Description
	111. Bruce Preston (American, 20th Century) "China Treasures". Oil on canvasboard, signed in the lower right corner, framed in an ornately cast gilt frame, approx. board size 20" x 16", with framing overall approx. 22-1/4" x 18-1/4". There is a label on the reverse from the 1939 Cleveland Museum of Art May Show. The style of the painting has a naive regionalist flair.
	126. Mogul Miniature Illuminated Painting Illuminated manuscript using vegetable dye pigments and gold on paper. The painting depicts a courtyard scene with traditional attention to architectural detail. Text panels above and below the painting. Floral border depicts meandering blossoms and foliage with an abundance of birds. Note two cartouches within the border on the right. Verso depicts manuscript in black pigment with red highlights. Not framed, measures approx. 14-1/2" x 9-3/4".
	131. John Frederick Herring, Jnr. (British, 1815-1907) Three horses at a watering trough in a stableyard. Watercolor on paper, signed in the lower center and dated 1849, image is 10" in diameter, paper is 10-1/8" x 11-5/8", matted and framed under glass, overall size 21-1/2" in diameter. This piece comes from an Ohio estate and is said to be after a painting by J.F. Herring, Snr. This piece has a Christie's sticker inside on the back.
	14. "A. Van B...." Indistinctly Signed Portrait Portrait of a young girl in a plumed hat. Oil on paper mounted onto board, mounted onto a plywood board, indistinctly signed "A. VanB..." in the lower left, framed in a newer frame with a gilt spandrel, the sight size approx. 8-1/2" x 6-3/4" oval, the overall size of the painting approx. 9-1/8" x 7-1/8", and with the frame approx. 17-3/4" x 15-3/8". There is a photocopy of this painting and a description from a former auction attributing the painting to an "A. Van Boeul".
	159. An Arts And Crafts Framed Facsimilie of a Painting by Robert W. Amick (American) An original Arts and Crafts framed offset lithographic facsimilie of a painting entitled "The Enchanted Pool" by Robert Wesley Amick. The frame measures overall approx. 19-1/2" x 23-1/2", and is decorated in polychrome painted relief.
	16. Jules Desire Lubin (French, b. 1854) "The Trespasser". Oil on canvas, ca. 1883, signed in the lower right corner, framed, canvas size approx. 50" x 67", with frame overall approx. 54-1/2" x 71-1/2". There is a large red wax seal on the center stretcher. An interesting narrative in an interior at an impasse in an incident. Two officials appear to be about to arrest the man at the left surrounded by other figures. The dog at the lower center provides an additional dramatic feature as it snarls at the officials. The faces and postures of the men are particularly well painted. The frame has an old nameplate at the center stating the artist, title and that the painting was "Exhibited at the Royal Academy, London, Paris".
	165. Paul Bough Travis (American, Cleveland School, 1891-1975) An African Landscape. Watercolor on pebbleboard, signed and inscribed in the lower right "To Shep and Opal...Paul B. Travis...1955), 18-3/4" x 26-1/4", framed in a light wood frame, overall size 25" x 32-1/2". This fluid and colorful scene is a fine example of the artist's preoccupation with Africa. Please note the man with a pith helmet in the vegetation at the far right, and the menacing alligator cruising for prey in the pond. There is a framer's label on the back of the remaining dust cover from a gallery in Colorado, indicating that the painting has done some travelling of its own before returning here to Cleveland.
	17. Gustave Loiseau (French, 1865-1935) "Rue Delacour a Pointoise, 1922" or "La Vue Delacour Pointoise". Oil on canvas, signed in the lower left corner, framed in an antiqued gilt frame with an "Impressionist" finish, approx. 24-1/4" x 19-3/4" canvas size, with framing overall approx. 29-1/4" x 25-1/4". There is a hand-written label on the center brace of the stretcher with the name of the artist and the title of the painting. The title is also written on the stretcher at the bottom. There is also a partial label from Jules Bourlet & Sons, Ltd. and another hand-written label in red ink of "6203". Prov: From a Cleveland Ohio estate, purchased at auction approx. 60 years ago. This painting will be included in the up-coming catalogue raisonné by Didier Imbert.
	20. Portrait Miniature of an Unidentified Sitter, 19th Century The painting is on most likely an oval of ivory, unsigned nor dated. (From the same collection offered in the previous sale.) A beautiful young woman in Empire style dress, in a fancy metal frame with flowing bow crest. Approx. 4-1/2" x 3" overall.
	244. A French Painting and Embroidery on Silk, Depicting St. Bartholomew, Early 19th Century St. Bartholomew holding his knife of martyrdom, in landscape with red tiled building in background and tropical plants. The image measures approx. 7-1/2" x 10". Overall in newer mat and frame measuring approx. 14-1/2" x 17". A label on the back reads "HOETH, Marchand de Gravures Francaise & Etrangeres a la Glaciere a LYON".
	28. Theodore Gerard (Belgian, 1829-1895) "Daydreaming". Oil on wood panel, signed in the lower left, framed in am ornate gold metal leafed frame with a tan velvet liner, panel size approx. 21-1/2" x 17-1/2", with framing overall approx. 30" x 25-3/4". There is an inscription in French authenticating the painting hand lettered on a painted patch on verso, signed and dated 1864. The pretty child with his mother and father fishing in a stream are beautifully executed. Prov: Rowena Paton Manuel, passed down in the family.
	3. Unknown Artist (American, Early 19th Century) A Hudson River style painting. Oil on canvas, no signature found, canvas size approx. 30-1/4" x 42-1/4", in a period frame with a sand finished cove and corner ornaments, approx. 40" x 52". A panoramic view of a vast landscape surrounded by mountains. There are points of interest in the composition such as figures on a road and farm buildings. This well-painted piece comes from the Lillian Knight estate, an old Akron, Ohio estate, neighboring Stan Hywet. An interesting note is that when this painting came to auction it had never been out of its frame and was fit with hand-made square nails.
	42. Painting Initialed "C.E.W." ca. 19th Century A snowy landscape with a Russian Church. Oil on board, initialed in red "C.E.W." and dated '89 in the lower left, framed in a gilt frame with leaf ornaments at the corners, sight size approx. 9-1/4" x 11-1/4", with frame overall approx. 14-1/2" x 16-1/2". A naively painted scene with a lugubrious winter sky over the distant mountains. A rosy glow surrounds the church steeple. A small group of figures with a sled and a dog are shown in the churchyard.
	420. A Group of Inside Painted Glass Chinese Snuff Bottles The tallest bottle in the group is of flattened rectangular shape with inside painted decorations depicting butterflies and flowers over ochre yellow background; measures approx. 3-1/4"T x 1-5/8" x 5/8". Flattened ovoid shape frosted and yellow glass snuff bottle with inside painting depicting a mountanous landscape on one side and a tree branch with a bird resting on it; yellow stopper with an attached spoon; measures approx. 2-5/8" x 1-3/8" x 3/4". Third bottle is of a flattened stout shape with frosted and red color glass; sides of the bottle are painted with harbor scenes; green stopper with an attached spoon; measures approx. 2-3/8" x 1-5/8" x 7/8".
	51. Frederick Papsdorf (American, Ohio, 1887-1978) "Aurelia Leaves: Seed Pods From The Tulip Tree". Oil on canvas, signed and dated '57 in the lower right corner, canvas size 16" x 14", with framing overall 20-1/4" x 18-1/4". This painting is accompanied by an unframed card with an ink sketch and title of the foliage. It is a tonally painted image with the background being a river next to a desert scene with palm trees and mountains in the distance. The branch of pods and leaves are in the direct foreground. The composition is much in the same tradition as early botanical artists created, with a distant landscape in the background and the botanical subjects held very close in front.
	75. Painting Initialed "J. R." (Continental, 20th Century) A colorful Alpine scene with several cows in a mountainous meadow. Oil on canvas, initialed "J. R." on the tacking margin. Bright sunlight illuminates the Spring green grass and flowers that surround the resting herd, shown with strong shadows. Oil on canvas, approx. 43" x 55-1/4", with framing overall 47-1/2" x 59-1/2". Prov: From a Cleveland, Ohio estate.
	84. Painting Monogrammed "DLW" (American, 20th Century) Profile of a young lady. Oil on canvas, initialed "DLW" on the upper left corner, framed, canvas size 26" x 21-1/4", with framing overall 31" x 26-1/2". There are dates on the reverse in pencil which are partially legible, "May 2 - July 1....". There is also in pencil inscribed the name D. Wilson with a Rye, New York address. A red pen inscription on the upper left corner of the reverse infers that the painting was done by another, Dora Lynell Wilson, an Australian artist, though the attribution is truly uncertain.
	96. Mark Kremer (Russian, born 1928) "Moonlight." Oil painting on board, initialed in the lower right and inscribed and signed on verso, measures approx. 16" x 20", with fancy gilt frame overall approx. 26" x 30".
	18. 19th Century Miniature Portrait Signed "M. Stieler" "Lola Moutez" miniature mourning portrait of a young widow. Signed "M. Stiegler" on the right margin of the painting. Painting on ivory or celluloid, not inspected out of the frame. Original frame; under glass. Image measures approx. 3-1/4" x 2-5/8", framed overall approx. 5" x 4-1/4".
	19. 19th Century Miniature Portrait Signed "M. Stieler" "Anna Hillmeyer" miniature student portrait of a young woman. Painting on ivory or celluloid, not inspected out of the frame. Signed "M. Stieler" on the right margin of the painting. Original frame; under glass. Image measures approx. 3-1/4" x 2-5/8", framed overall approx. 5" x 4-1/4".
	26. Painting bearing the signature, John Francis Murphy (American, 1853-1921) "November Woods". Possibly paper applied to artist's board, oil painting, signed lower left "J. Francis Murphy", image size approx. 13-1/2" x 10-1/2", overall with frame approx. 17-3/4" x 15".
	34. Antal Berkes (Hungarian, 1874-1938) Untitled Winter Scene. Oil on canvas, signed "Berkes A." on the lower right corner, image size approx. 26-1/2" x 38-1/2", framed overall approx. 33-1/2" x 45-1/2". Antal Berkes was known for painting European city street scenes as his principal subject.
	40. August F. Biehle (American, 1885-1979) Still life. Oil on canvas, signed right and dated left, 1921. In the original frame with tags on verso from an Akron, Ohio exhibition and registrar's tag from the Cleveland Museum of Art. This painting was the winner of the third prize award for the category "Still Life Decorative Painting" in the fourth annual May show of 1936. The actual certificate with mailing envelope accompanies this work. Canvas apprx 26" x 34", in frame apprx 30-1/2" x 38-1/2".
	48. Antal Peczely (Hungarian, b. 1891) Interior church view. Oil on canvas, signed lower right. Over wood keyed stretcher. Canvas apprx 24" x 30", in commercial gold frame apprx 29" x 34-3/4". Peczely studied at the Academy of Fine Arts in Budapest and then worked as an art teacher. He was painting regularly from 1924 on, however working with graphics and illustrations as well. He regularly exhibited in the Art Gallery and the National Salon, and was one of the founders of the Artists' Colony at Gyula.
	51. Antal Peczely (Hungarian, b. 1891) Festival scene. Oil on canvas, signed lower right. Verso marked with artist info. Canvas apprx 23-1/2" x 31-1/2". In commercial frame, apprx 29" x 37". Peczely studied at the Academy of Fine Arts in Budapest and then worked as an art teacher. He was painting regularly from 1924 on, but in graphics and illustrations as well. He exhibited in the Art Gallery and the National Salon, and was one of the founders of the Artists' Colony at Gyula.
	54. Laszlo Neogrady (Hungarian, 1896-1962) A photo-realistic painting of an evening winter with stream. Oil on canvas, signed "Neogrady Laszlo" on the lower right corner. Carved wood gilt frame. Image size approx. 23" x 31", framed overall approx. 29" x 37". Laszlo Neogrady was born in Budapest, Hungary in 1896. He was the son of the artist Anatal Neogrady and he studied painting at the Hungarian Academy of Fine Arts under the artist Ede Ballo. From 1922 Laszlo Neogrady exhibited his work at the Hungarian Art Gallery. He specialised in painting naturalistic landscapes many of which depicted forest scenes in the snow. These works are highly sought after and can be found in collections throughout the world. The artists extensive use of impasto creates an almost three dimensional effect in these works. His use of light is usually dramatic and his landscapes are very atmospheric.
	61. A Monumental Mural, circa Aesthetic Movement Title unknown, oil on canvas, signature not found. Assumed to have been trimmed down as imagery somewhat cropped. Mythological scene of floating nymphs playing on pipes and attired in swirling tunics. Composition and lines of whirling fabric paired with warm palette infuses this painting with great energy. Perhaps part of a mural piece rescued from a prominent Cleveland building, this painting is new to the market. In gold painted shaped frame, overall apprx 63-1/2" x 46-1/2".
	71. William Hoffman (American, 1924-1995) Untitled seascape at dusk. Oil on canvas, signed "William Hoffman" on the lower left corner. Framed in a carved gilt frame. Image size approx. 23-1/2" x 47-1/2", framed overall approx. 32-1/4" x 56". William Hoffman was an entirely self-taught painter, who became very successful by painting seascapes.
	80. Painting Signed "V. Waal", ca. late 19th-early 20th Century Landscape with a herd of sheep and a shepherd. Oil on board, signed "L. Waal" on the lower right corner. Framed in a carved wood gilt frame. Image size approx. 15-1/2" x 21-1/2", framed overall approx. 24" x 30".
	86. Arthur Louis Helwig (American, 1899-1976) "Jass 1940". Oil on masonite panel, signed "Helwig" on the lower right corner. Abstract painting in a grey wood frame. Image size approx. 32" x 14", framed overall approx. 40" x 21-3/4". Arthur Helwig, past president of the Cincinnati Art Club (1939-1941), was an active artist and a teacher for well over forty years. During this period he has exhibited in museums and galleries in Europe and in over twenty different cities across this country from New York to San Francisco. He has won four 1st prize awards in national shows for his lithographic prints. He has also won a number of awards for his paintings.
	87. John Teyral (Russian-American, 1912-1999) Untitled. Oil on canvas, signed and dated "Teyral 1960" on the lower right corner, in a painted wood frame, image size approx. 20" x 23-1/2", framed overall approx. 22" x 25-3/4". This painting was The Henry G. Keller Memorial Award presented to Robert Jergens in 1960. Teyral was a student at the Cleveland Institute of Art in the tradition of other Cleveland School artists. He also studied at the School of the Boston Museum of Fine Arts, the Grande Chaumiere in Paris and the Academia Belli Arti in Florence. Provenance: From the collection of Tom Wilson, Cleveland, Ohio. Mr. Wilson's collection spans several decades and includes wonderful Art Deco, sculpture, paintings and drawings from around the the world. Mr. Wilson is a well know cartoonist and creator of the character Ziggy.
	91. William Ivey (American, 1919-1992) Untitled, ca. 1925. Oil on canvas, initialed lower right, signed and dated on verso, 25" x 30-1/2", not framed. William Ivey was widely recognized as the dean of Northwest painters. He was a fourth-generation Seattleite who devoted his career to painting in the Abstract Expressionist style
	109. Painting Signed Wudenec (Ca. 19th/20th Century) Untitled landscape with a lake. Oil on board, signed "Wudenec" at the lower right corner. Image size approx. 18" x 26", framed overall 27-1/2" x 36".
	110. Painting Signed Ruth P. (Ca. 20th Century) Untitled Mediterranean Landscape. Oil on board, signed "Ruth P.". Image size approx. 17-1/2" x 23-1/2", framed overall approx. 23" x 29".
	111. Painting Signed Newman (Ca. 20th Century) "Mrs. Eva Travis". Oil on canvas, signed "Newman '70" on the lower right corner. Two ladies with black umbrellas taking a walk. Image aprox. 27-1/2" x 21-1/2", framed overall approx. 34-1/2" x 28-1/2.
	112. Painting Signed Tesar (Ca. 20th Century) Untitled landscape. Painting on canvas, signed "Tesar '67", image approx. 11-1/2" x 15-1/2", framed overall approx. 15-1/2" x 19-1/2".
	113. Painting Signed Deverell, ca. early/mid 20th Century Figures. An abstraction of people, oil on canvas, signed lower left. Tacked onto stretcher. Apprx 30" x 30".
	118. Mark Kremer (Russian, Contemporary) "Winter Horses." Oil on canvas, signed in Russian on the lower right corner, as well as on verso. Depicted in the painting is a moody winter day with horses on the forefront and a stable in the background. Not framed. Image size approx. 19-1/4" x 23".
	126. Vitali Grigoryev (Russian, born 1957) "Still Life with Coffepot". Oil and other mediums on wood panel; signed in Cyrillic and dated 1993 on the lower right corner. Fine technique and attention to detail are the highlights of this work. Painting is framed in a black wood frame. Image size approx. 11-1/2" x 12-3/8", framed overall approx. 19" x 19-3/8".
	128. Philip Joseph (American, Contemporary) "Autumn". Oil on canvas, signed "Philip Joseph" on the lower right corner. Image size approx. 29-3/4" x 35-1/2", framed overall approx. 36-1/4" x 42". Wood gilt frame. Philip Joseph is an art professor who paints scenes near his home in Oxford, Ohio and in rural Michigan. Joseph creates realistic scenes in a precise painting technique.
	133. Father Train Timotei Tohaneanu (Romanian, 20th Century) Reversed Painting Icon on Glass. Brown wood frame. Image approx. 16"H x 13-3/4"W, framed overall approx. 19-1/2"H x 17-1/2"W. Father Train Timotei Tohaneanu, born in Romania, a monk and a priest at the Brancoveanu Monstery, was self-taught on painting on glass for over 25 years, mixing for colors from Romanian soil. Among his many duties at the Monastery he taught the young monks the art of painting ions on glass and native scenes, more of the Transylvanian scenic arts and crafts. These crafts have been done in the past centuries and forgotten for over 70 years, until he brought back the art to life in all its form and beauty. He was the only artist in the entire country doing this fine art work. His exhibits at at Lugano, Switzerland and in Belgium, as well as Romania Brought him great acclaim. Some of his work is in the permanent collection at the Vatican in Rome.
	134. Oleg Lyapin (Russian, Contemporary) Untitled. Oil on canvas, signed "O. Lyapin" in Russian on the lower right corner and dated 2005. The image depicts a serene winter scene twilight sky and a country hut in the background. Carved gilt wood frame, not matted. This painting measures approx. 15" x 11-1/8", framed overall approx. 20-1/2" x 16-1/2".
	135. Bonnie Sklarski (American, b.1943 ) "Afgahanistan Self Portrait", oil on board, trompe l'oeil painting depicts a dark-haired woman in a multi-colored dress. She stands before a window that looks out on a beautiful desert mountain. A set of red curtains is drawn to reveal the landscape. Board has been painted along the edges to appear as if there is a wooden frame. Measures apprx 24" x 32". Entitled this painting is dated 1977. Sklarski is well known for her trompe l'oeil paintings, providing a three-dimensional realistic appearance. De-accessioned property from an important Midwestern museum collection.
	140. Daniel Leperniere (ca. 1745-1785) engraver A Hunting Piece No. 3 "The Whipper-In Thrown Out." Hand-painted engraving by Daniel Leperniere of a painting by John Wootton (ca.1683-1764). Image size approx. 16-3/4" x 23". In wood gilt frame, overall approx. 29-3/4" x 34". One of 'A Set of Prints engraved after the most capital Paintings in the Collection of Her Imperial Majesty, the Empress of Russia, lately in the Possession of the Earl of Orford at Houghton in Norfolk', published by John Boydell, London 1779. According to the inscription, the original painting measured 6 feet 10 inches high by 8 feet 5 inches long. The persons depicted include Sit Robert Walpole, Colonel Charles Churchill, and Mr. Turner.
	213. Charles Ephraim Burchfield (American, 1897-1967) Untitled. Black ink on paper, possibly over a lithograhic background, initialed "CEB" on the lower left corner. A very strong image for a wallpaper design, with foliage and coiled snakes in an underwater setting. Image size approx. 19" x 13-1/2", framed overall approx. 28" x 20-1/2". Born in Ashtabula Harbor, Ohio, Charles Burchfield became known as a regionalist painter of middle-western America. His paintings have had much influence on succeeding generations of artists. In 1912, he enrolled in the Cleveland School of Art where his most influential teacher was Henry G. Keller. Another major Ohio influence on his painting was William Sommer, leader of the modernist movement in the Cleveland area. He served in World War I from 1918 to 1919 and in 1921, lived in a small town south of Cleveland, moved to Buffalo, New York where until 1929, he worked as a wallpaper designer for the M.H. Birge and Sons Wallpaper Company.
	254. Charles Grec (American, ca. 1946) Untitled Autumn Landscape. Watercolor on paper, signed "Charles Grec" on the lower right corner, image size approx. 13" x 16-1/2", framed overall approx. 15" x 18-3/4". This painting was exhibited in Cleveland Institute of Art in 1946.
	271. Rex. W. Conners (American, 20th Century) "Doorway Number 1", Gouache on paper, not signed, in a wood frame. This painting was accepted for the 41st May Show at the Cleveland Museum of Art in May, 1959. Original acceptance tag is on verso. Image size approx. 9-5/8" x 6-1/2". framed overall approx. 18-3/4" x 14-1/2". Provenance: From the collection of Tom Wilson, Cleveland, Ohio. Mr. Wilson's collection spans several decades and includes wonderful Art Deco, sculpture, paintings and drawings from around the the world. Mr. Wilson is a well know cartoonist and creator of the character Ziggy.
	285. Ellsworth Kelly (American, born 1923) "Blue, Yellow, Red." Color silkscreen, signed "Kelly" on the lower right corner, numbered 51/100, in a gold metal frame, image size approx. 18" x 17-1/2", framed overall approx. 26" x 25-1/2". Three horizontal stripes of blue, yellow, and red. An important American minimalist painter and sculptor, Ellsworth Kelly explains, "By removing the content from my work I shifted the visual reality of painting to include the space around it." Kelly was born May 31, 1923 in Newburgh, New York. He studied at Pratt Institute, Brooklyn, from 1941 to 1943. After military service from 1943 to 1945, he attended the School of the Museum of Fine Arts, Boston, from 1946 to 1947. Kelly studied art in Paris from 1948 to 1954, when postwar Paris was the home of European Abstraction and the avant-garde. He has executed many public commissions, including a mural for UNESCO in Paris in 1969, sculpture for the city of Barcelona in 1978, and a memorial for the United States Holocaust Memorial Museum, Washington, D.C., in 1993. Kelly's extensive work has been recognized in numerous retrospective exhibitions, including a sculpture exhibition at the Whitney Museum of American Art, New York, in 1982; an exhibition of works on paper and a show of his print works that traveled extensively in the United States and Canada from 198788; and a career retrospective in 1996 organized by the Solomon R. Guggenheim Museum, New York, which traveled to the Museum of Contemporary Art, Los Angeles; the Tate Gallery, London; and the Haus der Kunst, Munich. Kelly lives in Spencertown, New York.
	321. A Miniature Painting from India, 17/18th Century Gaming Scene. Opaque watercolor on paper, not framed, image size 8-1/2" x 7-1/2", with mat 14" x 11". A very appealing scene depicting two man on horses playing a game related to an early form of polo with servants attending. A very light- hearted scene with great decorative appeal. Provenance:
	322. A Miniature Painting from India, 18th Century A Young Maiden. Opaque watercolor on paper, not framed, 8" x 6-1/4" paper size, with mat 11" x 9". A delicately beautiful young woman stands in a garden of flowers and contemplates a lotus blossom. Great detail has been rendered in her attire, including a diaphanous dress over her ornate costume very accurately portrayed.
	325. A 19th Century watercolor from India A Bird on a Branch. Watercolor on paper, 7-3/4" x 5-1/2", matted size 14" x 11-1/4", not framed. A stylized and loosely painted highly decorative painting of an aqua and pink bird with grey beak and legs sitting on a branch surrounded by leaves. Provenance:
	326. A Miniature painting from India, 19th Century Brahma Seated Receives Pearls. Watercolor on paper, matted, not framed, 4-1/8" x 4-3/4", with mat 10-1/8" x 13-1/8". A loosely painted miniature, but with great attention to detail, with Sanskrit caption above. The swan carries a string of pearls to Brahma's left.
	333. A Two-Sided Painting from India, 19th Century Courtly scenes. Watercolor on paper, not framed, 4-1/4" x 10-1/4", with mat 11" x 14-1/8". Both sides of the painting depict courtly scenes, processions, animals, peacocks, and other decorative elements, all appearing to have a vivid narrative quality at the same time very decorative and ornate.
	335. A 19th Century Miniature Painting from India Young prince astride a leopard. Watercolor on paper with gold highlighting, not framed, paper size 6-1/2" x 6-1/2", with mat 13-1/8" x 10-1/8". A very aristocratic man rides on a prancing leopard. The image is stylized and the man is regal having trained a fierce animal to his will. Provenance:
	337. A Miniature Painting from India, 19th Century A nightime scene in a garden. Opaque watercolor on paper, not framed, paper size 6" x 9", with mat 11" x 14-1/4". A courtly young partially disrobed woman grooms herself in a garden outside a palace while a servant holds a mirror for her. Provenance:
	338. A framed miniature painting from India, 19th Century A battle scene, with Krishna riding atop a bird deity, warring with demons. Watercolor on paper with gold highlights, matted and framed under glass, image size 4-3/4" x 7-3/8", with frame 9-3/4" x 12-1/2".
	339. Another framed miniature painting from India, 19th Century A Courtly Scene. Watercolor on paper with gold highlighting, matted and framed, image size 4-1/8" x 6-5/8", with frame 8-3/4" x 10-3/4". Three men kneel before a seated man while two women regard the scene from an upper window. Animals are seen at the lower corners.
	342. A Miniature painting from India, 19th Century An extremely delicate painting of a Nobleman. Watercolor on paper with gold highlighting, not framed, 5-3/4" x 3-7/8". A finely rendered painting depicting an older gentleman in very embellished attire, carrying his sword and a pink flower. Behind the man's head is an apparent corona of sorts. The tiny details are very beautifully and skillfully handled. Provenance:
	551. Victorian Glass Vase White blown glass, pontil not polished but wear on bottom consistent with age. Tear drop shape with bulbous body and slender neck, hand painting with chrysanthemums. Not marked, apprx 8-1/4"T.
	558. Mary Gregory Green Glass Vase Apprx 8-3/8"T of chartreuse green blown glass, ruffled opening. Pontil not polished. Hand painting of flowers in white. Visible air bubbles throughout.
	576. Pair of Crown Staffordshire Jars Cobalt blue background with hand painting and honey gilding. Matching pair with lids. Each apprx 12" tall, bottoms with green mark.
	618. French Porcelain & Ormolu Urns Hand decorated porcelain, marked France, cobalt blue backgrounds with raised gold painting in rococo style. Griffon handles and flame finials. Metal on bottom stamped france. Both have front and rear paintings on body and lid. Each apprx 9-1/2"T.
	636. Persian Calligraphy by Mir Ali, ca, 16th Century Painting and calligraphy on paper with gold. Painting of Humayum (1530-56) holding a Durbar and two princes are offering Nazars, or presents. On verso is a quatrain dated "941" A.H. or 1534-35 A.D., written by the most celebrated calligraphist Mir Ali, who was a contemporary of Humayum. Verso also with a Cleveland Museum of Art tag, TR 2233/7. Painting image apprx 8-3/8" x 5-5-8", overall paper apprx 14-3/4" x 9-7/8". With wove cloth edge and wood frame apprx 18-3/8" x 13-3/8".
	656. Riviere Binding-The Rubaiyat of Omar Khayyam Translated by Edward Fitzgerald London: Robert Rivere & Son, LTD., 1928. Special edition with 12 illustrations printed in Caslon Old Face type on Studio hand-made paper. Bound by Rivere & Son. 8 vo. Fine leather binding, front cover has inlaid leather with painting and embossed gilt decoration. Spine with five raised bands with decorated compartments and leather title insert. Edges gilt. Spine has darkened and edges of leather. Marbled end papers.
	780. 19th Century Thangka An overall view of the most important Buddhist deities like Yamantaka, Heruka, Guhyasamaja, Vajradakini as well as gurus and other wisdom beings, centered around the famous teacher Tsong Khapa, founder of the Gelugpa tradition, who is regarded as an emanation of Manjushri. On the top he is accompanied by Shakyamuni and Maitreya Buddha. Painting on fabric with wove silk border. Framed under glass in a gold toned wood frame, overall apprx 49-1/2"T x 29-1/2"W.
	818. Chinese Painting and a Calligraphic Fan A lot comprised of two items; "Seated Couple on Balcony". Ink on paper, image size approx. 12-1/2" x 12". A calligraphic fan mounted on paper, approx. 7-1/8" 19-1/2". De-accessioned property from an important Midwestern museum collection.
	819. Reverse Painting on Glass, ca. early 20th Century Seated woman with fan, unsigned, reverse painting on glass. Overall approx. 19-3/4" x 13-3/4".
	41. Francesco Coleman (Italian, 1851 - 1918) "Dieu et mon Droit " (God and my right), the motto of England. Probably a portrait of Queen Anne Boleyn, second wife of King Henry VIII. Oil on canvas, signed lower right. A tour de force historical painting with numerous charmingly painted areas of interest; "They came for Anne on the morning of May 19th, 1536 to take her to the Tower Green, where she was to be afforded the dignity of a private execution. She wore a red petticoat under a loose, dark grey gown of damask trimmed in fur. Over that she was a mantle of ermine. Her long, dark hair was bound up under a simple white linen coif over which she wore her usual headdress" (Tudorhistory.org) Framed in a Barbizon pattern frame finished in metal leaf (probably restored), canvas size approx. 25" x 36".
	46. After Karel Ooms, Signed by D. Maclise "The Forbidden Book." 19th century oil on canvas, signed on the lower left on a rail of the chair "D. Maclise". Canvas measures approx. 20" x 16". Very nice decorative frame; measures approx. 25" x 20". It is documented that Maclise exhibited a painting titled "The Poet and his Wife", item 236, London 1861, listed in "The Royal Academy of Arts" 1769-1904, pages 152-157. It is possible that this is the painting referenced. Daniel Maclise was a member of Royal Academy. Hon. member "The Scottish Academy" 1866. "E. Benezit" Vol. 5, pg. 681; "The Royal Scottish Academy" 1826-1916, Kingsmead, pg. 258.
	57. Painting bearing the signature: "T S Cooper", dated 1837 Cow and four sheep. Oil on canvas, signed on the lower margin to the left of center, dated 1837. Image measures 13-1/2" x 17-1/2", framed overall approx. 17-1/2" x 22".
	64. Charles W. Simpson (Canadian, 1878 - 1942) "The Derrick, Montreal Harbour." Oil on canvas, signed on the lower right corner, framed in a gilt wood frame. Image measures approx. 20" x 25", framed overall approx. 26" x 31". Signed and dated ('13); exhibition label on the back of the painting, which gives the date for the painting (Art Association of Montreal, 1913). A similar view of Montreal Harbour can be found in the collection of the National Gallery of Canada, Ottawa.
	79. George Wells (British, 1842 - 1888) "Love Me, Love My Dog". Oil on canvas, signed lower left, framed in a gold-tone antique frame with heavily detailed ornamentation, 31" x 22" canvas size, with frame 37-1/2" x 28". A lovely young lady is depicted in late 19th Century attire, holding a beloved Jack Russell Terrier within a wooded setting. Part of the narrative is the gold locket she wears, though the actual significance of the locket is unknown. A hand-lettered plaque on the lower center of the frame bears the artist's name and title. George Wells is most known for known for painting genre, landscapes, rivers, portraits, lakes, nymphs and flowers. He was a founding member of the Royal College of Artists formed and endowed by Queen Victoria. That is what RCA means on the name plate.
	81. Ray Anathony Grathwol (American, 1900-1992) Autumn landscape with a pond surrounded by birch trees and mountainous background. Oil on board, signed "R.Grathwol" on the lower right corner. Image size appox. 24" x 36", framed in a green and gilt frame with a canvas mat this painting measure approx. 30" x 42".
	85. Manilo Sarra (Italian, b. 1910) "Donna Ciociara." Oil on paper mounted on canvas, signed in the lower right corner, framed in a carved gilt frame. Canvas measures approx. 26" x 21", framed overall approx. 31" x 26". This painting was exhibited in the Galleria Del Vantaggio, May 3, 1958; original brochure is included.
	86. Painting Signed C. Klosinski (Continental School, dated 1910) In the Canyon Land. Oil on canvas, signed in the lower right corner. Heavy composite frame with bronze leaf finish. Canvas measures apprx. 28" x 21", framed overall apprx. 33" x 26". Back of the frame has an old sticker, probably in Hungarian.
	91. Bernard Lennon (American, 1914 - 1992) "Tug Boat." Oil on board, signed on the lower right corner, framed in a grey-stained wood frame; oatmeal mat. "Windmill" painting is on verso of the board. Both images measure approx. 7-1/2" x 11-1/2"; framed overall approx. 12-1/2" x 16-1/2."
	94. J. C. Toley (Continental School, ca. 20th Century) Hague School-style painting of domestic interior; oil on canvas; signed lower left in red. The canvas measures apprx. 12-1/2" x 10-1/2". Lovely scene of a mother holding her child in her lap and helping him to hold hands in prayer before the dinner.
	102. Cock Van Gent (American, b.1925) "Boy." Oil on canvas, signed center, lower canvas edge. Verso with Cleveland Museum of Art tag "TR 9734/4". Older Bonfoey Company framing label. Inscribed "Cock Van Gent Gates Mills, Ohio, 1950 Oil No 114 Boy". Record card from the Metropolitan Museum of Art exhibit "American Painting Today 1950", was tacked to upper right of frame, now detached however present. In the original exhibition frame. Canvas approx. 36" x 16". Overall with frame approx. 42-1/2" x 23". Two of his drawing are in the permanent collection of the Butler Art Institute, Youngstown Ohio as well as the Cleveland Museum of Art. Ref: Cock van Gent: Oils, drawings, watercolors from 1952-1956.
	106. Painting Signed Riva (Italian, 20th Century) Milano. Oil on canvas, signed in the lower right corner, framed in a white frame with gilt accents, and an oatmeal canvas liner with a small plaque. Canvas measures approx. 20" x 28"; framed overall approx. 25" x 33".
	107. Painting Signed Tosti (Continental School, ca. 20th Century) "Boat Ride." Oil on canvas, signed Tosti in the lower right corner. Metal leaf frame, with green velvet liner. Canvas measures approx. 15" x 30", framed overall approx. 18" x 34". A scene of a boat in an Italian canal; probably a fishing boat, with a family seated and standing within.
	124. Painting Signed S. Bardi (American, mid-20th Century) Landscape with a country road, probably the Italian Alps in summer. Oil on canvas, signed on the lower right corner. Not framed. Canvas on four-keyed stretcher. Measures approx. 19" x 27".
	126. Painting Signed Chidson (Continental School, 20th Century) Winter road side. Oil on board, signed on the lower right corner. Canvas measures approx. 12" x 16", framed overall approx. 17" x 21".
	127. Frederick L. Hollendonner (American, 1927-1990) An abstract oil on canvas titled "Totemic" in shades of reds, blues, whites and black. It is signed and dated, "F. L. Hollendonner, '59" on the lower right corner. On verso are the title, another signature and tags indicating that this painting was in the 41st May show at the Cleveland Museum of Art, May 6-June 14, 1959. It is framed and the image size measures apprx 39-1/2" x 33-1/2" and overall framed size is 48-1/4" x 42-1/4".
	23. Follower of Guido Reni (Italian 1575-1642) "St. Peter In Tears", oil on canvas. Ex-collection of the Archbishop Edward Hoban, Bishop of Cleveland. Accompanying the painting is paperwork from Hammer Galleries in New York, as they evaluated this painting for the Archbishop. Sticker on verso (# TR 16300/31.1) from the Cleveland Museum of Art, where this painting had been restored in 1977. Back of stretcher inscribed in pen "A. L. Patton", possibly the restorer. Canvas measures apprx 21" x 25".
	25. Panel Portrait of a Pope Julius II della Rovere, C. 17th Century Oil on wood panel with older cradle carriage, after Raphael's original portrait of the pope shortly before he died in 1512-13. He wears a red mantle; after the middle of the sixteenth century popes abandoned it almost entirely in favor of the white habit they wear today. One hand is finely rendered and is adorned with several jeweled rings. The other hand is oddly executed and adorned with jeweled rings as well. Unsigned. Panel measures apprx 31" x 43". Framed, this painting measures apprx 48" x 37". This painting has been in a private collection in Cleveland for over 15 years.
	26. After Jose de Ribera, C. 18th Century Oil on canvas painting of a saint, painted in the manner of Jose de Ribera. Ribera was a well known Spanish painter who spent most of his career in Italy. Bearded saint has his hands clasped in prayer and his gaze is directed upwards. A wooden staff is visible. The letters "CH RI TAS" have been painted in a glowing halo in the upper left corner. Unsigned. Decorative cast plaster and wooden frame features gilded and hand-painted vines and berries throughout. Canvas measures apprx 23" x 18". Framed, this painting measures apprx 30" x 25". From the estate of a Countess Michaela Almeida of Austria, from Moondsee, Austria.
	27. 18th Century Spanish School John the Baptist Beheaded. Oil on canvas. John the Baptist was imprisoned and later beheaded by King Herod. His head was brought to a vengeful Herodias, who was said to stab the tongue with her dagger. In this painting John's face has a deathly pallor. A dagger is visible beneath the neck as well as blood. Canvas measures apprx 25" x 20". Framed, this painting measures apprx 31" x 27". Unsigned. From the estate of a Countess Michaela Almeida of Austria, from Moondsee, Austria.
	138. Vitally Grigoryev (Russian, born 1957) Still life with a glass. Oil on panel, initialed in Cyrillic and dated 1993 on the lower left corner. Meticulous technique and attention to detail are the highlights of this work. Painting is framed in a black wood frame. Image size apprx. 9-1/4" x 12-3/8", framed overall approx. 17" x 20".
	30. Unknown Artist, English, C. Mid-1800's Two oil on tin paintings show different scenes of a horse and his groom. In the first painting the groom sits in the stable and appears to be fixing the bridle. White horse has his back turned towards the viewer. Initialed "E.R." in right margin. Second painting depicts the same horse without bridle. The rider is sprawled out on the stable floor. He appears to be in a deep sleep. Signed with intials. Both paintings measure apprx 8" x 6-3/4". Framed, these pieces measure apprx 10" x 9-1/2".
	35. Ripa, (c. Early 20th Century) "Roman Ruins", oil on canvas depicts a scene of ruins against a blue sky filled with large white clouds. Signed "Ripa" in lower right corner. Canvas measures apprx 37" x 24". Framed, this painting measures apprx 44" x 32".
	39. Henry Howard Bagg (American, 1853-1928) An oil on canvas landscape with mountains in the background reflecting on a lake in the foreground. It is in shades of muted browns, greens and some muted pinks. Painting features a wooden frame and canvas measures apprx 19-1/2" x 29-1/4" and 27-1/2" x 37-1/4" overall. It is signed in the lower right "HH Bagg" and dates c. 1920's.
	40. Casper, Late 19th/Early 20th Century Oil on board landscape, painting is signed "Casper" in the lower left corner. This painting is similar to those of the Hudson River School. This scene depicts a snow-capped mountain in the background and a grove of trees along a river embankment in the foreground. Board measures apprx 14" x 21-1/2." Framed, this painting measures apprx 17-1/2" x 25-1/".
	43. F. Abraham, Late 19th/Early 20th Century Oil on canvas painting features a dark haired Gypsy girl with a red and white blouse and coin jewelry. Signed in lower right corner. Canvas measures apprx 13" x 10-1/2". Framed, this painting measures apprx 16" x 13".
	45. Michele (Cavaliere) Federico (Italian, 1884-1966) "Sunset Afternoon, Capri". Oil on canvas. This painting depicts a warm sunset. White capped waves crash against tall rock formations. Signed Michelle Federico in lower right corner and title is signed in lower left corner. Measures apprx 18" x 25". Overall with frame, this piece measures apprx 26" x 32". Provenance: Euroart Gallery 22, Chicago, Il.
	47. Anna Fell Rothstein (American, b. 1890) Harbor scene by naive artist Anna Fell Rothstein. This scene depicts piers and houses against a mountainous background. Thick impasto of paint in bright shades of green and blue is inherent to this painting. Signed "Anna Fell Rothstein" in lower left corner. Oil on board image measures apprx 27" x 41-1/2". Framed, the painting measures apprx 31" x 45". Painting features a green wood frame with some remnants of gold paint. Other works by Rothstein have been exhibited at the Butler Institute of American Art in Youngstown, Ohio.
	50. Wilton McCoy (American, 1902-1986) Oil on board, signed Wilton McCoy in lower left corner. This painting features a desert landscape with smoky mountains and sandy plains. McCoy is best known for his landscapes of the trees and desert around his home in Yucca Valley. McCoy was born in Kansas and is known as a "California School Painter". He moved to the Palm Springs area where he taught art at The Desert Art Center. Measures apprx 17-1/2" x 23-1/2".
	52. Christopher J. Guise, C. 20th Century This nautical themed oil on board painting by Christopher J. Guise features a ship sailing across an ocean of white-capped waves. The ship, entitled "Waterwitch" bears a British flag. Signed "C. J. Guise" in lower right corner. Tag on verso of painting has been partially torn away. Board measures apprx 8-1/4" x 10". Framed this painting measures apprx 12" x 14".
	53. Alexander Dzigurski (American, 1911-1995) A. Dzigurski is most well-known for his paintings of the Rocky Mountains, Grand Tetons, Glacier National Park and the New England coast. Dzigurski started out his career in Yugoslavia by decorating the interior of churches. His work is exhibited throughout the world. This painting depicts a coastal seascape at sunset. Signed "A. Dzigurski" in lower right hand corner. Canvas measures apprx 25" x 36". Framed, this painting measures apprx 31" x 43-1/2". Plaque on painting identifies this piece as "Sunlit Scene". Verso has tag from Findlay Galleries, in Chicago.
	54. Pedro Olayo (Portuegese, b.1930) "Harbor Scene with Boats" Oil on board. Olayo is known throughout Europe for his agressive use of paint and palette knife work; this piece is typical of his style. His work has been exhibited in the United States, Rio de Janeiro, Venezuela, Mexico, Spain, France and Luxembourg. Signed in lower left corner. Board measures apprx 17" x 21-1/2". Framed, the piece measures apprx 20-1/4" x 24-1/2". Verso of painting has identification tag with the artist's name, "Pedro Olayo (Filno)."
	172. Indian Miniature Painting of the Jain Buddha, ca. 1800's The painting depicts a seated Buddha and servants attending to him; enclosed by a yellow border decorated with a flower vine. Very nice attention to detail, especially on clothing. Pigment on paper. Carved frame with gilt accents and small mirror inserts; double matted; under glass. Image measures approx. 6" x 3-1/4"; overall framed this painting measures approx. 15" x 12".
	176. Qajar Persian Painting of Shahmana, circa late 19th Century Gouache on paper, with Arabic text surrounding painting. Depicts open-air court scene, done in the Herat Style. Verso also with script and notes in the margin. Under glass in gold metal frame, overall approx. 13-3/4" x 8-1/2".
	60. Kae Dorn Cass (American, 1901-1971) Cleveland School artist Kae Dorn Cass is most well-known for her portraits and still life compositions. Previously an instructor at the Cleveland Institute of Art and Cleveland Museum of Art May Show exhibitor, Cass is known for her use of bright colors and simplified shapes. This painting, simply entitled "Still Life" features abstracted forms in vibrant shades of orange, green, blue, red and yellow. Oil on board. Board measures apprx 26-1/2" x 18-1/2". Framed, this painting measures apprx 32" x 23-1/2". Signed "Kae Dorn Cass" in lower right corner.
	61. Dorothy Rutka Porter (American, 20th Century) Cleveland based Rutka has exhibited in numerous Cleveland Museum of Art May Shows and is also listed in the "Who's Who of American Art." This abstract oil on board painting is notable for its vigorous paint application and vivid coloring of orange, yellow black and blue. Oil on board, measures apprx 20" x 16". Framed, this piece measures apprx 25-1/2" x 22". Signed "Rutka" in lower left corner.
	62. Martin Camin (German c.1927) Oil on canvas painting by German artist Martin Camin is entitled "Modern Figure of a Young Shepherd Boy". This painting has a semi-cubist style. The colors are muted shades of beige and green with accents of black, blue and yellow. Canvas measures apprx 24" x 36". Framed this piece measures apprx 32" x 44". Signed in lower right corner.
	63. Karol Koszeghy (Hungarian, c.1930) Large-scale painting features a young lady sitting in an interior scene. Koszeghy studied at the Hungarian Academy of Art in Budapest. This young lady has blonde hair pinned up and adorned with two yellow roses. She wears an embroidered jacket and royal blue skirt. In one hand she holds a ripe, red apple. Signed in the lower right corner. Oil on canvas. Canvas measures apprx 24" x 30". Framed, this painting measures apprx 32" x 38".
	65. Unknown Artist An oil on canvas in muted colors depicting a landscape with a river running through a woodland with a small boat in the foreground and a bridge across the river. Canvas measures apprx 36" x 49". Overall, framed, this painting measures apprx 46-3/4" x 60" framed.
	66. DuBois (French, 20th Century) Springtime Landscape. Oil on canvas. Scene features a river lined with blossoming trees. A young lady in a pastel dress carries a basket of flowers on one arm. Signed DuBois in the lower right corner. Canvas measures apprx 24" x 36". Framed, this painting measures apprx 41" x 29-1/2". This painting is notable for its Impressionistic depiction of the landscape.
	67. G. Sara (Italian, c.1964) Oil on canvas barnyard scene by Italian painter G. Sara. This painting is dated 1964. The soft glow of the setting sun illuminates a pastoral scene in which a shepherd leads his flock back to the barn. Canvas measures apprx 24" x 36". Framed, this painting measures apprx 40" x 29". Signed "G. Sara, 1964, Roma".
	68. Larry Elliott(American, Contemporary) This detailed painting by Wisconsin-based artist Larry Elliott is an homage to childhood. Entitled "Rabbits, Elliot combines several images of bunnies, one chocolate, one from Albrecht Durer's illustrations and one well-loved stuffed bunny with the figures of Dorothy and Toto from the classic children's movie, "The Wizard of Oz". These items are strewn about a grassy background. Signed "Elliott" in a banner on the right side. Oil on panel. Panel measures apprx 14" x 11". Framed this painting measures apprx 18-1/2" x 16". Verso of painting has two gallery tags, one from Campanile Galleries in Chicago and one from R. H. Love Galleries in Chicago.
	69. Beatrice Davis (American, 20th Century) Oil on canvas painting by American artist Beatrice Davis features a still life of a rag doll and toys. Signed Beatrice Davis in lower right hand corner. Canvas measures apprx 28" x 23". Framed this painting measures apprx 32" x 27". Verso of frame has tag from Guenther's Galleries, Cleveland, Ohio.
	73. Richard Andres (American, 20th Century) A graduate of the Cleveland Institute of Art in 1950, Andres exhibited in several Cleveland Museum of Art May Shows and garnered many awards. This abstract black and white painting is signed in the lower right corner. Measures 28" x 42".
	80. Eric Kunde (American, b. 1969) "Open", oil on canvas, signed on verso. A photo-realistic painting of orchids on a branch in bloom. Wonderful gradation of pigments, his application is likened to Alex Katz. Kunde has exhibited throughout the Eastern United States at many esteemed galleries. Unframed, canvas is apprx 40" x 50".
	81. Steven Gauley (Canadian, b. 1953) "Wired Cloud" by Canadian artist Steven Gauley, acrylic on canvas. Simple, flat wooden frame. Canvas signed and dated on verso. Canvas measures apprx 37" x 60". This painting is abstract and depicts black oval shapes bisected by straight lines. These lines are reminiscent of barbed wire. Floating between the lines is a fluffy pink/white cloud. The background is a somber gray with blue accents. Dated 1983.
	83. Zigmund Padarewsky (Contemporary, Poland) Contemporary landscape. Oil on board painting is unsigned on front, but identification of artist is located on verso. This painting features a simple orange building, possibly a factory, against a greyish-green background. Several dark objects on stilts are scattered throughout the foreground. Painting measures apprx 21-1/2" x 17-1/2". Painting has a modern wood frame. Overall measures apprx 29-1/2" x 25".
	85. Alexander Pogrebinsky (Ukranian/American, 20th Century) Oil on canvas landscape scene features teardrop shaped trees and sandy dunes. Thick glaze applied to give a white-speckled finish. Signed in lower right corner. A somewhat impressionistic style painting with muted tones of yellows and beige. Canvas measures apprx 32" x 42". Overall measures apprx 36" x 45".
	217. Painting Signed Durfee (Continental School, 20th Century) Piazza of San Francesco Della Vigna, Venice. Ink and watercolor on paper, signed below the mat and on verso, matted and framed under glass. Image measures approx. 8" x 12", framed overall approx. 15" x 18".
	102. Engraving after Poussin's "The Rescue of Pyrrhus" Engraving by G. Chaseteau depicts Poussin's "The Rescue of Pyrrhus". The original oil painting is dated 1634 and is located in the Louvre in Paris. French text at the bottom describes the heroic rescue. This engraving is dated 1676. Text is repeated on the right side in latin. Measures apprx 17" x 20".
	233. Painting Signed Brown (Continental School, circa 19th Century) Haystacks in the marshland. Pastel on paper, adhered to backing board, signed on the lower left corner. Overall measures approx. 21" x 14". An interestingly stylized landscape.
	237. Ray Anthony Grathwol (American, 1900 - 1992) Rural landscape. Watercolor on paper, by Ohio-based artist Ray Anthony Grathwol. This painting depicts a landscape with a body of water. Signed "R. Grathwol" in lower right corner. Paper measures apprx 16" x 22". With cream-colored wood frame this painting measures approx. 26" x 32".
	120. A Second Hand-Colored Engraving from "Les Loges de Raphael" Hand-colored engraving from Num. I of "Les Loges de Raphael, Nouvelle Edition." Crease in center from folding. This image depicts sections of architecture and painting within the papal palace, the Vatican. Plate size is apprx 25" x 23". Overall size with mat is apprx 34" x 29-1/2". Entitled "Divisit lucem a Tenebris, appellavitq, lucem diem, et tenebras noctem, Genes cap. I." Sculpted by Johan Ottaviani. Hand-colored with a lovely, rich 19th pigment, probably watercolor. From the estate of a Countess Michaela Almeida of Austria, from Moondsee, Austria.
	136. 19th Century Engraving of King George III A steel engraving of King George III, after a painting by Sir William Beechey, engraved by Benjamin Smith, published by J & J Boydell, December 1st, 1804. Margins appear to be intact, full plate impression, rich tones and very nice paper condition. Plate size apprx 23" x 16-1/4", overall in period frame apprx 28" x 21-1/2". Gallery tag on verso from Norman Blackburn, Antiquarian Printseller, London.
	141. Ralph D. McLellan (American, b.1884) "The Home Of A Wharf Rat". Watercolor on paper. City skyline is visible in the distance. Signed "R. McLellan, 1937" in lower right corner. Image measures apprx 8-1/2" x 11". Overall measures apprx 17" x 20". McLellan exhibited extensively at the National Academy of Design, the Art Institute of Chicago, and the Pennsylvania Academy of the Fine Arts. Later in his life he taught life drawing and painting at the Pennsylvania Museum and School of Industrial Art in Philadelphia.
	261. Geraldine Saent-Johns (American/Ohio, 20th Century) Sleeping bulldog. Graphite on paper, not signed. Framed in a wood frame accented with flower vignettes; under glass. Image measures approx. 3-1/2" x 5-1/2". Geraldine Saent-Johns is an Ohio based artist who took great interest in painting animals and wildlife in a photo-real manner. The frame is a vintage piece.
	152. Frederico Yost (American, late 19th Century) Watercolor painting by American artist Frederico Yost is entitled "New York Philharmonic" and is dated 1967. Yost emigrated to Ohio in the 19th Century and studied also at the Art Student's League with the artists Robert Henri and John Sloan. This painting depicts a piano player and a large orchestra conducted by a man in a suit with tails. Signed "Frederico Yost" in the lower right corner. Image measures apprx 20-1/2" x 17". Overall size is apprx 21-1/2" x 18".
	153. Frederico Yost (American, Late 19th Century) "Dragonflies". Watercolor, signed in lower right corner. This is a whimsical portrayal of several dragonflies flitting throughout a marsh. The painting has vivid shades of yellow, blue and green. Yost emigrated to Ohio in the 19th Century and also studied at the Art Student's League with the artists Robert Henri and John Sloan. Image size is apprx 116-1/2" x 14-1/2". Framed this piece measures apprx 18-1/2" x 16-1/2".
	159. Lawrence Blazey (American, 1902-1999) Watercolor landscape by Ohio artist Lawrence Blazey is signed in the lower left corner. Blazey attended the Cleveland Institute of Art and later returned to lecture and teach at his alma mater. Blazey was most well known for his paintings of urban areas during the 1920's through the 30's. He painted, was employed as an illustrator of advertising art, did ceramic work, enamel work, and was part of a core group of Cleveland artists who sported a bohemian existence, and later came to be the Cleveland School Artists. This painting f". tures two tall trees set against a lovely blue sky. Image size is apprx 11" x 8." Overall measures apprx 15" x 18". Verso of painting has a tag from the old Cleveland department store, The May Company, where it was most likely framed and sold as a decorative piece.
	161. Lowell Ellsworth Smith (American, b.1924) "Beach scene with Bathers". Signed watercolor on paper by the Ohio artist. Smith was born in Canton, Ohio and later attended Miami University as well as the Famous Artists School in Westport, Connecticut. He worked as an illustrator as well as watercolor painter. Image measures apprx 8" x 10". Framed, this painting measures apprx 19" x 15".
	162. John Sokol (American, b. 1947) "Queen/King". Woodblock on Japon paper, artist proof 5, signed lower right and dated '94. Apprx 21-1/2" x 17", two blind stamps at lower left. Matted, unframed apprx 25" x 20". Born in Canton, Ohio, Sokol's work is in the permanent collections of the Akron Art Museum and the Canton Art Museum. He received his Masters Degree from Kent State University (1973) in Painting and Sculpture. John then began writing and publishing short stories and poetry, such as "Kissing the Bees" (Redgreene Press, Pittsburgh, PA, 1999), "A Thousand Years from Nowhere" (Pudding House Publications, Johnstown, OH, 2002) and "In the Summer of Cancer" (Endymion Press, Los Angeles, 2003).
	313. Royal Worcester Biscuit Jar, C. 1876-1891 The Royal Worcester mark is accompanied by the traditional incised crescent "C" and the makers initials "H.S.". Painted into the firing is the letter .x.3., which would indicate that this was a three piece set. The body is fluted and tapering. The design is somewhat oriental in nature as the floral painting is likened to Satsuma. Apprx 5-1/2"H x 6" at shoulder.
	620. Ivory Box With Painting of the Taj Mahal, ca. late 19th/early 20th Century Oval carved ivory box with hinged lid. Lid with hand painted portrait of the Taj Mahal, approx. 1-7/8" x 2-3/4"W.
	643. An Antique Tole Painted Coal Scuttle A very decorative 19th century footed coal scuttle, apprx 15" wide, 19" deep, 18" tall to the top of the handle. Probably made of tin, formed, painted, and hand decorated; with a cast iron handle at the top with oak-leaf and acorn motif. The front of the hinged lid is decorated with a painting of a blond young girl daydreaming in a landscape, holding a flower. A two-handled jug is set before her, and a landscape with lake and a clouded sky in the distance. The body of the scuttle is painted black, and at one time was embellished with gilt designs which are almost worn off. There is a space at the back of the scuttle where a brush once was held. There is a handled metal insert in the interior which was used to unload the ashes.
	734. Three Wedgwood Historical Commemorative Plates and a Platter, ca. 19th Century Three flow blue plates and a platter. First commemorative plate depicts am old church; back of the plate reads: "St. Peters Church, Corner state and chapel, Albany-1800/ Sole importers the Van Heusen Charles Co./Wedgewood/ Etruria England"; plate measures approx. 9" in diameter. Second plate depicts a young couple; back of the plate reads: "The Return of the Mayflower (from painting by Geo. Houghton)/ Casting a farewell look at the glimmering sail of the Mayflower Distant, but still in sight, and sinking below the horizon -- The courtship of Myles Standish. Longfellow./ Wedgwood/ Etruria England." Measures approx. 9-1/4"in diameter. Third plate depicts a tavern; back of the plate reads: ""Green Dragon Tavern/ Union street Boston/ Styled by Daniel Webster/ The headquarters of the Revolution/ The grand lodge of Free Masons/ Also St. Andrew's lodge first met here." Stamped with Wedgwood insignia as well as importer's stamp and a copyright mark. An oblong "Willow" platter measures approx. 16" x 12" x 1-1/2." Bottom of all three items is incised Wedgwood.
	796. Amphora Turn Teplitz Art Pottery Vase, ca. 1890-1904 Art vase with hand painting on poppies, raised in gold. Red manufacturer stamp on bottom and impressed shape number 409. Approx. 9-1/4"T x 5"W at shoulders.
	804. Roche Ground Sevres Box, Painted by Poitevin, ca. 19th Century Porcelain glazed box with hand painting and gilt accents. Gilt bronze mounts with shell clasp. Interior decorated with hand painted flowers. Musical scene of lidded signed lower right "Poitevin". Approx. 2-1/2" x 4" x 3". Bottom stamped with orange Chateau de Tuilleries mark, also blue and green Sevres stamps.
	829. A Second Minton Tile Framed tile with transfer decoration and hand painting depicting figures. Stamped on verso. Framed measure apprx. 8-1/4" square.
	835. Hutschenreuther Selb Porcelain Monkey Figurine, Germany ca. mid 20th Century Adorable monkey porcelain figurine made by the Hutschenreuther Felb, designed by Hans Achtziger. Dynamic composition, attention to detail, and superior quality of hand painting are the highlights of this figurine. Bottom is marked with an over-glaze maker's mark and an incised mark with the name of the artist. Measures approx. 5" tall.
	849. A Limoges Tabatieres Tiger Hand painted porcelain oval box with a tiger on top. Gilt metal fittings with tiger face. Interior with painting and bottom marked made in France with artist initials. Approx. 2"T x 2-1/2"L.
	20. Patrick Nasmyth (British, 1787-1831) Country Landscape. Oil on beveled wood panel, framed. Small depiction features a rural scene with a cottage to the right, a seated figure to the left, and a flock of tiny sheep in the distance. Painting style is precise and detailed from studies done en plein air. This careful composition reflects the Romanitic ideal of the perfect view of greatly popular with travelers on "The Grand Tour". Signed P.N. 1820 on lower right corner. Measures apprx 5-7/8"H x 8"W. In gilt frame, entire item measures apprx 12-1/2"H x 14-5/8"W. Old collector tag on verso reads 360. On verso, in graphite, a deaccession number, H.E. f 2/1.5.
	21. R.D. Wilcox (American School, circa 19th Century) Ship Portrait, Broadside and Aft. Oil on canvas, framed, 23" x 35", signed lower left corner. Slightly naive painting features two views of noble sailing ships in full sail. Each with red and white flags at tips of their masts. In white wooden frame, entire item measures apprx 29-1/2"H x 41-1/4"W.
	22. Unknown Artist (American School, late 18th Century/early 19th Century) Pair of Portraits of Mr. and Mrs. John Webber. Square oil paintings on wooden boards, framed. Tiny formal portraits of the stately couple. The wife wears a bonnet with a blue ribbon and holds a flower. The husband sits against a draped background wearing a high white collar. Names of couple appear on versos of paper under protective paper backing, her name is Mary and date is 1799, as is John. Each painting measures apprx 3" square. In layered gold frame, entire item measures apprx 10-1/2" square.
	23. A Personal Icon for Mihial Stoichko, Russian, circa late 18th/early 19th Century "The Arch Angel Michael Torments the Soul of a Rich Man". Painting on panel with gold leaf, set into an architectural niche. Depiction of the Angel Michael holding the soul by the hair, lifting it to be placed into the bag of the standing demon, as demon states "It is Our Soul Because He Loves Wealth". Lower portion states, "God Remember Mihial Stoichko". The man's family looks on with anticipation with depiction of house in the background. Wonderful details throughout this painting such as the rendition of the armor and the hair and claws of the demon. Text in Old Slovenian language. Egg tempera and gold leaf on gessoed wood panel. Panel apprx 25" x 19". Housed within a carved wood wall/shelf unit, which may be original, with traces of gold leaf. Overall apprx 34" x 24" x 8-1/2".
	24. Unknown Artist, Italian School, circa 18th Century Harbor Scene. Oil on canvas, framed, 19" x 24". Oval shore scene features two central figures, the structure of a triumphal arch, and boats sailing on the distant water. As painting style is loose, this painting was probably part of an architectural element, to be seen from afar. Composition is nice. Artist insignia in center on bottom. In gilt and carved period frame, entire item measures apprx 23-1/2"H x 28"W.
	26. François N. Auguste Feyen-Perrin (French, 1826-1888) "Leda and the Swan". Oil on canvas, framed. Painting in typical hazy style of the Barbizon School depicts the classical myth encounter between the Spartan queen and the god Zeus which produced the great beauty Helen. Painting style is loose and quick with a warm palette. Possibly a study for a mural. Signed on lower left. In carved bronze-leafed frame with name plaque, entire item measures apprx 45-3/4"H x 34"W.
	36. Florence Ellen Ware (American, 1891-1972) "Majesty of the Mountains". Oil on board, framed, circa 1930's. Lovely west coast landscape scene depicts an imposing mountain rising from forested foothills. An impressive cloud filled sky looms over head. Painting style is loose as if executed en plein air. Signed on lower right. Verso has three tags and two hand written labels with painting information. Measures apprx 32"H x 38"W. In period frame, entire item measures apprx 37-1/4"H x 43-1/4"W.
	38. Painting in the Dutch Style, circa 19th Century Country landscape. Oil on masonite, framed, 18-1/2" x 25". Tranquil scene depicts a rustic farm with a small cottage off to the left side and cows in the distance. Two small figures appear to be engaged in their daily chores. Painting style is precise and detailed. Verso has red and white Cleveland Museum Registrar's tag with a number of TR 12426/14. The record shows that the painting came into the museum in March of 1960 from the estate of Charles W. Williams and left in June of the same year. (Reason not listed). With painted gold, carved frame, entire item measures 21"H x 23-1/4"W.
	39. Preliminary Painting for Aubusson Tapestry, French, 19th Century Hunting scene depicts a small dog nabbing a duck. The animals are in a marsh-like setting with long reed leaves. The vignette is surrounded by an elaborate boarder of garlands and scrolling foliate shapes. This type of painting was used a guide for the creation of the Aubusson tapestries, much as a painter follows a cartoon. Originally the tapestries were hung from walls, however they were later used as floor coverings. Image measures apprx 31"H x 27"W. In carved and gold leaf frame, entire item measures apprx 40"H x 36"W.
	43. A Monumental Mural, circa Aesthetic Movement Title unknown, oil on canvas, signature not found. Assumed to have been trimmed down as imagery somewhat cropped. Mythological scene of floating nymphs playing on pipes and attired in swirling tunics. Composition and lines of whirling fabric paired with warm palette infuses this painting with great energy. Perhaps part of a mural piece rescued from a prominent Cleveland building, this painting is new to the market. In gold painted shaped frame, overall apprx 63-1/2" x 46-1/2".
	44. A Second Aesthetic Movement Painting Title unknown, oil on canvas, signature not found. Assumed to have been trimmed down as imagery somewhat cropped. Harvest allegory features a russet haired beauty bearing a bundle of wheat, about to be crowned by a hovering angle and assisted by other characters of the autumnal gathering festival. Overall apprx 63-1/2" x 46-1/2". Probably rescued from the same prominent Cleveland building as the prior lot, though the painting style of this picture is somewhat heavier. Framed as a pair with the prior lot.
	47. Sobrina P. Lathrop (American, late 19th/early 20th Century) Solitary Path. Oil on canvas, framed, signed lower right. Landscape depicts a rocky forest scene with a great mountain peak rising above, possibly Mt. Hood. A single figure walks down a rustic path and a sailboat can be seen in the mountain lake. Painting style although slightly naive is very detailed. California painter, Lathrop, is best known for her western scenes. Measures apprx 20"Hx 30" W. With wooden frame, entire item measures apprx 25"H x 35-1/2"W.
	52. Arrah Lee Gaul (American, 1888-1980) "Fig sellers". Oil on board, framed, 8" x 11". Signed lower right. Market scene of Moroccan vendors in the market. Palette is largely in yellow and blue, painting style is loose. With gilt liner, silk mat and gold leaf frame, entire item measures apprx 14-1/2"H x 17-1/2"W.
	57. M.C. Runyan (American, 20th Century) Pair of boat paintings. 1) Boathouse. Oil on board, framed. Loose painting depicting boats tied to a small dock. The architecture and structure of the boat house lend important lines for the overall composition. Signed and dated, 1930 in lower right. Measures apprx 11-1/2"H x 15-3/4"W, with frame, entire item measures apprx 14-1/2"H x 18-1/2"W. 2) River Scene. Oil on board, framed. Water scene depicts boats on a wide river sailing beneath a cloud filled sky. Palette is light. Signed and dated, 1932, on lower right. Measures apprx 13-1/2"H x 21"W. With painted wooden frame, entire item measures apprx 16-1/2"H x 24-1/2"W.
	60. Angelo Raphael Pinto (American, 1908-1994) Odalisque Resting. Acrylic on board, framed. Lovely orientalist painting depicts a sleeping woman in the foreground accompanied by two other figures, one playing a small stringed instrument. Colors are bright, almost Fauve in brilliance. Signed on lower left. Measures apprx 11-1/2"H x 8-3/4"W. In linen liner and wood frame, entire item measures apprx 15-3/4"H x 13"W. Tag on verso from Medici II Gallery, The Carriage House, Miami, Florida.
	61. Carl A. Morris (American, 1911-1993) Calm Horizon. Oil on canvas, framed. Abstract composition broken into various geometric components. Colors are mostly muted and dark but punctuated with areas of orange. Signed on lower left. Tags on verso are evidence of piece's exhibition history: The Cleveland Museum of Art, twice, and one for the artist's retrospective at the American Federation of Arts in New York in 1960-1962. Painting is dated to 1955. Measures apprx 39-3/4"H x 47-1/2"W. In wooden frame, entire item measures apprx 42-3/4"H x 50-1/2"W.
	62. Eleanore Arnold Clark (American, 1911-1982) Three Heads. Oil on canvas, framed, 30" x 46". Mysterious painting features three round faces with bottle hats and covered mouths. The negative space between them appears as though hollow vessels. Paint is thickly applied with a rough texture and palette is soft. Signed on lower right. With thin silver metal and wood frame.
	63. Eleanore Arnold-Clark (American, 1911-1982) Abstraction. Oil on canvas, framed, signed lower right. Abstract painting sets arc shapes against a vague grid. Inspired by primitivists such as Paul Klee. Colors are in grey tones and surface is built up though rough texture. Canvas measures apprx 48"H x 40"W. With gold painted frame, entire item measures apprx 48-1/2"H x 40-1/2"W.
	66. Mia (Asian, 20th Century) Lake Scene. Oil on canvasboard, framed, signed "Mia" lower right. Scene depicts a simple shore structure and three boats on a lake. Painting technique is slightly impressionistic, with thin palette knife strokes over a linear compositional structure. Measures apprx 13-1/2"H x 18-3/4"W. In linen liner and carved wooden frame, entire item measures apprx 22"H x 27"W. Mia paintings were popularized during the 1970's by Wally Findlay Gallery in New York City.
	69. Unknown Artist, Continental, 20th Century "A Good Harvest". Oil on board, framed, 9-1/2" x 17-1/2". Soft painting depict laborers loading the fall hay harvest in a field next to a small lake occupied by two small boats. No signature found. In black and gold frame with painting title, entire item measures apprx 17"H x 25"W.
	70. Sergi Pavlov (Russian, Contemporary) "Leningrad Scene, Evening". Street scene features a crowded turn of the century avenue under a colorful sky. Artist initials in lower right. Measures apprx 15"H x 19"W. In linen mat and carved gilt frame, entire item measures apprx 23-1/2"H x 27-1/2"W. Painting information on verso in Cyrillic.
	71. Alexander Alexandrovsky (Russian, Contemporary) "Fall Pond". Oil on canvas, framed. Park scene on a grey day with autumnal trees and two figures advancing towards a calm body of water. Signed "A" and dated 2000 on lower left. Measures apprx 15-1/2"H x 19-1/2"W. In linen liner and beige frame, entire item measures app 24"H x 28"W. Verso bears painting information in Cyrillic.
	73. H. Lukashuk (Russian, Contemporary) "Rainbow". Oil on board, framed. Spring time landscape depicting the natural phenomena. The spectrum appears high in the sky against grey clouds and rain, arching over a small cluster of structures. Signed and dated 2003 on lower right. Measures apprx 19-1/2"H x 29-1/2"W. In linen mat and carved gilt frame, entire item measures apprx 28-1/2"H x 38-1/2"W. Painting information on verso.
	74. Aleksey Hudiakov (Russian, Contemporary) "Next to the Village Boarder Fence". Oil on artist's board, framed. Lush landscape scene depicts a rural fence running near to a patch of sunflowers and hay stack. Signed on lower right. Measures apprx 19-1/2"H x 23-1/2"W. In carved frame, entire item measures apprx 28-3/4"H x 34-3/4"W. Painting information on verso in Cyrillic.
	75. Mark Kremer (Russian, Contemporary) Gathering in the Forest. Oil on canvas, unframed. Mossy green forest inhabited by three figures with baskets who appear to be picking flowers or berries. Signed on lower right. Measures apprx 19-1/2"H x 23"W. Painting information on verso.
	76. Mark Kremer (Russian, Contemporary) "Russian Village". Oil on canvas, framed. Cheerful winter scene depicts a street of small log houses and snowy trees. A girl carries water pails and smoke rises from chimneys. Signed lower right. Measures apprx 17-1/2"H x 17-1/4"W. Painting information on verso.
	80. David Curtis Baker (American, 1915-1999) "Jackson Church in Winter". Oil on canvas, framed, signed lower left, 23-1/2" x 35-1/2". Winter scene depicts structures of a village including a white church with steeple through a stand of trees. Painting style is loose. With white liner and wood frame, entire item measures apprx 27"H x 39"W.
	86. Two Paintings; Grace Yoch (American, circa 20th Century) & Unknown Artist (20th Century) "Winter Landscape". Watercolor on paper by Cleveland based artist Grace Yoch. This is a snow laden rendition of a small town in the mountains. Artist's signature is located in the lower right corner. Image size is apprx 19-1/2" H x 16-1/2" W. Overall, with frame, this piece measures apprx 22-1/2" H x 20" W. "Still Life with Mushrooms". Oil on board is by an anonymous painter. This painting has an impressionistic quality with bold brushstrokes and a thick application of paint. Board measures apprx 16" H x 20" W. With frame this painting measures apprx 20-1/2" H x 25" W.
	87. Vladimir Cora (Mexican/American, b. 1951) "Bañista No. 6". Oil and acrylic on canvas, framed, signed and dated 87 on upper left, 27" x 39". Colorful abstract painting in a bright palette of green, orange and blue. Composition divided, the left 1/4 of painting with striped background and rock formation. The rest of the painting marked with dots and a marbled ground. In metallic painted frame and linen liner, entire item measures apprx 36"H x 37-1/2"W. Painting information on verso.
	88. Vladimir Cora (Mexican/American, b. 1951) "Bañista No. 28". Oil and acrylic on wooden boards. Abstract vertical painting features organic dotted shapes contrasted with areas of stripes. Palette is largely green, orange and yellow. Signed and dated '88 on upper left. Measure apprx 58-1/2H x 19-1/4"W. In metallic wood frame and linen liner, entire item measures apprx 67"H x 27-1/4"W. Verso bear information about painting.
	89. Konstantine (Russian, Contemporary) Lake view. Oil on canvas, framed, signed lower right, 11-1/2" x 23-1/2". Pastoral scene with a peaceful lake, a flock of goats with their shepherdess, and a small town in the distance. Soft brush touch. In gilt frame, entire item measures apprx 20"H x 32"W. Painting information in Cyrillic on verso.
	90. Konstantine (Russian, Contemporary) Party of Ducks. Oil on canvas, framed, signed lower right in marker, 15-1/2" x 19-1/2". Sweet country scene depicts a brace of white ducks near to a pond and a wooden fence on a bright day. In linen frame and gilt frame, entire item measures apprx 24-1/2"H x 28-1/2"W. Painting information on version written in Cyrillic.
	91. Sergi Palov (Russian, Contemporary) Cairo, Egypt. Oil on canvas, framed, signed lower right, 15-1/2" x 19-1/2". Exotic scene depicts figures walking on a wide bridge. To either side are felucca boats and thin white minarets rise in the distance. The sky is filled with sunset colors. In carved gilt frame, entire item measures apprx 25"H x 29"W. Verso bears information about painting in Cyrillic.
	92. Vitally Grigoryev (Russian, Contemporary) Still Life with Goblets. Oil on board, framed, signed lower left dated 1994. Photo-realistic nature-morte features two silver chalices-- one tipped and one standing, a glass goblet and a small metal beaker. Objects lie on ground of sand colored silk with a backdrop of olive fabric. Painting is in the tradition of the old masters with precise handling of details and smoothness of surface. Measures apprx 10-1/2"H x 13"W. In dark wood frame, entire item measures apprx 18"H x 21-1/2"W.
	93. Raymond Staprans (Latvian/American, Contemporary) "Maria". Oil on canvas, framed. Modern portrait of a little girl. Palette largely in ochre with bold black outlines. Surface has a layered texture. Signed on upper left and dated 57. Verso bears title with an inscription "for Dr. Schur*". Measures apprx 21-1/2"H x 17-1/2"W. With linen mat and wooden frame, entire item measures apprx 29-3/4"H x 25-5/8"W. Painting accompanied by clippings and a brochure about the artist.
	94. H.R.H Prince Monyo Mihailescu-Nasturel (Romanian, Contemporary) Coastal view. Oil on board, framed. Lovely depiction of a rocky California shore line. Colors are bright and brush strokes are energetic. Signed on lower right. Painting measures apprx 24-1/2"H x 29-1/2"W. In wooden frame, entire item measures apprx 29"H x 34"W.
	96. Alexandrovsky (Russian, Contemporary) "Winter in Kargopyle". Oil on canvas, framed, signed and dated 2005 lower left, 11-1/4" x 23-1/4". Village scene depicts the townsfolk going about their daily chores. In linen liner and gilt frame, entire item measures apprx 20"H x 32"W. Verso bears painting information written in Cyrillic.
	97. Jan M. Kasprowicz (Polish, Contemporary) Sun Set on Sea. Oil on canvas, framed, 24" x 36", signed lower right. Lovely painting depicts a setting sun over a choppy sea. A few gulls fly off to the left. Sky is full of vibrant colors. In linen liner and carved and gilded framed, 31-1/2"H x 44"W.
	98. Robert Brisley (American, 20th Century) "Japanese Interior". Painting on board, framed. Loose painting from Cleveland artist, in soft airy colors executed with quick brushstrokes depicts a female nude asleep in a bed, with a potted plant near her side. Signed and dated, 1956, on lower left corner. Measures apprx 13-1/4"H x 21-1/4"W. In grey wood frame, entire item measures apprx 19"H x 27"W. Titled on verso.
	103. Artur Vasilevich (Russian, Contemporary) "Flowers", a Dutch style still life of flowers, painted in 1997. Oil on canvas, unframed. Signed on verso of canvas. Executed in precise detail, painting features a varied bouquet of flowers including irises, poppies and roses. Many insects can be spotted through out the composition. Painting measures apprx 32" x 26".
	109. Bundi School Style Painting Man and Woman Sitting. Gouache and watercolor on paper, framed under glass, 9-1/4" x 7-1/4". Tender scene of a courtly couple sitting in the midst of a tidy landscape. With bold colors and nice details. In silk mat and gilt frame, entire item measures apprx 16-1/2"H x 14"W. Verso bears information about the painting.
	116. Lot of Three Shakespear Engravings by J. & J. Boydell (English, circa late 18th/ early 19th Centuy) Lot includes three unframed engravings on heavy paper from the Shakspeare collection by publishing compnay, J. & J. Boydell. 1) "King Henry the Eighth-- Act V. Scene IV, The Palace". Engraving by J. Collyer after the painting by Revd. W. Peters. Published Dec. 1, 1803. Image measures apprx 17-1/4"H x 22-3/4"W. 2) "King Richard the Third-- Act IV, Scene III, Tower of London". Engraving by Willm Skelton after a painting by James Northcote. Published June 4, 1795. Plate impression apprx 22"H x 16-1/4"W. 3) "King Richard the Third-- Act IV, Scene III". Engraving by Francis Legat after a painting by James Northcote. Published June 4, 1790. Plate impression measures apprx 22"H x 16-1/4"W.
	133. Eugene DeShayes (French, 1828-1890) "Sailboats in Harbor, Normandy". Watercolor and ink on paper, framed under glass, 5-1/2" x 9-1/2", signed lower right. Study of boats in a brown palette with blue sky. In gilt liner, silk mat and gold leaf frame, entire item measures apprx 14-1/2"H x 18-1/4"H. Provenance: acquire from C. & J. Goodfriend, New York. Painting information on verso.
	147. Pair of Architectural Watercolors, English, circa 19th Century Lovely pair of oval paintings depict country religious structures, possibly abbeys. Painting style is very detailed and precise. Unsigned. Each measures apprx 6-1/2"H x 9"W.
	158. Glenn Moore Shaw (American, b. 1891) "Sicily". Watercolor on paper, framed under glass. Cleveland School artist. Hilltop view overlooks an expanse of blue ocean. A small white house nestles in the center of the composition. Very nicely done. Signed on lower right side. Image measures apprx 12-3/4"H x 19-1/2"W. In cream frame and wood frame, entire item measures apprx 20-1/4"H x 27"W. Verso has a charming anecdote as to how the collector came to acquire the painting from the artist and his wife, Elsa Vick Shaw. 2
	228. Album of Twelve Ink Paintings Each painting is apprx 10" x 10-1/2" and is laid on paper, which is then tipped into a thick card stock accordion book. Covers are wood with a paper label adhered. Artist stamps in red on each, three varying. First page is textual. Images of figures in a mountainous landscape, possible a monastery.
	86. 19th Century Italian Painting of an Angel Trumpeting Angel. Oil on board, not signed. Graphite marks on back read "?terina ?eronzo". The image measures approx. 9-1/2" x 4"W; overall in a gothic style gilt wood frame 17-1/2" x 6-1/2". Very nice quality painting; a copy of a 16th Century angel, with gold leafed background, set into an attractive architectural frame. This is likely a piece that was made for sale as a Grand Tour souvenir devotional object. There are some rubbed away inscriptions on verso, one word of which appears to be "Firenze".
	99. Painting Bearing a signature "Alfred deBreanski", ca. 19th Century Oil on canvas, signed in the lower right corner, framed in a large gilt frame with heavy antiquing, canvas size approx. 23" x 29-1/2", with frame 33" x 40". Lower left corner has been over-painted, most likely covering the original signature.
	101. Unknown Artist (British, 19th Century) The Princes in the Tower. Oil on canvas, mounted onto wood, initialed "H.B.S." in the lower left corner, framed in an ornately detailed gilt frame, image size approx. 29" x 20", with frame overall 35" x 26". This painting depicts Edward V of England (1470-1483?) and Richard of Shrewsbury, 1st Duke of York (1473-1483?). The two sons of Edward IV of England and Elizabeth Woodville were placed in the Tower of London (which was at that time both a palace and a prison) in 1483. History presumes that they were killed there, though no definate proof has ever come to light. The composition of this painting is similar to, though not a copy of, the famous painting of the same subject by Sir John Everett Millais from 1878.
	105. J. L. Henry (British, 1855-1929) Signed lower left corner J. L. Henry and dated 18...oil on chamfered wood panel, loose painting depicting a farm or mill building on a pond. In ornate, period gold leaf frame. Board approx. 11-1/2" x 15-5/8", overall with frame approx. 19-3/8" x 23-3/8".
	113. P. Vallati after Guido Reni "Aurora". Oil on canvas, bears the signature "C. Vallati" in red in the lower right, framed in an large ornately carved Spanish pattern frame with a black liner, canvas size 20" x 46", with frame overall 29-1/2" x 55-1/2". A fine copy after the 1615 painting by Guido Reni.
	119. European School, ca. 19th Century Unsigned landscape with lake and figures, oil on artist's board. Naive painting style with nice use of color and composition. Board approx. 18-1/2" x 24-1/2". In antique frame approx. 24" x 30".
	133. J. T. Sangster (American, 19th/20th Century) A lot of two small paintings; one of a forest glade, oil on board, signed in the lower left, framed, board size 10" x 14", with frame overall 15-1/4" x 19-3/4". The second painting is an oil on canvasboard, signed in the lower left, framed, board size 8" x 10-3/4", with frame overall 13-1/2" x 16-1/2". This composition depicts a view looking through an open door of a barn to the other side.
	148. Peter Koch (American, 1900-?) A Spanish galleon. Oil on canvas, signed and dated 1925 in the lower right corner, framed in a newer gilt frame with a small linen liner, canvas size 30" x 25", with frame overall 34-12" x 30". This painting of a ship in a undulating sea with billowing clouds as a backdrop is reminiscent of works by painter and illustrator N.C. Wyeth.
	150. Karl Muller (German, late 19th Century/early 20th Century) A farmyard scene. Oil on canvas, signed at the lower left edge, also inscribed "Hamburg 1911" next to signature, framed in a large ornate gilt frame, 35" x 46" canvas size, overall with frame 45" x 56-1/2". A grand scale painting with a charming narrative. Several young soldiers are resting outside of a building and enjoying seeing one of their comrades help a pretty young girl carry a large tub of water. The composition is elaborate with many figures and various activities. Two soldiers in the background are beating a dusty jacket with a wand, while others rest in the sun.
	155. Nannis (American School, early 20th Century) Portrait of a gentleman in a fedora. Oil on canvas, signed "Nannis 1928" lower left corner, canvas measures approx. 38" x 27"; framed in a bronze color gilt wood frame approx. 43" x 32" overall size. This somewhat naive-style painting of a gentleman depicts a man with a somewhat dapper air. He presents himself with signs of wealth including jewelry and an ornately carved chair.
	174. Leroy Flint (American, 1909-1991) A lot of two acrylic paintings on canvas by Leroy Flint. "Vibrating Strings" is an abstract composition from the "OP" Art era; a grey background with chartreuse, blue and orange vertical stripes, all close in value so they have an "optical" effect. The canvas is 26" x 32", signed in the lower right corner, framed in a contemporary strip frame. The second painting is titled "Canyon Series #1" and is an abstract depiction of a canyon in the American West. The canvas is signed in the lower right corner, measures 26" x 32", and is framed in the same strip frame as the other canvas. Both have their titles written on the stretchers on back.
	179. Artist Unknown (Continental School, ca. 20th Century) Saint Mark's Piazza. Oil on canvas, signed on the lower right corner. The image depicts the famous Venetian Saint Mark's Piazza, painted in soft pastel tones. The painting is framed in a newer gilded wood ornate frame. The canvas is on a four keyed stretcher measuring approx. 20" x 24"; overall with frame and liner the size is approx. 28-1/2" x 32-1/2".
	189. Polzoi (20th Century) Rural landscape. Acrylic on masonite, signed in the lower left corner, framed in a gilt antiqued frame, approx. 27" x 28" image size, with frame overall 33-1/2" x 43-1/2". This painting has a very interesting midwestern regionalist flair.
	190. Osmin Christophe (Haitian, b. 1935) Sailboats at a shoreline village. Oil on canvas, signed in the lower right corner, framed in a new silver-toned frame with a linen liner, 11" x 14", with frame overall 16-1/2" x 19-3/4". Inscribed in red on verso: "Original Oil Painting By O.M. Christophe Haiti".
	193. William Grzincic (American, 20th Century) Studio model. Oil on canvas, signed and dated 3-55 in the lower right corner, canvas size 42" x 20", with frame overall 44" x 22-1/2". The female model poses for a painting class, seen at the right of the composition under the natural light of a skylight.
	196. Painting signed Dama A large floral still life painting in the Dutch manner. Oil on canvas, signed in the lower right corner "Dama", recently painted, canvas size 40" x 30", with frame overall 48" x 38". A very decorative composition.
	207. Lucette Johnson (American, Contemporary) "Rhododendron Night". Reverse painting on glass, framed in a contemporary frame, 12" x 12" glass size, with frame overall 16-1/2" x 16-1/2". The artist's signature work is inspired by botanical subjects. The proceeds from this lot will benefit the Clifton Arts & Music Festival, Cleveland, OH.
	420. Fourth Lot of Tea Cups and Saucers, circa 19th Century Lot includes hand painted porcelain cups and saucers: 1) Saucer with a central floral decoration. Marked on bottom with a blue J shape. Meausures apprx 5-1/2"D. 2) Mismatching set with an earthenware tea cup trimmed in gilt and landscape painting in plum. Saucer features a raised basketry design further embellished with pretty floral designs; rim is brown. Marked on bottom with blue crossed swords of Meissen. Cup measures apprx 2-3/4"H and saucer, apprx 5-5/8"D. 3) Meissen set with floral decorations. Demi-cup features a "twig" modeled handle in green and saucer has a reticulated well rim. Both marked properly on bottoms. Cup measures apprx 2-3/4"H and saucer, apprx 5-7/8"D.
	298. Continental School (early 20th Century) "Cunnard & Co. S.S. 'Persia' 3700. Tons." Watercolor on paper mounted onto matboard, not signed, matted in a newer non-acidic mat and framed in a nice period frame with walnut veneer and a gilt liner, under glass, image size 7-1/2" x 12", with frame overall 16" x 19". The painting is titled in pencil on the lower center margin, now covered by the matting. The current mat has a somewhat different title inscribed in ink. This is a nice ship's portrait in the traditional manner with the main part of the composition being a full broadside image of the steamer/sidewheeler in full sail and flying the British flag. Fore and aft are pictured tiny images of other ships.
	301. Rudd (American, 20th Century) An original illustration painting en grisaille of a man seated inside a car, backing away as a newspaper boy offers him a paper through the side window. Watercolor and gouache on illustration board, image size approx. 22" x 20", with framing overall 29" x 27".
	333. Yaacov Agam (Israel, Contemporary, b. 1928) Signed twice in felt tip marker, post marked Paris with 1980 stamp designed by Agam. Envelope measures 8-1/2" x 4-1/4". Framed overall apprx 13-1/2" x 17-1/2". Agam is a world renowned kinetic artist. His initial art training was at the Bezalel School in Jerusalem. He studied under Bauhaus color-theoretician Johannes Itten and then rejected traditional static concepts of painting and sculpture. He has enjoyed great public success since his first one-man show in Paris in 1953.
	347. Marian Bryson (American, Cleveland artist, 20th Century) A lot of two watercolors on board; one of an Amish farmyard, the other with an Amish buggy. Watercolor on artist's board, each framed under glass. The first painting is of a sow in her sty with farm buildings and an Amish buggy in the background. This piece is signed in pencil in the lower right corner, matted and framed, image size approx. 17-1/2" x 23-1/2", with framing overall approx. 26-1/2" x 32". The second painting is an unsigned watercolor on board of an Amish buggy parked at a fence, framed under glass, approx. 19-1/2" x 28-1/2" image size, with frame overall approx. 21-1/2" x 30-1/2".
	382. Maureen Kilbane Berry (American, Contemporary) "Spring Bouquet" and "Geraniums in Summer Splendor". A lot of two original floral watercolors on paper, each signed in pencil, one dated 1991, matted and framed under glass, the painting "Geraniums In Summer Splendor" is 14" x 20" sight size, with frame overall 22" x 28". The "Spring Bouquet" painting is a floral fantasy in pinks, image size 18" x 21", with frame overall 27-1/2' x 30-1/2". The proceeds from this lot will benefit the Clifton Arts & Music Festival, Cleveland, OH.
	447. A Pair of Painted Buffet Side Tables, ca. early 20th Century Identical painting on matching servers, overall painted chartreuse with beautiful hand painted on front hinged doors. Classical motif with seated griffons holding a fruit laurel, classical architecture flanked with figurative panels. Side also painted with a small urn suspended from a tack with ribbon. Black and gold borders. Backs finished. Diminutive sabre legs, one interior sliding shelf with paneled front. Each approx. 35-1/4"T x 43"W x 19"D. Provenance: Ex Collection of the Women's City Club, Cleveland, Ohio.
	461. An early 19th Century Embroidered Picture A fabulous embroidered picture, ca. 1810, done in silk embroidery on a silk painted background, with hand painting on the embroidery as well. It is framed in a shadowbox frame with spacers to keep the thread from pressure by the glass. It is sewn in a variety of threads including silk, wool, and cotton. The painting as well as the needlework is exceptional in quality and preservation. Note the silk tassels on the lady's shawl. The sight size of the image is approx. 11" x 11". With the gold leafed frame the overall size is approx. 16" x 15-1/2". The frame is older and has a beaded inner rim with a ribbon trim and rope at the outside. It is surmounted by two "ears" at the top with cast rosettes at either side and a foliate top with a stringed instrument and sheet music scroll in gilt gesso.
	462. An early 19th Century Silk Embroidery A wonderful picture of a small girl entirely embroidered in silk thread. This meticulously embroidered picture, ca. 1810, shows a smiling child carrying a basket of fruit, shown in a landscape. A small dog peeks from her gathered up apron and another nips at her hem. She stands next to an intricately embroidered tree with vines and foliage and a forest can be seen in the distance to the right. Her bonnet is tied to her waist. This embroidery is done with crisp detailing an a great deal of skill. It is framed in an older 1-1/2" wide coved frame with a rubbed gilt finish. and a painted outside. The sight size is 11" x 7-3/4"; with frame the overall size is 13-3/4" x 10-3/4". This genre of embroidered picture were worked by women, most usually copying a painting or a print of a painting.
	494. Waltham Banjo Clock Eagle final over ivory enameled dial. Open work accents flank the tapered column with gilt rope border accents around a reverse painted glass with oval portrait of George Washington. Squared lower section, also with gilt rope border and reverse painting of a country home, terminating into scalloped fan with ball accents. Approx. 41"T x 10-1/4"W x 4"D. Provenance: Ex Collection of the Women's City Club, Cleveland, Ohio.
	540. Framed European Porcelain Dish, ca. 20th Century Bottom of this hand-painted dish depicts a playful scene with children occupied with a game; otherwise the interior is gilt. Exterior is decorated with a scroll and dot motifs. Framed under glaze in a gilt wood frame. Framed overall this item measures approx. 9-3/8" square. The composition is after a painting by Murillo.
	740. KPM Style German Hand-painted Porcelain Plaque, ca. late 19th Century Hand-painted porcelain wall plaque. Plaque depicts a young lady in a formal dress; most probably after an original portrait. Painting is very fine and depiction is executed in near photorealistic details. No marks found. Measures approx. 7" x 4". Plaque is set into highly ornate hand-carved wood and gold leafed frame. With frame, entire item measures approx. 16" x 11".
	761. Two Chinese Export Cheroot Trays, ca. 18th/19th Century A lot of two Chinese Export porcelain cheroot trays. Glazed white porcelain with hand painted decorations on each. First tray has a comemorative rococo coat of arms with initials in the center, a gilt ornate border surrounding and a foliate border on the outer rim, overall 9" x 6-3/4" x 1-1/4" high, with two firing flaws on the front face. The second is of similar decoration, with a painting of a monk in the center holding a sprig and a book with a banner above him reading "CAUSEAUSEDEBIT", 8" x 6" x 1-1/2" high.
	797. A Lot of Eleven Cabinet Plates Lot includes; a Haviland portrait plate circa 1896, pearlware plate with transfer decoration, Wedgwood Etruria England variegated agate-ware (or pink moon luster), three Wedgwood Etruria England octagonal plates with fruit basket motif, Sanguineness decorated plate, Chinese plate with luster marked H & Co., transfer decorated plate/charger with gold painting by Empire Works Stoke on Trent England.
	38. Walter Launt Palmer (American, 1854-1932) "Late Afternoon". Oil on canvas, signed lower right, in original frame. Purchase receipt from Pascal M. Gatterdam Art Gallery, New York accompanies the lot. This painting has been in the same family and is completely fresh to the market. This is among the latest and is perhaps the last painting by the artist, as he died three weeks after the painting's purchase. Canvas apprx 25" x 30", overall with frame apprx 33" x 38".
	39. Jules LeRoy (French, 1856-1921) "Cat & Kittens" oil on canvas. Best known for his works depicting cats and kittens, this particular painting is typical of French painter Jules LeRoy. This Victorian Era painting depicts a mother cat keeping a watchful eye on her kittens. One kitten looks expectantly up at the mother, while the other contentedly laps up a bowl of milk. Signed in lower right corner "Jules LeRoy". Framed, this piece measures apprx 34" x 30." Image measures apprx 24-1/2 x 20". Purchased from E. Ballesteros Galerie, one of the Swiss village galleries in Paris.
	40. An American Portrait, C. Mid 19th Century Portrait of a young girl dates from apprx 1860-70. This young lady is dressed in period clothing and holds a small pink rose in her hands. She stares out at the viewer with an enigmatic smile on her face. Unsigned, oil on canvas. Canvas size is apprx 30-1/2" x 25." Gilded wood frame is original to painting and overall measures apprx 40" x 34".
	43. William John Edmondson (American, 1868-1966) Landscape painting depicts a countryside scene complete with cattle, trees, a farmhouse and a stream. Oil on board. Two figures at the bottom hold hands. The choppy brushstrokes and vibrant shades of blue and green are significant in this painting. Signed in lower right corner "Wm J. Edmondson '27". Image apprx 13-1/2" x 22".
	49. Attributed to Seldon Conner Gile (American, 1877-1947) "Lake Geneva, Wisconsin", oil on board painting attributed to Seldon Conner Gile depicts a peaceful summer scene where vacationers relax by the shore or beneath the shade of a large tree. Mountains are visible in the background. Thick, painterly application of oils. Image measures apprx 18-1/2" x 13-1/4". Framed this piece measures apprx 26" x 20-1/2".
	51. Jehan Frison (Belgian, 1882-1961) Painting by Belgian artist Jehan Frison depicts an Orientalia still life. Faience jug is filled with flowers next to an figurine, teacup and black lacquer bowl. Signed "J.Frison '43" in upper right corner. Canvas measures apprx 20" x 24." Framed this painting measures apprx 29" x 33".
	66. Alors Heiss (1895-1970) A winter landscape with houses in the background and a river running through the foreground. Oil on canvas, signed "A. Heiss 10-1940" in the lower left corner. The image size is apprx 19-3/4" x 29-3/4" and overall image size is 24-3/4" x 34-3/4". Painting is framed in a lovely gold finished frame.
	72. Carl Gaertner (American, 1898-1952) Mining Landscape. Oil on paper, matted and framed under glass, signed and dated in lower right corner "Carl Gaertner, 1948, Demonstration, One Hour" indicating that this piece hung in the Toledo Museum of Art for a demonstration before Gaertner's pupils. This painting portrays a landscape with mining buildings in the foreground in hues of brown, pink, white and chartreuse highlights on the hillsides and in the sky. The image measures apprx 21" x 28" and framed measures apprx 33" x 40-1/4".
	76. A. Fuerst (German late 19th century-early 20th century) A fabulous historical painting of the sinking of the Elbe. This oil on canvas is beautifully framed in a decorative gilt frame and is signed A. Fuerst in the lower right corner. A. Fuerst is thought to have been one of the twenty survivors of the ill-fated Elbe. On January 30, 1895, the 4,150 ton Elbe was sailing from Bremen to Southampton with a destination of New York, with 335 persons on board. Her demise was wholly due to the reckless navigation of the British vessel Crathie, which rammed the German liner and then left her to perish and her passengers to flounder in a roaring sea. Of her 335 passengers, 20 escaped, 5 passengers and 15 of the crew. This painting is apprx 29-1/2" x 39-1/2" image size and apprx 37-1/2" x 47-1/2" framed.
	81. Unknown Artist, probably 19th Century Ecuador Boy Playing Wood Flute. This painting depicts a young boy in a green and brown garment playing a simple wooden flute. The background is a dark navy blue, almost black color. He wears a Spanish-style white hat on his head. Tag on verso on the painting identifies the title of the painting, and says that it is from an anonymous Ecuadorian painter from the the late half of the 19th century. The material is oil on gessoed cotton in a 20th century gilded frame. Framed, it measures apprx 36 x 26cm. A second tag on verso of the frame states "This art work has been carefully conserved at the San Francisco Museum of Modern Art Laboratory, 1975." It also states that this is a "study of the upper body of a boy wearing a large, round, high crowned hat. He blows on a simple pipe, with a neutral background."
	82. Peruvian School, C. Late 19th Century Colonial-style oil on canvas depicting a large scale figure of a man with long, dark hair. He carries a cross-shaped staff in his hand and is surrounded by smaller figures with their hands raised above their heads. Images of churches, birds and sheep are located in both the foreground and background of the painting. Canvas measures apprx 34" x 24-1/2". Framed, this painting measures apprx 39" x 26". Frame is made from ornately carved wood.
	84. Unknown Artist, probably 20th Century Madonna and Child. Oil on canvas, featuring a serene Madonna dressed in white with deep blue robes. She wears a white veil and her long, dark hair cascades over her shoulders. She cradles the baby Jesus in her lap. The child looks out with wide eyes. He wears a small white cloth. The halo behind her resembles the crown of thorns foreshadowing the one her child would someday wear. Background of painting is a soft gold color. Gold painted wood frame measures apprx 39" x 29-1/2". Painting measures apprx 31-3/4" x 22-3/4". Not signed.
	85. Myron R. Winder (American, Early 20th Century) Two paintings by the Chicago, Illinois artist. The first is titled "Navy Takes Over Corner Of Burton Court, University Of Chicago", dated 1942, apprx 24" x 26" unframed. The second painting is titled "Cross-Over" and is dated 1941, probably another image of the windy city. Apprx canvas size 20" x 24", unframed.
	88. Ted Szczesniak (Taju)(American) "Shimmering Golden Light, Marshes Around Giverny, France". A bright and bold oil on canvas landscape titled on verso. It is also signed Ted Szczesniak and dated 01-03 on verso and signed "TAJU" in the lower left corner. Painting is ornately framed and measures apprx 17-1/2" x 23-1/2" image size and apprx 26" x 31" framed.
	89. M. Donald (American) "Winter Landscape". Oil on canvas titled on verso. It is also verso stamped "Fredix, New York, '36". Painting shows a tree-lined snowy road with a house off on the right. Signed in the lower right corner. The overall image size is apprx 35-1/2" x 23-12" and apprx size with frame is 40-3/4" x 28-1/2" .
	90. M. Foscarini (Italian, 20th Century) Canal Scene. Oil on canvas depicting a night scene of what appears to be an Italian city on a canal. This painting is unframed and is apprx 24" x 48".
	96. Robert Phillipp (American 1895-1981) N.A. A young girl sitting by the ocean. Oil on canvas. This painting depicts a young girl in a red suit with white blouse and flower pin. She wears a straw hat accented by a black ribbon. The girl sits on a patio overlooking the ocean. Obvious impressionist influences. Signed in lower right, but signature is illegible. Image measures apprx 14-1/4" x 15". Framed in gold painted wood, this piece measures apprx 21-1/2" x 22".
	97. Terese Di Elia (20th Century) Two women doing laundry at a stream. Oil on canvas. The ladies are joined by a woman dressed as a nun. Signed "Di Elia" in lower right corner. Image measures apprx 17-3/4" x 11-1/2". Framed, this painting measures apprx 27" x 20-1/2".
	98. Robert Wright (American, Early 20th Century) Oil on board painting by Robert Wright depicts a wintertime riverside scene. The riverbanks are covered with gleaming white snow and the water is an icy blue. Pine trees line the riverbanks. Apprx size of this image is 7" x 9." Writing on verso of image identifies artist, Robert Wright, and a possible date and title, "James at East, '37."
	99. Svetozar Tomic (Russian, 20th Century) Oil on paper laid on board and signed in lower right hand corner, "Tomic SV." This painting depicts a still life of a vase of flowers with bowl and wine glass. This image has been spliced with a second image at the bottom, seam is visible through the varnish. Image measures apprx 9" x 7". Framed, it measures apprx 15-1/2" x 13."
	102. James Brereton (British, b. 1954) Proceeds from the sale of this item will be donated to the Lyric Opera, Cleveland. This painting, entitled "Before the Wind-The Grace Ross" features a ship sailing on the high seas against a brilliant blue sky. Signed "James Brereton" in lower left corner. Image measures apprx 16" x 20." Framed the painting measures apprx 21-1/2" x 25". The painting comes with a letter of appraisel from the Brainard Gallery in Cleveland. The original bill of sale for this painting is dated July 19, 1995 from Williams & Son at 2 Grafton St. in London, for $1,440.00.
	104. Casati (20th Century) Oil on canvas signed "Casati" in lower right corner depicts a seascape. This seascape features white capped waves splashing against an isthmus of dark, craggy rocks. A mountain is visible in the background. Impasto painted cloud (not a repair) is visible directly above mountain. Brass plaque on frame indicates artists name. Canvas measures apprx 20" x 40." Framed, this painting measures apprx 27" x 47."
	105. Hayuk (20th Century) Oil on board painting by "Hayuk" depicts a house in an open field. A few small trees surround the dwelling. Open blue sky is accented wtih fluffy white clouds. The field has been painted with heavy brushstrokes and a thick application of vibrantly colored paint. Signed loer right. Board measures apprx 24" x 30." Framed this piece measures apprx 30" x 36."
	106. Frederick Hollendonner, American, 20th Century An abstract oil on canvas titled "Totemic" in shades of reds, blues, whites and black. It is signed and dated, "F. L. Hollendonner, '59" on the lower right corner. On verso are the title, another signature and tags indicating that this painting was in the 41st May show at the Cleveland Museum of Art, May 6-June 14, 1959. It is framed and the image size measures apprx 39-1/2" x 33-1/2" and overall framed size is 48-1/4" x 42-1/4".
	157. William H. Eppens (American b. 1885) A nice William H. Eppens watercolor on paper of a winter scene with a cabin with a stream running alongside it in the foreground and a hillside with other structures in the background. It is signed and dated "W.H. Eppens 1934" on the lower right corner. This painting is matted and framed under glass and the image measures apprx 10-1/2" x 14" image size, and apprx 19-1/4" x 23" framed.
	160. Frank Nelson Wilcox (American, 1887-1964) Lot of three watercolor paintings by Frank Wilcox. Entitled "Rocky Mountain Fishermen," "Southern Swamp" and "Southern Farm". Each painting is watercolor on board and features vividly colored scenes of southern life in America. Each signed in pencil in lower right corner. Each painting measures apprx 20" x 30" and are in shrink wrap with foam core backing.
	187. Y. Matsumoto (Japanese, 20th Century) Watercolor painting by Y. Matsumoto depicts a harbor. In this painting a small house is perched on the water's edge and two villagers travel past the rows of houses. Misty blue mountains are visible in the distance. Signed "Y. Matsumoto" in lower left corner. Image measures apprx 12-1/2" x 19". Matted and framed this piece measures apprx 20-1/4" x 27".
	251. Decorative Bronze Philosopher Bronze figure of a man posed in thought, dated apprx 1890. He sits on a four-legged stool with one hand up to his cheek, a thoughtful expression on his face. He wears a classical Roman garment and props his feet up on a trunk. Much attention has been paid to the details in the man's face as well as his garments. A rounded panel painting sits beneath the chair and he rests his right arm on a scroll. It is originally from a clock. Bronze has greenish-brown patina. Unsigned, this piece measures apprx 9" x 5".
	4. Egyptian Cartonage Fragment (circa 6th-1st Century B.C.) Fragment with hand painting with bright pigments on gessoed papyrus, backed with straw and dirt mixture. Painting shows a row of kneeling women with red circles above their heads. Beneath them is a brightly patterned section. Circa Late-Ptolemaic Period. Measures apprx 5-1/2" x 4".
	22. Italian, circa mid/late 19th Century Annunciation Angel. Oil on hard surface artist's board, oval, signed lower right in red (? A. Parsini). Framed in a newer frame with gold painted oval opening mat. Gabriel carries white lilies, an iconographic representation of the purity of the Virgin Mary. His gestures indicate the bestowing of a blessing. The Angel Gabriel is depicted in his traditional garb with feathered wing and and angelic golden curls. He bears a contemplative expression on his face. His hands and cheeks are elegantly and delicately painted. Due to the small size and presence of a signature this piece was probably a private commission as a domestic devotional object. Oval painting measures apprx 8-1/2" X 7".
	25. Otto Modersohn (German, 1865-1943), Attributted Lovely scene of the German countryside with a castle. Oil on canvas board, framed. One can see a tiny figure of a girl playing in the foreground of the painting. Wonderfully balanced composition. Otto Modersohn was a well know painter from the German landscape school. He works in a subtle palette to create quiet outdoor scenes. Painting measures apprx 14" x 11-1/2". With light colored wooden frame, entire item measures apprx 20-1/4" x 17".
	31. Adolphe Frédéric Lejeune (French, 19th/20th Century) "Paysage" a lovely landscape painting depicting the French countryside or "paysage". The lush greens, craggy mountains and quaint cottage create a charming country scene. Tag on verso identifies the artist, A.F. LeJeune and the title of the painting, "Paysage". A small plaque on the front of the frame also identifies the artist as well as the approximate date, 19th century. Painting is signed in lower right corner. The image itself measures apprx 29" x 23-1/4".
	37. John Wycliffe Lewis Forster (Canadian, 1850-1938), Attributed A second painting by the artist titled, "Court in the Act". Oil on artist's board, signed and dated lower right 1900, framed. In similar frame as previous lot, image apprx 6-3/4" x 9-1/4", overall with frame apprx 12-3/4" x 15".
	39. G. Brons (circa 19th Century) Country Landscape. Oil on canvas, framed. Scene is of a peaceful country cottage bathed in warm afternoon light. Painting is executed in overall light green and golden yellow tones. Brush strokes are soft. Signed "G. Brons" on lower left corner. Painting measures apprx 23-3/4" x 16". With simple gold painted frame, entire item measures apprx 27-1/2" x 19-1/2".
	43. Unknown Artist (Continental School) Pastoral Scene. Oil on canvas, not signed, framed. Very sweet scene of a young girl with two goats. The trio stand on a forest path. Painting is done with a light, almost impressionistic touch. Canvas is on a four-key stretcher and has original brass tacks, apprx 25" x 18". With carved wooden frame item measures apprx 31" x 24-1/2".
	47. Dines Carlsen (American, 1901-1966) "Mountain Village-Mexico". Oil on masonite, not framed. Painting of a small village nestled in the Taxco mountains. Palette in light to medium tones and brush work is rough and vigorous. Signed lower edge right of center. Measures apprx 24" X 20". Verso has information stickers.
	49. Carl Gaertner (American, Cleveland School, 1898-1952) "Christmas Eve". Oil on canvas, framed, circa 1928. Gaertner studied at the Cleveland School of Art (now the Cleveland Institute of Art) with Henry G. Keller and Frank Wilcox. He is best known for his American industrial landscapes depicted with raw and gritty strength. His interest in these subjects was initially sparked by the Cleveland Museum of Art May shows of the early 1920's. At that time the museum instituted a catagory of industrial painting for their annual regional exhibition. Gaertner's most sought-after paintings are now his moody night time scenes in urban settings which date mainly from the 1920's. This painting depicts a holiday night time scene in Public Square, downtown Cleveland, Ohio; the Old Stone Church landmark is visible near the center of the composition. Painting is signed on lower right corner. Verso holds a tag from the Cleveland Museum of Art 10th Annual Exhibition of Cleveland Artists and Craftsmen, April 25 to June 3, 1928. Also a handwritten "March 1963--Hous Billing, Gaetior Estate". Canvas measures apprx 34" X 30". With ridged gold painted frame, entire item measures apprx 38-1/2" X 34".
	53. Rutledge Bate (American, 1891-1964) "Still Life with Freesia & Roses". Oil on canvas, signed lower left and dated 1940, framed. A lovely painting of flowers in a pretty gold frame with corner accents. Bate is a well listed artist with a New York affiliation, mostly known for his portraits, landscapes and still life paintings. Canvas apprx 24" x 20-1/4", overall in frame apprx 30-1/2" x 26-1/2".
	56. Early 20th Century American Illustration In the style of Haddon Hubbard Sundblum, oil on board of a couple in a car. Painting is signed (illegibly) in lower right corner; measures apprx 28" x 22". With simple gold painted frame, entire piece measures apprx 34-1/4" x 28".
	61. Charles Nicoise (Italian, mid-20th Century) Parisian Scene. Oil paint on porcelain, framed. Scene depicts daily life on Boulevard Haussmann in old Paris. Signed "Ch. Nicoise", lower left corner. Painting measures apprx 7-1/2" x 7-1/2". It is nestled in a painted gold wood frame which bears a small plaque with the artist's name. Both painting and gold frame are encased in a black shadowbox frame with inward sloping walls. With frame piece measures 13" square. Verso is felt lined and on hanging wire is a small paper with information about the artist and his career. Probably from 1950's.
	63. R. Hallar (American, 20th Century) Mountain Landscape. Oil on masonite, framed. Scene of mountains with a small wooden cabin. Reminiscent of a crisp early spring day, with snow still visible on the background peaks, the grass on the middle hill is green. Several tall pine trees and a rustic log cabin are featured in the foreground. Painting is signed in red with "R. Hallar" on bottom right corner. Painting measures apprx 19" x 15-1/4". With frame, apprx 24-1/2" x 20".
	64. R. Nielser (American, 20th Century) Forest Trail. Oil on board, framed. Scene of a two-horse carriage traveling though a winter forest. It appears as the snow is beginning to melt as mud is visible at the base of olive-green tree trunks. Signed on lower right corner R. Nielser. Painting measures apprx 20" x 12-3/4". Gold frame nicely accents the paintings greenish tones. With frame, item measures apprx 25-1/4" x 17-3/4".
	66. Itaru Nagao (Japanese, b. 1931) "Alps Hodaka". Oil on canvas, signed lower left and on verso in Japanese, framed. Back of canvas has artist and painting information. Bold palette depicts a mountain scene with lake. In a professional frame, canvas apprx 14-1/2" x 17-1/2", overall with frame apprx 22-1/2" x 25-1/2".
	67. Gayle B. Tate (American, b.1944) "Old and Worn Out". A trompe l'oeil oil on board, signed lower left, signed on verso and titled. Image apprx 5-1/4" x 7-1/2". Overall in black frame with gilt apprx 11-1/2" x 13-1/2". Verso is inscribed by the artist, "That the enjoyment of making this wonderful painting comes soon after my 60th birthday, there is little resemblance to it and my place in life, which I enjoy even more". Born in Abilene, Texas, Mr. Tate currently lives in Laramie, Wyoming. He has had an extensive auction presence and is a favorite of collectors of trompe l'oeil works.
	68. William Bradley (British, 20th Century) Country Landscape. Oil on canvas, framed. A peaceful landscape of a cottage dotted countryside. Light is very warm and palette is overall green and orange. Signed in lower right corner. Painting measures apprx 16" x 20". Verso reads "The Copyright of this picture is the property of the Artist and is strictly reserved". With carved frame entire item measures apprx 21-3/4" x 25-3/4".
	69. Dansen (Dutch, 20th Century) Port Scene. Oil on canvas, framed. Painting depicts two boats against the background of an industrial port and an evening sky. Palette is largely violet with orange accents. Signed "Dansen" in lower left corner. Painting measures apprx 24-1/4" x 17-1/4". With gold painted frame, entire item measures apprx 28-3/4" x 21-1/2".
	71. Bartholomew (Continental School, 20th Century) Highland Loch. Oil on panel, framed. Soft scene of the Scottish country side featuring a lake and distant hills. Palette is pastel in tone. Signed Bartholomew, 1975, on lower right corner. Framed with banded blue and gold finished wood. Entire item measures apprx 25-1/2" x 19-1/2". Painting information of verso.
	72. Yves Milhaud (circa 20th Century) "Village Life". Oil on board, framed. Scene depicts daily life in a rural town possibly in Cuba. Paint is thickly applied and so has a heavily textured surface. Signed in lower left corner. Measures apprx 16" x 20". On verso, the dimensions are written twice and the number 18 (probably indicating painting was in an exhibit or contest). Frame is ridged and wooden. With frame item measures apprx 20-1/2" x 24-1/2".
	73. Kenneth Dale Draper (American, 20th Century) Modern seascape. Oil on masonite, framed. Well executed with tremendous chromatic energy, balancing yellow accents against blues; the textured rocks vs. the smooth sky. Signed on lower right side. Painting measures apprx 22" x 32". With simple painted gold frame, entire item measures apprx 26" x 36".
	76. Daniel G. Para (French, circa 1963) "Les Varans" (The Dragons). Oil on canvas, framed. Surrealistic scene depicts a nude woman surrounded by green Monitor lizards with spiky rocks looming in the background. Painting is signed and dated at lower right corner. Canvas measures apprx 28-3/4" x 45-1/2". On verso numerous tags including: "Surrealistes et Symbolistes", "3042" and "Salon des Independants 1964". Frame is gold painted decorative wood. Overall piece measures apprx 33-3/4" x 50-1/2".
	77. Marshall Merritt (American, 20th Century) "Carmel Coast". Oil on canvas, framed. Very nice California coastal scene of waves crashing up against rocks. Paint is applied thickly and broadly with a palette knife. Signed on lower right corner. Painting measures apprx 15" x 30". Nicely framed with linen textured mat and dark wood frame. Verso bears title and artist's name. Total item measures apprx 23-1/2" x 36-1/2".
	79. Irving Kraut Manoir (American, 20th Century) "Eunnia". Oil on canvas, framed. Irving Manoir is best known for his southern California landscapes. This moody image depicts dark trees and a barn. Pigment is applied thickly with a knife producing a very tangible sense of texture; palette is muted and dark. Titled on lower left corner. Painting measures apprx 15-1/2" x 11-1/2". With dull gold painted frame, entire item measures apprx 20" x 16". Verso has biographical information.
	80. Artur Vasilevich (Russian, Contemporary) "Flowers", a Dutch style still life of flowers, painted in 1997. Oil on canvas, unframed. Signed lower left on on verso of canvas. Executed in precise detail, painting features a varied bouquet of flowers including irises, poppies and roses. Many insects can be spotted through out the composition. Painting measures apprx 32" x 26".
	457. An Ethiopian Crusade Scroll, 18th/19th Century A documentary scroll about the crusades in Ethiopia, sewn in parts with hand paintied scenes and decorations. The top painting showns a Saint on horse killing a demon. Lower panel has an angel and cetral face with border. Painted on vellum with bright colors. Professionally hinged and framed, scroll is apprx 64"L x 3-3/4"W.
	83. Ron Johnston (American, Contemporary) "St. Stephens, Foggy Day". Oil on canvas, signed lower left. Canvas apprx 16" x 20" with small wood liner surround. This misty painting is of a Cleveland, Ohio landmark which the artist has painted frequently in different seasons and in different times of day. A devout Plein-Air painter, Johnston has become masterful at depicting the many manifestations of Cleveland's moody climate. Johnston is known for his captivating landscapes, rich still life paintings, and realist portraits in oil and in pastels.
	87. Nina F. Martino (American, Contemporary) "Campus". Oil on board, framed. Nina F. Martino is a contemporary artist from Pennsylvania, best known for her urban landscapes, and member of a family of painters of note. Item features scene of a lush park with geese and a pair of figures. Painting style is soft and overall tone is cool. Signed on lower left corner. Painting measures 11-1/4" x 15-1/4". Framed with linen mat and a painted wood frame. Verso is lined with black paper and bears tag with painting information and a "Creative Framing" label. Overall the piece measures apprx 15-3/4" x 20".
	95. Marques Vickers (American, b. 1957) "Cashing In", 2003. Acrylic on canvas, signed on back by this California native, framed. Painting is done in bright colors with energetic brush strokes. His work has been exhibited at the MAC21 Contemporary Art Fair-Marbella Spain, EXPOART2000-Cologne Germany, Vorpal Art Gallery-San Francisco and Gallery Saccade-San Diego California. Canvas measures apprx 19-1/2" x 16-1/2". Framed in a simple black frame.
	97. Trio of Decorative Works Trio of miscellaneous decorative works includes a lithograph by Paul Berthon, oil on board by J.W. Gies, and a oil on board signed M. Jones. Berthon lithograph measures apprx 11-1/2" H x 9-1/2" W and is framed and under glass. J.W. Gies oil on board is dated 1899 on verso and measures apprx 13" H x 10" W. Third painting is oil on board, signed M. Jones. This painting depicts a stream running through a lush valley. With frame this piece measures apprx 11-1/2" H x 13-1/2" W.
	98. Painting After Paul Gauguin After a figure in "When Will You Marry" by French Painter Paul Gauguin (1848-1903) of a Tahitian beauty. Oil on canvas, signed "Lirca" in the lower left corner, framed. The crouching woman is executed in Gauguin's flat format and the vibrant colors referring to an untamed nature. With antiqued frame entire piece measures apprx 33" x 26".
	99. Set of Two Framed Items Proceeds from the sale of this item will be donated to the Lyric Opera, Cleveland. Lot includes a signed limited edition print by Deborah Lawrence, "A Little Bird Told Me So", and a small oil on board "Annette". Screen-print depicts a whimsical girl holding a star, while a long legged bird playfully sits on her head. The print is dated 1999 and signed on lower right, ed. 103/390. Simply framed with white mat and black wood frame. Measures apprx 26-1/2" x 22-1/2". Second item is a small portrait of a little girl wearing a head scarf. Palette is in orange tones. Painting title is on lower right. With gold and brown painted wooden frame, entire item measures apprx 13" x 11-1/4".
	474. Tapestry & Painting, C. 19th Century Decorative tapestry with painting depicts a young lady in 18th century style dress. She wears a full length pink and blue gown with lace sleeves. Her strawberry-blonde hair is covered by a hat accented by pink ribbons. A polite gentleman helps her step down from a bench. The gentleman wears a black coat, black breeches and holds a black tricorn hat behind his back. This textile measures apprx 73" x 38." Tapestry is machine woven and has a golden silk backing.
	102. A.M. Louise Douillard (French, 1835-1905) "Mountain Scene with Family & Cabin". Oil on board signed on verso. This painting depicts a family outside a log cabin, set within the mountains. Board measures apprx 18-1/2" H x 11-1/2" W. With gold painted frame this painting measures apprx 24" H x 17" W.
	121. John Boydell (English, 1719-1804) "Jacob Burying Labans Images". Unframed steel engraving printed on paper, after the painting by Sebastian Bourdon. John Boydell was a well known print seller who employed some of the best English print makers of his time. The name of the printer, R. Earlem Lecit, can be see on lower right (Richard Earlem). Bottom reads "In the Cabinet at Houghton" as well as information about the print. Measures apprx 27" x 19". Backed with posterboard, covered with protective plastic.
	122. John Boydell (English, 1719-1804) "Abtraja,. Sarah and Hagar". Unframed steel engraving printed on paper. After the painting by Pietroda Cortona. The name of the printer, J.B. Michel (Sculpsit), can be see on lower right. Bottom reads "In the gallery at Houghton" as well as information about the print. Measures apprx 20" x 26". Backed with posterboard, covered with protective plastic.
	132. A Collection of Shakspeare Prints by J.& J. Boydell, English, circa 1792, 1801 Lot includes two unframed engravings on heavy paper from the Shakspeare collection by J. & J. Boydell, "Winters Tale" and "As You Like It". The "Winter" image is taken from Act IV. Scene III. The depiction is from the original painting by Era. Wheatley. Engraved by Ja. Fittler, Marine Eng. to his Majesty, as seen on lower right. Measures apprx 26" x 20". The " As You Like it" image is taken from Act II. Scene VII and from the original painting by R. Smirke, R.A. Engraving done by R. Thew, Engraver to H.R.H. the Prince of Whales. Measures apprx 26" x 20". Both prints also have the Shakspeare text that inspired the images as well as information about the publisher on the bottom and gold leaf applied to edges of the paper.
	133. Collection of Shakspeare Prints by J.& J. Boydell, Sept. 29, 1799 Lot includes two unframed engravings on heavy paper from the Shakspeare collection by J. & J. Boydell, "Othello" and "King Henry the Fourth". The "Othello" image is taken from Act V. Scene II. The depiction is from the original painting by J. Graham. Engraved by W. Leney as seen on lower right. Measures apprx 26" x 20". The "Henry" image is taken from Act II. Scene II and from the original painting by R. Smirke, R.A. and Jospeh Farington, R.A. Engraving done by Sam Middiman. Measures apprx 20" x 26". Both prints also have the Shakspeare text that inspired the images as well as information about the publisher on the bottom and gold leaf applied to edges of the paper.
	136. Sadovnikof Friedinoff (Russian, 1800-1879) Intimate watercolor of a St. Petersberg harbor scene on paper. Architecture and trade boats are featured. Palette is cool and light. Signed on lower left corner "Friedinoff". Painting measures apprx 11-1/2" x 7-1/4". Double matted with dark orange and dusty blue. Frame is simple and painted gold. Entire item measures apprx 18-1/2" x 15".
	137. Unknown Artist, after Sadovnikof Friedinoff (Russian, 1800-1879) City Scene with a Cathedral. Watercolor with pencil on paper, framed. Pretty little scene of the classical architecture of the Kazansky Cathedral in St. Petersberg. Couples and families enjoy the public space as they go about their daily activities. Signed on lower left corner "d'apres Sadovnikov Frieddinoff". Sadovnikov was a St. Petersberg artist who painted principally architectural scenes. Painting measures apprx 10-1/2" x 7-1/4". Double matted in deep orange with dusty blue and in simple gold painted frame. Entire item measures apprx 17-1/2" x 15".
	139. Richard Parks Bonington (English 1802-1828), Attributed "Standing Figures", pencil sketch on creme colored wove paper, edges appear to be trimmed. Unsigned, however attributed in graphite on matting. Paper apprx 8-1/4" x 4-1/4". Provenance: from the ex-collection the late James Crabtree of Grosvenor Square, London. Bonington studied in Paris at the École des Beaux-Arts and in 1820 entered the studio of Gros. At that time he formed a close friendship with Delacroix. Best known for his sparkling watercolors painted rapidly, directly from nature, Bonington also brought to his oil painting an immediacy and dexterity unusual in his day. Represented in the Louvre and in many distinguished British galleries, Bonington's work can also be seen in the Wallace Collection, London.
	150. Edwin Earp (British, 1851-1945) Set of lovely horizontal lake views. Watercolor on paper, framed. Edwin Earp is best know for his highland landscapes most often with bodies of water. The painting has a quaint 2-D feeling almost like children's book illustrations. One features a single boat with white sails at center, the second includes more boats and mountains. Both signed on lower right hand corner. Paper measures apprx 19-1/2" x 10-1/2". On verso, artist's name and dates. With simple gold painted wooden frame, paintings measure apprx 21-1/2" x 12-1/2".
	151. Edwin Earp (British, 1851-1945) "Resting Sheep". Watercolor on paper of an autumnal landscape with three sheep sitting under a tree, matted. Palette is nicely divided between warm foreground and a cool of background. Signed in lower left corner "E. Earp". On verso the number 480, E. Earp (Edward) British 20 ct. price, medium, title and "ON" written in pencil. Painting measures apprx 20" x 12-1/4". Matted with cream color board. Overall item measures apprx 25-1/2" x 17-1/4".
	154. Thomas G. Moses (American, 1856-1934) Simple watercolor on paper depicting an autumnal forest scene. Thomas Moses was a well known American scenic artist. The composition of this painting is tastefully off center and features two seasonal trees; one with green leaves with the other with brown. Background color is a light beige and pencil lines are visible. Signed on lower left corner "Thos. G. Moses 1900". Painting measures apprx 13-1/4" x 9-1/2". Mat appears to have been ochre colored but painted over with white. Frame is basic painted dark gold wood. On verso is artist's name and dates. Entire item measures apprx 20" x 15-1/2".
	158. G. Herdfle (German, circa 1875) Watercolor and graphite on paper, matted. Small, finely executed depiction of a rural mountain village, "Niederdorf". Scene shows cows, their herder and a village of cottages under the shadow of purple mountains. Signature, Gush. Herdfle, seen in lower right and title and date, 30. Juli [18]75, in lower left. Measures apprx 9-3/4" x 6-3/4". In cream colored mat. Painting information on verso.
	166. A Lot Including an Engraving and an Etching Proceeds from the sale of this item will benefit the Paintings and Drawings Society of the Cleveland Museum of Art. Lot includes two framed prints, both under glass. The first is "The Adirondack Woods" after a painting by J.M. Hart. The engraving was done by R. Hinshelwood and published by D. Appleton & Co. in New York. The scene is of a landscape with deer resting by the side of a stream. With off-white mat and black frame, print measures apprx 14" x 12-1/4". Second item is a signed etching, "Evensong" by B.G. Mathews. Shows a night-time church procession executed in fine hatch marks. With off-white mat and thin black frame entire piece measures measures apprx 20" x 16".
	186. Attributed to William Wendt (California School, 20th Century) Small framed study in chalk pastel on cardboard. Wendt, 1865-1946, is often referred to as the "dean of Southern California landscape painters." He was interested in the compositional forms and surface treatment involved in painting landscapes. This piece is sweet landscape of a large orange tree against a blue mountain and a cloud dotted sky. Measures apprx 6" x 4". In simple brown wood frame with easel back, item measures apprx 8-3/4" x 6-1/2".
	189. Ingold (Continental, circa 1915) Parisian Street Scene. Watercolor on paper. A serene scene of a Parisian street executed delicately in washes of cool blues and umber tones. "Paris 1915" seen in left corner and initial with Ingold, as signature, seen in lower right corner. Paper measures apprx 14-1/4" x 11-2/3". Painting is matted with dull gold and framed in simple wood. With frame entire item measures apprx 21-1/4" x 18-1/2".
	199. Watercolor by Claude Pannka (Central Austrailian, circa mid-20th Century) Framed watercolor on paper. Pannka was a member or the Aboriginal, Hermannsburg School (1928-1972). He is know for his palate of earthy tones and compositions including a gum tree to one side. This painting shows the gum tree off to the left side while a purple mountain can be seen at the center. Measures apprx 20" by 14". Painting is signed on lower right. Matted in white, and framed with narrow wood. Entire item measures apprx 26" by 19-1/2".
	290. A Fine KPM Porcelain Plaque (German, circa Late 19th Century) "Cupid with a Butterfly", German, circa 1892. An exceptionally charming hand-painted porcelain plaque. Image depicts a rosey-cheeked cupid pulling a butterfly off of his arm. A garden fountain serves as his seat and his quiver of arrows lies near by. Verso has KPM mark, a sticker with the number 1797, "Munich, Aug 1892" and "after Bouguereau" (referring to the original 1888 painting by William-Adolphe Bouguereau,)" written in pencil. Plaque measures apprx 6-1/2"W x 9-1/2"L. Frame is ornately carved and gilt. Overall with frame apprx 17"W x 20-1/2"L.
	294. A Pair of Royal Vienna Covered Urns (circa Late 19th/Early 20th Century) Porcelain Urns comprised of three connected parts plus lid: Square base, fluted pedestal and handled urn. Mythological figures and decorations are stenciled with hand painting and gilt decoration. Both have four bolt holes on bottom, perhaps as evidence that they were originally attached to another base. Royal Vienna "beehive" symbol seen on both bottoms. Both urns stand at apprx 12-1/2"H x 8"W.
	361. Three Tabatieres Lot includes three decorative boxes of varying shapes. The first of lot is a porcelain egg shaped box with a transfer decoration of a rose on top and gilding around middle. Lid lifts off. Measures apprx 1-3/4"H x 1-1/2"W x 2-1/2"L. Second is a clover shaped box by Limoges. Features a hinged lid and a hand painted pink scene of a country house with gilt leaves inside. Bottom is marked with Limoges stamp and tiny lid painting is signed. Measures apprx 1"H x 2-1/2"W. Third is a heart shaped lacquer box. Wood is mostly shiny yellow with hand painted floral shapes that are Indian in aesthetic. Lid lifts off and interior is black. Measures apprx 1-1/2"H x 3-1/4"W x 3-1/2"L.
	507. Hand-Painted Portrait of Napoleon on Ivory, ca, 19th Century Hand-painted miniature portrait of Napoleon on ivory or celluloid under glass, with red velvet mat and decorative metal frame. Painting is signed "N. Delaroche". Image size is apprx 3-1/2" H x 2-3/4" W. Overall size, including frame is apprx 6" H x 4-1/2" W.
	23. Howard Russell Butler (American, 1856 - 1934) "Mint Canyon - Windy Day". Oil on canvas over board, signed "H. R. Butler" on the lower right corner. An attractive panoramic scene in the desert with a sandy road winding through the scene. Framed in a bronze gilded frame with ornate corner ornaments in the Arts and Crafts style. Howard Russell Butler studied at Princeton and Columbia Law School, before he became a full-time artist. For some time his interests were painting solstices and California landscapes. This painting is a good example of the latter. Image measures approx. 13-1/2" x 19-1/2", framed overall approx. 22" x 28".
	26. After John F. Herring, ca. late 19th Century Three horses. Oil on canvas, in a spandrel frame. Not signed, after a popular subject painting by Stubbs and Herring. Image apprx 15". overall in frame apprx 21-1/2" square.
	527. Seth Thomas Eight-Day Clock Very pretty, large shelf-clock in 1/2 column case stye. Case is veneered mahogany with gilt-detailed columns. Face of clock has enamel painting of roses and roman numerals. Weighted clock has two reverse painted door panels. Top is a small landscape with fisherman and boats. Bottom is of two kiwi birds. Back of interior has manufacture's paper with company name, clock model, location: Plymouth Hollow, CN, and directions for use. Measures apprx 32-1/2"H X 6"W X 19"L.
	42. Laszlo Neogrady (Hungarian, 1896-1962) A very realistic painting of a snow laden evening in winter with a stream. Oil on canvas, signed "Neogrady Laszlo" on the lower right corner. Carved wood frame. Image size approx. 23-1/2" x 32", framed overall approx. 30" x 39". Laszlo Neogrady was born in Budapest, Hungary in 1896. He was the son of the artist Anatal Neogrady and he studied painting at the Hungarian Academy of Fine Arts under the artist Ede Ballo. From 1922 Laszlo Neogrady exhibited his work at the Hungarian Art Gallery. He specialised in painting naturalistic landscapes many of which depicted forest scenes in the snow. These works are highly sought after and can be found in collections throughout the world. The artists extensive use of impasto creates an almost three dimensional effect in these works. His use of light is usually dramatic and his landscapes are very atmospheric.
	50. Painting Signed Chaim Gross (American, 1904 - 1991) Untitled abstract. Oil on canvasboard, signed and dated "Chaim Gross '44" on the lower right corner, framed in a grey wood frame. Image measures approx. 15" x 13"; framed overall approx. 21" x 19".
	54. William E. Ward (American/Cleveland School, 20th Century) "Garden of the Temple of the Tooth, Kandy". Oil on canvas. Signed and dated "William E. Ward '45, Kandy Ceylon" on the lower left corner. Simple wood frame. Image measures approx. 14"H x 10-1/4"W, framed overall approx. 18-1/2"H x 14-3/4"W. The verso of the painting features an original tag from the Butler Art Institute in Youngstown, Ohio, where is was submitted for the 1947 New Year Show.
	59. Original Oil Painting Signed "Roan" "Hurricane". Oil on canvas. Signed and dated '48 on the lower left corner. Simple wood frame. Image measures approx. 20" x 23"; framed overall approx. 23" x 25". The image depicts roiling waves approaching the land.
	62. Signed Winter Landscape Painting (American, circa 20th Century) Untitled winter landscape with a stream. Oil on canvas, signed illigebly on the lower right corner. Framed in a white-stained wood frame. Image measures approx. 21-1/2" x 27-1/2", framed overall approx. 30" x 36".
	63. Original Oil Painting signed "Hzuise" (German, 20th Century) "Nach Dem Regen", "after the rain". Oil on canvas laid on board, signed, titled and dated 1945 on verso. Image measures approx. 24" x 18"; framed overall approx. 30" x 24". The image depicts a forest scene: two pine trees on the foreground and a cloudy grey sky.
	66. Leroy Neiman (American, b. 1921) Erotica. Oil on panel, signed lower right and dated 69. Image approx. 23-3/4" x 30-1/2". Overall in contemporary framing with wire hanger, approx. 27-1/4" x 33-3/4". Known for his bright and colorful paintings of famous sports stars in a semi-abstract style, LeRoy Neiman is one of the 20th Century's most successful illustrators. Provenance: Through descent; the painting was given to a fellow New York painter/artist as a gift. Painting is not accompanied with gallery papers or receipts.
	80. Artur Vasilevich (Russian/American, Contemporary) Still life with apples. Oil on masonite, signed in Belorussian "A. Vasilevich" on the lower left corner. This painting was executed in 1993. Brown wood frame. Image approx. 11-1/4" x 19"; framed overall approx. 15-1/2" x 23-3/8".
	82. Vitali Grigoryev (Russian, born 1957) "Still Life with Salt-Cellar". Oil on wood panel; initialed and dated '91 in Cyrillic on the lower right corner. Meticulous technique and attention to detail are the highlights of this work. Painting is framed in a black wood frame. Image size approx. 7-1/2" x 12-3/8", framed overall approx. 15" x 19-1/2".
	87. Painting Signed A. Bogolyubov, Russian Steam ship on choppy waters. Oil on canvas, signed lower right in Cyrillic. Thick areas of impasto are used to create the sea foam. Keyed bracketed strecher. Canvas approx. 25-3/4" x 32".
	92. Geraldine Saent-Johns (American/Ohio, 20th Century) "Elephant". Oil on canvas, signed "Saent-Johns" on the lower left corner. Framed in a wood frame with green and gold wash; canvas liner. Image measures approx. 21-1/2" x 27-1/2"; framed overall approx. 29" x 35". Geraldine Saent-Johns is an Ohio based artist who took great interest in painting animals and wildlife in a photo-real manner.
	93. Pieter Snayers (Flemish, 1592 - 1667) "Head of Gryphon". Charcoal drawing on paper with white highlighting, signed "Snyers" on the lower right corner. Matted, paper measures approx. 5" x 6-3/4". The son of a city messenger for Antwerp, he was an apprentice of Sebastiaen Vrancx, although he is not listed as such in the records of the Antwerp Guild of St. Luke. He became a master of the Guild in 1612-13. The paintings of his early Antwerp period adopt the style and subject matter of his master: scenes of skirmishes and robberies on country roads, represented as lively and colorful events. Snayers married a niece of the painter Cornelis Schut on September 25, 1618 and continued to live in Antwerp until the second half of the 1620's. Until 1625-6 he regularly paid his dues to the Guild. Shortly afterwards he moved to Brussels. On June 16, 1628 he obtained citizenship of Brussels and became a master in the local guild of painters. Although he was never appointed officially as court painter to the Archdukes Albert and Isabella, he worked for the Infanta on several occasions, painting scenes in which she herself participated, such as Isabella's visit to the Siege of Breda (Madrid, Prado).
	96. Francis B. Carpenter. "The First Reading of the Emancipation Proclamation Before the Cabinet. From the original picture painted at the White House in 1864." New York: Carpenter, 1866, steel engraving after the original painting by Francis Bicknell Carpenter, engraved by A. H. Ritchie. Lower margin names the individuals as well as "Premium engraving from the Independent". In fancy wood frame and under old rolled glass, image apprx 25-1/2" x 35-1/2", overall with frame apprx 31" x 41". Carpenter painted the original in the State Dining Room of the White House. Carpenter lived in the White House between February 5 and August 1, 1864, and later wrote a book entitled "Six Months in the White House with Abraham Lincoln" (1866). Many derivative prints were issued of this image, however this is the original image, published by Carpenter as a premium for the newspaper, The Independent.
	97. Attributed to Henry Fuseli (Swiss/English, 1741 - 1825) Figure of a seated warrior with spear. Pen and ink on paper, not signed. Paper measures approx. 10"H x 12-1/2"W. Painter, draughtsman and writer, active in England, son of Johann Caspar Fussli. He spent most of his working life in England, where he established himself at the most original history painter and draughtsman of his generation. Renowed for his treatment of bizarre and psychologically penetrating subjects, he as also a prolific writer and, from 1779, Professor of Painting at the Royal Academy.
	598. A Fine Chinese Painting, circa Late 18th/Early 19th Century Unsigned, this colorful watercolor painting on a fibrous paper shows a procession through the mountains. Characters appear to be royal with attendants and pets. Image has a surround, paper mat and is displayed in an early 20th century frame of painted wood, carved like bamboo at corners with gold details. Image apprx 18-3/4"W x 58"L, overall with frame apprx 25"W x 65-1/2"L.
	599. A Fine Chinese Portrait Painting, 19th Century Portrait of a regal man in red robes with fine embroidered front, seated. Detailed painting depicting beard and nails, painting has Chinese characters along upper margin. verso backed with paper with Chinese writing. Image apprx 16"L x 10-1/2"W, in a wood frame overall apprx 17-1/2"L x 12"W.
	112. Abram August Shampanier (American, 1899 - 1960) Seated nude woman. Watercolor and ink on paper, signed and dated "Shampanier 1928" on the upper left corner. Matted and framed under glass. Image measures approx. 16-1/4" x 11-1/2", framed overall approx. 21" x 16-1/2". Abram August Shampanier received his training in art at the Art Students League of New York. Working under Frank Vincent DuMond, Kenneth Hayes Miller, F. Louis Mora, George B. Bridgeman, Ernest Blumenschein, and Guy Rose. Most of his career Shampanier spent in New York, and was associated with such artists as Peggy Bacon, Alexander Brook, Paul Fini, Eugene Speicher, Henry Mattson, and Yasuo Kuniyoshi. He worked extensively as a muralist in the New York city area; however, portraits and different techniques of painting were his strong suits.
	619. Painting of Indian Monastery, circa late 19th Century Oil on canvas of a tranquil scene of daily activities at a Buddhist monastery. Women serve monks food while other figures beg at the gates. Architecture is playful and charming. Painting measures apprx 47"W x 30-1/2"L. With gold painted frame, entire item measures apprx 49-1/2"W x 33-1/2"L.
	620. A Second Indian Painting, circa late 19th Century Oil on canvas painting features an active night scene at a hotel. Residents are engaged in such festival activities as playing music, dancing and sending lighted candles in lotus blossoms to sail upon the water under the light of a full moon. The architecture and landscape contribute to the animated atmosphere. Painting measures apprx 47"L x 30-1/2"W. With gold painted frame, entire item measures apprx 49-1/2"L x 33-1/2"W.
	634. Chinese Watercolors, circa 20th Century Set of botanical watercolors on paper, framed. The first depicts a flowering plant with pink blossoms and brown root. The second is of two branches with star shaped flowers. Both are executed with delicate brushwork, and the artist's signature can be seen on lower right corner. Each painting measures apprx 13-1/4" L x 9-1/2"W. Each painting is nicely framed in a mint green cloth matt and a forest green outer wood frame. Overall piece measures apprx 23-1/2"L x 19-3/4"W.
	712. Lot of Four Hardback Books on European Art Lot includes: 1) Dell'Acqua, Gian Alberto and France Russoli. La Pinacoteca di Brera. Milan: Silvana Editoriale d'Arte. 1960. 45 pp. With 176 b/w ill and 42 col. ill. 2) Kaufmann, Thomas DaCosta. The School of Prague: Painting at the Court of Rudolf II. Chicago/ London: The University of Chicago Press. 1985. 305 pp. b/w and col. ill. Bound with royal blue cloth and dust jacket. 3) Ketchum, Richard M., ed. The Horizon Book of the Renaissance. Authored by J.H. Plumb. New York. American Heritage Publishing, Co. 1961. 431 pp. b/w and col. ill. Bound with brown patterned cloth and dust jacket. 4) Hare, T. Leman. The National Gallery: One Hundred Plates in Colour, Vol I&II. London: T.C.& E.C. Jack, Ltd. ill. Bound in green fabric.
	715. A Lot of Six Art Reference Books Lot includes: 1) Pearson, Ralph M. Experiencing American Pictures. New York/ London: Harper & Brothers Publishers: 1943. 234 pp. ill. Bound with ark blue fabric and dust jacket. 2) Mainstreams of Modern Art. New York: Simon and Schuster. 576 pp. ill. Bound with blue fabric. 3) Bertram, Anthony. Contemporary Painting in Europe. New York: The Studio Publications Inc. ca. 1940. 144 pp. B/w and col. ill. Bound in beige fabric with red lettering and dust jacket. 4) Schorske, Carl E. Fin-De-Siècle Vienna: Politics and Culture. New York: Alfred A. Knopf. 1980. 378 pp. ill. Bound with light beige and gilding with dust jacket. 5) Fischel, Oskar. Tizian: Des Meisters Gemälde in 284 Abbildungen. Stuttgart: Deutschen Veriags- Anstalt. 1911. 281 pp. ill. Bound with red leather and gilding. 6) Boswell, Peyton. Modern American Painting. New York: Dodd, Mead & Company. 166 pp. Col.ill. Bound with Blue fabric and dust jacket.
	718. Lot of Eight Art Books Lot includes: 1) The International Style 2) The Color Revolution 3) Illuminated Manuscripts: Masterpieces in Minature 4) Books in Manuscript 5) The Mortimer Brandt Collection of Medieval Manuscript Illuminations 6) The Golden Age of Dutch Manuscript Painting 7) Medieval and Rennaissance Manuscripts in the Walters Art Gallery 8) Gatherings in Honor of Dorothy E. Miner. 1) The International Style: The Arts in Europe Around 1400. Walters Art Gallery. Baltimore: 1962. 313 pp. ill. Paper back. 2) Cate, Phillip Dennis and Sinclair Hamilton Hitchings. The Color Revolution: Color Lithography in France, 1890-1900. Rutgers University: 1978. 146 pp. B/w and col. ill. Paper back. 3) Randall, Lillian M.C. Illuminated Manuscripts: Masterpieces in Minature: Highlights from the Collection of the Walters Art Gallery, Baltimore: 1984. 40 color plates. Paper backed. 4) Madan, Falconer. Books in Manuscript: A Short Introduction to their study and Use. New York: Empire State Book Company. 1927. 208 pp. ill. Bound in brown fabric. 5) Bober, Harry. The Mortimer Brandt Collection of Medieval Manuscript Illuminations. New York: Institute of Fine Arts, New York University. 1966. 63 pp. ill. Paperbacked. 6) Marrow, James H. The Golden Age of Dutch Manuscript Painting. New York: George Braziller, Inc. The Pierpoint Morgan Library. 1990. 318 pp. B/w and col. ill. Paper back. 7) Randall. Medieval and Rennaissance Manuscripts in the Walters Art Gallery, Book I (France, 875-1420). Baltimore. Bound with blue fabric and gilt lettering. 8) McCracken, Ursula E. Gatherings in Honor of Dorothy E. Miner. Baltimore: The Walters Art Gallery. 1974. 353 pp. ill. Bound in blue fabric with gilt lettering.
	736. Lot of Archive Materials for Julia G. Severance Collection includes many different personal items to the Oberlin and later San Diego artist: two plaster maquettes possibly as casts for bronze medallions of two little boys: Rollo Park and Frederick Camp Mosher both from 1919. A sketch book from San Diego. A seres of tiny sketches and watercolors of Italy in an Andrew Stofan Oberlin, Ohio Member Photographers International Association of America envelope. A collection of loose photographs including images of her work, tractors, family and friends, and her Oberlin home. A History of Oberlin College: Origin, progress and Results, An Address: Prepared for the Alumni of Oberlin College Assembled August 22, 1860 by Pres. J.H. Fairchild. Exhibition of American Painting from 1860 until Today At the Cleveland Museum of Art, 1937. A photograph album of her California life, ca. 1940. A personal scrap book of clippings about art, architecture, children, theater, humor, health, poetry and including dinner party sketches by Cleveland School artist Henry Keller from 1939 organized alphabetically according to topic. A book of postcards sketching Oberlin architecture by Julia. An accounts book. A second scrap book including photos and Christmas cards. Also included are two sweet watercolors signed by G.M.Hammett.
	266. Large Blue Vase, circa early 18th Century Large Ching shape blue vase with exceedingly fine painting marked Kangxi period, circa early 18th century. The vase features gilding of burnished gold. Classic Ching design with deer (meaning longevity) and bats (for good luck) and three friends:Bamboo, Pine, and Prune blossom. Chou symbol "Good Luck" and other Buddhist symbols. Good controlled glaze and thick pottery. Measures approx. 15"T.
	383. Pairpoint Lamp Pairpoint lamp base and reverse painted shade. Base is a double handled urn shape, lacquered finish, #D3015. Two light sockets with pull chains, one missing and has old wiring. Base apprx 21"T. Reverse painted shade with frosted exterior, signed C. Durand. Beautiful painting of Northern country autumn scene complete with haystacks, pumpkins, farm buildings, a church and driver with a horse drawn carriage. Shade apprx 18"D.
	566. A Painted Manuscript, Mughal, 19th Century The Snake Charmers. Painting on paper with decorative border, with an oblong cartouche with text above the painting. Framed under glass. Paper measures approx. 10" x 7-3/4", framed overall approx. 13-1/2" x 10-3/4".
	1. Attr: Bernardino Licinio (Italian, 1489-1565) A portrait of an ermine-robed lady with a lamb; a palm frond can be seen to the left. Oil on canvas, no signature found, approx. 34" x 28", with hand carved gold leafed frame overall 38" x 35". The frame is hand signed on the back by the maker, Phillip N. Yates. Painting comes from a Gates Mills Ohio estate.
	2. After Sir Anthony Van Dyck (Flemish, 1599-1641) An unsigned painting of the face of a Cherub, oil on wood board, inscribed in blacvk pigment on verso "ps.re....Antoin Van Dyck, Dyck,...1630". Also affixed to the verso is a small piece of paper inscribed, partially legible, in ink "To my dear friend Charles W.....this genuine work of Anthony Van Dyke from...........Oct. 1904". The panel size is 5-5/8" x 7-5/8", framed under glass in a Dutch pattern frame with a gilt liner under glass, overall size 13-1/4" x 15-1/4". The frame a partial label of Beers Brothers Broadway, N.Y. Picture Frames on the back.
	4. After Frans van Mieris the Elder (Dutch, ca. 1661) A Meal Of Oysters. Oil on tin panel, 9-3/4" x 8-1/4" panel size, with modern frame and velvet liner overall 13-3/4" x 11-1/4", with a nameplate on the liner. This painting is after the original oil on panel in The Hague. There is a paper label in German affixed to the verso of the tin panel.
	15. Unknown Artist (Continental School, 19th Century) A young lady resting at the edge of a glade. Oil on canvas, indistinctly initialed and dated on rocks near the lower left corner (?"H.M.?), 15-1/4" x 12-1/4" canvas size, with elaborately carved frame overall 22-1/4" x 19-1/4". The young lass has a contemplative expression, her blond tresses flowing loosely over her shoulders, rests against a tree trunk at the edge of a wooded area. Beyond in the rosy distance is the indication of a mountainous panorama. Scenes of idyllic rustic life have been popular since the early 19th Century in England, from which comes a wealth of irresistable paintings of people in all phases of the country life still enjoyed today. This painting is typical of such a narrative.
	16. An Antique Santos Painting On Tin An antique Santos painting on tin, in the image of a monk holding the Child Jesus, both with halos, with the symbolic lilies also in his arms. Tin panel measures 7" x 5-1/4", with the frame the piece measures 9-1/4" x 7-1/2".
	20. A Collection of 19 Mica paintings of the Incarnations of Vishnee and Heathen Worship, Indian ca. 19th Century Pigment on clear Mica sheets. One large carriage view approx. 4" x 5-1/2". Nine painting of heathen worshipers approx. 4-3/4" x 3-1/4". Nine images of Vishnee, some gory, approx. 4-3/4" x 3-1/4".
	32. Hugo Kauffmann (German, 1844-1915) An interior scene with an older gentleman reading. Oil on canvas, mounted onto paperboard, signed in the lower left corner, dated '69, framed, 21" x 16" board size, 23" x 18" with framing overall. An older gentleman in the center of the composition is highlighted, while the other figures are in dimmer light, probably in a tavern interior. To the left are seated at a table and a tavern maid is seated behind a curtain to the right. Stamped on the back of the board is a notation that the painting was restored at the Copley Gallery in Boston, July 31, 1917.
	39. F. Bussman (American, 19th Century) Forest Interior. Oil on canvas over board, signed in the lower right corner and framed in a pretty gilt frame with flower corner ornaments under glass. Painting size is 8" x 10", and with the framing over it measures 13" x 15". Inside the framing there is a partially covered pencil inscription on the back of the board "Compliments...A. F. King".
	46. Unknown Artist (19th Century) An early primitive style painting of a mountain landscape with a waterfall and a settlement with figures to the right. Oil on canvas, no signature found, framed in an early gold leafed coved frame, canvas size 26" x 35", with frame overall 32-1/2" x 41".
	47. American Primitive (19th Century) An American primitive landscape. Oil on canvas, no signature found, stretched on stretchers but not framed. Canvas size measures 24" x 36". A colorful, fully restored painting by an unknown self-taught artist, with obvious attempts to depict observations of a real landscape.
	49. American Primitive (19th Century) An American primitive painting of a waterfall in Autumn by an unkown self-taught artist. Oil on canvas, no signature found, not framed, 36" x 22". A dramatic scene, with the sunset illuminating the clouds in a pinkish glow.
	51. Unknown Artist (American, 19th Century) A winter sunset in the mountains. Oil on canvas, no signature found, framed under glass in a cast gesso over wood frame with a newer coating of bronze paint, the painting measures 7-1/2" x 11-1/2", with framing overall 12-3/4" x 17-1/2". A softly painted scene in the country in winter with split rail fences and a barn in the middle ground. The setting sun glows in the distance over soft rolling misty hills.
	56. An Italian Painting of an Angel Trumpeting Angel. Oil on board, not signed. The image measures approx. 9-1/2" x 4"; overall in a gothic style gilt wood frame 17-1/2" x 6-1/2". Very nice quality painting; a copy of a 16th Century angel, with gold leafed background, set into an attractive architectural frame. This is a piece that was made for sale as a souvenir devotional object.
	57. An Italian Painting Of An Angel In An Architectural Frame An Italian painting of an angel with a trumpet, painted on a gilt background and set into a gilt and polychromed Gothic architectural frame. This is a copy of a 16th Century painting and is meant as a souvenier devotional object. The piece measures 17" x 7".
	65. Carl Gaertner (American, Cleveland School, 1898-1952) An interior scene of a steel mill. Tempera on board, signed and dated 1941 on the lower edge to the left of the center, framed in the original frame and glazed with plexi, board size approx. 28" x 40", with original 3-1/2" wide painted frame, 35" x 47-1/2". The painting is reputed to be of the interior of J & L Steel, a large steel making firm in the heyday of the steel industry in Cleveland.
	70. Painting Signed "Orbech" (Continental School, 20th Century) Untitled harbor scene with a sailing ship. Oil on canvas on keyed stretcher, signed in brown pigment lower left. Canvas measures approx. 19-3/4"H x 15-3/4"W. In a gilt wood frame approx. 25"H x 21"W.
	71. Painting Signed "C. Basmussen" (Continental School, ca. Early 20th Century) Untitled landscape with a creek. Oil on canvas, on four-keyed stretcher. Signed lower right. Framed in a gilt wood frame with decorative fillet. Canvas measures approx. 17-3/4" x 25-1/2"; framed overall approx. 23" x 31".
	73. Albert Pels (American, 1910-1998) A street vendor and a crowd of customers. Oil on canvas, signed in the lower right corner, framed in a carved corner frame with self-liner, 22" x 14" canvas size, with framing overall 30-1/2" x 22-1/4". The painting is on a sturdy newer canvas, stretched on older stretchers to which a new wood member has been added at the bottom.
	86. S. Bernath (Hungarian, 20th Century) "A Paraszt Politikus". A slightly naive painting of a man reading and smoking a pipe, oil on canvas laid down on board, signed in the lower right corner, framed in a bronze tone metal leafed frame, 19" x 15" sight size, with framing overall 24-1/4" x 20". There is a label from a gallery in Budapest on the back of the framing dated from 1934.
	103. Painting Signed "R. Taylor" (British, 20th Century) "The Seven Sisters from The Cuckmere Estuary Essex." Oil on canvas, signed lower left, titled lower right. Framed in a decorative gilt frame. Canvas measures approx. 20"H x 30"W; framed overall approx. 25"H x 35"W.
	104. Painting Signed "Dandej" (Continental School, 20th Century) Charming European landscape. Oil on canvas, signed in black pigment lower right. In a simple bronze stained wood frame. Image measures approx. 20" x 24"; framed overall approx. 24-1/2" x 28-1/2".
	143. A Painting Signed "A. Paluca" (Italian, 20th Century) View of bay in Naples. Watercolor on paper board. Signed "A. Paluca" lower right. Framed in a gilt wood frame within a larger wood cherry tinted frame, under glass. Image measures approx. 12-3/4" x 7", framed overall approx. 19" x 14".
	3. Egyptian Cartonage Fragment, ca. 6th-1st Century B.C. Fragment with hand painting with bright pigments on gessoed papyrus, backed with straw and dirt mixture. Painting shows five rows alternating with flowers and segmented bands. ca. Late-Ptolemaic Period. Apprx 5-1/2"T x 6"W. Deaccessioned from a Museum, tag on verso.
	10. Pair of Hand-Painted Bowls, ca. Pre-Columbian Pair of hand-painted bowls in terracotta. The first bowl has a band of white with geometric organic shapes in black, dark red and yellow. This measures apprx 3"H x 6-1/2"W. The second larger bowl has a design of vertical lines and white circles with black dots inside, over a red pigment. This measures apprx 4-3/4"H x 5"W. These are very nice examples of painting style for this period.
	156. Painting Signed "Benton" A painting signed in the lower right "Benton". Gouache on charcoal color board, with the signed in the lower right corner in graphite. The scene depicts a pair of tall pine trees on a hillside blowing in the wind. Framed in a new gilt frame with a pebbleboard mat, 9-1/2" x 7-3/8" sight size, with framing overall 16" x 13".
	17. 18th Century Tromp l'Oeil Painting "King George I", oil on canvas, signature not found, not framed, 21-1/2" x 17-1/2". A paper engraving of the King with text in lower margin stating his titles such as "Brunswick" and his wife "Princess Sophia". Also evident is his birth date, "May 28th 1660" at lower left. Illegible text at lower right, possibly his date of death or artist's name.
	18. Attributed to Thomas Phillips, English ca. 18th Century "Portrait of a Gentleman in Red Coat". Oil on canvas, attributed to English School painter Thomas Phillips. Canvas measures apprx 30" H x 25" W. Not framed. Tag attached to verso indicates this painting was originally donated by Mr. A.N. Lunty.
	19. Continental School, ca. 18th Century "Portrait of a Gentleman". Oil on canvas by unknown 18th Century painter. This continental portrait features a young man dressed in a black jacket. Canvas measures apprx 30" H x 25" W. The painting is not framed.
	161. A Painting Signed Petler (American, 20th Century) Untitled landscape with a pond and an orchard under cloudy blue sky. Watercolor on paper, signed in pencil lower left, dated '62. Framed with a double mat, under glass, in a contemporary silvered frame. Image measures approx. 14" x 21"; framed overall approx. 22-1/2" x 29-3/4".
	30. A.M. Louise Douillard (French, 1835-1905) "Mountain Scene with Family & Cabin". Oil on board signed on verso. This painting depicts a family outside a log cabin, set within the mountains. Board measures apprx 18-1/2" H x 11-1/2" W. With gold painted frame this painting measures apprx 24" H x 17" W.
	32. E. Cole (Continental, ca. 19th Century) Oil on canvas painting is signed in lower right corner "E Cole Jun, 1890". This painting depicts a spring landscape filled with wildflowers and trees. Canvas measures apprx 12"H x 24"W. Overall with frame this painting measures apprx 15"H x 27"W.
	40. Walter Moras (German, 1856-1925) "Mountain Landscape with Ships". Oil on canvas, signed in the lower left corner, framed. The painting depicts two of boats set against a rocky mountain shoreline. One is a steamer and the other is a fishing sailboat. Canvas measures apprx 15" H x 23" W. With gold painted frame this painting measures apprx 19" H x 28-1/2" W.
	44. H.P. Uhlmann (German, 19th/20th Century) European Village. Oil on canvas, signed lower left, framed. This painting depicts a European village view with docking boats. Canvas apprx 24" x 36", overall with frame apprx 29" x 41".
	47. Frederick Carl Gottwald (American, 1860-1941) "Tower at Liverpool", oil on canvas signed in lower left corner. This painting depicts an impressionistic view of the Tower glowing in the setting sunlight. Painted in warm shades of orange, pink and blue. Canvas measures apprx 24" H x 18" W.
	48. Henry George Keller (American, 1869-1949) "Still Life of Flowers & Fruit". Reverse painting is entitled "Madonna & Jesus". Oil on board is a double sided painting that depicts a still life of fruit and flowers with the Madonna and Jesus in the background. The reverse features a still life of a vase filled with pink and yellow flowers (probably unfinished). This painting was purchased from the Gerry Walter sale at the Oppmann Estate in Vermillion, Ohio in 1981, and the frame bears a hand-written label to that effect. Board measures apprx 20" Hx 16" W. Overall size, with frame is apprx 25" H x 20-1/2" W.
	51. Gustaaf Flasschoen (Belgian, 1886-1940) "Figure of a Bull-Fighter". Oil on board, signed in lower right corner. This portrait is an impressionistic rendition of a Spanish bullfighter. Board measures apprx 8" H x 5" W. With frame this painting measures apprx 15" H x 11" W.
	55. Laszlo Neogrady (Hungarian, 1900-1962) "Winter Lanscape". Oil on canvas, signed lower left. A photo-realist painting of an evening winter with stream. Image apprx 23-1/2" x 35-1/2". Overall with period frame apprx 31" x 42-1/2".
	56. Lester David Boronda (American, 1886-1953) Parisian Fountain. Oil on board, framed, signed lower left and dated 1917. Image apprx 15-1/2" x 19-1/2". Overall with gilt frame apprx 25" x 29". A very good example of an American artist painting in Europe in the post-Impressionist manner. Boronda studied under Jean Paul Laurens in Paris.
	60. Paul Riba (American, 1912-1977) "Nantucket Lobster Float". Casien on masonite, signed in lower left corner, framed. Features an original wood frame with beige linen mat and hand-written title tag on verso. Masonite measures apprx 13-1/2" H x 23" W. Overall with frame, this painting measures apprx 20-1/4" H x 30-1/2" W.
	61. William C. Grauer (American, 1895-1985) "Four Horsemen", a whimsical oil on artist's board, signed lower right. Grauer was primarily known for his murals and landscape paintings. This painting is a cubist rendition of four medieval horsemen attended by numerous robed figures. Artist's board measures apprx 42" H x 33" W. Overall size is apprx 45" H x 36" W. Purchasd directly from the artist and fresh to the market.
	64. Madhav Satwalekar (Indian, b. 1915) A second painting offered by this artist, this may be titled "Snow at Gulmarg". Oil on canvas, signed lower right. Exhibited at the Taj Mahal in an exhibition of his works sponsored by The Bombay art Society in 1947, possibly catalogue #21. Canvas apprx 19" x 26", in exhibition frame apprx 23-1/4" x 29".
	210. "Birth of Venus" Sterling Silver Statue Styled after the famous painting by Sandro Botticelli, this statue in sterling silver measures approx. 16"T without base. Hallmarked on back of shell, attached to a lapis base. Approx. 103 troy oz, including base (not bolted, adhered).
	68. W.H. McCall (American, Early 20th Century) "Side Street", oil on canvas, signed lower left corner. This painting depicts a view of a city side street at dusk. Canvas measures apprx 16" H x 12" W. With contemporary frame this painting measures apprx 21-1/2" H x 17-1/2" W.
	70. American, ca. 20th Century Unsigned oil on board painting depicts an industrial harbor filled with sail boats. Board measures apprx 10" H x 14" W. With linen mat and wood frame, apprx 16" H x 21" W.
	71. Portrait Painting on Ivory of a Lady, ca. 1900 A beautiful painting on ivory or celluloid of a woman in a blue dress. Frame is gilt, with mauve velvet sculpted mat and gold filet with velvet back and easel stand. No glass. Image apprx 4" x 3", overall in frame apprx 7-1/2" x 6-1/2".
	72. Portrait Painting on Ivory of a Gentleman, ca. 1900 A handsome painting on ivory or celluloid of a man in suit and tie. Frame is gilt, mauve velvet sculpted mat and gold filet with velvet back and easel stand. Under glass. Image apprx 4" x 3", overall in frame apprx 7-1/2" x 6-1/2".
	73. Portrait Painting on Ivory of a Young Lady, ca. 1900 A gorgeous painting on ivory or celluloid of a young woman with hydrangeas and book. Frame is gilt, mauve velvet sculpted mat and gold filet with velvet back and easel stand. Under glass. Image apprx 4" x 3", overall in frame apprx 7-1/2" x 6-1/2".
	74. Portrait Painting on Ivory of a Woman, ca. 1900 A handsome painting on ivory or celluloid of a stately woman with fox stole. Frame is gilt, cream colored, velvet sculpted mat and gold filet with rounded corners; velvet back and easel stand. Under glass. Image apprx 4" x 3", overall in frame apprx 8" x 7".
	75. Portrait Painting on Ivory of a Lady, ca. 1900 A charming portrait of a woman in fancy dress on ivory or celluloid. Painting is framed in glass with a brass oval frame, set into an oval in burgundy velvet frame with easel stand. Image apprx 3-1/4" x 2-1/4", overall apprx 6-1/4" x 5-1/4".
	76. Portrait Painting on Ivory of a Girl, ca. 1900 A sweet portrait of a girl on ivory or celluloid. Painting is framed in glass with a brass oval frame, set into an oval in burgundy velvet frame with easel stand. Image apprx 3-1/4" x 2-1/4", overall apprx 6-1/4" x 5-1/4".
	85. Edward Winter (American, b.1908) "Fox Fire". Enamel painting on metal, dated 1950. This piece was purchased from the Cleveland Art Association. Metal is mounted to wood backing with hanging gear. Verso has CAA tag. Overall apprx 22" x 22".
	88. Frank Whipple (American, 20th Century) Pair of oil on board paintings entitled "Barn Painting" and "Moon Golfing". Each painting is signed in the lower right corner. Framed with black velvet beveled mat. Verso of each has title card and retailer info. Board measures apprx 5" H x 5" W. With frame each painting measures apprx 10" H x 10" W.
	113. Engraving after Pietro Da Cortona Landscape Black and white engraving after a landscape painting by Pietro Da Cortona. The original painting is housed in the collection of the Duke of Devonshire. This engraving is marked with the name J. Boydell and dated 1769. Plate size is apprx 18-1/2" H x 23" W with 2" margins. Overall size, with frame is apprx 24" H x 29" W.
	124. "Coronation of Queen Victoria" Steel Engraving "The Coronation of Queen Victoria". Steel engraving after the original painting by Sir George Hayter (1809-1859). This black and white engraving depicts the coronation of Queen Victoria. Plate size measures apprx 21" H x 29" W. With mat and frame this engraving measures apprx 30" H x 38" W.
	137. Charles Thowell (British, 19th Century) Landscape with a Distant Abbey. Watercolor on paper, signed lower left and dated 1900. A masterful example of British landscape in watercolor. The British were the first to elevate the medium of watercolor from preliminary sketching before an oil painting to an artistic venue in itself. Image apprx 8-1/2" x 13-1/4". Overall with frame apprx 15-3/4" x 20-1/2".
	140. William C. Bauer (American, 1862-1904) "Sunrise". Watercolor on paper by American artist William C. Bauer. This painting is signed in the lower right corner and depicts a tranquil sunrise in a country setting. Image measures apprx 5" H x 8-1/2" W. Overall size, with frame is apprx 11-1/2" H x 14" W. Bauer, a New Jersey based artist is most well-known for his landscapes.
	144. John William Theiss (California School, 1863-1933) "Forest with Brook and Waterfall". Watercolor by Ohio born artist John William Theiss. Theiss studied primarily in California and is considered a California School painter. Watercolor is signed in lower right corner. Paper measures apprx 11" H x 17-1/2" W. Overall with green mat and contemporary frame this painting measures apprx 17-1/2" H x 21-1/2" W. Verso has gallery tag from Wunderly Gallery in Pittsburgh.
	148. Watercolor Signed Gianni, ca. Late 19th/Early 20th Century Young man lighting an elder's pipe. Watercolor on textured board, signed "Gianni" lower left corner, not framed, 12" x 17". A watercolor study of a young man helping an elderly friend light his pipe. The format of the composition; without detail in the background, focuses the viewer's attention on the character of the faces and the activity of the pipe lighting providing a charming narrative. The lower portion of the painting is unfinished in appearance, again a compositional device.
	149. Isabelle Wengenroth (American, b. 1875) "Harbor Scene". Watercolor on paper by American artist Isabelle Wengenroth. This painting is signed in the lower left corner. Image measures apprx 15" H x 19" W. With mat and frame the size of this watercolor is apprx 23" H x 27-1/2" W.
	151. Henry George Keller (American, 1869-1949) "After the Storm". Watercolor painting by Cleveland School artist Henry George Keller. This is an abstract California landscape after a heavy storm. Signed with the artist's initials in lower left corner. Provenance: From the Ex Collection of Leona E. Prasse. Paper size is apprx 21" H x 26" W. Overall size, with frame is apprx 24" H x 29" W.
	155. Henry Wadsworth Moore (American, 1879-?) A Woodland Stream. Watercolor on paper, signed lower left corner and dated 1908. Matted and framed under glass in a wooden frame with a gold painted lip. Image size 8" x 13-1/2"; with frame 14" x 19-3/4". This forest glade painting shows a great deal of observation and detailed rendering of the scene. Water rushes over rocks in a lively stream with very tall old trees shading the area from the sunlight shown in the distance. A sprout of Queen Anne's Lace is seen among the red leaved bushes to the right of the large tree.
	296. An Antique Faux-Painted Architectural Pedestal A Faux-painted architectural pedestal, with a square tapering shape, apparox. 24-1/4"H x 18" square at the base, 12" square at the top, fancifully embellished with several bands of faux-marble painting in golds, reds, greens and gray marble.
	158. Georges Braque (French, 1882-1963) "Paysage aux Coquelicots" (Countryside with Poppies), after a painting dated 1953. Color lithograph on paper, signed in the image lower left corner. Image size apprx 5-1/2" x 13". Overall with frame apprx 18-3/4" H x 22-3/4" W.
	167. Carl Frederick Gaertner (American, 1898-1952) "Rural Farm Scene". Watercolor and gouache on paper by Cleveland school artist Carl Gaertner. This painting is an abstract depiction of a farm, matted and framed under glass. Image size is apprx 5-1/2" H x 9" W. Overall size with frame is apprx 12-1/2" H x 15-1/2" W. Artist's signature is located in the lower right corner of image.
	178. Fikret Saygi Moualla (Turkish, 1905-1967) Conversing at the bar, dated 1954. Gouache on paper, signed and dated lower left. A linear painting on a white toned paper with colors accenting the faces and and bottles. Image size apprx 8" x 10-1/2". Overall with period frame, under glass apprx 13-3/4" x 15-3/4".
	180. Middle-Eastern Architectural (20th Century) A Middle-Eastern Villa. Watercolor on paper, signed in pencil indistinctly lower right and inscribed with the numerals 19. This sunny landscape has a careful study of a specific cluster of buildings nestled into a hilly terrain. There is a large palm tree at the right of the composition, and a small cactus at the lower left corner. This painting is archivally matted and framed, 10" x 13" image size, 16" x 19-1/4" with frame.
	188. John Sokol (American, b. 1947) "Dante as the Inferno", silkscreen on paper, numbered 3 of 50. Signed and dated 1980. Paper apprx 30" x 22", overall with frame apprx 33" x 25-1/4". Born in Canton, Ohio, Sokol's work is in the permanent collections of the Akron Art Museum and the Canton Art Museum. He received his Masters Degree from Kent State University (1973) in Painting and Sculpture. John then began writing and publishing short stories and poetry, such as "Kissing the Bees" (Redgreene Press, Pittsburgh, PA, 1999), "A Thousand Years from Nowhere" (Pudding House Publications, Johnstown, OH, 2002) and "In the Summer of Cancer" (Endymion Press, Los Angeles, 2003).
	190. Jane Eiber (American, 20th Century) "Winter Wasteland". Watercolor on paper by Jane Eiber. Artist's signature is located in the lower right corner of image. This painting depicts a barren winter landscape. Image measures apprx 22" H x 30" W. Overall size with frame is apprx 31" H x 38-3/4" W. American Annual Exhibition tag is located on verso.
	192. Unknown Artist (British, Late 19th/Early 20th Century) Pair of Still Lifes with Fowl. Unsigned watercolors on paper, taped to wood panels, apprx 8" x 12" each, apprx 13" x 17" with frames. Each rustic still life sports recently killed quarry; one of four ducks and one of two pheasants in browns and rusty colors with white gouache highlighting. The pheasant painting also has a ink stamped inscription on the back of the frame indicating that it was framed as such in 1955, probably not the original framing.
	334. A Large Trumeau Mirror A large trumeau mirror with an arched top, with a gilt beaded framed painting of a dog next to a still life and some game, with a mirror framed in a gilt beaded frame in the lower portion, with carved gilt accents and a soft green antiqued glaze, the panels on either side of the painting marbilized (faux painted) in green topped by gilt carved foliate forms. The frame is stamped "Made In France" on the reverse. Overall the trumeau measures approx. 62"H x 48"W, the painting measures approx. 33" x 25" and the mirror measures approx. 15" x 25".
	345. An Eli Terry & Sons American Pillar & Scroll Shelf Clock An American Pillar & Scroll shelf clock, made by Eli Terry & Sons, Plymouth, Connecticut, ca. 1825-30. With a pretty walnut veneered case with tapering legs and a scrolling skirt, hinged door with clear glass panel at the top, reverse glass painting on the lower part with a fancy image of a building in a landscape surrounded by a gilt border, with a painted wood face with Arabic numerals and a flower basket at the center and spandrel corner ornaments, the dial approx. 10-1/2" in diameter, with a 30 hour striking movement, and with the original printed papers glued to the inside back. Comes with the original winding key, made in England. The case has two slender columns on the sides, and an architectural pediment surmounted by three brass urn-shaped finials. Overall size is 31-1/2"H x 17-1/4"W x 4-1/2"D. Similar to a clock in the collection of Old Sturbridge Village.
	346. An Unusual Clock Framed In A Painting An unusual painting timepiece. The painting is a panoramic scene painted on a steel panel with several military companies on an embankment before a river. A beautiful city sprawls beyond. To the left of the composition is a church with and elaborate clock in the central clock tower. The actual clock is concealed behind the panel inside a built-up shadow box frame. No signature was found on the painting, but it appears to be a 19th Century Continental piece of excellent quality. The picture measures 22-1/2" x 32-1/2" and with the gilt beaded frame approx. 30" x 40". The clock has a coiled chime, and comes with a winding key. Lever at the bottom pulls down to reveal the winding mechanisms in the tower-when closed three disks cover the openings. Toggle on left of frame to adjust the chime. Pull cord at bottom. The shadow box creates an enhancing sounding box for the chime.
	230. Pair of Tibetian Oil Paintings Pair of Tibetian oil on canvas paintings are adhered to cardboard backings. First painting depicts several gods and goddesses against a medallion background. Second painting is similar in subject matter with a slightly different layout. Each piece of canvas measures apprx 21-1/2" H x 15-1/4" W. Overall size is apprx 24-3/4" H x 19" W.
	279. Unknown Artist "Mountain Landscape". Oil on board by an unknown artist depicts a vast mountain landscape set with a small cottage. No visible signature was found on this painting. Board measures apprx 12-1/2" H x 9-1/2" W. With frame the painting measures apprx 16-1/2" H x 13-1/2" W.
	280. L. Kuehn, Oil on Board "Winter Landscape". Oil on board is signed "L. Kuehn" in lower right corner. This painting depicts a winter landscape with an ice skating pond in the left side. Measures apprx 10" H x 18" W. With wood frame this painting measures apprx 13-1/2" H x 21-1/2" W.
	281. Oil on Board, in the Manner of Corot "View of the French Countryside". Oil on board painting by an anonymous painter has been done in the style of Corot. Painting bears the name "Corot" in lower left corner. With aluminum and wood frame this painting measures apprx 15" H x 11" W. Overall size with frame is apprx 22-1/2" H x 18-1/2" W.
	282. Frank W. Atkins (American, 19th/20th Century) "Folk Art Landscape". Oil on canvas by 19th/20th century American painter Frank W. Atkins. This painting depicts a lush landscape with a bride and river. A small church is visible in the distance. Artist's signature is located in the lower left corner. Canvas measures apprx 21" H x 10" W. With frame this painting measures apprx 25" H x 12-1/2" W.
	284. Mountain Landscape, ca. 19th Century Primitive style oil on board painting depicts a mountain cabin with tall pine trees in the background. No visible signature was found on this painting. Verso of frame is marked "Pictures framed to suit any taste from Stevens & Robertsons Manufactory of Looking Glasses and Picture Frames". Image measures apprx 13" H x 10-1/2" W. With wooden frame this painting measures apprx 19" H x 16-1/2" W.
	286. B. Muddimer (American, Early 20th Century) "Sunset Harbor". Oil on board painting by early 20th Century American artist B. Muddimer. Signed in lower right corner. Board measures apprx 9" H x 12" W. With frame this piece measures apprx 13" H x 16" W.
	289. Victor Benoir, Oil on Canvas "Harbor View". Oil on canvas painting is signed Victor Benoir in lower left corner. This painting is an impressionistic style; a view of a harbor with numerous sailboats. The painting features a gold painted frame. Canvas measures apprx 15" H x 19" W. With decoratively carved frame this painting measures apprx 20-1/2" H x 25" W.
	292. Samuel Tebbill, Oil on Artist's Board Oil on artist's board painting is signed Samuel Tebbill in lower left corner. This painting is also signed on verso. Two men, possibly shipwrecked, walk along the shore. Artist's board measures apprx 11-1/4" H x 8" W. With contemporary gold painted frame this piece measures apprx 12-3/4" H x 9-1/2" W.
	293. Pauline Biskind (American, Contemporary) "Still Life" by contemporary artist Pauline Biskind. This oil on canvas painting of a still life features a large white pitcher surrounded by various fruits and vegetables. Signed "Pauline Biskind" in lower left corner. Canvas measures apprx 15-3/4" H x 21-1/2" W. With simple white wood frame the painting measures apprx 18-1/2" H x 24" W.
	294. Walter Frederick Bartsch (American, 20th Century) "Still Life with Apples". Oil on canvas by painter Walter Frederick Bartsch. This painting features a series of apples with a juniper branch and glass of water. The name Walter Frederick Bartsch has been etched into the thick pigment in the lower left corner. The date, 1965, has been etched into the lower right corner. Canvas measures apprx 13-1/2" H x 25-1/2" W. Gallery tag from Hicks Street Gallery in New York City is adhered to verso of canvas. With frame this painting measures apprx 16" H x 28" W.
	295. Walter Frederick Bartsch (American, 20th Century) "Still Life with Apples and Banana". Oil on canvas by painter Walter Frederick Bartsch. This painting features a heavy impasto paint technique used to create a still life of apples and bananas. Signed "Walter Frederick Bartsch, 1948" in lower right corner. Canvas measures apprx 12" H x 15" W. With decoratively carved frame the overall size of this painting is apprx 16" H x 19-1/2" W.
	296. Walter Frederick Bartsch (American, 20th Century) Oil on artist's board depicts the Madonna and Child. This is a modern interpretation of a classic religious image. Signed with artist's signature in lower right corner of the painting. Board measures apprx 15" H x 12" W. With contemporary black frame this painting measures apprx 17" H x 15" W.
	297. Walter Frederick Bartsch (American, 20th Century) "Portrait of an American Soldier". Oil on canvas by American painter Water Frederick Bartsch depicts a seated American soldier. This painting is signed in the lower right corner and dated 1947. The soldier wears a drab green uniform ornamented by several badges and medallions. Canvas size is apprx 45-1/2" H x 30-1/2" W. With gold painted wood frame this painting measures apprx 52" H x 36-1/2" W.
	298. Jags, Contemporary Oil on Canvas Contemporary oil on canvas painting is signed "JAGS" in lower left corner and dated '98. This painting depicts an impressionistic view of the city of Venice. Canvas measures apprx 24" H x 36" W. With gold painted wood frame and linen matting the painting measures apprx 28" H x 41" W. Tag from Bonfoey Picture Framing Company, Cleveland, Ohio is located on verso.
	299. M. Krishnan (20th Century) "Mother and Child". Oil on canvas by painter M. Krishnan is dated 1978. This island painting depicts woman and her child seated beside a plate of fish. Signed in lower right corner. Canvas measures apprx 36" H x 27" W. With frame this painting measures apprx 37-1/2" H x 28-1/2" W.
	300. M. Krishnan (20th Century) "Island Girl". Oil on canvas by painter M. Krishnan is dated 1971-77. This painting depicts a lovely island girl with a small child. She holds a white fish. A canoe is located in the background. Signed in lower left corner. Canvas measures apprx 36" H x 36" W. With simple wood frame this painting measures apprx 37-1/2" H x 37-1/2" W.
	301. M. Krishnan (20th Century) "Man and Child". Oil on canvas by painter M. Krishnan is dated 1976. This painting depicts a gaunt island man carrying a basket of fish and a fishing line. Canvas measures apprx 43" H x 26-1/2" W. With frame this painting measures apprx 45-3/4" H x 27-3/4" W. Signed in lower left corner.
	302. M. Krishnan (20th Century) "Island Children". Oil on canvas by painter M. Krishnan is dated 1976. This painting depicts a young girl and boy crouched in the sand with a basket of fish. Painting is signed in lower left corner. The canvas measures apprx 35-1/2" H x 26" W. With contemporary wooden frame this painting measures apprx 36-3/4" H x 27-3/4" W.
	303. M. Krishnan (20th Century) "Island Family". Oil on canvas by painter M. Krishnan is dated 1974-75. This painting depicts a man and woman with a small child. Signed in lower left corner. Canvas measures apprx 57" H x 57" W. With simple wooden frame this painting measures apprx 58-1/2" H x 58-1/2" W. Krishnan is best known for his paintings of island people.
	305. Oil on Canvas, After Renoir Oil on canvas after "La Loge" by Renoir. The original is housed in the Fogg Art Museum in London. This painting depicts the woman in a striped dress with a man seated in the background. The name "Renoir" is located in the lower right corner. Canvas size is apprx 28" H x 24" W. Overall size, with decoratively carved wooden frame is apprx 37-1/4" H x 33-1/4" W.
	318. Ray Anthony Grathwol (American, 1900-1992) "Golfers". Oil on panel by Ohio-based artist Ray Anthony Grathwol. This painting depicts a country scene with two golfers. Signed "R. Grathwol" in lower right corner. Panel measures apprx 24-1/2" H x 36-1/2" W. With cream-colored wood frame this painting measures apprx 30-1/2" H x 42-1/2" W.
	319. Ray Anthony Grathwol (American, 1900-1992) "Duck Hunters in a Marsh". Oil on panel by Ohio-based artist Ray Anthony Grathwol. This painting depicts a pair of hunters shooting ducks in a marsh. The early morning sky is a rosy pink. Signed "R. Grathwol" in lower right corner. Panel measures apprx 24" H x 36" W. With simple wood frame this painting measures apprx 27-1/2" H x 39-1/2" W.
	321. Nancy Carroll (American, ca. 1965) "Still Life with Anchor". Watercolor painting by Cleveland based artist Nancy Carroll. Artist's signature and date are located in lower right corner of watercolor. Image size is apprx 26" H x 17" W. Overall, with white linen mat and frame this piece measures apprx 35" H x 25-1/2" W.
	322. Grouping of Miscellaneous Decorative Works This grouping contains a pair of Austrian etchings on silk depicting the view of Vienna and the entrance of the Hofburg, measuring apprx 10" H x 7-1/2" W. This grouping also includes a photograph by Leroy Flint, a Cleveland School artist, of a sunset landscape with mountain lake, measuring apprx 8-1/2" H x 10-1/2" W. Also included in this grouping is an oil on masonite painting of a young girl with kittens, measuring apprx 10-1/2" H x 8-1/2" W with frame. The final piece in this grouping is an oil on masonite painting depicting a village scene. Overall size is apprx 8" H x 7" W.
	324. A Second Grouping of Decorative Paintings This grouping of decorative paintings consists of five oil on board images. The first image is a still life of musical instruments and fruit, signed "Picolino" in lower right corner. Overall size is apprx 7" H x 9" W. Second image is a still life of pears, signed "A. Gavrilson" in lower right corner. Measures apprx 8-1/4" H x 10-1/4" W. Third image is a Dali-esque depiction of a beach scene, signed "Grer Ciencin" in lower right corner. Measures apprx 9" H x 11-1/2" W. Fourth image is a New England harbor scene with boats, signed "Geo. Stahl" in lower right corner. Measures apprx 12" H x 14" W. The final painting in this group is a view of an Italian city, signed in lower right and measuring apprx 9-1/2" H x 11-1/2" W.
	327. A Fifth Grouping of Miscellaneous Decorative Works This grouping of decorative works includes one oil on board painting depicting a still life of flowers, signed "Sabo, J" in lower right corner, measuring apprx 12-1/2" H x 10-1/2" W. Second image depicts an old bachelor seated at a dining table, and is an over-painted print. Signed "J. Kaufman" this piece measures apprx 13" H x 11" W. Third piece is an oil on board painting of a village square, signed in lower right corner, measuring apprx 17" H x 12" W. The next piece is an oil on board landscape signed "H.I. Marlatt" in lower left corner, measuring apprx 12" H x 14-1/2" W. The last item in this grouping is an oil on board landscape with houses, measuring apprx 12-1/2" H x 16-1/2" W.
	328. A Sixth Grouping of Miscellaneous Decorative Works This grouping of miscellaneous decorative works includes on oil on board painting depicting a small child, signed "L. William" in lower left corner, measuring apprx 13" H x 10-1/2" W. The second piece is an oil on canvas view of a city and river measuring apprx 16" H x 12" W. Signed "K. Warb" in lower right corner. Third piece is an unframed oil on canvas depicting a still life of tulips and daisies. Signed "C. Tuppence" in lower right corner. Measures apprx 16" H x 12" W. The next painting in this grouping is an unframed oil on canvas landscape, signed "Nennmann" in lower right corner. Measures apprx 12" H x 16" W. The final painting in this grouping depicts a young man playing tennis and is signed "F. Dressen" in the lower left corner. Measures apprx 16" H x 12" W.
	329. A Trio of Decorative Paintings Trio of decorative canvases includes one oriental still life with porcelain figure, measuring apprx 21" H x 26" W. The second painting is a still life of plants and dolls, signed "Elva Sommer" and measures apprx 28" H x 22" W. The last painting in this grouping has a modern motif with clocks and decoys. It is signed twice on reverse "Bloch". Measures apprx 22" H x 24" W.
	330. Another Grouping of Decorative Works This grouping includes on pressed collage with plexiglass overlay, and is entitled "No. 12 Rhapsody Reverie" by Cleveland artist Joseph S. Smith. Measures apprx 16" H x 14" W. Second image is a drawing of a crying child, signed "Casandra" in lower left corner. Measures apprx 19" H x 17" W. The third piece is an oil on board depicting a sail boat on an open sea. Measures apprx 20-1/2" H x 16-1/2" W. The next painting in this grouping is an abstract landscape, signed "Littner" on verso, measuring apprx 15" H x 19" W. The last painting is an oil on board depicting the interior of a church with stained glass window, dating c. 1950. Measures apprx 27-1/2" H x 17" W.
	331. A Trio of Tropical Paintings This trio of tropical paintings includes a pair of oil on board images from Brazil. Images depict Rio with sailboats in the background and a beach scene with palm trees. Signed "E. Brino". Each painting measures apprx 11" H x 10-1/2" W. Third painting in this group is an oil on board depicting a large green wave. This painting is signed "P. Deli" in lower left corner. Measures apprx 11" H x 13" W.
	332. Two Decorative Oil Paintings Two decorative still life paintings is comprised of an oval artist's board with an ornate frame and a rectangular one. The oval painting depicts a still life of roses, signed "R. Bauer" in lower right corner. Measures apprx 25" H x 18" W. The second painting is a still life of a wine jug with fruit, signed "Sherlik" in lower right corner. This painting measures apprx 15" H x 13" W.
	333. An Eleventh Grouping of Decorative Works This grouping consists of an oil on board painting depicting a skyline view of Cleveland on Lake Erie. Signed "G. Osmun" in lower right corner, this piece measures apprx 21" H x 25" W. The second painting is an oil on board depicting a landscape with tree. This painting is signed "R. Coy" in lower right corner and measures apprx 23" H x 19" W. The third painting in this grouping is a portrait of a woman, signed "R. Budaz" in lower right corner. Measures apprx 20" H x 16" W. The last painting in this group is a French oil on board painting depicting a ballerina playing a flute. Signed "Ellen" in the lower right corner. Measures apprx 23" H x 13" W.
	334. A Twelfth Grouping of Miscellaneous Decorative Works This group contains one oil on board painting depicting a pitcher and wine bottle. This painting measures apprx 26" H x 21" W. Signed "Rudolph Fritz" in lower right corner. The second painting is an unframed oil on canvas depicting a still life of marigolds and mushrooms. This piece is initialed and dated c. 1950. Measures apprx 18" H x 19" W. The next painting in this grouping is an oil on board painting depicting an expressionistic portrait of a young woman. Signed "S. Segal" in lower left corner, this painting measures apprx 17" H x 15" W. The last piece in this grouping is a watercolored print under glass. This print measures apprx 29" H x 21-1/2" W.
	335. A Lot of Two Decorative Paintings This lot of decorative paintings is comprised of one still life with copper pot and vegetables. Artist's signature is located in lower right corner. Overall size is apprx 21" H x 27-1/4" W. The second painting is an oil on canvas depicting a bridge spanning a waterfall. This painting is dated c. 1900 and measures apprx 30" H x 20" W. 100/200 Sold: $34.50
	336. Another Trio of Decorative Paintings This trio of decorative paintings includes an oil on canvas signed "Coy" in the lower right corner. This painting depicts an abstract still life and measures apprx 23-1/2" H x 18" W. The second painting is a still life of flowers. This painting is signed "T. Brenzel, Cleveland, 1920". Measures apprx 23" H x 18-1/2" W. The third painting depicts a small chipmunk in a forest interior and is signed "Hennie" in lower right corner. Measures apprx 27" H x 23" W.
	337. A Lot of Miscellaneous Decorative Works The first painting in this group is an oil on board depicting a clipper ship with full sails, signed "J. Parcint" in lower left corner. Measures apprx 12" H x 14" W. The next painting is an abstract scene in yellow and gray, signed "V. Volkott" in upper right. Measures apprx 14" H x 12" W. The third piece in this grouping is a watercolor by Cleveland School artist Kae Dorn Cass. This watercolor is signed in the lower right and measures apprx 17" H x 21-1/2" W. Also included in this grouping is a watercolor of an elegant lady, signed "Paul King, 1910". Measures apprx 22" H x 14" W. The next image is a French oil on board depicting a Parisian boulevard in autumn, signed "Nich" in lower right corner. Measures apprx 20-1/2" H x 16-1/2" W. The final painting in this grouping is an oil on board scene of a ship tied to a pier. Signed in lower left corner this piece measures apprx 15" H x 19" W.
	338. A Lot of Decorative Works This grouping consists of an unframed oil on canvas depicting an abstract harbor scene with artist's signature in lower right corner. Measures apprx 20" H x 24" W. The next painting is a landscape with shed and ducks in flight. Signed "Albert Bende" and measures apprx 24" H x 32" W. The third painting is framed oil on canvas depicting a twilight scene with boats, signed "Earl" in lower right corner. Measures apprx 17-1/2" H x 29-1/2" W. The final painting in this group is an oil on board depicting a landscape and lake, signed "A.W.B., Oct. 10, 1912". Measures apprx 16" H x 20-1/2" W.
	339. Another Miscellaneous Grouping of Decorative Paintings This grouping consists of an American oil on board painting of a snow-laden landscape, monogrammed "G.R.U" and measures apprx 19" H x 15" W. The second painting is an oil on board still life of a pear and orange, signed "Gusini" in lower right. Measures apprx 11" H x 13" W. The third painting is a portrait of a blonde child. Signed "A.M.G. 1912" in lower center. Measures apprx 19-1/2" H x 13-1/2" W. The last painting in this group is an oil on canvas by Beaver Falls, Pennsylvania artist J. Kozma This painting depicts a harbor scene and measures apprx 15" H x 19" W.
	340. Lot of Decorative Paintings This lot of decorative paintings includes an oil on canvas depicting a hillside landscape with house, ca. 1900. This painting measures apprx 19" H x 22" W. The second painting in this grouping is an oil on board depicting cows in a spring meadow. This painting is signed "Stevens" in the lower left corner and measures apprx 15" H x 19" W. The next painting is a Mexican oil on board showing Jesus blessing fisherman. This painting is signed "Manuel Solorzano". Measures apprx 24-1/2" H x 16" W. The fourth painting is oil on board and entitled "Four Birds in a Tree". Signed "Little" in lower center and measures apprx 22" H x 11" W. The final painting in this group is an oil on board depicting a temple in landscape. Signed "Limbach" in lower right corner, this piece measures apprx 13" H x 15" W.
	341. Miscellaneous Grouping of Decorative Paintings This grouping of paintings includes an oil on board painting depicting a river landscape, signed "William Rottman, 1941". This painting measures apprx 15" H x 19" W. The second painting is a French oil on board depicting a still life of roses and a statue. This painting is dated ca. 1940 and measures apprx 21" H x 17" W. The third painting is a Hungarian oil on plywood painting depicting a still life of flowers. Painting is signed "Sandor Roza, 1941" in lower right corner. Measures apprx 22" H x 15-1/2" W. The next painting in this grouping is an oil on canvas of a village scene with fountain. This painting is initialed in the lower right corner and measures apprx 22" H x 19" W. Also included in this grouping is a pair of unframed oil on canvas paintings depicting Spanish bullfighters, measuring apprx 24" H x 20" W. The final painting is print transferred to canvas with oil paint texturing. This piece measures apprx 26" H x 22" W.
	342. A Final Grouping of Decorative Paintings This final grouping of decorative paintings includes on autumn landscape, oil on board painting, signed "Mabel E. Hahn". This painting measures apprx 21" H x 24-1/2" W. The next painting in this group is an oil on board still life of jars and pitchers, measuring apprx 22" H x 18" W. The third painting is an oil on masonite depicting a young child holding a doll. Signed "Jim Ballard" in lower right corner. This painting measures apprx 25" H x 15" W. The last painting in this group is an oil on canvas with a watertower and windmill. Signature is located in lower right. Measures apprx 19" H x 19" W. 100/200 Sold: $5.75
	343. Modern Oil on Canvas, ca. 1960 "City View with Suspension Bridge". Oil on canvas is signed "DeLong" in lower right corner. This painting depicts a city view with a golden sky. Canvas measures apprx 20" H x 32" W. Overall with frame this painting measures apprx 27" H x 39" W.
	344. Jos. Kucera (American, ca. 20th Century) "Rural Landscape with Lake". Oil on board is signed "Jos. Kucera" in lower right corner. This painting depicts a lush spring landscape with a lake in the background. Board measures apprx 20" H x 23" W. With frame this painting measures apprx 24" H x 28-1/2" W.
	346. Uncrachell, 20th Century "View of Fish Market in Venice". Oil on board is signed Uncrachell. This painting is an abstracted rendition of the marketplace in Venice. Board measures apprx 17" H x 37" W. With frame this painting measures apprx 20" H x 40" W. Signature is located in lower left corner.
	347. Unknown Artist, 20th Century "Still Life with Mushrooms". Oil on board is by an anonymous painter. This painting has an impressionistic quality with bold brushstrokes and a thick application of paint. Board measures apprx 16" H x 20" W. With frame this painting measures apprx 20-1/2" H x 25" W.
	348. A. Feeley (American, 20th Century) "Seaside". Acrylic on paper, signed "A. Feeley" in lower left corner. This painting depicts a contemporary seascape with three children. Paper measures apprx 11-1/2" H x 15-1/2" W. With mat and frame this piece measures apprx 19" H x 23" W. This piece was purchased at an antiques shop in Charleston, South Carolina.
	366. Two Decorative Works After Gainsborough & Landseer, Early 20th Century "Morning Walk". Color print, c. 1929 in period frame after painting by Thomas Gainsborough. Overall with frame and French mat, apprx 26" x 20". "Bolton Abbey In The Older Times", engraving after painting by Edwin Landseer. Engraved by T. Doney, N.Y. and published by William Pate. Overall with frame and French mat, apprx 18-1/2" x 20-1/2".
	404. Mason's Apron, Dated 1820 19th Century mason's apron has a central section which has been hand-painted with the crest of the specific lodge. This crest includes an eye and a book. A small note is enclose with the apron stating that this apron was worn by Gordinas A. Hall, esq. in the year 1820. Painting on the apron was done by Pearle. Apprx size of apron within frame is 24" H x 29" W. With fame this piece measures apprx 27" H x 31-1/2" W.
	698. A Continental Painted Porcelain Lidded Urn, ca. late 19th Century A beautifully painted porcelain urn with lid, white metal base, handles and acorn finial. Painting depict butter churning, fishing, a man with a dog doing tricks, wheat shafts and musical instruments. Satyr head handles. Approx. 6-3/4"T x 7"W at handles.
	549. Staffordshire Figural, ca. 19th Century Standing man and boy. Unmarked porcelain with hand painting and glossy glaze. Old tag on front from the Hugo Russell LTD, London shop. Apprx 12"T.
	570. Herend Rothschild Bird Hand-Painted Vase Herend hand painted basket-weave vase features a scene of birds, insects and butterflies on a with gilt rim and base. This was first created in 1850 for the Rothschild family of Europe to be the epitome of hand painting on porcelain. The design stems from a 19th Century tale about Baroness Rothschild, who lost her pearl necklace in the garden of her Vienna residence. Several days later it was found by her gardener, who saw birds playing with it in a tree. Located on verso is the blue Herend hallmark, style number 6962/RO. This vase measures apprx 9-1/2"H x 6"W.
	745. Hand-Painted Portrait of Napoleon on Ivory, ca, 19th Century Hand-painted miniature portrait of Napoleon on ivory or celluloid under glass, with red velvet mat and decorative metal frame. Painting is signed "N. Delaroche". Image size is apprx 3-1/2" H x 2-3/4" W. Overall size, including frame is apprx 6" H x 4-1/2" W.
	763. Continental School, Posthumous Portrait of Napoleon I "Posthumous Portrait of Napoleon I". Oil on canvas painting depicts the French emperor after his death. No signature is visible on front of canvas, however a paper stating the artist's name and additional information is adhered to the verso of canvas. The text on this paper is faded and obscured. Canvas size is apprx 20" H x 26" W. With wood frame this painting measures apprx 24" H x 30" W.
	780. Walter Frederick Bartsch (American, 20th Century) "Napoleon". Oil on canvas painting is a modern depiction of Napoleon seated on his horse. This "en grisaille" style painting is primarily colored in varying shades of green and gray. Signed in upper left corner. Canvas size is apprx 23-1/2" H x 32-1/2" W. With wood frame this painting measures apprx 25" H x 33-1/4" W. This painting is dated 1963.
	803. Illuminated Manuscript Page Paper or vellum with wonderful pigments in left margin painting of flowers on the vine. Decorated starting letters with applied gold and text in red and brown. Image apprx 4-1/2" x 3-1/4", overall with frame apprx 9-1/2" x 7-1/2".
	Hull Early Novelty duck cookie jar. Marked Hull 966 USA. Wear to the cold painting and a 3/4" chip to the interior rim of the lid. 11 1/4" tall.
	Nice stoppered bottle in milk or ivory glass with old cold painted design. Unmarked. Although the painting is worn, the piece is mint. 10 5/8" tall.
	QUARTER PLATE DAGUERREOTYPE PORTRAIT OF A PAINTING OF A RACING TROTTER, with a man in a carriage led by a horse in full stride and trotting down a road. Label on bottom of painting reads "Sebastopol." Plate with several minor scratches. Spine of the brown leather case has been crudely repaired, but is completely severed.
	THREE RUSSIAN REVOLUTION WATERCOLORS,  all anonymous. Includes a painting that is 36" x 36.25" with ribbon banner title block at top reading Russie and in French at left Arrestation D'une/Bande De Nhilistes and in German at right A'anhouding Eener/Bende Nhilisten. The scene depicted shows a group of Russian Imperial soldiers or police breaking into a secret meeting of revolutionaries, reverse with unfinished pencil study of same, PLUS a painting that is 36.5" x 36.75" with ribbon banner title block at top left reading in German Russische Bannelingen/Op Weg Naar Siberie and top right in French Exiles Russes En/Rout Pour La Siberie, scene showing Russian Imperial troops beating and whipping prisoners marching through snow to Siberian exile, PLUS a painting that is 36.75" x 36.75" with ribbon banner title block at top reading in French Arrestation D'une Bane de Fauxmonnaieurs et Russie and in German below A'anhounding Van een Bende Valschmunters in Rusland, with the Russian soldiers dressed in stylized "Cossack"-style uniforms. Revolutionary groups in Russia predate the early 20th century events by more than half a century. In the second half of the 19th century, various groups of "Nihilists" or anarchists attempted to overthrow the social system by eliminating the powerful upper classes. One group succeeded in assassinating Czar Alexander II in March 1881. They soon discovered, however, that beheading the monster only increased state repression. One reason these early revolutionary attempts failed, though, was the lack of a coherent alternative plan for the nation. One or more of these paintings may relate to these earlier movements, since the revolutionaries are referred to as "Nihilists," a term common in the second half of the 19th century.
	"MONUMENTAL FLORENCE LANDSCAPE" BY GEORGE LORING BROWN,  oil on canvas, signed and dated Geo. L. Brown, 1868 lower right. A panoramic bird's eye view of the Italian city of Florence, envisioned from just above Piazza Michelangelo. The city of Florence lies in a valley, rising into the Tuscan hills on all sides. This view is from south of the Arno river, which runs through the city and is crossed by many bridges, including its most famous - the Ponte Vecchio. In the century-and-a-half since Loring Brown painted this scene, little has changed in the dazzling birthplace of the Renaissance, and the major architectural and topographical features are prominently displayed, including Fillippo Brunelleschi's great Duomo Cathedral, elevated above all other buildings, as well as the imposing palace of the Medici family. Behind the city, one can see the hillside town of Fiesole and the snowy caps of the Swiss Alps in the distance. The sky shows a brilliant display, as the sun prepares its descent beneath clouds lining the horizon. In the foreground, two figures are placed on the hill, dwarfed in comparison to the majestic beauty of the natural and the architectural landscape. Florence is reminiscent of the harmonious landscapes of the 17th-century master Claude Lorrain, whose idealized views were governed by classical principles. In the original gilt and gesso frame, with a sanded water-spot effect in the cove moulding; 33" x 59" (w/o frame), 48" x 74" (w/frame). George Loring Brown (1814-1889) was nicknamed "Claude Brown" because of his striking similarities with the French landscapist. Born and trained in Boston, Brown traveled to Europe in 1832 and 1839, the later to Italy, where he remained for 20 years and became one of the most accomplished American artists living abroad. Upon returning to the States, Brown worked in Eastern landscapes as well, but returned to his first love, painting mostly European landscapes later in his career.
	MOORISH HARBOR SCENE BY ROMEO BERRA,  oil on canvas, signed in the work lower left Romeo Berra. A large harbor scene depicting an exotic city, resplendent with palaces and brightly colored buildings, palm trees in the foreground, a group of turbaned travelers conversing in a docked boat. The bottom left of the painting shows a group of packages and objects, two of which contain the artist's signature and date; Romeo Berra, 1886. Mohr Gallery, Toledo stamp on verso. In a period gilt frame; 23" x 35" (w/o frame), 32" x 45" (w/frame). Romeo Berra (1842-1913) was born in Italy and trained in Milan. He ventured to New York in 1867, and spent time working in Toledo, San Francisco, and Michigan. Berra worked as a residential fresco artist and often worked on large commissions, such as the Michigan State Capitol building in 1885. His official title was "Architectural Decorator and Artist in Fresco & Scenographer." (Haverstock, 2000: 79)
	TOLEDO, SPAIN BY CHARLES WALTENSPERGER,  oil on canvas, signed Charles Waltensperger lower right. A bright, sunlit Spanish landscape depicting village life, with figures in the foreground carrying ceramics, riding donkeys or trading, a mountain looming in the background. In a wood and gilt frame with green trim. A photograph from the original canvas on verso titles the painting and describes it as the "oldest city"; 20" x 21.5" (w/o frame), 26" x 27.5" (w/frame). Charles Waltensperger (1870-1931) was born in Detroit, Michigan, where his skill as an artist was evident at an early age. At 14, Waltensperger won a scholarship which allowed him to travel to Europe and study under such teachers as Benjamin Constant and Jean Paul Laurens. During successive trips to Europe, he became infatuated with interior genre scenes inspired by the Dutch masters. Later in his career, his style became brighter, influenced by the American Impressionist movement.
	LARGE ITALIAN GENRE PORTRAIT, ANONYMOUS ARTIST,  19th century, oil on canvas, unsigned. A large Italian genre portrait of a beggar and his blind son, who presumably accompanies him for optimal begging purposes, hands clasped and extended forward in a pleading gesture. The style of the painting is Italian Baroque, with personal views of the figures, a dark background, with subject matter and closeness typical of the period. In a gilt and gesso frame; 35" x 40" (w/o frame), 45" x 50" (w/frame).
	LEGAL CONSULTATION, 19TH CENTURY INTERIOR SCENE, oil on canvas and unsigned, with plaque on frame reading Legal Consultation. Two gentlemen study legal documents in a cluttered, dark lawyer's office, with one placing additional emphasis on certain matters. The lawyer's desk is cluttered with the trappings of his profession, and a painting with ornate gilded frame hangs behind the subjects. In a gilt and gesso frame; 23" x 29" (w/o frame), 29" x 36" (w/frame).
	RAILROAD ENGINEER'S OCCUPATIONAL SHAVING MUG,  porcelain with fine polychrome painting of a coal-fired locomotive and red tender, gilt floral scroll surround and name above C.H. Bener, numbered on base 767, 3.7" high.
	10TH DRAGOONS SHAVING MUG & NAME MUG, both porcelain, includes a military militia mug with polychrome painted snare drum with strap, U.S. shield painted on side of drum with 3 stars and ribbon banner above and sticks resting on drum head, reverse has polychrome painting of crossed flags, one stripes only and other stars only with 10th Dragoons above a bugle, red annular trim, unmarked 4" high, AND second with sky blue ground and white name F.L. Napolitano with floral scroll below and gilt rim, also unmarked, 3.65" high.
	UNDERTAKER'S OCCUPATIONAL SHAVING MUG, porcelain with painting in shades of gray and black of horse-drawn hearse with wrought iron fence and trees in background, gilt name above C. Doe, marked on base with scrolled P and Germany, 3.75" high.
	BARTENDER'S OCCUPATIONAL SHAVING MUG, porcelain with detailed polychrome painting of bar with bartender and 2 customers, gilt name above Robert Neuscheler, marked on base T&V Limoges France, 3.75" high.
	BLACKSMITH'S OCCUPATIONAL SHAVING MUG, porcelain with polychrome painting of an anvil with two hammers resting against it on brick floor with gilt name above E.F. McCarthy, inscribed db on base, 3.7" high.
	OCCUPATIONAL SHAVING MUG WITH HORSES,  porcelain with lovely polychrome painting of a black horse and white horse huddled together in thunderstorm with lightning strike in front of them, gilt floral surround. Gilt name above Fred Reese. Early printed paper label on base John Schneider & Co. Razors Shears and Clippers Ground All Work Guaranteed 410 Fulton Street, Peoria, Ill., 3.5" high.
	CIVIL WAR SONS OF VETERAN'S OCCUPATIONAL SHAVING MUG, porcelain with highly detailed polychrome painting of an Sons of Veterans medal with bronze pinback bar inscribed in Latin with Fili Vetanorum, with red, white and blue ribbon hanger and bronze medallion with entwined SV in center with garter surround inscribed in Latin Gratis Dey Servatus MDCCCLXXXI (1881), with crossed cannon behind, green laurel wreath surround and spread-winged eagle surmount, flanked by stylized gilt floral scroll and name above D.T. Thorons, marked on base D. & Co., 3.6" high. AUCTIONEERS NOTE: This is a Sons of Veterans Medal, Civil not Indian Wars.
	LON KELLER ORIGINAL OIL ON CANVAS ART WORK FOR COLLEGE FOOTBALL PROGRAM, artist signed Lon Keller along left margin. Graphic painting of a punter just after kicking the ball, wearing blue and white uniform with gold numbers, on orange and white background, 20" x 30". Lon Keller (1907-1995) specialized in the cover art work for college football programs. He began with the Big Ten schools and eventually was doing them for nearly all the major programs in the country. This painting is likely for Michigan, since it is in blue and gold, and, therefore, would be one of his very early ones. Graduating from Syracuse University with a fine art major in 1929, Henry Alonzo, as he was known, took a job managing the store at the School of Architecture at the University of Pennsylvania and produced his first commercial work illustrating the house newspaper for Sun Oil. He then did some covers for the Keystone Automobile Club magazine. Keller's preferred art subject was women. In 1932, the editor of the football programs at Penn, having seen some of his work, engaged him to produce the cover for the Cornell - Penn Thanksgiving Day program cover, which featured a female football fan.
	TWO FRAMED PLAYER'S NAVY CUT TOBACCO ADS, both chromolithographs with 15th century English scenes, one entitled Cromwell and the Kingship after a painting by A.D. McCormick, second is tavern scene with Captains Middleton, Price and Kent, the first Englishmen to smoke in public, also after a painting by A.D. McCormick. 1st with Player's Navy Cut/Tobacco & Cigarettes below, 2nd with Player's Navy Mixture above, both 15" x 20" and framed, 16.2" x 21.2".
	W/C- TOPSAIL SCHOONER 'LOUISA' OF CHARLESTON, SO. CAROLINA, BY WILLIAM THON (ME/NY, 1906-2000) AFTER AN EARLIER IMAGE PUBLISHED IN A BOOK, WITH LETTER OF PROVENANCE DESCRIBING PAINTING IN 1958, IN ARTIST PAINTED VICTORIAN WALNUT COVE, SS: 16 1/2" X 24 1/2
	TRADE SIGN LOT - Two piece trade sign lot consisting of #1 - 19th C wall mounted paint shop order box, red painted pink with yellow lettering 'orders for painting and glazing', door opens to reveal a fixed chalk slate, 15"H x 11 1/2"W x 3"D, old split to
	WOOD CARVING - 20th C fine shallow relief carving of a sailing ship by Lloyd Thomas Camden ME, fine detailed painting on single pine panel, set into oval walnut frame with gold liner, 12"H x 14"D, very good condition.
	BLANKET BOX - Six board pine lift top blanket box, circa 1800-20, dovetailed with applied bracket feet, black painted exterior, painting on front depicts a sailing ship with a painted rope border, old faded initials on top, 18 1/2"H x 37 1/2"W x 15 1/2"D
	HANDCOLORED LITHO - CA 1853, ' Power of Fashion ' by LaFosse after painting of Mrs. L.M. Spencer, published by W. Schaus, depicts spry young black boy seated in doorway with dog, clothing in tatters, smiling over a lit cigar, gilt oak panel frame, glazed,
	OOC - Na? portrait of two dogs admiring a landscape painting in an artist's studio, unsigned, ca 1900. On heavy linen and crude stretcher, in a later pine molded frame. SS: 16" x 26", OS: 22" x 32". Very good condition.
	REVERSE PAINTING - Oil on Glass Portrait of a Hunting Dog with Bird, ca 1895, in original pine panel frame, SS: 13 3/4", OS: 19 1/2" x 16 1/2", good condition, scratches to frame.
	OOP - 18th c Russian Icon ' Nativity of Our Lord ' with original 1939 World's Fair exhibition label verso, SS: 14" x 12" x 3/4", painting is fine, but panel has cupped.
	CORNER CUPBOARD - Circa 1890 small pine corner cupboard with single raised panel door in green and persimmon color grain paint with a blue interior, grain painting done by Sherry McGrath, replaced hardware.
	REVERSE OIL PAINTING ON GLASS - 17th or 18th c Persian portrait of a seated diety, in original carved and painted frame, SS: 9 3/4" x 7 1/2", OS: 12" x 9 1/2", minor paint losses, frame is overpainted. Provenance: From the Estate of the RT. Rev. Robert
	COMMODE - 19th C French bow front commode with shaped demi-lune top and banded inlay, bellflower inlaid center surrounding oval painting of three cherubs, two drawer over two doors mounted on tapered spiral carved legs, inlaid throughout with painted oval
	CHINESE REVERSE PAINTING - Women playing game on veranda, servants and children nearby, potted flowers line garden railing, distant bay and mountains, in teak molded frame with figural brass hanger, SS: 16" x 23 1/2", OS: 18 1/2" x 26",
	OOC - 'The Volga Summer' by Sergei Arsenievich Vinogradov (Russian, 1869-1938), signed lower right on painting and titled verso and dated 1914, depicting the distinctive chalky cliff face across the broad expanse of Europe's largest river from the German
	PAINTED LEATHER FIRE BUCKET "THOMAS C. AMORY 1806". Green bucket has large painting of Gabrielle blowing her horn. She has a red cape and is surrounded by a banner in a mustard light orange with writing at top "Thomas C. Amory" and at the base an intertwined scroll banner "Active 1806". Signed on bottom "GDP" which possibly could be the artist. The top and bottom rim in brown with a black leather handle. Handle and rings intact. PROVENANCE: Believed to be a Peabody, Massachusetts bucket. SIZE: 12-1/2" h to top of rim. CONDITION: There is some wide cracking to the paint surface through the center of the front picture. Generally very good.
	VERY RARE AND IMPORTANT HANDEL REVERSE PAINTED TABLE LAMP. The domical shade in "chipped, lightly sand finished glass", having all over reverse painting of flowering hydrangea plants in large pink and white clusters on a light green background on a bronzed metal base of pear-shaped vasiform with two flying scroll handles and simple circular foot in an unusual acid finished patina. A most outstanding and rare lamp. PROVENANCE: Ex-Collection of Dr. Irving Paul, Bangor, ME & James D. Julia Auctions, Nov. 7, 1992. SIZE: Shade is 16" dia. Overall height is 22". CONDITION: Very good to excellent.
	I ALWAYS DID 'SPISE A MULE TOY. By today's standard, this toy would not be politically correct, but during the time period of the 1890's, the political and ethnic slurs were imitated and copied into toys. This toy features a black youth upon a mule. When the lever is pressed, the mule bucks sending the black youth "head over heels". The intense detailing and painting of the base, mule, and rider make this a visually striking toy. SIZE: 9 1/2". CONDITION: With the exception of light soiling to boy, condition is very good to near mint.
	OUTSTANDING FOLK ART PORTRAIT OF CHILD IN RED DRESS WITH DOG. Unsigned portrait shows girl with bright red dress and lace collar and sleeves seated with brown dog beside. To viewer's right is a Hudson River School landscape, which is seen 4" along the edge of the painting as if a doorway was open. Housed in a gold gesso decorated thin frame. SIZE: 30" h x 25" w. CONDITION: 9 old waxed patches, cleaned and restored
	SEVEN 1/4 PLATE LEATHER AND WOOD CASED TINTYPES. 1) Three young women. 2) Young couple with man seated and woman standing, gold jewelry. 3) Two women, full length in fancy dresses which are tinted. They are standing on floor with design. 4) Full length of young woman. 5) Half bust of man with rosy cheeks. 6) Seated woman with blue bowtie and tinted face. 7) Bust of young woman wearing a miniature painting of a child pin and colorful hair net. All in floral cases. CONDITION: Minor wear, generally very good.
	LOT OF SEVEN FRAMED AND UNFRAMED PRINTS. Lot includes framed pencil signed engraving of pond with swans after a painting by James E. Grace. Pencil signed by artist and engraver. French chromolithograph showing ladies with baskets of shellfish. Wonderfully housed in an oak and gilt frame. Gilt framed engraving of lady Milbanhe. Unframed engraving on silk of dancer. Two unframed engraving after John Constable including the House of Hampstead and Mrs. Fitzherbert and small oak framed print. SIZES: Vary. CONDITION: Very good.
	PAVEL TCHELITCHEW (Russian, 1898-1957) "SAVONAROLA". Gouache design sketch shows three figures with long musical horns. The figures are in gray, blue, orange and red and have black trumpets. Bottom margin has title and "P. Tchelitchew Berlin". Upper left has "S. Pauzer?". This painting comes from the same collection that James D. Julia sold in 2004, which had two other examples from this artist and was acquired by the family from the artist in Europe. Housed in a flat mahogany thin frame with heavy white matte. SIGHT SIZE: 14" x 20". CONDITION: Four tack holes, one in each corner. Some minor discoloration to background. Otherwise very good.
	SIGNED (French, 19th/20th Century) "LE CHEMIN (OCTOBRE)". Fine oil on canvas landscape fall scene showing two figures on a dirt road lined with trees leading to two houses. The painting is signed lower left and titled and signed on reverse of canvas. The signature could possibly be "J V Hermons" or "J V Homons". Housed in a period molded edge gilt frame. SIZE: 21-1/2" x 13". CONDITION: Very good.
	ALFRED THOMPSON BRICHER (American, 1837-1908) NIGHTTIME SEASCAPE. Oil on canvas scene shows a sailboat on a tranquil ocean having beach in foreground with crashing waves with the left side having large rocks. Housed in what appears to be its original gilt gesso decorated antique frame. Signed on back of canvas with conjoined initials and last name, dated "1902". SIZE: 10" x 24". CONDITION: The canvas has a large area of water damage centrally through the whole painting which has considerable flaking and loss of paint.
	GE RADIO ADVERTISING FIGURE. Design attributed to Maxfield Parrish. Beautiful image of a majestic band leader clad in bright red, yellow and white outfit with stately tall hat reading "General Electric Radio". Hand painted composition body with wood jointed arms and legs. Scarce mfg. foot decal reads "Art Quality by Cameo Products, Penn. USA". SIZE: 18" t. CONDITION: Arms could use re-stringing. Decals 100%. Composition body is very good to near excellent. Hard to find in this condition. Hand painting to facial area lends to great character.
	LOT OF 9 MISC. TOYS. 1) A boxed set of Jack and Jill skates. Nickel plated double runners. 2) Hubley cast iron and diecast racer. 3) A later tin wind-up swimming Duck. 4) An arcade motorcycle with side car. Missing passenger. 5) A walking tin Camel with rider. Western Germany. 6) An Occupied Japan wind-up sedan. 7) Tin child's drum with hand painting to drum face. 8) An early cast iron boatail racer. 9) A tin wind-up M.G. sports car by Minic. SIZE: Varies.
	HANDEL OVERLAY TABLE LAMP. Nice Handel table lamp has six bent panels with grape leaf and vine overlay design around border. Overlay is set against green, brown and cream slag glass panels with green painting behind the leaf overlay design. Shade rests on Handel cast metal stick base with chipped ice finish to foot and stem. Base is signed on the bottom with raised letters "Handel". SIZE: Shade is 13 in. dia. Overall height is 21-1/2 in.
	TWO BRADLEY & HUBBARD ART DECO LAMPS. 1) Very interesting Art Deco paneled shade has simple white cast metal frame supporting six vertically ribbed bent glass panels with a reverse painted Persian rug design border. Shade rests atop a signed "Bradley & Hubbard" base with four stylized dragon head legs resting on a saucer foot. Legs support a four sided tapering stem with incised Art Deco design. Base supports three socket cluster. SIZE: Shade is 20-1/2 in. dia. Overall height is 22-1/2 in. CONDITION: Some loss to background color on shade panels, wear to finish on metal. Shade ring and finial is missing. 2) Bradley & Hubbard shade has same vertically ribbed glass in six bent panels, all reverse painted with a floral border. Frame is marked "Bradley & Hubbard Mfg. Co.". Shade rests on a signed "Bradley & Hubbard" base with tree trunk type design with oak leaf and acorn decoration. SIZE: Shade is 14 in. dia. Overall height is 21 in. CONDITION: Considerable wear to reverse painting on shade, patina on base and shade do not match.
	CIVIL WAR ERA DRUM. SIZE: 15"x16" diameter. Label inside drum reads, "DRUMS AND FIFES MADE AND SOLD BY J. & G. DENNISON, FREEPORT". Drum body is decorated with a painted drooped-wing eagle and on opposite side "THIRD MAINE REG. INFANTRY". CONDITION: Both heads are shattered and partially missing. Ropes appear old as do tighteners. Hoops retain remnants of original red paint. Eagle painting is not typical of Civil War and could be commemorative.
	PAINTING OF BULL MOOSE BY H. L. HASTINGS. Hastings, a well-known and listed illustrator was famous for sporting, western and animal related paintings. The focal point of this painting is a majestic Bull Moose standing before a stream. Two pintail ducks flying off the stream, in the background is a snow-capped mountain all in a fall landscape. The painting is signed in the lower right, but the signature is much rubbed and difficult to read. SIZE: 24" wide x 19-1/2" high.
	INDIAN BURIAL SCENE. 24" x 17-5/8" oil on board with Indian and regalia on platform with spear in his horse beneath. Signed lower right "Two Bull. / Sioux / 74". CONDITION: Painting is bright. Some scuffing on the frame and the dust paper on the back is torn.
	OIL ON CANVAS PAINTING OF AN INDIAN CHIEF. 19-5/8" x 23-5/8" sight, signed in lower left "Troy Denton". In ornate gold gesso frame, 33" x 37". CONDITION: Fine.
	FRAMED SCARCE WINCHESTER 1912 CALENDAR. A reprint of orig with crisp bright image of a man & a woman in a birch bark canoe from the painting "A FIGHT TO THE FINISH" by Frank Stick. The woman is fighting a large trout. It has January calendar on bottom that is dry mounted & appears to be orig. Nicely framed with an early gold lined oak frame. CONDITION: Very fine. Bright clean image, great frame.
	PIEDMONT CIGARETTE TIN SIGN. Illustration captioned "Washington's Return to Mount Vernon" after the painting by Percy Moran. Copyright 1916 Liggett & Myers Tobacco Co., NY. SIZE: 26-1/2" w x 19-1/2" h. CONDITION: Fair to good; sign displays a pattern of fine pitting under magnification but which from a distance has the look of a worn canvas.
	ATLAS PAINT TIN DISPLAY. Two piece store display with lithographed image of Atlas and cherubs painting the earth. Lithographed by H.D. Beach Co., Coshocton, OH. SIZE: large sign 40-1/2" w x 10" h; smaller sign 34" w x 3-1/2" h. CONDITION: Good overall condition with a few soft bends, several nail holes and scattered scuffs and scratches.
	IMPORTANT MAINE PRESENTATION CIVIL WAR SWORD WITH HISTORY. 34-3/4" dbl fuller blade marked "SCHUYLER HARTLEY / & GRAHAM / NEW YORK" on the right ricasso and "CLAUBERG / SOLIGEN" on the left. Iron proof on the spine. The blade has short etched panels in the center with an eagle on the right side and US on the left. The iron scabbard has brass fittings. The top one is engraved in script "Presented to - / Lt. Wm H. Moody / Co. L. 2d Maine Cav.Vet.Vols / by the Members of / the Company". Also accompanying the lot are a CDV of him holding the sword and other images of him at various ages. There are also a 2nd Maine Cavalry badge in original box, a metal Colonial's insignia, and a ribbon hanger with a attached eagle above the word "Maine" which was probably from a reunion. There is also a 28-1/2" x 18-1/2" oil on canvas painting or sign for the Recruiting Office of the 2nd Maine Cavalry. There is also the printed roster of that unit with Moody shown in the center. Among the other items included are his yearly diaries during his service in the Civil War starting with Camp Abraham Lincoln at Portland in 1862 when he was with the 27th Maine infantry. This one has locket pictures of Moody and his wife, Abbie, glued inside the front cover and includes orders, movements and various happenings. The diary for 1863 is missing but 1864 covers movements mostly at the recruiting office in Kennebunk where there are numerous "at home" listings. Was wounded at the Battle of Port Washington at the end of September "had the bullet cut from my leg today. Made application for a furlough" on October 6th. On the 8th he marched his troop on orders of Captain Lincoln. On the 9th "my wound is worse accounting to the exercise I took yesterday". In the 1865, on April 10th it is reported that "Richmond is taken". On the 14th "went to Braggs Bridge. The President was assassinated by J Wilks Booth at Fords Theater Washington D.C." evidently from a newspaper report. Most of the time after this was spent in parade and guard duty. On December 6th "was mustered out of service today". 1866 is mostly occupied by office and business returns around Pensacola. Another book is undated but lists most of the men in the regiment with various payments and duties. A stack of letters, commissions, and reunion notices, and awards, including his appointment as a delegate to the Farmer's National Congress signed by the Governor of Maine. This includes a lengthy exchange with the Pension Bureau over the value of his wounds. A newspaper article in the New York Tribune for July 6, 1863 mentions that Moody's regiment had volunteered to stay in service in Washington D.C. beyond their enlistment time. CONDITION: Blade is bright with scattered surface rust. Brass is very dark but shows little wear. Metal scabbard has considerable surface rust. Recruiting sign has minor crackling. Framed roster has toning but has no spots or cracks. Regimental badge is like new. Books and letters are all in fine condition.
	RARE AND OUTSTANDING EDMOND OSTHAUS ADVERTISING OIL ON CANVAS PAINTING. An outstanding example of this famous and prolific wildlife artist's work. It is a horizontal image 21-1/2" x 11-1/2" in a modern, distressed, gold lined frame 24-1/2" x 15-1/2". The image is in outstanding detail of a spaniel puppy with a box of US Cartridge Company "Romax" shotgun shells. The puppy is in a field of grass with a small shrub in the background and a slate gray sky. The shot shell box image is removable in order for another brand or type of product to be inserted. Osthaus worked for most of the major sporting goods companies and provided artwork for calendars, posters, and promotional materials. The back of the painting has a paper label from a New York company. The number "C-S-52-E" appears in the lower right corner of the image. CONDITION: Extremely fine with crisp bright colors throughout with no signs of damage or repair. The frame is fine and, although a modern replacement, gives the impression of great age.
	LANDSCAPE PAINTING Oil on canvas of trees by the seashore at sunset. Small chip to top. Unsigned. Sight: 19 3/4" x 23 1/2"
	Calvert Coggeshall, Painting #9, 1973, oil on canvas, 27 x 27 inches, signed, titled, dated and inscribed on verso "Calvert Coggeshall / Painting #9 1973 / FOR NAOMI", Provenance: Betty Parsons Gallery, New York (label on verso)
	Currier & Ives "Cares of a Family," 1856, hand-colored lithograph, 14-1/2" x 20", after a painting by A.F. Tait
	Stanley Hayter (British 1901-1988) "Torso," Mixed media painting on panel, artist-made frame, Signed lower left and dated "25th.11.39". Exhibition: San Franciso Museum of Art, 1940. Image 16" x 10"
	KOREAN PAINTINGS Two Korean watercolors, 19th C.: one on paper of yellow flowers, partially glued down to backing paper, 10 1/8" x 7 1/2"; other on silk of bird on branch, 11 3/4" x 9 3/8". Together with Japanese ink painting on paper, 20th C., 10 1/2" x 9 1/2".
	BYUN KWAN SHIK (Korean, 1899-1976) Painting depicting three people in a mountainous landscape, in original wood frame and silk brocade border. Slight water marks in upper right corner, small puncture on paper above seal. Signed and sealed LL. 14 1/4" x 12" sight, 21 1/2" x 19 1/4" x 3" frame
	JAPANESE IVORY Carved okimono of an artisan painting a mask of Hannya, Meiji period. Signed with oval tablet. 2 3/4" x 3 1/2"
	JAPANESE IVORY Stained and painted carved okimono of a bearded sage holding a staff, from which hang two scrolls and a fan, 19th-20th C. His robe is decorated with paulownia blossoms and diaper patterns. Integral hairline on left shoulder, head and staff, wear to painting and gilding. Signed on the base on red tablet. 15 3/4" x 4" x 4 3/4"
	CHINESE PAINTING ART BOOKS Chinese Figure Painting, Thomas Lawton; two copies of Chinese Export Watercolors, Craig Clunas; two copies of Descriptive and Illustrated Catalogue of the Paintings in the National Palace Museum, 1968; The Charm of Chinese Painting, exhibition at The Gulbenkian Museum, Durham, June-October, 1981; The Literati Mode: Chinese Scholar Paintings, Calligraphy and Desk Objects, Sydney L. Moss Ltd.; Chinese Paintings of the Ming and Qing Dynasties, 14th-20th Century, International Cultural Corporation of Australia Ltd.; Chinnery & China Coast Paintings, Henry and Sidney Berry-Hill; Chinese Painting, Peter C. Swann; Painting in the Far East, Laurence Binyon; Dogs of China & Japan in Nature and Art, V.W.F. Collier; Nelson Gallery of Art, Atkins Museum, Kansas City, Volume II; Murals From the Han to the Tang Dynasty, Foreign Language Press.
	CHINESE PAINTING ART BOOKS Alte Chinesische Graphik, Josef Hejzlar, German text; The Selected Painting of Lang Shih-Ning (Josephus Castiglione), The Arts and Literature Press, Hong Kong, two volumes; Studies in Connoisseurship: Chinese Paintings from the Arthur M. Sackler Collection in New York and Princeton, Marilyn and Shen Fu; Chinese Painting, Edmund Capon.
	CHINESE PAINTING ART BOOK Later Chinese Painting and Calligraphy, 1800-1950 by Robert Hatfield Ellsworth, first edition, Random House, New York, 1987. Three vols: Text, The Paintings, The Calligraphies. All with color plates, all enclosed in cloth-covered clamshell case. Like new.
	KOREAN ART BOOKS A Pictoral Encyclopedia of The Oriental Arts: Korea, Kadokawa Shoten, ed.; Korean Furniture: Elegance and Tradition, E.R. Wright and M.S. Pai; The Ceramic Art of Korea, Chewon Kim and G.St.G.M. Gompertz; The Art of Ancient Korea, W. Forman and J. Barinka; Korean Arts, Ministry of Foreign Affairs, Republic of Korea, in three volumes: Painting and Sculpture, 1956; Ceramics, 1961; Architecture, 1963.
	CHINESE TEXT ART BOOKS Scrolling Images: Chinese Painting and Calligraphy in Handscroll Format by Paul Moss, Sydney L. Moss Ltd., London, 1991. Eleven volumes: ten scrolls reproduced in color, in hardcover harmonica-style case. Together with: Eighteen Songs of a Nomad Flute: The Story of Lady Wen-Chi, The Metropolitain Museum of Art, 1974, in hardboard slipcase; Masterpieces of Sung and Yuan Dynasty Calligraphy from the John M. Crawford Jr. Collection, Kwan S. Wong, China House Gallery, 1981.
	CHINESE ART BOOKS Chinese Export Porcelain In North America, J. M. Mudge; The Copeland Colletion: Chinese and Japanese Ceramic Figures, The Peabody Museum of Salem; Chinese Art: Collection of Yamanaka & Company, American Art Association, Anderson Galleries, Inc., 1929; Chinese Ivories From The Kwan Collection, The Chinese University of Hong Kong; Ivory and Its Uses, B. Burack; A Winterthur Guide to Chinese Export Porcelain, A.M. Palmer; Chinese Pottery and Porcelain, R.L. Hobson; A Pictoral Encyclopedia of The Oriental Arts: China, K. Shoten, ed., two volumes in cardboard slipcase; China for America: Export Porcelain in the 18th and 19th Centuries, H., P. and N. Schiffer; two volumes in Chinese text (some English) of Chinese artifacts; two traditionally bound Chinese books in hardboard slipcases; Ancient Bronzes: A Selection from The Heckett Collection, Museum of Art, Carnegie Institute; Chinese Carved Jades, S.H. Hansford; Chinese Painting In Four Seasons, L. Tseng-Tseng Yu.
	Edward Charles Williams (British, 1807-1881), Fishermen and Landscape, oil on canvas. Painting has been lined. Signed lower right, dated 1863. 20" x 30"
	Niels Hamel (Dutch, 20th c.) abstract painting on paper, 1964. Signed and dated, stamp marked "galerie partout lijstenmakerij amsterdam". 16 3/4" x 16 3/4"
	Jan Sierhuis (Dutch, 20th c.) abstract painting on paper, 1967. Signed and dated, stamped marked "galerie partout lijstenmakerij amsterdam". 17 3/4" x 13 3/4"
	HARVEY ELLIS Mixed media drawing on paper of four men working in a foundry, c. 1903, framed. Unmarked. Sight: 19" x 12 3/4" Provenance: From the Fayetteville, New York, estate of Mrs. Leopold Stickley, 1982, this drawing once hung in the restaurant on the twelfth floor of Gustav Stickley's Craftsman Building in New York City (photographed in situ). Better known for his architectural and furniture designs, Ellis also produced works on paper, which show the influence of Japanese prints and European painting trends at the turn of the century. [PARAGRAPH] In Ellis' obituary in 1904, Gustav Stickley wrote: "Mr. Ellis was a man of unusual gifts; possessing an accurate and exquisite sense of color, a great facility in design and a sound judgment of effect. These qualities were evidenced in his slightest sketches, causing them to be kept as treasures by those fortunate enough to acquire them." (ONLINE ONLY: Sources: Memorial Art Gallery, Rochester, NY, "A Rediscovery: Harvey Ellis; Artist, Architect," 1972; The Craftsman Magazine, Vol. V, No. 5, February 1904; Image sources: The Craftsman Magazine, Vol. V, No. 1, October 1903, The Craftsman Magazine, Vol. XXV, No. 4, January 1914.)
	CHINA PAINTING Four items: a fine squat vessel with stylized blossoms, a pair of tiles painted with bird frieze, and a Fulper two-handled vase in Cat's Eye Flambe. All marked. Fulper, 7 3/4"
	Barbara Broughel (American, 20th Century) Humping Bee Killer, 2001; Nihonga painting on silk mounted on paper; 21 1/2" x 17 1/2"; Provenance: Frederieke Taylor Gallery, New York
	David Reed (American, b. 1946) Study No.1 For Painting #330, 1994; Oil and alkyd on paper mounted on foamcore; Signed, dated and titled; 5 1/8" x 22"; Provenance: Max Protetch, New York (label on verso)
	Matthew Higgs and Francis Alys () Description of a Painting Attempt to Realise the Painting. (Composed of Blobs and Splashes of Raw Color, It Was One of Those Paintings which Are Either Very Advanced or Very Backward), 1999, Two parts: Mixed media on wood (framed) and R-Type photograph; Signed and dated; 10 1/2" x 12 1/4" (frame); 4 1/2" x 5 3/8" (photograph image); Provenance: Murray Guy, New York (label on verso)
	Jim Isermann (American, b. 1955) Five works of art: Untitled (Study for Shag Painting #490), 1990; Mixed media with marker and graphite on graph paper (framed); Signed and dated; 17" x 22"(sheet); Untitled (Study for Shag Painting #390), 1990; Mixed media with marker and graphite on graph paper (framed); Signed; 17" x 22" (sheet); Untitled (Study for Shag Painting #689), 1990; Mixed media with marker and graphite on graph paper (framed); Signed and dated; 17" x 22" (sheet); Untitled (Study for Hand-pieced Wall Hanging, Yellow & Red), 1993; Mixed media on graph paper (framed); Signed and dated; 22" x 17" (sheet); Flower Painting (0486), 1986; Enamel and paint on wood; Signed and dated; 48" x 47 1/2" x 1 3/4" (irregular); Provenance: Richard Telles Fine Art, Los Angeles
	William S. Schwartz (1896-1977 Chicago) pencil on cream paper, "Minute sketches for a painting The Road to Eternity", 1922, framed. Provenance: estate of the artist. Pencil titled, signed and dated. 10 3/8" x 14"
	Paul Jerak oil on board naive painting of slaves with a tiger, 1909, framed. Signed and dated.
	WENDELL CASTLE Pencil and gouache painting of the Angel chair, 1990. (From the Estate of Peter Joseph.) Signed in pencil "Wendell Castle, 1990". Matted. 24" x 18"
	Harry Bertoia (American 1915-1978), Untitled, 1940s, fine, large and early wood block painting in shades of yellow orange and green on heavy Italian fabriano paper, mounted in a solid walnut Leroy Kline frame. Marked HB255 on verso. Sight: 38 1/2" x 23 1/2" Note: For a detailed examination of Bertoia's work in this medium, see "Harry Bertoia, Printmaker: Monotypes and other Monographics," by June Kompass Nelson, Wayne State University Press, 1989.
	Elsie Driggs (American 1898-1992) "Break Dancing," 1983, oil on linen, framed. Signed and dated lower right. 48" x 36" Provenance: Private Collection. Note: This later life painting by Driggs, created when she returned to New York from Lambertville, New Jersey, shows the newly opened Twin Towers and the popular street dance of the times.
	LA II (American) Mixed media painting on found object, a tall ceramic floor vase. 50" x 12" Provenance: Private collection purchased from the artist.
	ANNETTE CORCORAN (California, b. 1930) Porcelain figural teapot, "Golden Eagle with Carved Pedestal," 1991. (Provenance: Dorothy Weiss Gallery, San Francisco, CA, 1992. [The bird teapots of Annette Corcoran are found in private collections and institutions worldwide, and demonstrate the masterful technique of trompe l'oeil painting on porcelain while integrating sculptural detail]). Signed and dated. 11" x 9"
	46. Oriental painting on silk of a musician, another of 2 birds, Japanese block print of a dog, pair of Foo dog bookends.
	680B. Oil on canvas landscape painting with mountains, trees and stream.
	Lot 99 - Oil on canvas painting of a dog
	507. Impressionist landscape painting of a wooded scene by Mrs. Beaumont (Griest) Wright.
	620. Oriental painting on silk of a musician, another of 2 birds, Japanese block print of a dog, pair of Foo dog bookends.
	14. Naive Rondel, Anglo-Irish, circa 18th Century Oil on milk glass, framed under original rolled glass in a circular brown velvet frame. Simple image of a town depicts a village church with people walking nearby. Flat painting style could be described as "naive" or self-taught; with very good attention to small details of the scene. Round, white glass on which the painting is done is concave to give the illusion of depth. No signature found. Frame is moss green velvet that has faded to brown. Painting measures apprx 13-1/4" diameter, with frame, apprx 19" diameter.
	16. Mariano José Maria Bernardo Fortuny y Carbó (Spanish/Italian, 1838-1874) Study for "The Hindu Snake Charmer". Oil on canvas, not signed and attributed, not framed. This fairly completed painting appears to be done as a working study for the masterpiece of 1869. Interestingly, the canvas has a seam running across the top from edge to edge; the artist probably used a piece of cloth that was available in order to work through changes he wished to make in the finished piece. The finished piece is in the Walter's Art Gallery in Baltimore. Another version of this subject is found in the Hermitage in Leningrad. (Reference: page 141 of Les Orientalistes de e'cecole Italianne by Caroline Juler; the painting in Baltimore). Measures apprx 10-1/2"H x 24-3/4"W.
	19. Unknown Artist (Continental, late 19th Century) Three cherubs. Oil on canvas, framed. Rococco themed painting depicts three sweet putti with curly hair and small wings. In a cloudy setting, they play with flowers that they appear to be casting down to a mortal world. Canvas measures apprx 20"H x 23-1/2"W. With gold twist and red painted wood frame, entire item measures apprx 26-1/4" x30-1/4".
	27. Unknown Artist, Continental School, Late 19th Century "Moses". Dramatic painting on canvas, framed, depicts a majestic Moses. Two rays of light beam from his head as a sign of God's favor. He wears a red cloak and his iconic long beard. Fine brush strokes and baroque palette. Signed illegibly on lower right. Stretched on original four key, bracket structure. Verso has two export wax seals. Measures apprx 24" H x 19-1/4"W. With simple frame, entire item measures apprx 27"H x 22-1/2" W.
	29. Edward MacGregor (American, active 1853-1872) Historical Painting. Oil on canvas, painted after an engraving. Verso describes subject of painting as "Drake playing bowls on the sea front before going to set sail to fight the arriving Spanish Armada". Costumes are highly detailed and subject matter is amusing. Signed on lower left hand corner. Verso has artist information and states the painting was shown in an exhibit for the Maryland Historical Society, in 1856. Measures apprx 13"H x 17"W. With gold colored liner and carved wood frame, entire item measures apprx 17-1/2"H x 21"W.
	32. Adrien Lambert Jean De Witte (Belgian, 1850-1935) "Portrait of a Young Woman". Oil on canvas. Framed, apprx 19.5" x 26.5" image size. Painting depicts a woman seated with her fingers interlaced. The sitter wears simple brown and back clothes and a strand of coral beads. The background is ocher. Signed and dated, 22 September 1884, lower right margin.
	34. Jessie Barrows Jones (American, 1865-1944) Portrait of a Woman Crocheting. Oil on board, framed under glass. Painting is executed in a soft palette. Tender depiction shows an elderly woman in profile, intent on her craft. Signed on lower right and dated 1914. Measures apprx 14-1/4"H x 12-1/4"W. Framed with broad wooden frame with gold fillet. With frame, entire item measures apprx 21-1/2"H x 19-1/2"W.
	36. Sigurd Skou (American, 1878-1929) "Alone at the Beach". Oil on board, signed lower right. Scene depicts a female figure picnicking at the beach under the shade of an umbrella and a slender tree. Painting done with palette knife so some areas are thick and others thin in pigment application. Painting apprx 13"H x 16"W. Overall with frame apprx 22"H x 25"W.
	41. Painting in the Dutch Style, circa 19th Century Country landscape. Oil on masonite, framed. Tranquil scene depicts a rustic farm with a small cottage off to the left side and cows in the distance. Two small figures appear to be engaged in their daily chores. Painting style is precise and detailed. Verso has red and white Cleveland Museum tag with a number of TR 12426/14. The record shows that the painting came into the museum in March of 1960 from the estate of Charles W. Williams and left in June of the same year. Measures apprx 18-1/2"H x 25"W. With painted gold, carved frame, entire item measures 21"H x 23-1/4"W.
	43. Unknown Artist (Continental School, late 19th/ early 20th Century) Formal Portrait of a Nobleman. Oil on canvas, framed. Painting depicts a finely dressed man with a large black hat and a red jacket. Probably a copy of another painting. Measures apprx 20-14"H x 16"W. With carved wood frame, entire item measures apprx 27"H x 23"W.
	44. C. Kulow (Continental, early 20th Century) Village Path. Oil on Canvas. Rustic scene depicts a dirt road running between country cottages with thatched roofs. Painting has Dutch feeling in style and palette. Signed, "C. Kulow 02", on lower right. Measures apprx 17-1/2"H x 14-1/4"'W.
	52. Laszlo Neogrady (Hungarian, 1900-1962) "Winter Lanscape". Oil on canvas, signed lower left, framed. A photorealistic painting of an evening winter with a stream running through the landscape. Image apprx 23-1/2" x 35-1/2". Overall with period frame apprx 31" x 42-1/2".
	53. Unknown Artist (Continental, early 20th Century) View of Town. Oil on coarse canvas. Painting is executed in a flat, soft palette and shows a peaceful village with red tiled roofs and twin spires of a church rising up "Broader" (?). Measures 19-1/4" x 23-3/4". With gold colored frame 22-1/2" x 27-1/4".
	54. L. Gray (American, early 20th Century) "Country Roads". Oil on board, framed. Soft painting depicts diverging paths, one leading to a red farm house; the other, lined with leafy trees, leads off into the distance. Signed on lower right. Measures apprx 11-1/2"H x 15". With gold colored frame, entire item measures apprx 18"H x 22"W.
	55. Felice Giordano (Italian, 1880-1964) "Fishing Village". Oil on canvas. Large painting shows a poor fishing village nestled amid shore rocks next to a clear blue sea. A line of row boats can be seen near the left side of this balanced composition. Nicely painted. Signed on lower right corner. Measures apprx 31-1/2"H x 47"W. Verso has sticker from Florence Art Gallery. With decorative frame with artist name plate, entire item measures apprx 41"H x 56"W .
	57. After John Steuart Curry (American, 1897-1946) "Stallion And Jack Fighting". 20th Century oil on stretched panel, framed, signed illegibly lower right corner "R. S....". Image depicts a fierce black stallion biting the neck of a frightened white horse in an ominous setting. Both horses rear up as the nighttime background swirls around them. Palette and brush strokes are energetic, and slightly evocative of the German Expressionist School. Signed in red on lower right and possibly dated '46. Painting measures apprx 23-1/4" x 17-1/4". With mat and wooden frame entire piece measures apprx 30-1/2"W x 24-1/2"H.
	59. Ralston Carlson Thompson (American, 1904-1975) "Rock of Maine". Oil on canvas painting by Ohio-based abstract artist Ralston Thompson depicts a number of abstracted earth-toned rocks. Canvas measures apprx 18" H x 24" W. With frame this painting measures apprx 24" H x 30" W.
	65. Eugene La Foret (Continental/American, 20th Century) Gone Fishing. Oil on canvas. Painting depicts two figures fishing in a calm lake. A cottage with a smoking chimney sits near to the lake shore. Green and orange palette and grey sky give the scene an autumnal feeling. Signed on lower left. Measures apprx 24"H x 36"W. With carved framed entire item measures apprx 29-1/4"H x 41-1/4"W.
	71. Paul Torón (20th Century) Landscape of a Hillside. Oil on canvas, framed. Landscape of trees and distant town executed in soft brush strokes and a bright palette of greens and oranges. Lush scene sits peacefully under a cloud filled sky with foreground veiled in shadow. Signed "Torón" on lower left. Painting measures 16"H x 20"W. Verso has artist's name and date; 1967. With wooden, gold colored frame, entire piece measures apprx 20-1/2"H x 24-1/4"W.
	72. A Walt Disney animation cell from "Fantasia" Baby Pegasus Flying into an Oncoming Storm. A ca. 1940 painting on trimmed celluloid, applied to an airbrushed Courvoisier background. Small circular "WD" cartouche in lower right corner of background. Courvoisier label on the verso with inscription regarding the item given as a prize in 1941. From "Arriving in the Countryside of Elysian Fields at Mount Olympus"; "Pegasus, flies with its family of four colorful baby horses". Image apprx 4-3/4" x 5-7/8", overall with frame apprx 10-1/2" x 14".
	76. Beni E. Kosh (African/American 1917-1993) "Bull Fighter", oil on wood board, estate stamped on verso. A colorful painting with a Cubist style. Board measures apprx 24-1/4"T x 17"W. Born as Charles Elmer Harris in Cleveland Ohio, this largely self-taught artist changed his name in the 1960's, which translates to "Son of Ethiopia". Kosh rarely exhibited or sold his work and was affiliated with the African-American artists' "Sho-nuff Art Group" and the Karamu House and studied under Cleveland Artist Paul Travis. His style is very diverse and he experimented with Cubism, portraiture and abstractions in series. He painted mostly for his own pleasure during his lifetime as an artist and only became recognized days after his death when hundreds of his paintings were rescued from oblivion and sold to an art dealer.
	83. Allen Stone (American, 20th Century) "The Adoration". Oil on canvas, framed. Impressionistic rendition of classical Christian scene. The painting seats the Holy Family at the center of the composition, surrounded by adoring angles. Signed and dedicated on lower right. Measures apprx 36"H x 23"W. With white wooden frame, entire item measures apprx 40-1/2"H x 27"W.
	84. Harvey Klineman (20th Century) "Abstract Grey". Oil on canvas, framed. Abstract design is executed in a field of dark shapes featuring a few bright spots. Shapes and colors are layered and texture varied from thick impasto to softer, blurry areas. Signed on lower left, verso states that painting was created in 1961. Measures apprx 38-1/4"H x 40"W. With simple frame, entire item measures apprx 39-3/4"H x 41-3/4"W.
	91. Artur Vasilevich (Russian, Contemporary) "Still Life with Glass". Oil on canvas, framed. Sumptuous dining scene exectued in near photo realistic detail. Scene skillfully depicts a range of textures such as glass, fruit skins, silver, and tapestry. Background is dark and dramatic. Verso describes painting in Cyrillic with date, 1993. Canvas measures apprx 25-1/2"H x 19-1/2"W. With simple dark wooden frame, entire piece measures apprx 29-1/4"H x 23-1/4"W.
	92. Artur Vasilevich (Russian, Contemporary) "Kiss". Oil on canvas. Modern painting depicts a female figure, seated in a pink dress. Around her swirl abstract shapes and lines in a variety of colors and painterly techniques. Measures apprx 18"H x 24"W. Signed on lower right. Verso bears painting information and date, 1998.
	94. Patton (American, 20th Century) "Ship on a Calm Sea". Oil on canvas by American artist Patton is signed with artist's signature in lower left corner. This painting depicts a full mast ship on a calm body of water. Painting has an overall green tone. Canvas measures apprx 15-1/2" H x 15-1/2" W. Overall size with frame is apprx 20" H x 21" W.
	101. Antoine de Marcenay (French, 1724-1811) Includes two items; 1) a tissue engraving after the original painting by Parocel the Elder. "A Monsieur de Lalive Introducteur des Ambassadeurs". Marcenay signature with 1755 date in plate at right. Paper apprx 10-1/4" x 13-1/4". 2) a small impression, plate number 45 titled L'Etonnement, with the artist's name and date of 1773. Impression measures apprx 2-1/2" x 1-3/4", on wove paper, overall apprx 3-1/2" x 3".
	120. W & H Barraud (English, 1810/11-1850/74) Equestrian portrait. Restrike print with color, framed under glass. Image is after the original painting by brothers, W & H Barraud, "William Long, Huntsman to the Beaufort, on his Grey Hunter Bertha". Depicts an elegant rider, on his large, right-facing white horse accompanied by three beagles and is dedicated to the Duke of Beaufort. Lower edge bear engravers name, Edward Hacker, and title. Paper measures apprx 12-1/4"H x 18-1/4"W, with double mat and frame, entire item measures apprx 27"H x 30"W.
	125. Mary J. Galpin (English, 19th Century) Fortress by a Lake. Watercolor on paper. Well executed evening scene of a stone fortress near a lake. Boats sail in the clam water, as a full white moon begins to emerge from behind pink clouds. Palette is subdued. Signed on lower left. Round painting set into a white mat with a round aperture. Measures apprx 16-1/4" diameter.
	134. Jacques Clement Wagrez (French, 1846-1908) "Drunken Pirates". Gouauche and ink on paper (illustration). Small image displays a band of rowdy pirates. Painting is finely done with details like pipe smoke accented with blue-white. Signed on lower left. Verso has blue stamp reading "The copyright of this subjects is the property of George Barrie & Son Publishers Philadelphia No. 711". Measures apprx 8-1/4"H x 6"W.
	167. Frank Nelson Wilcox (American, 1887-1964) "Seascape". Watercolor on watercolor paper, framed under glass. Painting features a white lighthouse on an inlet. Birds flock over heard and sailboats gather to the right side of the composition. Brush strokes are loose. Signed in graphite on lower left. Measures apprx 15-1/4"H x 20"W. With green mat and red wood frame, entire piece measures apprx 25-1/2"H x 30-1/2"W.
	169. Paul B. Travis (Cleveland School, 1891-1975) "Rendezvous Over India". Watercolor on paper, framed under glass. Modern depictions displays elements of architecture and exotic figures. Orange and yellow seem to burst through out the composition. In 1956, this painting took first prize at the Cleveland Museum of Art May Show. Not signed. Measures apprx 19-1/2"H x 25-1/2"W. With simple wormy chestnut frame entire item measures apprx 28-1/4"H x 34-1/4"W.
	175. Charles Vickery (American, 1913-1997) Proceeds from the sale of this item will be donated to the Lyric Opera, Cleveland. An offset lithograph print, "The Sea Witch", from the original painting by the artist. Published in 1971 by the W. Russell Button Gallery of Chicago, IL. Signed in graphite in lower right margin by the artist and remarqued lower left. Image apprx 27-1/2" x 32-3/4". Overall with white over mat and foamcore backing apprx 34-3/4"H x 40-1/4"W. Originally marketed in the United States through Frost & Reed, Ltd.
	185. Katherine Dorn Cass (Cleveland School, 1901-1971) "Landscape". Watercolor on paper, framed under glass. Loose painting depicts a wide, cloudy sky above a green ground, possibly water. Signed on lower right hand corner. Measures apprx 9-3/4"H x 13-1/2"W. With frame entire item measures apprx 12"H x 16"W.
	193. Lot of Two Watercolors "Grand Canal with Rialto Bridge". Watercolor on paper, matted. Sweet depiction of famous Venetian landmark with gondolas passing beneath. Small painting nicely captures the Italian city's glimmering light. Signed on lower right M. Pagano. Measures apprx 4-1/4"H x 6"W. "New Market Crossing". Watercolor on paper, matted. Scene depicts a railroad crossing next to a small red house. Painting style is quick and modern. Signed and dated on lower right hand corner, John W. Hatch '54. Measures apprx 12-1/4"H x 16"W.
	196. Fred Claude Rodewald (American b. 1923) "Parisian Street Scene". Silkscreen on paper, framed under glass. Cartoonish view depicts daily French life in late 1950's. Among the characters, one can spot a drunk sailor, a woman carrying flowers and a man riding his bicycle on the cobblestone street. Rodewald is best know for his illustrations of "pin-up" beauties. The painting is signed and titled (illegibly) on the bottom. Measures apprx 19"H x 24"W. With mat and black frame, overall measurement is 24-1/2"H x 29-1/2"H.
	203. Kathryn D. Ulrich (American, 20th Century) "Industrial Scene". Watercolor on paper, framed under glass. Modern scene depicts structures and barrels in simple shapes and a subdued palette. Ulrich was a pupil of Cleveland School master, Henry G. Keller. Signed on lower right. Paper measures apprx 18-1/2"H x 22-1/2"W. Verso bears information that this painting was shown in a Cleveland Museum of Art May Show. With wooden frame, entire item measures apprx 20-1/2"H x 24-1/2"W.
	277. A Berlin China Cabinet, circa late 1920's Four doors with two glass shelves, original key with tassle, French cabriole legs. Overall yellow paint with hand painting of bird, flower and cherry. A carved scallop shell crest and details picked in gilt. Interior lined with medium green velvet. Verso has metal tag on back from "Hess & Rom, Mobelfabrik, Berlin". Apprx 77"H x 56-1/2"W x 15"D. This item may be previewed at Sanctuary Antiques.
	278. A Monumental Painting of Hannibal Barca ( circa 247-183 BC) "Hannibal Crossing the Alps", oil on canvas of the famous General of Carthage who crossed the Alps with his elephants to fight the Romans, circa 218 B.C. Signed lower right "G. Patricci" and dated after an original in 1729, this is a 20th Century copy. Apprx 7'1"T x 5'2"W, in a gold frame. Rescued from a demolition of a theatre in Antwerp. This item may be previewed at Sanctuary Antiques.
	426. A French Faience Plate, circa 1877 Artist signed on bottom by "Lucia" and location in France of "Blancheville 1877", along with date. Scalloped edge and deep well, painting of two fairies capping the flowers for nightfall. One is adult with wings on forehaed and star over-head, the other is cherubic with wings; beautiful detail of foreground tree. Apprx 9"D.
	427. A Second French Faience Plate, circa 1877 Artist signed on bottom by "Marthe" and location in France of "Blancheville 1877", along with date. Scalloped edge and deep well, painting of a maiden suprizing a young boy whilst studying, dropping his books to the ground. Apprx 9"D.
	455. A Vienna Decorated Vase, circa late 19th Century A large hand painted urn in a bronze ormolu mounting. Front of vase features a round painting of two adults finding a sleeping cupid in very colorful polychrome enamels. Verso has a smaller rondel with Cupid and arrow. Both scenes are surround by raised dot work and robin's egg blue borders which extend throughout the body of vase. Sides have two marquis shaped vignettes of standing cranes in gilt on a lapis blue background. Overall background color is a dark rose/cranberry. Gilt fern heads and swags decorate borders. Bronze tripod base is little gilt left, however very nice with shell and scroll motif. Upper bronze "crown" at rim has lovely open work, also missing much of the original gilt detail. Apprx 11-1/4"T overall. Verso stamped "231", "C" and over glaze blue beehive mark.
	458. A Limoges Tankard, circa early 20th Century Hand painted, William Guerin & Company, Limoges, France. Unsigned, painting of grapes on the vine with gold linear accents on rim and Art Nouveau style handle. Apprx 6"T. Bottom has blue and green manufacturer's stamps.
	542. Book of The Koran, circa 19th Century A leather book, apprx 6-1/4" x 4-1/4" overall. Interior is decorated with Persian script, decorations in margins and a two page painting of the city of Mecca. Towards the back as the writing skill improves, another page is decorated with gold and pigment and mihrabs.
	553. A Lot of Three Art Reference Books Lot includes: 1) Thomas, Marcel. The Golden Age: Manuscript Painting at the Time of Jean, Duke of Berry. New York: George Brazller. 1979. 119 pp. Soft cover. 2) Clark, Kenneth. Piero Della Francesca. London: Phaidon Press. 1951. 212 pp. B/w ill and col plates. Hard-backed. Bound in red cloth with gilt lettering and dust jacket. 3) Goldscheider, Ludwig. Michelangelo: Pittura, Scultura, Architettura. London: Phaidon Press. 1953. 227 pp. Bound in grey cloth with brown writing and dust jacket.
	554. Lot of Three Reference Books on Art Lot includes: 1) Bousquet, Jacques. Mannerism: The Painting and Style of the Late Renaissance. New York: Braziller. 347 pp. B/w ill and col plates. Hard-backed. Bound with blue fabric with brown lettering and dust jacket. 2) Clayton, Martin. Poussin: Works on Paper: Drawings from the Collection of her Majesty Queen Elizabeth II. Houston: The Museum of Fine Arts. 1995. 208 pp. B/w and col ill. Soft- backed. 3) Woodward, John. Tudor and Stuart Drawings. London: Faber and Faber. 1951. 57 pp with 64 b/w pl. Bound with brown fabric and dust jacket.
	14. Naive Rondel, Anglo-Irish, circa 18th Century Oil on milk glass, framed under original rolled glass in a circular brown velvet frame. Simple image of a town depicts a village church with people walking nearby. Flat painting style could be described as "naive" or self-taught; with very good attention to small details of the scene. Round, white glass on which the painting is done is concave to give the illusion of depth. No signature found. Frame is moss green velvet that has faded to brown. Painting measures apprx 13-1/4" diameter, with frame, apprx 19" diameter.
	16. Mariano José Maria Bernardo Fortuny y Carbó (Spanish/Italian, 1838-1874) Study for "The Hindu Snake Charmer". Oil on canvas, not signed and attributed, not framed. This fairly completed painting appears to be done as a working study for the masterpiece of 1869. Interestingly, the canvas has a seam running across the top from edge to edge; the artist probably used a piece of cloth that was available in order to work through changes he wished to make in the finished piece. The finished piece is in the Walter's Art Gallery in Baltimore. Another version of this subject is found in the Hermitage in Leningrad. (Reference: page 141 of Les Orientalistes de e'cecole Italianne by Caroline Juler; the painting in Baltimore). Measures apprx 10-1/2"H x 24-3/4"W.
	19. Unknown Artist (Continental, late 19th Century) Three cherubs. Oil on canvas, framed. Rococco themed painting depicts three sweet putti with curly hair and small wings. In a cloudy setting, they play with flowers that they appear to be casting down to a mortal world. Canvas measures apprx 20"H x 23-1/2"W. With gold twist and red painted wood frame, entire item measures apprx 26-1/4" x30-1/4".
	27. Unknown Artist, Continental School, Late 19th Century "Moses". Dramatic painting on canvas, framed, depicts a majestic Moses. Two rays of light beam from his head as a sign of God's favor. He wears a red cloak and his iconic long beard. Fine brush strokes and baroque palette. Signed illegibly on lower right. Stretched on original four key, bracket structure. Verso has two export wax seals. Measures apprx 24" H x 19-1/4"W. With simple frame, entire item measures apprx 27"H x 22-1/2" W.
	29. Edward MacGregor (American, active 1853-1872) Historical Painting. Oil on canvas, painted after an engraving. Verso describes subject of painting as "Drake playing bowls on the sea front before going to set sail to fight the arriving Spanish Armada". Costumes are highly detailed and subject matter is amusing. Signed on lower left hand corner. Verso has artist information and states the painting was shown in an exhibit for the Maryland Historical Society, in 1856. Measures apprx 13"H x 17"W. With gold colored liner and carved wood frame, entire item measures apprx 17-1/2"H x 21"W.
	32. Adrien Lambert Jean De Witte (Belgian, 1850-1935) "Portrait of a Young Woman". Oil on canvas. Framed, apprx 19.5" x 26.5" image size. Painting depicts a woman seated with her fingers interlaced. The sitter wears simple brown and back clothes and a strand of coral beads. The background is ocher. Signed and dated, 22 September 1884, lower right margin.
	34. Jessie Barrows Jones (American, 1865-1944) Portrait of a Woman Crocheting. Oil on board, framed under glass. Painting is executed in a soft palette. Tender depiction shows an elderly woman in profile, intent on her craft. Signed on lower right and dated 1914. Measures apprx 14-1/4"H x 12-1/4"W. Framed with broad wooden frame with gold fillet. With frame, entire item measures apprx 21-1/2"H x 19-1/2"W.
	36. Sigurd Skou (American, 1878-1929) "Alone at the Beach". Oil on board, signed lower right. Scene depicts a female figure picnicking at the beach under the shade of an umbrella and a slender tree. Painting done with palette knife so some areas are thick and others thin in pigment application. Painting apprx 13"H x 16"W. Overall with frame apprx 22"H x 25"W.
	41. Painting in the Dutch Style, circa 19th Century Country landscape. Oil on masonite, framed. Tranquil scene depicts a rustic farm with a small cottage off to the left side and cows in the distance. Two small figures appear to be engaged in their daily chores. Painting style is precise and detailed. Verso has red and white Cleveland Museum tag with a number of TR 12426/14. The record shows that the painting came into the museum in March of 1960 from the estate of Charles W. Williams and left in June of the same year. Measures apprx 18-1/2"H x 25"W. With painted gold, carved frame, entire item measures 21"H x 23-1/4"W.
	43. Unknown Artist (Continental School, late 19th/ early 20th Century) Formal Portrait of a Nobleman. Oil on canvas, framed. Painting depicts a finely dressed man with a large black hat and a red jacket. Probably a copy of another painting. Measures apprx 20-14"H x 16"W. With carved wood frame, entire item measures apprx 27"H x 23"W.
	44. C. Kulow (Continental, early 20th Century) Village Path. Oil on Canvas. Rustic scene depicts a dirt road running between country cottages with thatched roofs. Painting has Dutch feeling in style and palette. Signed, "C. Kulow 02", on lower right. Measures apprx 17-1/2"H x 14-1/4"'W.
	52. Laszlo Neogrady (Hungarian, 1900-1962) "Winter Lanscape". Oil on canvas, signed lower left, framed. A photorealistic painting of an evening winter with a stream running through the landscape. Image apprx 23-1/2" x 35-1/2". Overall with period frame apprx 31" x 42-1/2".
	53. Unknown Artist (Continental, early 20th Century) View of Town. Oil on coarse canvas. Painting is executed in a flat, soft palette and shows a peaceful village with red tiled roofs and twin spires of a church rising up "Broader" (?). Measures 19-1/4" x 23-3/4". With gold colored frame 22-1/2" x 27-1/4".
	54. L. Gray (American, early 20th Century) "Country Roads". Oil on board, framed. Soft painting depicts diverging paths, one leading to a red farm house; the other, lined with leafy trees, leads off into the distance. Signed on lower right. Measures apprx 11-1/2"H x 15". With gold colored frame, entire item measures apprx 18"H x 22"W.
	55. Felice Giordano (Italian, 1880-1964) "Fishing Village". Oil on canvas. Large painting shows a poor fishing village nestled amid shore rocks next to a clear blue sea. A line of row boats can be seen near the left side of this balanced composition. Nicely painted. Signed on lower right corner. Measures apprx 31-1/2"H x 47"W. Verso has sticker from Florence Art Gallery. With decorative frame with artist name plate, entire item measures apprx 41"H x 56"W .
	57. After John Steuart Curry (American, 1897-1946) "Stallion And Jack Fighting". 20th Century oil on stretched panel, framed, signed illegibly lower right corner "R. S....". Image depicts a fierce black stallion biting the neck of a frightened white horse in an ominous setting. Both horses rear up as the nighttime background swirls around them. Palette and brush strokes are energetic, and slightly evocative of the German Expressionist School. Signed in red on lower right and possibly dated '46. Painting measures apprx 23-1/4" x 17-1/4". With mat and wooden frame entire piece measures apprx 30-1/2"W x 24-1/2"H.
	59. Ralston Carlson Thompson (American, 1904-1975) "Rock of Maine". Oil on canvas painting by Ohio-based abstract artist Ralston Thompson depicts a number of abstracted earth-toned rocks. Canvas measures apprx 18" H x 24" W. With frame this painting measures apprx 24" H x 30" W.
	65. Eugene La Foret (Continental/American, 20th Century) Gone Fishing. Oil on canvas. Painting depicts two figures fishing in a calm lake. A cottage with a smoking chimney sits near to the lake shore. Green and orange palette and grey sky give the scene an autumnal feeling. Signed on lower left. Measures apprx 24"H x 36"W. With carved framed entire item measures apprx 29-1/4"H x 41-1/4"W.
	71. Paul Torón (20th Century) Landscape of a Hillside. Oil on canvas, framed. Landscape of trees and distant town executed in soft brush strokes and a bright palette of greens and oranges. Lush scene sits peacefully under a cloud filled sky with foreground veiled in shadow. Signed "Torón" on lower left. Painting measures 16"H x 20"W. Verso has artist's name and date; 1967. With wooden, gold colored frame, entire piece measures apprx 20-1/2"H x 24-1/4"W.
	72. A Walt Disney animation cell from "Fantasia" Baby Pegasus Flying into an Oncoming Storm. A ca. 1940 painting on trimmed celluloid, applied to an airbrushed Courvoisier background. Small circular "WD" cartouche in lower right corner of background. Courvoisier label on the verso with inscription regarding the item given as a prize in 1941. From "Arriving in the Countryside of Elysian Fields at Mount Olympus"; "Pegasus, flies with its family of four colorful baby horses". Image apprx 4-3/4" x 5-7/8", overall with frame apprx 10-1/2" x 14".
	83. Allen Stone (American, 20th Century) "The Adoration". Oil on canvas, framed. Impressionistic rendition of classical Christian scene. The painting seats the Holy Family at the center of the composition, surrounded by adoring angles. Signed and dedicated on lower right. Measures apprx 36"H x 23"W. With white wooden frame, entire item measures apprx 40-1/2"H x 27"W.
	84. Harvey Klineman (20th Century) "Abstract Grey". Oil on canvas, framed. Abstract design is executed in a field of dark shapes featuring a few bright spots. Shapes and colors are layered and texture varied from thick impasto to softer, blurry areas. Signed on lower left, verso states that painting was created in 1961. Measures apprx 38-1/4"H x 40"W. With simple frame, entire item measures apprx 39-3/4"H x 41-3/4"W.
	91. Artur Vasilevich (Russian, Contemporary) "Still Life with Glass". Oil on canvas, framed. Sumptuous dining scene exectued in near photo realistic detail. Scene skillfully depicts a range of textures such as glass, fruit skins, silver, and tapestry. Background is dark and dramatic. Verso describes painting in Cyrillic with date, 1993. Canvas measures apprx 25-1/2"H x 19-1/2"W. With simple dark wooden frame, entire piece measures apprx 29-1/4"H x 23-1/4"W.
	92. Artur Vasilevich (Russian, Contemporary) "Kiss". Oil on canvas. Modern painting depicts a female figure, seated in a pink dress. Around her swirl abstract shapes and lines in a variety of colors and painterly techniques. Measures apprx 18"H x 24"W. Signed on lower right. Verso bears painting information and date, 1998.
	93. Artur Vasilevich (Russian, Contemporary) "Nature Morte". Oil on canvas. Visceral still life in a Dutch manor, is executed in precise strokes to reveal the tiny details of the table setting. The painters skill is shown off in his wide variety of textures and materials. One can see a seashell, raspberries, a walnut, cherries and luxurious items made of glass, metal and fabric against the dark back ground. Signed on table near right side. Measures apprx 25"H x 19"W. On verso is painting information, written in Cyrillic, and date 1993.
	94. Patton (American, 20th Century) "Ship on a Calm Sea". Oil on canvas by American artist Patton is signed with artist's signature in lower left corner. This painting depicts a full mast ship on a calm body of water. Painting has an overall green tone. Canvas measures apprx 15-1/2" H x 15-1/2" W. Overall size with frame is apprx 20" H x 21" W.
	101. Antoine de Marcenay (French, 1724-1811) Includes two items; 1) a tissue engraving after the original painting by Parocel the Elder. "A Monsieur de Lalive Introducteur des Ambassadeurs". Marcenay signature with 1755 date in plate at right. Paper apprx 10-1/4" x 13-1/4". 2) a small impression, plate number 45 titled L'Etonnement, with the artist's name and date of 1773. Impression measures apprx 2-1/2" x 1-3/4", on wove paper, overall apprx 3-1/2" x 3".
	120. W & H Barraud (English, 1810/11-1850/74) Equestrian portrait. Restrike print with color, framed under glass. Image is after the original painting by brothers, W & H Barraud, "William Long, Huntsman to the Beaufort, on his Grey Hunter Bertha". Depicts an elegant rider, on his large, right-facing white horse accompanied by three beagles and is dedicated to the Duke of Beaufort. Lower edge bear engravers name, Edward Hacker, and title. Paper measures apprx 12-1/4"H x 18-1/4"W, with double mat and frame, entire item measures apprx 27"H x 30"W.
	125. Mary J. Galpin (English, 19th Century) Fortress by a Lake. Watercolor on paper. Well executed evening scene of a stone fortress near a lake. Boats sail in the clam water, as a full white moon begins to emerge from behind pink clouds. Palette is subdued. Signed on lower left. Round painting set into a white mat with a round aperture. Measures apprx 16-1/4" diameter.
	134. Jacques Clement Wagrez (French, 1846-1908) "Drunken Pirates". Gouauche and ink on paper (illustration). Small image displays a band of rowdy pirates. Painting is finely done with details like pipe smoke accented with blue-white. Signed on lower left. Verso has blue stamp reading "The copyright of this subjects is the property of George Barrie & Son Publishers Philadelphia No. 711". Measures apprx 8-1/4"H x 6"W.
	167. Frank Nelson Wilcox (American, 1887-1964) "Seascape". Watercolor on watercolor paper, framed under glass. Painting features a white lighthouse on an inlet. Birds flock over heard and sailboats gather to the right side of the composition. Brush strokes are loose. Signed in graphite on lower left. Measures apprx 15-1/4"H x 20"W. With green mat and red wood frame, entire piece measures apprx 25-1/2"H x 30-1/2"W.
	169. Paul B. Travis (Cleveland School, 1891-1975) "Rendezvous Over India". Watercolor on paper, framed under glass. Modern depictions displays elements of architecture and exotic figures. Orange and yellow seem to burst through out the composition. In 1956, this painting took first prize at the Cleveland Museum of Art May Show. Not signed. Measures apprx 19-1/2"H x 25-1/2"W. With simple wormy chestnut frame entire item measures apprx 28-1/4"H x 34-1/4"W.
	175. Charles Vickery (American, 1913-1997) Proceeds from the sale of this item will be donated to the Lyric Opera, Cleveland. An offset lithograph print, "The Sea Witch", from the original painting by the artist. Published in 1971 by the W. Russell Button Gallery of Chicago, IL. Signed in graphite in lower right margin by the artist and remarqued lower left. Image apprx 27-1/2" x 32-3/4". Overall with white over mat and foamcore backing apprx 34-3/4"H x 40-1/4"W. Originally marketed in the United States through Frost & Reed, Ltd.
	185. Katherine Dorn Cass (Cleveland School, 1901-1971) "Landscape". Watercolor on paper, framed under glass. Loose painting depicts a wide, cloudy sky above a green ground, possibly water. Signed on lower right hand corner. Measures apprx 9-3/4"H x 13-1/2"W. With frame entire item measures apprx 12"H x 16"W.
	193. Lot of Two Watercolors "Grand Canal with Rialto Bridge". Watercolor on paper, matted. Sweet depiction of famous Venetian landmark with gondolas passing beneath. Small painting nicely captures the Italian city's glimmering light. Signed on lower right M. Pagano. Measures apprx 4-1/4"H x 6"W. "New Market Crossing". Watercolor on paper, matted. Scene depicts a railroad crossing next to a small red house. Painting style is quick and modern. Signed and dated on lower right hand corner, John W. Hatch '54. Measures apprx 12-1/4"H x 16"W.
	196. Fred Claude Rodewald (American b. 1923) "Parisian Street Scene". Silkscreen on paper, framed under glass. Cartoonish view depicts daily French life in late 1950's. Among the characters, one can spot a drunk sailor, a woman carrying flowers and a man riding his bicycle on the cobblestone street. Rodewald is best know for his illustrations of "pin-up" beauties. The painting is signed and titled (illegibly) on the bottom. Measures apprx 19"H x 24"W. With mat and black frame, overall measurement is 24-1/2"H x 29-1/2"H.
	203. Kathryn D. Ulrich (American, 20th Century) "Industrial Scene". Watercolor on paper, framed under glass. Modern scene depicts structures and barrels in simple shapes and a subdued palette. Ulrich was a pupil of Cleveland School master, Henry G. Keller. Signed on lower right. Paper measures apprx 18-1/2"H x 22-1/2"W. Verso bears information that this painting was shown in a Cleveland Museum of Art May Show. With wooden frame, entire item measures apprx 20-1/2"H x 24-1/2"W.
	277. A Berlin China Cabinet, circa late 1920's Four doors with two glass shelves, original key with tassle, French cabriole legs. Overall yellow paint with hand painting of bird, flower and cherry. A carved scallop shell crest and details picked in gilt. Interior lined with medium green velvet. Verso has metal tag on back from "Hess & Rom, Mobelfabrik, Berlin". Apprx 77"H x 56-1/2"W x 15"D. This item may be previewed at Sanctuary Antiques.
	278. A Monumental Painting of Hannibal Barca ( circa 247-183 BC) "Hannibal Crossing the Alps", oil on canvas of the famous General of Carthage who crossed the Alps with his elephants to fight the Romans, circa 218 B.C. Signed lower right "G. Patricci" and dated after an original in 1729, this is a 20th Century copy. Apprx 7'1"T x 5'2"W, in a gold frame. Rescued from a demolition of a theatre in Antwerp. This item may be previewed at Sanctuary Antiques.
	426. A French Faience Plate, circa 1877 Artist signed on bottom by "Lucia" and location in France of "Blancheville 1877", along with date. Scalloped edge and deep well, painting of two fairies capping the flowers for nightfall. One is adult with wings on forehaed and star over-head, the other is cherubic with wings; beautiful detail of foreground tree. Apprx 9"D.
	427. A Second French Faience Plate, circa 1877 Artist signed on bottom by "Marthe" and location in France of "Blancheville 1877", along with date. Scalloped edge and deep well, painting of a maiden suprizing a young boy whilst studying, dropping his books to the ground. Apprx 9"D.
	455. A Vienna Decorated Vase, circa late 19th Century A large hand painted urn in a bronze ormolu mounting. Front of vase features a round painting of two adults finding a sleeping cupid in very colorful polychrome enamels. Verso has a smaller rondel with Cupid and arrow. Both scenes are surround by raised dot work and robin's egg blue borders which extend throughout the body of vase. Sides have two marquis shaped vignettes of standing cranes in gilt on a lapis blue background. Overall background color is a dark rose/cranberry. Gilt fern heads and swags decorate borders. Bronze tripod base is little gilt left, however very nice with shell and scroll motif. Upper bronze "crown" at rim has lovely open work, also missing much of the original gilt detail. Apprx 11-1/4"T overall. Verso stamped "231", "C" and over glaze blue beehive mark.
	458. A Limoges Tankard, circa early 20th Century Hand painted, William Guerin & Company, Limoges, France. Unsigned, painting of grapes on the vine with gold linear accents on rim and Art Nouveau style handle. Apprx 6"T. Bottom has blue and green manufacturer's stamps.
	542. Book of The Koran, circa 19th Century A leather book, apprx 6-1/4" x 4-1/4" overall. Interior is decorated with Persian script, decorations in margins and a two page painting of the city of Mecca. Towards the back as the writing skill improves, another page is decorated with gold and pigment and mihrabs.
	553. A Lot of Three Art Reference Books Lot includes: 1) Thomas, Marcel. The Golden Age: Manuscript Painting at the Time of Jean, Duke of Berry. New York: George Brazller. 1979. 119 pp. Soft cover. 2) Clark, Kenneth. Piero Della Francesca. London: Phaidon Press. 1951. 212 pp. B/w ill and col plates. Hard-backed. Bound in red cloth with gilt lettering and dust jacket. 3) Goldscheider, Ludwig. Michelangelo: Pittura, Scultura, Architettura. London: Phaidon Press. 1953. 227 pp. Bound in grey cloth with brown writing and dust jacket.
	554. Lot of Three Reference Books on Art Lot includes: 1) Bousquet, Jacques. Mannerism: The Painting and Style of the Late Renaissance. New York: Braziller. 347 pp. B/w ill and col plates. Hard-backed. Bound with blue fabric with brown lettering and dust jacket. 2) Clayton, Martin. Poussin: Works on Paper: Drawings from the Collection of her Majesty Queen Elizabeth II. Houston: The Museum of Fine Arts. 1995. 208 pp. B/w and col ill. Soft- backed. 3) Woodward, John. Tudor and Stuart Drawings. London: Faber and Faber. 1951. 57 pp with 64 b/w pl. Bound with brown fabric and dust jacket.
	23. Follower of Guido Reni (Italian 1575-1642) "St. Peter In Tears", oil on canvas. Ex-collection of the Archbishop Edward Hoban, Bishop of Cleveland. Accompanying the painting is paperwork from Hammer Galleries in New York, as they evaluated this painting for the Archbishop. Sticker on verso (# TR 16300/31.1) from the Cleveland Museum of Art, where this painting had been restored in 1977. Back of stretcher inscribed in pen "A. L. Patton", possibly the restorer. Canvas measures apprx 21" x 25".
	25. Panel Portrait of a Pope Julius II della Rovere, C. 17th Century Oil on wood panel with older cradle carriage, after Raphael's original portrait of the pope shortly before he died in 1512-13. He wears a red mantle; after the middle of the sixteenth century popes abandoned it almost entirely in favor of the white habit they wear today. One hand is finely rendered and is adorned with several jeweled rings. The other hand is oddly executed and adorned with jeweled rings as well. Unsigned. Panel measures apprx 31" x 43". Framed, this painting measures apprx 48" x 37". This painting has been in a private collection in Cleveland for over 15 years.
	26. After Jose de Ribera, C. 18th Century Oil on canvas painting of a saint, painted in the manner of Jose de Ribera. Ribera was a well known Spanish painter who spent most of his career in Italy. Bearded saint has his hands clasped in prayer and his gaze is directed upwards. A wooden staff is visible. The letters "CH RI TAS" have been painted in a glowing halo in the upper left corner. Unsigned. Decorative cast plaster and wooden frame features gilded and hand-painted vines and berries throughout. Canvas measures apprx 23" x 18". Framed, this painting measures apprx 30" x 25". From the estate of a Countess Michaela Almeida of Austria, from Moondsee, Austria.
	27. 18th Century Spanish School John the Baptist Beheaded. Oil on canvas. John the Baptist was imprisoned and later beheaded by King Herod. His head was brought to a vengeful Herodias, who was said to stab the tongue with her dagger. In this painting John's face has a deathly pallor. A dagger is visible beneath the neck as well as blood. Canvas measures apprx 25" x 20". Framed, this painting measures apprx 31" x 27". Unsigned. From the estate of a Countess Michaela Almeida of Austria, from Moondsee, Austria.
	30. Unknown Artist, English, C. Mid-1800's Two oil on tin paintings show different scenes of a horse and his groom. In the first painting the groom sits in the stable and appears to be fixing the bridle. White horse has his back turned towards the viewer. Initialed "E.R." in right margin. Second painting depicts the same horse without bridle. The rider is sprawled out on the stable floor. He appears to be in a deep sleep. Signed with intials. Both paintings measure apprx 8" x 6-3/4". Framed, these pieces measure apprx 10" x 9-1/2".
	35. Ripa, (c. Early 20th Century) "Roman Ruins", oil on canvas depicts a scene of ruins against a blue sky filled with large white clouds. Signed "Ripa" in lower right corner. Canvas measures apprx 37" x 24". Framed, this painting measures apprx 44" x 32".
	39. Henry Howard Bagg (American, 1853-1928) An oil on canvas landscape with mountains in the background reflecting on a lake in the foreground. It is in shades of muted browns, greens and some muted pinks. Painting features a wooden frame and canvas measures apprx 19-1/2" x 29-1/4" and 27-1/2" x 37-1/4" overall. It is signed in the lower right "HH Bagg" and dates c. 1920's.
	40. Casper, Late 19th/Early 20th Century Oil on board landscape, painting is signed "Casper" in the lower left corner. This painting is similar to those of the Hudson River School. This scene depicts a snow-capped mountain in the background and a grove of trees along a river embankment in the foreground. Board measures apprx 14" x 21-1/2." Framed, this painting measures apprx 17-1/2" x 25-1/".
	43. F. Abraham, Late 19th/Early 20th Century Oil on canvas painting features a dark haired Gypsy girl with a red and white blouse and coin jewelry. Signed in lower right corner. Canvas measures apprx 13" x 10-1/2". Framed, this painting measures apprx 16" x 13".
	45. Michele (Cavaliere) Federico (Italian, 1884-1966) "Sunset Afternoon, Capri". Oil on canvas. This painting depicts a warm sunset. White capped waves crash against tall rock formations. Signed Michelle Federico in lower right corner and title is signed in lower left corner. Measures apprx 18" x 25". Overall with frame, this piece measures apprx 26" x 32". Provenance: Euroart Gallery 22, Chicago, Il.
	47. Anna Fell Rothstein (American, b. 1890) Harbor scene by naive artist Anna Fell Rothstein. This scene depicts piers and houses against a mountainous background. Thick impasto of paint in bright shades of green and blue is inherent to this painting. Signed "Anna Fell Rothstein" in lower left corner. Oil on board image measures apprx 27" x 41-1/2". Framed, the painting measures apprx 31" x 45". Painting features a green wood frame with some remnants of gold paint. Other works by Rothstein have been exhibited at the Butler Institute of American Art in Youngstown, Ohio.
	50. Wilton McCoy (American, 1902-1986) Oil on board, signed Wilton McCoy in lower left corner. This painting features a desert landscape with smoky mountains and sandy plains. McCoy is best known for his landscapes of the trees and desert around his home in Yucca Valley. McCoy was born in Kansas and is known as a "California School Painter". He moved to the Palm Springs area where he taught art at The Desert Art Center. Measures apprx 17-1/2" x 23-1/2".
	52. Christopher J. Guise, C. 20th Century This nautical themed oil on board painting by Christopher J. Guise features a ship sailing across an ocean of white-capped waves. The ship, entitled "Waterwitch" bears a British flag. Signed "C. J. Guise" in lower right corner. Tag on verso of painting has been partially torn away. Board measures apprx 8-1/4" x 10". Framed this painting measures apprx 12" x 14".
	53. Alexander Dzigurski (American, 1911-1995) A. Dzigurski is most well-known for his paintings of the Rocky Mountains, Grand Tetons, Glacier National Park and the New England coast. Dzigurski started out his career in Yugoslavia by decorating the interior of churches. His work is exhibited throughout the world. This painting depicts a coastal seascape at sunset. Signed "A. Dzigurski" in lower right hand corner. Canvas measures apprx 25" x 36". Framed, this painting measures apprx 31" x 43-1/2". Plaque on painting identifies this piece as "Sunlit Scene". Verso has tag from Findlay Galleries, in Chicago.
	54. Pedro Olayo (Portuegese, b.1930) "Harbor Scene with Boats" Oil on board. Olayo is known throughout Europe for his agressive use of paint and palette knife work; this piece is typical of his style. His work has been exhibited in the United States, Rio de Janeiro, Venezuela, Mexico, Spain, France and Luxembourg. Signed in lower left corner. Board measures apprx 17" x 21-1/2". Framed, the piece measures apprx 20-1/4" x 24-1/2". Verso of painting has identification tag with the artist's name, "Pedro Olayo (Filno)."
	60. Kae Dorn Cass (American, 1901-1971) Cleveland School artist Kae Dorn Cass is most well-known for her portraits and still life compositions. Previously an instructor at the Cleveland Institute of Art and Cleveland Museum of Art May Show exhibitor, Cass is known for her use of bright colors and simplified shapes. This painting, simply entitled "Still Life" features abstracted forms in vibrant shades of orange, green, blue, red and yellow. Oil on board. Board measures apprx 26-1/2" x 18-1/2". Framed, this painting measures apprx 32" x 23-1/2". Signed "Kae Dorn Cass" in lower right corner.
	61. Dorothy Rutka Porter (American, 20th Century) Cleveland based Rutka has exhibited in numerous Cleveland Museum of Art May Shows and is also listed in the "Who's Who of American Art." This abstract oil on board painting is notable for its vigorous paint application and vivid coloring of orange, yellow black and blue. Oil on board, measures apprx 20" x 16". Framed, this piece measures apprx 25-1/2" x 22". Signed "Rutka" in lower left corner.
	62. Martin Camin (German c.1927) Oil on canvas painting by German artist Martin Camin is entitled "Modern Figure of a Young Shepherd Boy". This painting has a semi-cubist style. The colors are muted shades of beige and green with accents of black, blue and yellow. Canvas measures apprx 24" x 36". Framed this piece measures apprx 32" x 44". Signed in lower right corner.
	63. Karol Koszeghy (Hungarian, c.1930) Large-scale painting features a young lady sitting in an interior scene. Koszeghy studied at the Hungarian Academy of Art in Budapest. This young lady has blonde hair pinned up and adorned with two yellow roses. She wears an embroidered jacket and royal blue skirt. In one hand she holds a ripe, red apple. Signed in the lower right corner. Oil on canvas. Canvas measures apprx 24" x 30". Framed, this painting measures apprx 32" x 38".
	65. Unknown Artist An oil on canvas in muted colors depicting a landscape with a river running through a woodland with a small boat in the foreground and a bridge across the river. Canvas measures apprx 36" x 49". Overall, framed, this painting measures apprx 46-3/4" x 60" framed.
	66. DuBois (French, 20th Century) Springtime Landscape. Oil on canvas. Scene features a river lined with blossoming trees. A young lady in a pastel dress carries a basket of flowers on one arm. Signed DuBois in the lower right corner. Canvas measures apprx 24" x 36". Framed, this painting measures apprx 41" x 29-1/2". This painting is notable for its Impressionistic depiction of the landscape.
	67. G. Sara (Italian, c.1964) Oil on canvas barnyard scene by Italian painter G. Sara. This painting is dated 1964. The soft glow of the setting sun illuminates a pastoral scene in which a shepherd leads his flock back to the barn. Canvas measures apprx 24" x 36". Framed, this painting measures apprx 40" x 29". Signed "G. Sara, 1964, Roma".
	68. Larry Elliott(American, Contemporary) This detailed painting by Wisconsin-based artist Larry Elliott is an homage to childhood. Entitled "Rabbits, Elliot combines several images of bunnies, one chocolate, one from Albrecht Durer's illustrations and one well-loved stuffed bunny with the figures of Dorothy and Toto from the classic children's movie, "The Wizard of Oz". These items are strewn about a grassy background. Signed "Elliott" in a banner on the right side. Oil on panel. Panel measures apprx 14" x 11". Framed this painting measures apprx 18-1/2" x 16". Verso of painting has two gallery tags, one from Campanile Galleries in Chicago and one from R. H. Love Galleries in Chicago.
	69. Beatrice Davis (American, 20th Century) Oil on canvas painting by American artist Beatrice Davis features a still life of a rag doll and toys. Signed Beatrice Davis in lower right hand corner. Canvas measures apprx 28" x 23". Framed this painting measures apprx 32" x 27". Verso of frame has tag from Guenther's Galleries, Cleveland, Ohio.
	73. Richard Andres (American, 20th Century) A graduate of the Cleveland Institute of Art in 1950, Andres exhibited in several Cleveland Museum of Art May Shows and garnered many awards. This abstract black and white painting is signed in the lower right corner. Measures 28" x 42".
	80. Eric Kunde (American, b. 1969) "Open", oil on canvas, signed on verso. A photo-realistic painting of orchids on a branch in bloom. Wonderful gradation of pigments, his application is likened to Alex Katz. Kunde has exhibited throughout the Eastern United States at many esteemed galleries. Unframed, canvas is apprx 40" x 50".
	81. Steven Gauley (Canadian, b. 1953) "Wired Cloud" by Canadian artist Steven Gauley, acrylic on canvas. Simple, flat wooden frame. Canvas signed and dated on verso. Canvas measures apprx 37" x 60". This painting is abstract and depicts black oval shapes bisected by straight lines. These lines are reminiscent of barbed wire. Floating between the lines is a fluffy pink/white cloud. The background is a somber gray with blue accents. Dated 1983.
	83. Zigmund Padarewsky (Contemporary, Poland) Contemporary landscape. Oil on board painting is unsigned on front, but identification of artist is located on verso. This painting features a simple orange building, possibly a factory, against a greyish-green background. Several dark objects on stilts are scattered throughout the foreground. Painting measures apprx 21-1/2" x 17-1/2". Painting has a modern wood frame. Overall measures apprx 29-1/2" x 25".
	85. Alexander Pogrebinsky (Ukranian/American, 20th Century) Oil on canvas landscape scene features teardrop shaped trees and sandy dunes. Thick glaze applied to give a white-speckled finish. Signed in lower right corner. A somewhat impressionistic style painting with muted tones of yellows and beige. Canvas measures apprx 32" x 42". Overall measures apprx 36" x 45".
	102. Engraving after Poussin's "The Rescue of Pyrrhus" Engraving by G. Chaseteau depicts Poussin's "The Rescue of Pyrrhus". The original oil painting is dated 1634 and is located in the Louvre in Paris. French text at the bottom describes the heroic rescue. This engraving is dated 1676. Text is repeated on the right side in latin. Measures apprx 17" x 20".
	119. Hand-Colored Engraving from "Les Loges de Raphael" Hand-colored engraving from plate XIII of "Les Loges de Raphael, Nouvelle Edition." Crease in center from folding. This image depicts sections of architecture and painting within the papal palace, the Vatican. Plate size is apprx 25" x 23". Overall size with mat is apprx 34" x 29-1/2". Entitled "Discumbentibus et edentibus discipulis dixit Jesus unus ex Vobis me proditurus eft. Marc. C. XIV." Sculpted by Johan Ottaviani. Hand-colored with a lovely, rich 19th Century pigment, probably watercolor. From the estate of a Countess Michaela Almeida of Austria, from Moondsee, Austria.
	120. A Second Hand-Colored Engraving from "Les Loges de Raphael" Hand-colored engraving from Num. I of "Les Loges de Raphael, Nouvelle Edition." Crease in center from folding. This image depicts sections of architecture and painting within the papal palace, the Vatican. Plate size is apprx 25" x 23". Overall size with mat is apprx 34" x 29-1/2". Entitled "Divisit lucem a Tenebris, appellavitq, lucem diem, et tenebras noctem, Genes cap. I." Sculpted by Johan Ottaviani. Hand-colored with a lovely, rich 19th pigment, probably watercolor. From the estate of a Countess Michaela Almeida of Austria, from Moondsee, Austria.
	136. 19th Century Engraving of King George III A steel engraving of King George III, after a painting by Sir William Beechey, engraved by Benjamin Smith, published by J & J Boydell, December 1st, 1804. Margins appear to be intact, full plate impression, rich tones and very nice paper condition. Plate size apprx 23" x 16-1/4", overall in period frame apprx 28" x 21-1/2". Gallery tag on verso from Norman Blackburn, Antiquarian Printseller, London.
	141. Ralph D. McLellan (American, b.1884) "The Home Of A Wharf Rat". Watercolor on paper. City skyline is visible in the distance. Signed "R. McLellan, 1937" in lower right corner. Image measures apprx 8-1/2" x 11". Overall measures apprx 17" x 20". McLellan exhibited extensively at the National Academy of Design, the Art Institute of Chicago, and the Pennsylvania Academy of the Fine Arts. Later in his life he taught life drawing and painting at the Pennsylvania Museum and School of Industrial Art in Philadelphia.
	152. Frederico Yost (American, late 19th Century) Watercolor painting by American artist Frederico Yost is entitled "New York Philharmonic" and is dated 1967. Yost emigrated to Ohio in the 19th Century and studied also at the Art Student's League with the artists Robert Henri and John Sloan. This painting depicts a piano player and a large orchestra conducted by a man in a suit with tails. Signed "Frederico Yost" in the lower right corner. Image measures apprx 20-1/2" x 17". Overall size is apprx 21-1/2" x 18".
	153. Frederico Yost (American, Late 19th Century) "Dragonflies". Watercolor, signed in lower right corner. This is a whimsical portrayal of several dragonflies flitting throughout a marsh. The painting has vivid shades of yellow, blue and green. Yost emigrated to Ohio in the 19th Century and also studied at the Art Student's League with the artists Robert Henri and John Sloan. Image size is apprx 116-1/2" x 14-1/2". Framed this piece measures apprx 18-1/2" x 16-1/2".
	159. Lawrence Blazey (American, 1902-1999) Watercolor landscape by Ohio artist Lawrence Blazey is signed in the lower left corner. Blazey attended the Cleveland Institute of Art and later returned to lecture and teach at his alma mater. Blazey was most well known for his paintings of urban areas during the 1920's through the 30's. He painted, was employed as an illustrator of advertising art, did ceramic work, enamel work, and was part of a core group of Cleveland artists who sported a bohemian existence, and later came to be the Cleveland School Artists. This painting f". tures two tall trees set against a lovely blue sky. Image size is apprx 11" x 8." Overall measures apprx 15" x 18". Verso of painting has a tag from the old Cleveland department store, The May Company, where it was most likely framed and sold as a decorative piece.
	161. Lowell Ellsworth Smith (American, b.1924) "Beach scene with Bathers". Signed watercolor on paper by the Ohio artist. Smith was born in Canton, Ohio and later attended Miami University as well as the Famous Artists School in Westport, Connecticut. He worked as an illustrator as well as watercolor painter. Image measures apprx 8" x 10". Framed, this painting measures apprx 19" x 15".
	162. John Sokol (American, b. 1947) "Queen/King". Woodblock on Japon paper, artist proof 5, signed lower right and dated '94. Apprx 21-1/2" x 17", two blind stamps at lower left. Matted, unframed apprx 25" x 20". Born in Canton, Ohio, Sokol's work is in the permanent collections of the Akron Art Museum and the Canton Art Museum. He received his Masters Degree from Kent State University (1973) in Painting and Sculpture. John then began writing and publishing short stories and poetry, such as "Kissing the Bees" (Redgreene Press, Pittsburgh, PA, 1999), "A Thousand Years from Nowhere" (Pudding House Publications, Johnstown, OH, 2002) and "In the Summer of Cancer" (Endymion Press, Los Angeles, 2003).
	313. Royal Worcester Biscuit Jar, C. 1876-1891 The Royal Worcester mark is accompanied by the traditional incised crescent "C" and the makers initials "H.S.". Painted into the firing is the letter .x.3., which would indicate that this was a three piece set. The body is fluted and tapering. The design is somewhat oriental in nature as the floral painting is likened to Satsuma. Apprx 5-1/2"H x 6" at shoulder.
	5. Egyptian Mummy Shroud, C. Late Dynastic/Early Ptolmaic Period, C. 375-300 B.C. A very large fragment of a painted shroud, with tempera painting and hieroglyphs in black ink. Four deities, including Anubis and Horus and two supplicants (?) face each other in vertically arranged pairs. Between the figures are three bands of expressively written hieroglyphs. Framed under plexi, shroud measures apprx 33" L x 10-1/2" at the widest part. Overall in frame apprx 38" x 15".
	21. Louis Abel-Truchet (French, 1857-1918) Oil on wood panel, signed "Abel Truchet" in lower left corner featuring Victorian ladies lounging in folding chairs in a lush, green garden. Board measures apprx 12-1/2" H x 16" W. With decoratively carved wooden frame this painting measures apprx 20" H x 23-1/4" W.
	30. American School, C. 19th Century This charming landscape depicts sheep at pasture with stone fence and small farm visible in the distance. Oil on canvas, initialed "J.F.M." lower right corner. Canvas measures apprx 11" H x 15" W. Overall with ornate wood and gilt frame apprx 16" H x 20" W. Tag on verso indicates that this painting has been "cleaned, relined and repaired on October 6, 1972".
	39. Andre Gisson (American, 1921-2003) "Urban Landscape". Oil on canvas by Andre Gisson, also known as Andres Gittelson, is most well known for his still-lives and views of cities. This urban landscape is painted in an Impressionistic style and signed in lower left corner with artist's signature. Canvas measures apprx 24" H x 30" W. With original distressed wooden frame this painting measures appx 30-1/2" H x 36-1/2" W.
	44. W. Muller, 20th Century A trompe l'oeil painting signed lower right "W. Muller", not dated. Depicts a well painted "painting" attached to the wall with more primitively painted books and objects around it. Image size apprx 23-1/2" x 40-1/2", in mid-20th century frame with chartreuse liner frame, overall apprx 30-3/4" x 47-1/2".
	45. E. Cole, Continental, C. 19th Century Oil on canvas painting is signed in lower right corner "E Cole Jun, 1890". This painting depicts a spring landscape filled with wildflowers and trees. Canvas measures apprx 12" H x 24" W. Overall with frame this painting measures apprx 15" H x 27" W.
	50. A Victorian Rendition, C. late 19th Century A Victorian oil on canvas, signed lower left. A title, "The Storm", is located in lower central section of the painting and signed by artist lower left, "Caputo". Canvas measures apprx 41-1/2" H x 31-1/2" W. With decoratively carved frame this painting measures apprx 49" H x 39" W.
	53. David Dawson, Continental, C. Late 19th Century Charming forest scene is signed in lower left corner "DaviDawson". This is an summer scene depicting trees with lush green leaves and a dirt road wandering through the forest. Canvas measures apprx 9" H x 7" W. Verso of canvas is stamped "prepared by Winsor & Newton Limited, London". With frame this painting measures apprx 12-1/2" H x 11" W.
	54. R. Sogan, Oil on Canvas Oil on canvas by R. Sogan is signed in lower right corner. This charming panting features a gentleman dressed in mountain climbing gear. He is joined by a small black dog. Painting is entitled "Hunter with Dog on Cliff Looking at Landscape". Canvas measures apprx 27" H x 36" W. With ornately carved wooden frame this painting measures apprx 32" H x 41" W.
	55. Ray Anthony Grathwol (American, 1900-1992) "Sailboats in a Harbor". By Ohio-based artist Ray Anthony Grathwol is composed of oil on masonite with ornate wood frame. This scene depicts a peaceful harbor at sunset. The sky is a warm pink deepening to lavender. Floating in the tranquil waters are several sailboats. Signed "R. Grathwol" in lower right corner. Masonite measures apprx 24" H x 36" W. With decorative wood frame this painting measures apprx 29" H x 40-1/2" W.
	56. Janos Apatfalvi Czene (Hungarian, 20th Century) Oil on canvas painting by Janos Apatfalvi Czene depicts the interior of a room with paintings, mirrors, lamps and a guitar. Signed in lower right corner. The canvas measures apprx 38-1/2" H x 28" W. Overall with frame this painting measures apprx 44-1/2" H x 33-1/2" W.
	58. Ray Anthony Grathwol (American, 1900-1992) Oil on panel painting by Ohio-based artist Ray Anthony Grathwol is entitled "Steamship on Lake Erie by Harbor". This painting features a large steamship with clouds of black smoke coming from various steam pipes. Signed "R. Grathwol" in lower right corner. Panel measures apprx 24" H x 36" W. With blue and white wood frame, this nautical painting measures apprx 31" H x 43" W.
	60. William O. Kuhn (American, 20th Century) "Skyscrapers with Surrounding Buildings in a City Scene". Oil on board by Cleveland, Ohio artist William O. Kuhn. This is an abstracted view of a city in muted shades of gray, brown blue and yellow. Signed in lower corner "W. Kuhn, 1982". Board measures apprx 27-1/2" H x 19" W. Overall with contemporary wood frame, this painting measures apprx 33-1/2" H x 24-1/2" W.
	62. Sobossek, Oil on Canvas Oil on canvas by New England artist Sobossek is entitled "Inland Woodland Scene with Small Pond". This is an abstracted scene painted with thick impasto in shades of cream, rust, black, smokey blue and brown. Signed "Sobossek" in lower left corner. Canvas measures apprx 24" H x 30" W. Overall with contemporary wooden frame this painting measures apprx 28" H x 33-1/2" W.
	64. Sionilli, Oil on Artist's Board Oil on artist's board is signed "Sionilli" in lower right corner. This is a contemporary depiction of a ship at full sail. The large ship is set against a teal sky and calm teal and green waters. Artist's board measures apprx 36" H x 24" W. With modern wood frame this painting measures apprx 40" H x 28-1/2" W.
	65. T. Bougerra (French, 20th Century) "Rainy Night with Coach". Oil on canvas. This is a dark painting with a sketchy depiction of a carriage drawn by two black horses. Painting is signed in lower right corner. Canvas measures apprx 24" H x 30" W. With ornately carved frame this painting measures apprx 30" H x 35-1/2" W.
	66. F. Barger (German, 20th Century) "Landscape". Oil on canvas by F. Barger is a charming depiction of the German countryside. Lush mountains and pine trees are set against a calm river. A quaint house is visible in the distance. Signed in black in lower right corner. The canvas measures apprx 19-1/2" H x 23-1/2" W. With contemporary wooden frame this painting measures apprx 22-1/2" H x 26-1/2" W.
	67. Van der Sluis, Oil on Board Oil on masonite painting is signed Van der Sluis in lower right corner and dated 1964. This painting is entitled "Still Life with Lemons". This painting is an Arts and Crafts style depiction of a trio of lemons. Board measures apprx 23-1/2" H x 19-1/2" W. With contemporary distressed wooden frame this painting measures apprx 27" H x 23" W.
	68. Kae Dorn Cass (American, 1901-1971) Cleveland School artist Kae Dorn Cass is most well-known for her portraits and still life compositions. Previously an instructor at the Cleveland Institute of Art and Cleveland Museum of Art May Show exhibitor, Cass is known for her use of bright colors and simplified shapes. This oil on canvas painting is typical of her style with it's stylized vegetables and bottle. Signed "Kae Dorn Cass, '51" in lower right corner. Canvas measures apprx 19" H x 16" W. Features a sticker from Gunther's Gallery, Cleveland, Ohio. With white wood frame this painting measures apprx 23" H x 20" W.
	69. Faith Huff (American, 20th Century) Oil on canvas entitled "City View from Embankment" is signed "Faith Huff" in lower right corner. This painting depicts a lush valley landscape with the view of a city in the distance. Canvas measures apprx 24" H x 34-1/2" W. With ornate frame this painting measures apprx 29" H x 39" W.
	70. Oil on Canvas, Austrian Landscape Austrian landscape is signed "Groner" in lower right corner. This beautiful landscape depicts a craggy mountain reflected in the tranquil water of a pond. Pine trees fill this lush green landscape. Oil on canvas measures apprx 36-1/2" H x 23" W. With frame this painting measures apprx 43-1/2" H x 31" W.
	71. Guilio Romanani (Italian, 20th Century) Oil on canvas by contemporary Italian painter Guilio Romanani is entitled "Classical Roman Ruins with Figures". This painting is signed in the lower right corner and depicts a lush landscape with the ruins of a classical Roman structure. Canvas measures apprx 36" H x 24" W. With decoratively carved wooden frame this painting measures apprx 42" H x 29" W.
	72. Edna Rogerson Cooper (Cook) (American, 1887-1966) "Forest Path", oil on canvas by California school painter Edna Rogerson Cooper (Cook) is signed in lower right corner. Cooper is most well known for her rendering of western landscapes. This particular landscape features trees with brilliant red and gold leaves. A dirt path runs through the autumn forest. Verso features tag from National Art Week. Canvas measures apprx 18" H x 30" W. With frame this painting measures apprx 21" H x 33" W.
	73. E. Embler, American, 20th Century Oil on canvas by 20th century American artist E. Embler is entitled "Western Landscape". This painting is signed by the artist in the lower left section of the dirt road. The brilliant blue sky is filled with fluffy blue clouds. Canvas measures apprx 24" H x 48" W. Overall with distressed wood frame the painting measures apprx 28" H x 52-1/4" W.
	74. Clara McClean-Sargeant (American, b. 1889) Oil on canvas by Cleveland school artist Clara McLean-Sargeant is entitled "Interior Scene with Study of a Woman's Arm". This painting is signed "Clara McLean" in lower left corner. Also signed on verso of canvas. Canvas measures apprx 24" H x 18" W. Overall with white wooden frame this painting measures apprx 29" H x 23" W.
	76. Joseph Lane (American, b. 1900) Oil on canvas painting by Joseph Lane, an American artist most well-known for his still lives of flowers and plants, is signed in the lower right corner of the canvas. This painting has a soft pink background with an Post-Impressionistic bouquet of daisies and morning glories. Canvas measures apprx 25" H x 30" W. Overall with blue and white painted wood frame this painting measures apprx 30-1/2" H x 35" W.
	78. Henry Chopin (Continental, c.1979) Oil on canvas is signed "Henry Chopin" on lower right corner of front of canvas as well as on verso. Dated c. 1979. This is an Impressionistic view of the Parisian cityscape. This charming scene is framed with a contemporary green and white wood frame. Canvas measures apprx 24" H x 36" W. With frame this painting measures apprx 31" H x 42-1/2" W.
	79. Sobossek (American) Oil on canvas by New England artist Sobossek is signed in lower left corner. This painting is entitled "Swamp Scene with Tugboat and Surrounding Trees". The sketchy rendition of the boat amongst trees and various swamp foliage is heightened by the thick, impasto application of paint. Signed lower left. Size of canvas is apprx 23" H x 31" W. With gold painted frame the overall size of this painting is apprx 29" H x 36-1/2" W.
	81. Cordet Oil on Canvas Oil on canvas is signed in lower left corner "Cordet". This painting depicts a view of a city via the rooftops of several buildings. Thick, impasto application of paint is visible in several areas. The canvas measures apprx 24" H x 20" W. With linen matting and frame this painting measures apprx 31" H x 27" W.
	83. Frill Goulet (French, Contemporary) Oil on canvas still life of tableware and fruit by French painter Frill Goulet. This painting is signed in lower right corner. Canvas measures apprx 15-1/2" H x 20" W. With contemporary wood frame and linen mat this painting measures apprx 20-1/2" H x 24-1/2" W.
	84. Helen Munn (American, 20th Century) Oil on masonite by Helen Munn is entitled "Pink Mountain." A cotton-candy pink mountain is set against a creamy background with cold gray accents. Signed in lower right corner. Masonite measures apprx 15" H x 24" W. Painting is framed with a simple natural wood frame. Overall this piece measures apprx 19-1/2" H x 29" W.
	86. Richard Andres (American, 20th Century) A graduate of the Cleveland Institute of Art in 1950, Andres exhibited in several Cleveland Museum of Art May Shows and garnered many awards. This abstract black and white painting is signed in the lower right corner. Measures 28" x 42".
	90. Martin Schongauer (German 1445-1491) Engraving of "Christ before Annas", a c. 1477-1520 engraving on chain lined paper with letter "P" and flower water mark, either Cologne of Strasbourg. This is not a lifetime impression. Size apprx 4-1/2" x 6-1/2". He was a German Northern Renaissance Painter and is known as the most important engraver and draughtsman in German art before Dürer. The Hermitage Museum in Saint Petersburg, Russia has the largest public collection of his works. Reference: Painting of Europe, XIII-XX Centuries, Encyclopedic Dictionary, Moscow, Iskusstvo-1999.
	109. John White Abbot (British, 1763-1851) "The Dormition of the Virgin", pencil on paper after the original oil painting by Carlo Veneziano Saraceni (Italian, 1579-1620). Several distraught people have gathered around the Virgin and are mourning her death. The religious subject matter is not typical of Abbot, who is better known for his ink drawings of landscapes and figures. Matted and framed under glass. The frame is an attractive gold and black frame. Apprx 19"x 18-1/4 overall and image size is 12-1/2" x 11-3/4". On verso are several framing stickers from the Chestnut Hill Framing, Massachusetts.
	110. George Clint (British, 1770-1854) "Portrait of George (Granville) Venables, Lord Vernon (1785-1861)" after original painting by Sir Joshua Reynolds. Mezzotint on paper, c. 1800. Image apprx 13-7/16" x 10-1/16", paper apprx 15-15/16" x 12-13/16". De-accessioned property from an important Midwestern museum collection.
	139. Theophilus, 7th Earl Of Huntingdon After a painting by Sir Godfrey Kneller and engraving by I. Faber. Sitter is Theophilus, 7th Earl Of Huntingdon, Hastings 1650-1701. Photogravure on paper with plate impression. Lower margin has crest "In Veritate Victoria". Plate size apprx 14" x 10", paper size apprx 18-1/2" x 12-1/4", overall with frame apprx 23-1/2" x 19-1/2". Fancy silk and beveled mat with fillet.
	141. Paul Bough Travis (American, 1891-1975) Watercolor painting by Cleveland based artist Paul B. Travis is entitled "Village Scene with Figures". Abstracted view of a village in bright green, blue and red. Image size is apprx 11-3/4" H x 16" W. With mat and frame this watercolor measures apprx 16" H x 19" W. Signed "Paul B. Travis" in lower right corner.
	146. Pair of 19th Century Theorem Paintings Pair of watercolors depict a detailed study of a floral arrangement in a stone urn. Flowers include white and pink roses, tulips and holly berries. Paper size is apprx 13" H x 11-1/2" W. With wooden frame each watercolor measures apprx 17" H x 15" W. The art of theorem painting dates back to the early 1800s. It was part of the curriculum taught to young girls in the finishing schools of New England. The process of this type of painting involves drawing or analyzing a picture, then breaking it down into numbered stencils.
	148. Hand-Colored Engraving of the "Vieux Port de Toulon" Hand-colored French engraving depicts the Vieux Port de Toulon. This is a view of the various merchants who would sell their wares along the port. This engraving was made after a painting by J. Vernet, the court painter and sculptor. Engraving is from a series depicting the different ports in France. Plate size is apprx 18-1/2" H x 28-1/2" W. With hand-cut French overmat and frame this engraving measures apprx 32" H x 40-1/4" W. Engraving was commissioned by M. de Marquis de Marigny.
	159. Mary Hanley (American, 19th Century) Watercolor on paper entitled "Flower Still Life" by American painter Mary Hanley. Signed "Mary Hanley" in lower left corner. Image size is apprx 10-3/4" H x 15-1/2" W. With mat and frame this painting measures apprx 15-1/2" H x 20-1/2" W.
	163. Margaret Crosby Schadt (American, C. 1942) "Rural Farm Scene" by contemporary American artist Margaret Crosby Schadt. This watercolor painting depicts a country road with houses, barns and telephone poles. Signed in lower right corner. Image size is apprx 18-1/2" H x 25" W. With mat and frame this watercolor measures apprx 28" H x 35-1/2" W.
	165. Don Wilson (American, 20th Century) Watercolor painting by contemporary American artist Don Wilson features several large ships in a harbor. This painting is signed "Don Wilson" in the lower left corner. Painted image measures apprx 22" H x 29-1/2" W. With matting and frame this painting measures apprx 33-1/2" H x 40-1/2" W.
	166. California School (20th Century) "Cactus". Watercolor on paper. Although signed "Marian Berry Simpson" at lower left and right corners, this is probably the work of Marian Hahn Simpson (American 1899-1978). She was a pupil of Henry G. Keller and worked in watercolor, gouache, and oil, painting landscapes and historic California themes. Image size apprx 12-1/2" x 21-1/4", overall with frame apprx 21-1/2" x 28-1/2".
	677. Preliminary Painting for Aubusson Tapestry Preliminary painting for the Aubusson tapestries depicts a wolf standing on a hillside with flowers and a church in the background. This scene is painted within a shield shaped frame against a mauve background. Dated c. early 19th century, France. These paintings were used a guide for the creation of the Aubusson tapestries. Originally the tapestries were hung from walls, however later they were used as floor coverings. Paper measures apprx 27" H x 27" W. With frame this painting measures apprx 37-1/2" H x 37-1/2" W.
	678. Another Preliminary Painting for Aubusson Tapestry Preliminary painting for the Aubusson tapestries depicts a scene with a trees and a stone aquaduct. This scene is framed by a border of roses in various shades of beige, cream and sage and set against a navy blue background. Dated c. early 19th century, France. These paintings were used a guide for the creation of the Aubusson tapestries. Originally the tapestries were hung from walls, however later they were used as floor coverings. Paper measures apprx 25-1/2" H x 29" W. With decorative frame this painting measures apprx 42" H x 44-1/4" W.
	679. Third Preliminary Painting for Aubusson Tapestry Preliminary painting for the Aubusson tapestries depicts a bouquet of roses and wildflowers in a basket. This floral arrangement is framed with a border of wildflowers against a sage green background. Dated c. early 19th century, France. These paintings were used a guide for the creation of the Aubusson tapestries. Originally the tapestries were hung from walls, however later they were used as floor coverings. Paper size is apprx 21" H x 39-1/2" H. With decorative frame this painting measures apprx 34-1/2" H x 53-1/4" W.
	713. A Pair of Illuminated Pages, C. 17th/18th Century Both illustrations cut from a prayer book and are hand painted on vellum, in french mats and framed in simple wood and gilt frames. The first depicts Christ washing the disciples feet, lower margin with German text in gold over maroon pigment. Detailed interior with strong color. Verso has oval monochromatic illustration of an angel surrounded by text in German and Latin. The second image shows Christ about to bear the cross before Pilate. Similarly styled as the other painting with many details and like text. Verso also with oval image and text in German and Latin. Both image sizes apprx 4-3/4" x 3", overall with frames apprx 9-3/4" x 7-3/4".