Pricing Guides & Dictionary of Makers Marks for Antiques & Collectibles

Belle Epoque & French Aesthetic movement in Paris

Paris porcelain spill vase together with a footed basket and two platters
Paris porcelain spill vase together with a footed basket and two platters

Paris Porcelain is a term that refers collectively to the various porcelain decorating workshops and studios within and around Paris, France. It is not the name of any single company or manufacturer and is usually applied to items made between mid-19thC to the present day.

Most studios were short-lived, but are well documented. Marks used to identify porcelain from these workshops have been catalogued in various specialized books, and of course in our research website, which is constantly updated with even the latest fake marks on Asian imports in the same style. Unlike German marks that are often copies of older Meissen marks, most Paris Porcelain studios applied hand-painted or stamped logos that are quite unique, although some are variations of the original crossed L’s mark used by Sevres.

Paris Porcelain Clock Garniture the clock
Paris Porcelain Clock Garniture

There is a distinct quality that characterizes Paris Porcelain. Many pieces are painstakingly hand-decorated in floral or pastoral scenes in soft and pastel colors. The background is usually white or light blue. Very often, porcelain items from Paris studios also have additional decorative details in materials other than ceramic, such as ormolu or metal overlay and mounts, usually in brass or bronze. Their size and scale can be described as “grand”, many are centerpieces for display only and have no utilitarian aspect to them whatsoever. Urns, large porcelain bowls, porcelain vases in pairs or clock garnitures for the mantle are most common examples. For this reason, the vast majority are well preserved and it is rare to find pieces with any significant damage.

Antique Paris Porcelain pieces are the most desired by collectors and are practically always part of an exhibit at many well-stocked museums. The makers are in some cases obscure and generally unknown or have created only a few pieces. However, many are from studios with a rich legacy of Imperial financial support and patronage. They have become the quintessential examples of an era when the Fine and Decorative Arts saw a huge increase of artisans following the French aesthetic movement during the reign of Napoleon’s descendants in the mid to late19thC. This fruitful period in the world of arts is commonly referred to as “Belle Epoque”, literally meaning “Beautiful Era” in French. A large number of these pieces are in the Greek or Neoclassical style and portray elegant and detailed depictions of mythological or ancient scenes. They are usually signed by the individual artist who decorated them and also marked with the logo of the factory or kiln that produced the original blanks.

Pair of Paris porcelain neoclassical garnitures in the form of ram's heads
Pair of Paris porcelain neoclassical garnitures in the form of ram's heads

An exact address that includes the number and street of their location also accompanies the names for many Paris Porcelain workshops. Rue de Paradis-Poissonniere, Rue du Jour, and Rue de la Fontaine-au-Roi are common examples of names of streets in Paris that many of these workshops were situated. These studios often also operated as retailers to sell their wares. Because of the concentration of many of these in central Paris, these workshops also became a frequent stop for the well-to-do Parisians that wished to have porcelain centerpieces made to order as a gift for a loved one or to another noble family. In such cases, it would be worth researching the provenance, i.e. history of ownership, in the event that it passed through the hands of historically important personalities, which in turn increases values considerably

Some notable Paris Porcelain studios include LAHOCHE & PANNIER - L' ESCALIER de CRISTAL ca 1840s - 1880s, LA MAISON ART NOUVEAU BING - GEORGES de FEURE ca 1880s - 1920s, MANUFACTURE de MADAME DUCHESSE d'ANGOULEME - P.L. DAGOTY AND E. HONORE'S FACTORY ca 1815 – 1822, E. JAQUEMIN [Fontaineblau] ca 1860s - 1880s, BAURY & VION ca 1845 - 1880s, BOURDOIS & BLOCH - ACHILLE BLOCH - ROBERT BLOCH - PORCELAINE DE PARIS ca 1829 – Present and many-many others. It is estimated that more than 350 independent and separate studios operated in Paris at some time or another between late 18thC to Present. Some also had connections or a separate studio in Limoges and many blanks were actually purchased from factories there and decorated in Paris.

Tall EDME SAMSON, Paris Porcelain Figures of JUNO and ATHENA, 4th qtr 19thC
Tall EDME SAMSON, Paris, Porcelain Figures of JUNO and ATHENA, 4th qtr 19thC

Edme Samson, who founded Samson Ceramique in 1845, was also a well-known firm that made accurate replicas or reproductions of older porcelain well into the 1960s. In addition to their own unique marks, this company marked their items with symbols very similar to those seen on the actual original pieces they were copying. However and in most cases, they added the letter “S” or some other sign to indicate that this was a copy. Items from mid-to-late 19thC are valued today as of high quality and considered essential for any serious collection of Paris Porcelain.

Values and prices at auction for Paris Porcelain vary significantly and depend on their size as well as their level of decorative detailing, and are usually very high. Original 19th or early 20thC pieces fetch the most, especially if they are in great condition and have been identified properly.

Check our research guides to help you in identifying and appraising your own collection at