concerns.
Prints by Wong Shue (lot of 3) Wong Shue (Chinese, 20th century), Woman with Dove (2) and Woman with Saxophone, serigraphs on rice paper in colors, each pencil signed and each from an edition of 300, overall (each/unframed): (2) 49"h x 36"w and 37"h x 37"w
RICHARD HALLIER (AMERICAN, 1944-2010) “GIRL WITH DOVES” BRONZE SCULPTUREDated ’95, signed and numbered “R. Hallier 1/50” patinated cast bronze, 2-piece sculpture of a young woman wearing a slip dress, balancing on a rocky base, her arms raised with doves encircling her
(ART.) MACALA, BEN. Woman with dove and guitar (supplied title). Mixed media, pastel and charcoal on paper, 36x24- 1/2 inches; some very slight abrasions; a few creases to the edges and center. Soweto, circa 1990
H. ALI SAJJADI (Iranian, 20th Century) WOMAN WITH DOVE. Miniature painting on ivory shows woman in colorful costume holding dove in right hand with sword at belt. Decorative jars and rug are at her feet. Signed with artists initials on right side. Housed in a wonderful inlaid ivory and mother of pearl decorated frame with watercolored matte. Original artists label on reverse. IMAGE SIZE: 5” x 3”. CONDITION: Very good. 9-96495 (300-500)
(2) REGENCY WOOL AND SILK-WORK PICTURES c. 1800, including a town scene with pond and central tree, and woman with dove and dog among fruiting trees, town: 17" x 18 1/2" (overall), woman: 21" h x 16" w (overall), framed and glazed
PAINTED METAL ICON. Probably 19th Century. Showing man, woman and child with a dove over child. Unsigned. Housed in a black wood antique frame. SIZE: 13-1/2” x 9-1/2”. CONDITION: Hole at top for hanging. Some damage to left corner. Generally good. 9-95186 (250-450)
CERAMICS: Marion Huse (American, 1896-1967), nine ceramic pieces: resting dove shaped figure with glaze markings, signed "MH" on base, 6" l.; plaque of girl in pink dress, unsigned; pierced plaque of a womanly bust, some cracking; figure of a nude woman, seated; abstracted and pierced sculpture; red glazed vase with white glazed interior, initialed on bottom, tapered neck, glaze imperfections, approx. 6 1/2" h. x 2 1/2" w.; plate, initialed on bottom, central female figure with dark hair, glaze imperfections, 11 3/4" d.; plaque, unsigned, depicts half-length view of woman in low relief, figure holds baby to her chest, minor cracks along top, approx. 1/2" h. x 7 1/4" w. x 9 1/2" w.; along with covered bowl, unsigned, cover of bowl with raised grape motif, chips to grapes, hairline crack on interior of cover and bottom of vessel, approx. 3" h. x 4 1/4 "d. [Works by Marion Huse are currently being offered at Vose Galleries and Childs Gallery, and have been sold by Spanierman Gallery in the past. This work was given to the Brockton Art Museum (MA) by the artist's husband, Dr. Robert Barstow; the BAM in turn gifted the Huse Collection to the New Britain Museum of American Art which later chose to sell some Huse works through auction at Winter Associates, Inc., CT]
Royal Doulton figurines: "Harmony", H.N. 2824 woman with dove in hand, 8'' h.; along with "Flower Sitters Children", H.N. 1342, flake on one rose, approx. 8'' h.
Baroque Oil on Canvas Painting. : Baroque Oil on Canvas Painting. Depicting a young woman and dove. Image size 11-1/4" x 7-1/4", in a period style frame, 17" x 13-1/4" overall. Condition: Fair to good, laid down on later period canvas, modern stretcher and restorations. Condition Condition: Fair to good, laid down on later period canvas, modern stretcher and restorations.
Pair of French painted bisque figures of renaissance lovers second half-19th century; with gentleman dressed as renaissance prince with jewel chest woman as similar princess with dove based marked ''Depose '' each 24 in. H. Estimate $ 300-500 Comments added 5-31-2011..... *the figures measure 24 in. height *there is nicotine staining *break and repair on woman's garment *new hand Age appropriate wear.
FRENCH BRONZE FIGURE OF A WOMAN FEEDING A DOVEFrench Bronze Figure of a Woman Feeding a Dove, signed "L. GREGOIRE", h. 24 in.
Schomer Lichtner. (American, 1905-2006) . Wom: Schomer Lichtner. (American, 1905-2006) . Woman and Doves. watercolor. 23 x 17 1/2 inches. Condition . For condition inquiries contact Gia Spezia at giaspezia@hindmanauctions. com
French School (19th century), Woman with Doves
pastel on paper, unsigned, presented under glass in the likely original antique gilt frame.
DOA 30 x 24.5 in.
IRENE AWRET (ISRAELI, 1921 - 2014), WOMAN WITH DOVE, TE...Irene Awret (Israeli, 1921 - 2014), Woman with Dove, terracotta tile, signed lower right "Awret", sight size 11 1/4" x 8 1/2"
Condition:
All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
Louis Icart (French 1888-1950) Framed etching and aquatint entitled 'Wounded Dove' depicting a woman holding a dove printed in plate copyright 1929 image size is 21x16.5 size as framed is 35x27 with Certificate of Authenticity from John K Bates Lockport Street Gallery Plainfield IL
POLYCHROME SCRIMSHAW WHALE'S TOOTH WITH CHILEAN WOMAN AND SAILORS MID-19TH CENTURY LENGTH 4.5".POLYCHROME SCRIMSHAW WHALE'S TOOTH WITH CHILEAN WOMAN AND SAILORS, Mid-19th Century, Obverse depicts a sailor holding an American flag, his arm entwined with a woman in traditional dress holding a Chilean flag. Components of the flag and her outfit heavily colored with red sealing wax. Above the couple is an image of a handshake, probably a fraternal emblem, and "Acuerdate[?], G.W. Brown" in script lettering. Reverse depicts a dove holding a laurel wreath above a sailor holding a star ensign and a spear and standing beside an eagle perched on an anchor. Fan-like border at tip and sawtooth border at base. Dimensions: Length 4.5". Provenance: Richard A. Bourne Company, Hyannis, Massachusetts, March 1986, Lot #289.
Thomas Nelson MacLean (British, 1845-1894) Neoclassical Figure of a Woman, with dove and flowers, signed "MACLEAN", gilt bronze, 19-1/4 in. with slate base,
Hutschenreuther handpainted porcelain miniatures of "idealized graces".
Second half of 19th century. Continental. ++ Portrait of young woman holding a dove. Gilt frame. Inscribed on reverse "Bisson: Innocence, 15", Possibly by artist Edouard Bisson (French, b.1856). 3 1/2" x 2 3/4", frame: 4 1/2" x 3". ++ Portrait of a woman with a necklace gazing to the left. Inscribed "15" on reverse. Mark of C.m. Hutschenreuther, Hohenberg (1857-1899), also on reverse.
2 ALVAR SUNOL MUNOZ RAMOS BRONZE SCULPTURES, LA PALOMA ...Two (2) Alvar Sunol Munoz-Ramos (Spain/France, b. 1935) bronze sculptures. 1st item: "La Paloma" ("The Dove"), depicting a woman with gilt face and hands gazing at a gilt dove resting upon the palm of her uplifted right hand and reaching her left arm overhead. Mounted on a two-tiered, black alluminum plinth base. Signed "Alvar" at lower edge. 9 5/8" H x 10" W x 7 1/8" D. 2nd item: "Mother and Bird", depicting a woman with her gaze slightly downcast holding a bird perched upon the back of her right hand lifted up by her ear. Mounted on a black, square wooden base. Signed and numbered "28/300 Alvar" at lower edge. 8 1/2" H x 5 5/8" W x 6 1/8" D.
The Estate of Carl Klein, Brentwood, Tennessee.
Condition:
Both items in overall very good condition with slight scattered wear to bases. Mother and Bird slightly loose on its base.